Rewind Review: Big Audio Dynamite – Megatop Phoenix (1989)

Big Audio Dynamite (Dan Donovan – keyboards and vocals, Mick Jones – guitar and vocals, Don Letts – effects and vocals, Greg Roberts – drums and vocals, Leo “E-Zee Kill” Williams – bass and vocals) were a big part of my high school years, and their final album, Megatop Phoenix, was a great way to go out on top. I had it on a mix tape for years, so it was high time I bought a proper copy of it. Recorded not long after Mick Jones nearly died of pneumonia (special thanks are given to his doctors and nurses in the album’s liner notes), the album is a reflection on the band’s history and a look to the future.

“Rewind” is a battle cry to all of us to stay strong in the face of adversity and to never count out the underdog. The kick-in of Williams’ bass after the first verse still gives me chills. It’s a great blend of their raga / post-punk / new wave / electro mix that made them so innovative. “Union, Jack” is Jones, Letts, and Williams’ call to British people to get back up on their feet in the Reagan / Thatcher years that were grinding them down into complacency. It opens with a sample of the British national anthem and then kicks in some of the slickest beats by Roberts. Lyrics like “Now in the classroom I was told about the Empire, how you were bold. A pint of beer, life passes by, your spirit’s squashed just like a fly.” continue to resonate today.

“Contact” is a song about Jones’ inner struggle to express himself to perhaps a lovely lady or even his own band mates. This was B.A.D.’s last album, after all. His guitar has nice heaviness to it when it comes in during the chorus. “Dragon Town” has Jones expressing the band’s wonder at being lost in a Chinatown while looking for an exotic woman.

“Baby, Don’t Apologize” is, on its surface, about Jones telling a lover not to be sorry things didn’t work out because he can’t or won’t change. It’s probably a veiled reference to the end of the band, however. Jones had a life-changing experience with his pneumonia, Don Letts was becoming a producer and DJ, and the other band members were also involved in other projects. Jones was worried about how he might be perceived (“My head is in the stock. It rains refuse, some shout abuse, and others throwing rocks.”), but as he puts it, “What I am is loud and clear for all to see, for all to hear.”

“Around the Girl in 80 Ways” is a straight-up love song from Jones and Letts as they teach how to woo the lady of your choice. They suggest everything from “a bunch of flowers” to playing it cool. “James Brown” was written after the Godfather of Soul was involved in a domestic violence case and a police pursuit that landed him in jail. Jones and Letts tell the story from Brown’s perspective, paying tribute to him and calling him out on his bad behavior at the same time. The beats are wicked, as is the verbal takedown of American celebrity culture (which is just as bad in Britain nowadays).

“Everybody Needs a Holiday” sounds better than ever in this world that has only gotten smaller, busier, and less personal since 1989. “House Arrest” is a tale of partying on Saturday night until six in the morning when the cops show up. It’s a floor-bumper with heavy bass and kick ass drum licks. Letts gets to take lead vocals on it as he sings about “bouncers, bimbos, lager louts” and “cops and dogs in transit vans.”

“The Green Lady” is a clever and slightly bittersweet song (with great guitar work by Jones) about a man who falls in love with a Chinese woman in a mass-produced photograph hanging in his flat. “London Bridge” is about the Americanization of London, but Jones professes his love for his town with catchy hooks. “Stalag 123” is about Jones and crew being stuck in the studio working on a record while the building’s basement is flooded and they have to deal with “no windows, no air, and secondhand gear.”

B.A.D. didn’t sound like anything that came before them, and no one has really matched their mix of genres since. They had a successful reunion tour a few years ago, and we can always hope for another. If not, there’s always their excellent catalog and this fine end to it.

Keep your mind open.

[It would be bad-ass if you subscribed.]

Omni’s new album due out Sept. 22nd, but you can hear the first single now.

 

OMNI ANNOUNCE NEW ALBUM, SHARE “EQUESTRIAN

MULTI-TASK OUT SEPTEMBER 22ND ON TROUBLE IN MIND

Atlanta, GA trio Omni charged out of the gate in 2016, stunning everyone within earshot with their debut long-player, Deluxe, a dizzyingly refreshing amalgam of wiry post-punk jitters & a dash of zen cool. Multi-task, being released September 22nd via Trouble in Mind, is their latest offering & all signs point to the coveted goal of “next level.” As with Deluxe, Multi-task was recorded with friend & engineer Nathaniel Higgins at his studio as well as a remote cabin in the woods near Vienna, Georgia. “It gave a true peace/piece of mind away from the city” Frobos says, “We could work with no distractions or limitations at our own pace.”

Multi-task is a more musically adventurous step forward for the band, keeping the frantic, fleet-fingered fingerpicking of Broyles’ guitar work & Frobos’ dead-cool delivery while expanding their musical palette & to include whispers of post-Roxy glam & Postcard Records pop. Multi-task balances the band’s trademark off-kilter & unconventional jams with an elegance not found with many of their contemporaries. Their underlying seductive sophistication creates an aura of romance that many post-punk bands dare not tread, and Omni pulls it off with grace & style.  Their minimalist funk-fused agit-pop whirrs while simultaneously creating an album that is awash in the excitement of new love, or fleeting attraction. Listen to the first single, “Equestrian,” which the band say is “a song for and about the privileged and self-loathing. It can be unknowingly fun and disgusting at the same time to live in the now. Despicable/Applicable.”

STREAM “EQUESTRIAN”
http://bit.ly/2uqHRQu

WATCH A TEASER FOR THE RECORD:
https://youtu.be/9ZXgJ-I234s

MULTI-TASK TRACKLISTING
1. Southbound Station
2. Equestrian
3. Choke
5. Tuxedo Blues
5. After Dinner
6. Supermoon
8. Date Night
9. Calling Direct
10. Heard My Name
11. Type

OMNI TOUR DATES:
Thu. July 20 – Atlanta, GA @ The Earl: Irrelevant Music Fest
Wed. July 26 – Nashville, TN @ 5 Spot
Thu. July 27 – Indianapolis, IN @ State Street Pub
Fri. July 28 – Madison, WI @ The Terrace: Univ. of Madison
Sun. July 29 – Chicago, IL @ The Hideout
Thu. Aug. 3 – Athens, GA @ Caledonia Lounge
Fri. Aug. 4 -Birmingham, AL @ Secret Stages
Mon. Aug. 7 – Asheville, NC @ The Mothlight
Tie. Aug. 8 – Bloomington, IN @ The Bishop Bar w/ Kevin Krauter / Peter Oren
Wed. Aug. 9 – Memphis, TN @ Growler’s
Thu. Aug. 31 – Amsterdam, NL @ OT301
Fri. Sep. 1 – Larmar Tree Gardens, UK @ End of the Road Festival
Sat. Sep. 2 – Manchester, UK @ Strange Waves Festival
Sun. Sep. 3 – Bristol, UK @ Louisiana
Mon. Sep. 4 – Paris, FR @ Point Ephemere
Tue. Sep. 5 – Toulouse, FR @ Pavilion Sauvage
Wed. Sep. 6 – Madrid, ES @ Sirocco
Thu. Sep. 7 – Santiago De Compostela, ES @ WOS
Fri. Sep. 8 – Barcelona, ES @ Altaveu
Sat. Sep. 9 – Marseille, FR @ L’Emeobineuse
Mon. Sep. 11 – Basle, CH @ Renee
Wed. Sep. 13 – Zurich, CH @ Katakombe @ Sender
Thu. Sep. 14 – Bologne, IT @ Freakout
Fri. Sep. 15 – Lyon, FR @ Le Sonic
Sat. Sep. 16 – Orleans, FR @ Hop Hop
Sun. Sep. 17 – Lille, FR @ DIY
Mon. Sep. 18 – London, UK @ Moth Club
Tue. Sep. 19 – Birmingham, UK @ Hare & Hounds
Wed. Sep. 20 – Dublin, IRE @ Whealan’s
Thu. Sep. 21– Glasgow, UK @ Hug & Pint
Fri. Sep. 22 – Liverpool, UK @ Liverpool Psychfest
Sat. Sep. 23 – Brighton, UK @ Sticky Mike’s Frog Bar

PRAISE FOR DELUXE

“Atlanta trio Omni is only on their first album, but they’ve already caught that essential combination of steely rigor and fiery energy, ripping out quick gems that exude control without sacrificing guts.” – Pitchfork

“On Atlanta trio Omni’s debut album, Deluxe, nothing was surplus. Every snare, every inquisitive, jagged little guitar line, every melody from Philip Frobos’s throat—it was all essential.” – Noisey

“A modern-day paragon of the infinite possibilities, and rewards, of the post-punk form.” – Aquarium Drunkard

“Channeling the likes of Devo and Pylon, their music is a blissful trip back in time to the arty, danceable rhythms of the new wave movement, but with a rough lo-fi flair.” – Stereogum

Hi-res images/album art – http://pitchperfectpr.com/omni/

Pre-order Physical – http://bit.ly/2u4th0D
Pre-order Digital – http://apple.co/2sWcrT6

Omni Online:
https://www.facebook.com/omniatl
https://www.instagram.com/omnideluxe/
https://soundcloud.com/omni-band
http://www.troubleinmindrecs.com/
http://pitchperfectpr.com/

Pitchfork Music Festival 2017: Day Three recap

Day three of the Pitchfork Music Festival started out a bit chilly as the Windy City was living up to its nickname, but we soon got our sweaty groove on thanks to a great set by Chicago house music legend and pioneer Derrick Carter.

Derrick Carter dropping beats like an Olympic power lifter dropping a barbell.

For those of you who weren’t dancing during his set, please see a doctor because something is wrong with you.  He put on a house music clinic.  It was a great way to start the day.

We also heard a bit of Colin Stetson‘s set.  He plays this wild, droning, hypnotizing saxophone music that is difficult to describe but quite mesmerizing.  We had plenty of time before Ride‘s set, so we met up with my college pal and his husband again before heading off to do a little shopping and eating.

Ride put on a good set of shoegaze that was a great switch from all the hip hop, electro, and funk we heard during the festival.  Unfortunately, they had a shortened set due to some early technical difficulties, but they played new and old material and blasted all of us with the final song of their set.  It was a loud, distorted, fuzzed-out assault.  “I needed that,” said one man next to me by the time they were done.

Ride melting faces in a killer finale.

Ride did a signing at the record fair afterwards, and I scored a signed copy of their newest album, Weather Diaries (review coming soon).  They were happy to meet everybody, and I’m happy to report they had a long line of fans there.

Mandy caught Jamilla Woods‘ set, which she enjoyed very much, after she’d been moved from the Blue Stage to the Green Stage due to the Avalanches cancelling their performance.  According to their Twitter feed, a family member one of the band members had some sort of dire medical emergency.  My college pal came to the festival mainly to see them, so he was more than annoyed they weren’t playing.  He and his husband learned via a Google search that the Avalanches are about as finicky as Morrissey when it comes to performing.

Thankfully, Nicolas Jaar put on an excellent set of his experimental electro / trance music that was both psychedelic and dance-inspiring at the same time.  At about the halfway point of his set, a guy in front of me turned to his friends and said, “This is the best set I’ve seen all weekend.” and then left.

Chilean DJ Nicolas Jaar creating intricate beats on the fly.

We split after that, beating the crowds and stopping to meet artist Jay Ryan so we could get one of his posters.  He does really neat and cute art for a lot of bands and other projects.  We already had a Bob Mould tour poster of his hanging in our living room, and now Mandy has a “It’s Time to Read” poster that will go in her office featuring bears, cats, and a wooly mammoth reading books.

I walked out with a new pair of sunglasses and CD’s by Screaming FemalesVacation, Waxahatchee, Tycho, Priests, Slowdive, She-Devils, Ride, and Wavves, and even a cassette by a band called Diagonal.  I’ll have reviews of all this stuff in the coming months.

All in all, the Pitchfork Music Festival was a good time.  We’d go back if the lineup was good and we could stay close to the festival.  As it’s been for the last few festivals I’ve attended, VIP tickets don’t look worth the money.  It’s not as laid back as a Levitation festival, but still fun.  It also could’ve used a little more rock, in my opinion, but it was worth the trip.

Keep your mind open.

That’s my pal, Chris, on the far right and his husband, Darin, on the far left. Chris and I hadn’t seen each other since 1993.

[You know what else is worth it?  Subscribing to my blog.]

Jane’s Addiction to release live version of “Ritual De Lo Habitual” this August.

Alt-rock legends Jane’s Addiction recently announced they’ll release a live version of their classic album Ritual De Lo Habitual on August 25, 2017.  This was recorded on their 2016 tour and features all the original members of the band.  They play the album in its entirety and include four encore tracks (“Mountain Song,” “Just Because,” “Ted, Just Admit It,” and, of course, “Jane Says”).

The album will be available for download (for a mere nine bucks) and on red or blue vinyl.  Get it while it’s hot.

Keep your mind open.

[Stop for a moment and subscribe.]

Pitchfork Music Festival 2017: Day One recap

I must admit that the Pitchfork Music Festival crams a lot of stuff into a small park.  I’m used to larger spaces like Levitation Austin, but Pitchfork gets a lot of bang for its buck at Chicago’s Union Park.

Speaking of cramming, the lines to get in were long, but moved well when my wife and I got to the festival close to 2:00.  By the end of the day, we were hearing stories of the line to get in wrapping around the block and going the whole length of the park.  One friend posted on Facebook that it was almost as bad as getting into the massive Star Wars Celebration convention.

Once inside, I was surprised to see how close two of the stages are to each other.  The Red and Green Stages are almost a stone’s throw apart.  Mandy and I wondered how noisy it was going to be with the bands playing on each stage, but the Pitchfork programmers wisely schedule the bands so that none are playing on the Red and Green stages at the same time.

We missed Madame Gandhi‘s set, unfortunately, but arrived in time to see Priests.

Priests

They played a set that proved post-punk is alive and well and had a fun time.  I later picked up their first record at a record fair located on the park’s tennis courts.  We had plenty of time to wander after their set and that’s when we discovered not only the record fair, but also a print and poster fair, a book fair, a craft fair, and plenty of food vendors.  I walked out of the record fair with not only that CD by Priest, but also CD’s by Waxahatchee, Screaming Females, and Vacation.  I might go back for a Chicago Cubs World Series Champions poster and a cute one of animals reading books.

We wandered to the Red Stage to catch the Thurston Moore Group, who put down a loud punk / noise rock set with hammering guitar solos and thunderous bass.  Moore told a funny story about Henry Rollins’ too during the set, so that was a treat.

Thurston Moore Group

We went straight back to the Green Stage to catch Danny Brown, who came out to Black Sabbath’s “Iron Man.”  He quickly got the crowd jumping with his crazy rhymes and booming beats.  Water and water bottles were flying in every direction from a mosh pit that broke out in front of the stage.  There was a lot of call and response stuff between Brown and the crowd, who I’m happy to say looked sharp and healthy (check out his lyrics if you’re wondering why I was concerned).

We stayed in our spot for about an hour to wait for LCD Soundsystem, who got a big cheer just from raising the biggest mirror ball I’ve ever seen above their set.

The crowd kept building as their 8:10 start time grew closer.  It was so packed at one point that I had difficulty raising my arms to get this photo.

I’m glad I’m not claustrophobic. That’s the Red Stage behind us, and this is just half the crowd for LCD Soundsystem. Mandy’s checking her phone to my left.

LCD Soundsystem started their set ten minutes early, bringing seemingly enough people for an Earth, Wind, and Fire tribute band with them.  They burst out of the gate hard and fast, and the crowd seemed to release energy it had been storing all day.  Their big hit “Daft Punk Is Playing at My House” was the second song of the set, so they didn’t waste time.

How it looks when Daft Punk is playing at your house.

A mosh pit broke out next to us at one point, and this aging punk rocker had to get into it and show these young hipsters how its done.  Other highlights included “Trials and Tribulations,” a lovely and loud version of “New York I Love You, but You’re Bringing Me Down,” and “You Wanted a Hit.”

LCD Soundsystem won’t be your babies anymore.

I warned Mandy as they started “Dance Yrself Clean.”  “This whole place is going to go ape shit,” I said.  She had no idea what I meant and thought the entire crowd was going to break into a mosh pit.  She was pleasantly surprised when instead we all pogoed when the song kicks into full gear.  It’s as great as you can imagine.

Dancing ourselves clean with LCD Soundsystem.

They closed with a wild rendition of “All My Friends.”  It was well worth the waits (the hour before their set, and a few years since they called it quits) to see them.  I had been bummed that I missed them when they were first on the scene, so their set at Pitchfork was my main reason for buying weekend passes.  They didn’t disappoint, and lead singer James Murphy performed with a bad back and keyboardist Nancy Wong with a bum knee – although neither showed much signs of impairment (Murphy stretched at one point, and Wong would sometimes take his arm to walk from one spot on stage to another).

This is how you end a set. Stay home if you can’t bring this kind of energy.

Getting out of the festival was a big harder than getting in since the main entrance and exit isn’t huge.  We plan to look for a VIP exit tonight.  On the way out, a young man behind said to his friends, “Mosh pits were fun when I was a sophomore three years ago.  Now, I’m not so sure.”  The old punk rocker in me wanted to give him a backwards elbow shot to the face and say, “I’m getting into pits at twice your age!”

On the list today is George Clinton and Parliament Funkadelic, Madlib, P.J. Harvey, S U R V I V E, and A Tribe Called Quest.  We also plan to meet up with some old friends we haven’t seen in a while (one in decades), so it should be a good time.

Keep your mind open.

Midnight Sister’s debut album, “Saturn Over Sunset,” due out this September.

Midnight Sister Announce Debut Album, Saturn Over Sunset,
Out September 8th On JagjaguwarWatch The Video For New Single, “Blue Cigar”
https://www.youtube.com/watch?v=dk8Ag-Vn06U

Catch Them On Tour This Fall With D.D Dumbo

 

“Sounding at times like early Perfume Genius, L.A. band Midnight Sister shows off a knack for blending orchestral pop and psychedelia…” – The FADER

“alluring and wonderfully timeless” – Gorilla vs. Bear

Midnight Sister are pleased to announce their debut album, Saturn Over Sunset, out September 8th on Jagjaguwar. Along with the announcement, they’re sharing the official video for their new single, “Blue Cigar.” Curious smoke curls across your face as some terrifying, glamorous woman whisper-sings into your ear over jumpy keys and squawking, oddly charming horns. You can’t quite remember how you ended up here with these questionable characters. But you can’t get out of the booth, not now. It’s too late for you, I’m afraid.Midnight Sister — the project of intense creatives Juliana Giraffe and Ari Balouzian — is brought to you by the isolating landscape of the San Fernando Valley — its colors, its diners, its lunatics, its neon lights. Both lifelong residents of this storied valley, Giraffe and Balouzian have only become more inspired by the area’s mythology over the years, it’s two-faced magical wonderland and tragic circus. And Saturn Over Sunset works almost as an album version of Robert Altman’s Short Cuts, each song a character study of the valley’s odd personae.

Giraffe, 23, a daughter of an LA disc jockey, was raised almost exclusively on disco and Bowie. Her lyrics and lyrical melodies, informed very much by her filmmaking background, were composed gazing out from a tiny retail window on Sunset Boulevard. Her “Rear Window”-like longing allowed her imagination to run wild and cook up the wild narratives that would fill Balouzian’s compositions. Balouzian, 27, classically trained and already a go-to arranger for odd-pop names like Tobias Jesso Jr. and Alex Izenberg. Midnight Sister represents a first for both of them. It’s Giraffe’s first time writing and performing music. And it’s Balouzian’s first foray into playing true pop music.

Saturn Over Sunset is a shared musical vision of Hollywood’s oddest corners. It is the baroque, eldritch alley you must pass through to find the speakeasy night of your life. You’ll come out bleary-eyed and the sunrise will be pouring all pink and orange through the smog and palm trees.

Watch Midnight Sister’s “Blue Cigar” Video:
https://www.youtube.com/watch?v=dk8Ag-Vn06U

Watch “Leave You” Video:
https://youtu.be/Jot8NY3wq1k

Midnight Sister Tour Dates:
9/8 – Los Angeles, CA @ Teragram Ballroom (w/ D.D Dumbo)
9/9 – San Diego, CA @ Casbah (w/ D.D Dumbo)
9/11 – Santa Cruz, CA @ Atrium at The Catalyst (w/ D.D Dumbo)
9/12 – San Francisco, CA @ Independent (w/ D.D Dumbo)
9/14 – Portland, OR @ Doug Fir (w/ D.D Dumbo)
9/15 – Seattle, WA @ Barboza (w/ D.D Dumbo)
9/16 – Vancouver, BC @ The Biltmore Cabaret (w/ D.D Dumbo)
9/19 – St Paul, MN @ Turf Club (w/ D.D Dumbo)
9/20 – Chicago, IL @ Schubas (w/ D.D Dumbo)
9/22 – Philadelphia, PA @ Johnny Brendas (w/ D.D Dumbo)
9/23 – New York, NY @ Bowery Ballroom (w/ D.D Dumbo)
Saturn Over Sunset Tracklist:
1. Canary
2. Leave You
3. Blue Cigar
4. Showgirl
5. The Drought
6. The Crow
7. Daddy Long Legs
8. Neon
9. Shimmy
10. So Young
11. The View From Gilligan’s Island
12. Hitman
13. Clown
14. Their Eyes

Pitchfork Music Festival artist spotlight: Ride

Influential British shoegaze band Ride broke up in 1996 after just six years and a couple albums, but they got back together in 2015 and have a new album, Weather Diaries, out this year.  Ride’s performance at the Pitchfork Music Festival on July 16th will be one of the highlights of the weekend, as not many expected a Ride reunion, let alone a new album or tour.  They sound like they haven’t lost anything after 20 years, so don’t miss their set if you’ll be in Chicago that weekend.

Keep your mind open.

[Take a ride with me by subscribing.]

 

Pitchfork Music Festival artist spotlight: NE-HI

Chicago’s NE-HI formed to score a friend’s film and ended up becoming indie rock darlings.  I’m guessing they took their name from the mostly forgotten brand of soda, but perhaps I’m wrong.  I do know that their catchy psychedelic rock hooks are good and I’m confident a lot of their hometown fans will be at their Pitchfork Music Festival set on July 16th to cheer them.

Keep your mind open.

[Here’s a great offer!  Free blog updates sent straight to your e-mail inbox in exchange for your e-mail address.]

Pitchfork Music Festival artist spotlight: P.J. Harvey

Singer, songwriter, multi-instrumentalist, actress, and sculptor P.J. Harvey will be playing Chicago’s Pitchfork Music Festival on July 15th.  Ms. Harvey is an alt-rock, feminist giant who has crafted complex songs she insists aren’t about her, but many suspect otherwise.  She is bold and beautiful, serious and sexy, charming and chaotic.  Her set will surely be packed and one of the highlights of the festival.

Keep your mind open.

[Spinnin’ wheel, spinnin’ through.  Subscribin’s what you should do.]

 

Pitchfork Music Festival artist spotlight: Thurston Moore Group

Thurston Moore doesn’t need much introduction.  The former lead singer and guitarist of Sonic Youth has influenced more bands and musicians than we can probably count and is a guitar hero to many (much to his chagrin, I’ve heard).  His new band puts out great “wall of sound” fuzz rock, and I’d hoped to catch them at Levitation Austin in 2016, but that was cancelled due to bad weather.  He’ll be performing at the Pitchfork Music Festival on July 14th, so it will be good to catch up with him.

Keep your mind open.