Protomartyr release new single – “Wheel of Fortune” – ahead of June 15th EP.

PROTOMARTYR ANNOUNCE NEW “CONSOLATION E.P.”
WITH KELLEY DEAL OF THE BREEDERS

EP OUT JUNE 15TH ON DOMINO,
WATCH VIDEO FOR “WHEEL OF FORTUNE”

(Illustration by Richard Phoenix)

Today Protomartyr announce a new release called “Consolation E.P.,” which they recorded in part with friend Kelley Deal and will be released June 15th via Domino Recording Co. Two of the four songs feature Deal on vocals alongside singer Joe Casey, including “Wheel of Fortune,” which receives a video today directed by Yoonha Park (who directed the band’s video for “Don’t Go To Anacita”).  The EP was recorded by Deal’s R.Ring bandmate Mike Montgomery. Joe Casey and Kelley Deal had this to say of the collaboration and EP:

Early 2017 proved to be a productive time for the band. We were writing songs right up to recording Relatives In Descent and wanted to keep that momentum going right after. Making 2015’s split single “A Half Of Seven” with R. Ring was one of our favorite recording experiences, so the decision to head down to Dayton, Kentucky and spend a weekend in May recording the four songs that became the “Consolation E.P.” was an easy one. – Joe Casey

For Mike and I, working on this EP with Protomartyr was a re-kindling of the tender spark that was struck upon our first encounter with them years ago in Texas. They were graciously tolerant and receptive to my production ideas on the songs and the project quickly grew beyond our private orb. We have cello from Lori Goldston, viola from Jocelyn Hach and even bass clarinet from Evan Ziporyn, and I do some singing with Joe. There’s a lot of trust involved when an artist places their songs in your hands, and we were very mindful of that while intentionally trying to take the songs in new directions. Candyland in Dayton, KY is home-base for R.Ring recording, and it’s close enough that the Proto-men could make it down to lay the tracks down. This is the second project like this we’ve done with them, so we’re ready to flip the tables and have them produce and record some of our songs! – Kelley Deal

WATCH THE VIDEO FOR “WHEEL OF FORTUNE”
http://smarturl.it/WheelOfFortuneYT

(“Consolation E.P. “album art)
“CONSOLATION E.P.” TRACKLISTING
1. Wait
2. Same Face In A Different Mirror
3. Wheel Of Fortune (feat. Kelley Deal)
4. You Win Again (feat. Kelley Deal)
PROTOMARTYR TOUR DATES
Thu. May 3 – Kortrijik, BE @ De Kreun
Fri. May 4 – Bristol, UK @ Thekla
Sat. May 5 – Leicester, UK @ Handmade Festival
Sun. May 6 – Glasgow, UK @ Stag & Dagger Festival
Tue. May 8 – Hull, UK @ Fruit
Wed. May 9 – Birmingham, UK @ Mama Roux
Thu. May 10 – London, UK @ Rough Trade East – In Conversation with the Raincoats
Thu. May 10 – London, UK @ Scala
Sun. June 3 – Seattle, WA @ Upstream Music Festival
Sat. June 9 – Brooklyn, NY @ Elsewhere (Brooklyn Vegan Northside Party)
Wed. June 13 – Hong Kong, HK @ MOM Livehouse
Fri. June 15 – Beijing, CN @ Yue Space
Sat. June 16 – Shanghai, CN @ YYT
Sun. June 17 – Seoul, KR @ V-Hall
Wed. June 20 – Kuala Lumpur, MY @ Live Fact
Thu. June 21 – Jakarta, ID @ Rossi Musik
Sat. June 23 – Athens, GR @ Ejekt Festival
Fri. July 6 – Modena, IT @ Arti Vive
Sat. July 7 – Chiusi, IT @ Lars Rock Fest
Sat. July 21 – Los Angeles, CA @ FYF Fest
Sat. Aug. 11 – Haldern, DE @ Haldern Pop Festival
Sun. Aug. 12 – Luxembourg, LU @ Rotondes
Mon. Aug. 13 – Dusseldorf, DE @ Zakk
Tue. Aug. 14 – Bremen, DE @ Tower Musikclub
Thu. Aug. 16 – Nijmegen, NL @ Doornroosje
Fri. Aug. 17 – Biddinghuizen, NL @ Lowlands Festival
Sat. Aug 18 – Hasselt, BE @ Pukkelpop Festival
Sun. Aug. 19 – St. Malo, FR @ La Route Du Rock
Tue. Aug. 21 – Dudingen, CH @ Bad Bonn
Wed. Aug. 22 – Zurich, CH @ Mascotte
Fri. Aug. 24 – Schorndorf, DE @ Club Manufaktur
Sat. Aug 25 – Charleville Mezieres, FR @ Cabaret Vert Festival
Sun. Aug. 26 – Ramsgate, UK @ Ramsgate Hall
Tue. Aug. 28 – Sheffield, UK @ Picture House Social
Wed. Aug. 29 – Hebden Bridge, UK @ Trades Club
Thu. Aug. 30 – Liverpool, UK @ O2 Academy 2
Fri. Aug. 31 – Salisbury, UK @ End of the Road Festival
Thu. Aug. 30 – Sun. Sep. 2 – Vlieland, NL @ Into the Great Wide Open
PRAISE FOR RELATIVES IN DESCENT

“Political, environmental, epistemological, social, familial and individual anxieties fuel the latest songs by Protomartyr, a band from Detroit that has been reclaiming the jagged, muscular dissonances of post-punk for 21st-century America.”
– The New York Times (Album of the Week)

“A slow-burn apocalypse of ennui and injustice crackles through the sensational fourth album from these Detroit post-punks.” – The Guardian (5/5 stars)

“Brooding and abrasive, the Detroit post-punk group’s new LP isn’t for the faint of heart – but beauty lies in its 12 knotty, pummeling tunes.” – Entertainment Weekly

“Over the course of four full-length albums, the Detroit-based band has produced a collection of lyrically dense, deeply philosophical (and usually very loud) songs that grapple with some of life’s thorniest questions: What does it mean to be human? What is truth? What is the nature of good and evil?” – NPR Music

“Consolation E.P.” is available to pre-order now on limited pressing yellow/white starburst vinyl via Domino, and limited pressing gold vinyl via your local independent record store.

“Consolation E.P.” Domino pre-order: http://smarturl.it/ConsolationEPMart
“Consolation E.P.” Digital pre-order: http://smarturl.it/ConsolationEPDL

Relatives In Descent Domino Mart: http://smarturl.it/RIDMart
Relatives In Descent iTunes: http://smarturl.it/RIDDownload

Keep your mind open.
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BODEGA releases new single / your new favorite earworm – “Jack in Titanic”

BODEGA Shares New Single “Jack In Titanic”
Watch The Video Here

U.S. Headline Tour Announced

Endless Scroll Out June 1st On What’s Your Rupture?

[Photo by Mert Gafuroglu]

Having recently announced their debut album, BODEGA are back with another new single, “Jack In Titanic.” Ben Hozie from the band explains, “’Jack in Titanic’ is about learned male behavior and the nostalgia for it. One day I realized that my unspoken internal values ‘of what it means to be a man’ were inherited from the dubious fantasy of the movies, particularly my childhood models: James Bond, Jackie Chan, and Jack (in Titanic). Jack, of course, is also an archetypal rock and roll hero: road warrior, poor yet able to maneuver class, loyal friend, incredible dancer, fantastic lover (in the back of cars), wonderful with graphic design (could do his own cover art), and weapon against the aristocracy (and all things bureaucratic and mannered).”

The “Jack In Titanic” video, directed by the band’s Nikki Belfiglio and Bodega-ally Corey Eisenberg, is set within the cover art for Endless Scroll (hence the square aspect ratio). The space is a virtual gallery of the endless scroll and Jack’s twenty-first century boyish id – hypersexual rock and pop performance mediated by the screen. The full band only performs together separated by monitors.

Watch BODEGA’s “Jack In Titanic” Video:
https://youtu.be/2PmC3y-ktBM
Endless Scroll will be released June 1st on What’s Your Rupture?. Ahead of that, BODEGA heads to Europe for their first ever shows outside of North America. Upon their return, the band plays a record release show at Sunnyvale in Brooklyn on June 1st before embarking on a U.S. headline tour throughout June. A full list of dates is below with more to be announced soon.
Watch:
“Jack In Titanic” video – https://youtu.be/2PmC3y-ktBM
“Can’t Knock The Hustle” video – https://youtu.be/sm5fWJDJicI
“How Did This Happen ?!” video – https://youtu.be/TKAzK41-YHM
BODEGA Tour Dates:
Tue. May 15 – London, UK @ The Social
Wed. May 16 – London, UK @ Lock Tavern
Thu. May 17 – Brighton, UK @ The Great Escape (tickets)
Fri. May 18 – Brighton, UK @ The Great Escape (tickets)
Sat. May 19 – Leeds, UK @ Gold Sounds at Brudenell Social Club (tickets)
Sun. May 20 – Glasglow, UK @ The Poetry Club (tickets)
Tue. May 22 – London UK @ Electric Ballroom w/ Rolling Blackouts C.F. (tickets)
Wed. May 23 – London, UK @ The Lexington w/ Amyl and the Sniffers (SOLD OUT)
Fri. May 25 – Leffinge, BE @ De Zwerver (tickets)
Sat. May 26 – Amsterdam, NL @ London Calling at Paradiso (tickets)
Sun. May 27 – Brussels, BE @ AB Club w/ Moaning (tickets)
Mon. May 28 – Cologne, DE @ Sonic Ballroom
Tue. May 29 – Berlin, DE @ ACUD (tickets)
Fri. June 1 – Brooklyn, NY @ Sunnyvale
Sat. June 16 – Toronto, ON @ The Rivoli
Sun. June 17 – Cleveland, OH @ Beachland Tavern
Mon. June 18 – Detroit, MI @ Marble Bar
Tue. June 19 – Chicago, IL @ Empty Bottle
Thu. June 21 – Nashville, TN @ The High Watt
Fri. June 22 – Bloomington, IN @ The Bishop
Sat. June 23 – Lawrence, KS @ Jackpot
Sun. June 24 – Iowa City, IA @ The Mill
Mon. June 25 – St. Paul, MN @ Turf Club
TUe. June 26 – Milwaukee, WI @ The Cactus Club
Wed. June 27 – Columbus, OH @ Used Kids Records
Thu. June 28 – Athens, OH @ The Union
Fri. June 29 – Washington, DC @ DC9
Sat. June 30 – Phladelphia, PA @ Everybody Hits
Tue. July 10 – Manchester, UK @ Soup Kitchen (tickets)
Wed. July 11 – Birmingham, UK @ The Sunflower Lounge (tickets)
Fri. July 13 – Beccles, UK @ Latitude Festival (tickets)
Mon. July 16 – Nijmegen, NL @ Valkhof Festival (tickets)
Thu. July 19 – Port Grimaud, FR @ Plage de Rock w/ Parquet Courts
Sat. July 21 – Benicassim, ES @ Benicassim Festival (tickets)

[Endless Scroll artwork]

Keep your mind open.
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MIEN – self-titled

Consisting of members of the Black Angels (Alex Maas on guitar, bass, and vocals), the Earlies (John Lapham on synths), Elephant Stone (Rishi Dhir on sitar, bass, and vocals), and the Horrors (Tom Furse on synths), MIEN are a psychedelic supergroup who have been at least discussing their self-titled debut album since 2004.  Now that it’s here, they (and we) can rejoice in a job well done.

Staring with the cosmic “Earth Moon,” Maas’ vocals are drenched in smoky reverb as he sings about how our beliefs can alter our reality.  Where that track is a lovely stroll through a psychedelic meadow, the second cut, “Black Habit,” is downright creepy with Lapham and Furse’s synths providing a dark drone under Maas’ lyrics about addictions.  “(I’m Tired of) Western Shouting” might be my favorite cut on the record.  The drum beats are wicked, as are Maas’ lyrics about 24-hours news cycles, angry Internet rants, and people being proud to be rude or even bigoted.  The whole band clicks on it, and it slays live.

“You Dreamt” layers on the synths and is pretty much a dark wave track (and a good one).  The instrumental “Other” floats on Furse and Lapham’s synths and could’ve easily fit into the score for Blade Runner: 2049.  “I feel so high,” Maas sings on “Hocus Pocus.”  You might feel the same as it warps into distorted madness and heady freak-outs.  Thee deep bass synths on “Ropes” fuel the urgency of Maas’ vocals about fear.

“Echolalia” is defined as mindless repetition of words or sentences as a symptom of a psychiatric disorder or as a repetition of words by a child learning to speak.  Both definitions seem appropriate for the track of the same name, as it churns with an almost frantic energy and then comes to an abrupt start that surprises you.  “Odessey” has brighter synths, and even female backing vocals, but they hide menace within them.  The album ends with a reprise of “Earth Moon.”  It’s a mellower version than the first and it creates a nice, dreamy ending to a mostly spooky record.

It’s a solid debut.  MIEN are currently on their first live tour, so don’t miss them or this record.

Keep your mind open.

[No shouting here, just music updates when you subscribe.]

 

The Flaming Lips to release first greatest hits collection on June 1st.

Just in time for their latest tour, the Flaming Lips are set to release their first greatest hits collection on June 01, 2018.  The vinyl version of this contains 11 tracks from the second half of their catalogue.  The CD version is three discs for a total of 52 tracks and covers a lot of their earlier material as well.  They’re also offering shirts and posters featuring the wild album art.  I haven’t heard a lot of the cuts on the CD version of this, so I’m probably going to snag that.

Keep your mind open.

[I can’t predict the future either, but I can send you updates if you subscribe.]

 

Levitation Music Festival Recap Day Two: Scrambled eggs, scrambled brain

The second day of Levitation Austin was going to be a feast of bands from outside the U.S.  The number of international acts that play the festival every year is one of my favorite things about it.  I’ve discovered many great bands I wouldn’t have heard otherwise at Levitation Austin.

After a great brunch at the South Congress Cafe (which I couldn’t finish), the first of the six bands we’d see that day was Superfonicos – an Austin band of locals and Colombians who play a great mix of Afro / Colombian funk.  They played to a crowd that seemed to grow larger with each track, as more and more people walking by the venue came in to hear who was dropping all that killer groove.

Superfonicos kicking off the party.

Following them were musicians all the way from Algeria – Imarhan.  My wife and I have fallen in love with Tuareg music thanks to the Levitation festival, and this was our second time seeing Imarhan there.  A lot more people were hyped to see them this time than when we saw them in 2016.  It’s not that they were a bad band in 2016 – far from it.  It’s that they’ve been working hard, touring a lot, and have a fine new album (Temet) that’s getting a lot of buzz.  They had everyone moving and people behind me in the crowd were stunned by their bass player and lead guitarist.

Imarhan

Closing the night at Cheer Up Charlie’s were hometown heroes / aliens Golden Dawn Arkestra, who entered the venue through the crowd and billowing sage incense everywhere before they launched into a sun-worshipping funky freakout that had a packed crowd of dancing revelers all communing with other-dimensional beings.  GDA never disappoint, and some people we met that night (one of whom was in a psychedelic band out of Chicago) who hadn’t seen them before thought the set was one of the coolest things they’d ever seen.

We then went over to Barracuda to see Chilean psychedelic rock outfit Vuelveteloca.  Unfortunately, we missed the first half of their set, but what we did here was psych-rock as solid as the Andes.

NYC’s The Men followed, and they came out gunning.  In the first two tracks I thought, “This might be the closest I ever get to an MC5 show.”  They even played some Captain Beefheart-like stuff by the end.  They were loud and brash, which made the next set even weirder.

The final act we saw the second night was another Chilean band – Follakzoid.  I’d only heard a couple tracks by them before coming to Austin, and they were good ones that bordered somewhere between shoegaze and psychedelia.  I didn’t know what to expect from a live show, but I can tell you it about melted my mind.  They played two tracks and an encore.  The two tracks during their main set were about twenty-five minutes each of droning, repetitive (in a good way) space rock that is hard to describe.  Imagine synth bass and riffs combined with drumming from apparently a human metronome (considering how long he kept those beats going) and maybe five different notes played in different ways and with different effects and levels of distortion and reverb.  Sound weird?  It was – wonderfully so.  Sound like it shouldn’t be good?  You couldn’t be more wrong.  It was one of the best sets I saw all weekend, easily in the top three.

Up next, my wife tries to figure out the big deal about Slowdive, we bump into more musicians, and a laptop keeps giving someone fits.

Keep your mind open.

 

 

 

All Them Witches’ summer tour starts today.

All Them Witches begin them summer tour today.  They’re playing with Primus AND Mastodon May 6th – June 3rd. Tickets are on sale now.  Catch them if you can.  They’re great live.

For a full list of tour dates, head over to AllThemWitches.org

MAY 3 • Rose Music Hall • COLUMBIA, MO
MAY 4 • Slowdown • OMAHA, NE
MAY 6 • 
Red Rocks Amphitheater • MORRISON, CO ^
MAY 8 • The Criterion • OKLAHOMA CITY, OK ^
MAY 9 •
White Oak Music Hall • HOUSTON, TX *
MAY 10 • 
South Side Ballroom • DALLAS, TX ^
MAY 11 • Austin 360 Amphitheatre • DEL VALLE, TX ^
MAY 12 •
Walmart Arkansas Music Pavilion • ROGERS, AR ^
MAY 14 •
BJCC Concert Hall • BIRMINGHAM, AL ^
MAY 15 • 
Nashville Municipal Auditorium • NASHVILLE, TN ^
MAY 16 • Fox Theatre • ATLANTA, GA ^
MAY 18 • Portsmouth Pavilion • PORTSMOUTH, VA ^
MAY 19 • 
Charlotte Metro Credit Union Amphitheater • CHARLOTTE, NC ^
MAY 20 • 
Red Hat Amphitheater • RALEIGH, NC ^
MAY 22 • 
Diamond Credit Union Theatre • READING, PA ^
MAY 23 •
Artpark Amphitheater • LEWISTON, NY ^
MAY 25 •
Cool Insuring Arena • GLENS FALLS, NY ^
MAY 26 •
Bold Point Park • EAST PROVIDENCE, RI ^
MAY 27 •
Maine State Pier • PORTLAND, ME ^
MAY 29 •
Blue Hills Bank Pavilion • BOSTON, MA ^
MAY 30 •
Penn’s Landing – Festival Pier • PHILADELPHIA, PA ^
JUN 1 •
Stone Pony Summerstage • ASBURY PARK, NJ ^
JUN 2 •
Pier Six Pavilion • BALTIMORE, MD ^
JUN 3 •
Ford Amphitheater at Coney Island Boardwalk • BROOKLYN, NY ^
JUN 6 • 
Mascotte • ZURICH, SWITZERLAND
JUN 7 •
Caribana Festival • CRANS-PRES-CELIGNY, SWITZERLAND
JUN 8 • Download Festival • NEWBURY, UNITED KINGDOM
JUN 8 • 
Best Kept Secret • HILVARENBEEK, NETHERLANDS
JUN 9 • 
Donnington Park • NEWBURY, UNITED KINGDOM
JUN 10 • 
Donnington Park • NEWBURY, UNITED KINGDOM
JUN 11 • AB Box • BRUSSELS, BELGIUM
JUN 13 • 
Backstage Halle • MUNCHEN GERMANY
JUN 14 • 
Nova Rock • NICKELSDORF, AUSTRIA
JUN 15 • 
Z-Bau • NUREMBERG, GERMANY
JUN 16 • Maifield Derby Festival • MANNHEIM, GERMANY
JUL 14 •
Ballard Seafoodfest • SEATTLE, WA
OCT 14 •
Aftershock Festival • SACRAMENTO, CA

^ w/ Primus and Mastodon
* w/ Mastodon and Mothership

TICKETS

The Goon Sax’s new album comes out this September. You can hear the first single, “She Knows,” right now.

THE GOON SAX ANNOUNCE NEW ALBUM, WE’RE NOT TALKING, OUT 9/14 ON WICHITA RECORDINGS

LISTEN TO THE FIRST SINGLE “SHE KNOWS,”
CATCH THEM IN NEW YORK, LOS ANGELES, & CHICAGO

Freshly signed to Wichita Recordings, Australian trio The Goon Sax announce a brand new album, We’re Not Talking, due out on September 14th on Wichita Recordings. They will also be heading to the US for their first ever mini-tour in June.

Today they shared the first single, “She Knows”, which marries sublime indie-pop with frenetic, scratchy post-punk. The song is full of surprising angles and jagged sounds to create a perfectly awkward pop gem.

LISTEN TO “SHE KNOWS”
https://youtu.be/IJ2B7UsNncQ

Taking the lead on this track is James Harrison, who explains further about the song: “‘She Knows’ has become a very fast song, which took us a lot of practise to be able to finally hit and strum our instruments fast enough, with a lot of string breaking. I hope it makes people energetic and excited to listen to, its a song about losing hope, stubbornness and heartache. Im not sure if its our saddest song, but maybe if you lock yourself in your room for a couple of days and only listen to it you might not feel so happy, it is also okay if you feel happy to this song! Even better!!!”

The Goon Sax are James Harrison, Louis Forster and Riley Jones from Brisbane, Australia. Still in high school when they made their first album Up To Anything in 2016, their brand of awkwardly transcendent teenage guitar pop took them into end of year lists for BBC 6MusicBillboard and Rough Trade, and earned them raves from the GuardianPitchforkSpin, UncutRolling Stone and elsewhere.

The Goon Sax toured UK and Europe twice on that record, played shows with Whitney, US Girls, Twerps and Teenage Fanclub, graduated school, and then turned their focus to album number two. They flew to Melbourne to record with James Cecil and Cameron Bird, respectively former/current members of Architecture In Helsinki.

New album We’re Not Talking shows how much can change between the ages of 17 and 19. It’s a record that takes the enthusiasms of youth and twists them into darker, more sophisticated shapes. Relationships are now laced with hesitation, remorse, misunderstanding and ultimately compassion. Lines like, “When the bus went past your house and past your stop my eyes filled with tears” and “I’ve got a few things above my bed but it feels so empty, I’ve got spaces to fill and we’re not talking,” are quite simply heartbreaking.

Drummer Riley Jones really comes to the fore here, joining Louis and James in singing lead and writing songs for the first time, making the band the musical equivalent of an equilateral triangle (the strongest shape in physics). After the album was recorded, Louis spent some time being bohemian in a freezing Berlin apartment, but they are now all back in Australia, and keeping busy playing shows with Angel Olsen, Perfume Genius, and Protomartyr.

Delivering brilliantly human and brutally honest vignettes of adolescent angst, The Goon Sax brim with personality, charm and heart-wrenching honesty. We’re Not Talking is a record made by restless artists, defying expectations as if hardly noticing, and its complexity makes it even more of a marvel.

WE’RE NOT TALKING TRACKLISTING
1. Make Time 4 Love
2. Love Lost
3. She Knows
4. Losing Myself
5. Somewhere In Between
6. Strange Light
7. Sleep EZ
8. We Can’t Win
9. A Few Times Too Many
10. Now You Pretend
11. Get Out
12. Til The End

THE GOON SAX TOUR DATES
Tue. May 22 – Berlin, DE @ Kantine am Berghain w/ Frankie Cosmos
Wed. May 23 – Hamburg, DE @ Aalhaus w/ Frankie Cosmos
Thu. May 24 – Ghent, BE @ DOKbox w/ Frankie Cosmos
Sat. May 26 – Paris, FR @ Petit Bain w/ Frankie Cosmos
Mon. May 28 – Manchester, UK @ Gorilla w/ Frankie Cosmos
Tue. May 29 – London, UK @ Sebright Arms
Fri. June 1 – Sun. June 3  – Chicago, IL @ Do Division Street Fest
Sun. June 3 – Chicago, IL @ Subterranean
Wed. June 6 – Brooklyn, NY @ Union Pool
Sun. June 10 – Los Angeles, CA @ The Echo (PART TIME PUNKS)

PRAISE FOR UP TO ANYTHING

“This is the sound of growing up smart” – Pitchfork 

“Think Parquet Courts meets Talking Heads meets devastating,
crushingly aching longing” – Stereogum

“Drips with a self-deprecating but self-aware cool” – Noisey

“A gorgeous collection of slacker-by-default rock” – Billboard

Keep your mind open.

Crystales – self-titled

Los Angeles’ Crystales, named after a glass cathedral in Orange County, California, play a skillful style of shoegaze dream rock on their debut self-titled album.  The tight connections of the band mates (brothers Nick and Billy Gil on guitar and vocals, neighbor Jason Hanakeawe on drums, and cousin Tony Infante on bass) only help amplify their skill set.  It’s always good to hear new, good shoegaze, and Crystales fit the bill.

The album opens with a daring song titled “Boring.”  Trust me, the album isn’t.  The song’s about a boring wanna-be lover and how draining it can be to socialize with someone who can’t take the hint.  The sunny guitars on it seem to give the song’s subject a chance at romance, however.  “Séance” is just as bright, and I love the way the fuzz kicks in during the chorus like an unexpected wave knocking you over on a beach.

I also love that there’s a song called “Kate Blanchett” on this album, and that it’s one of the hardest rockers on the record.  Who doesn’t have a crush on her?  “Lie Awake at Night” takes a stroll into a psychedelic park on a sunny day and is about someone missing their lover.  It’s secretly melancholy, but the wall of dream pop sound hides it well.  Countering its love lyrics is the heavier “Shoggoth,” which refers to a Lovecraftian monster that can drive people mad just by looking at it.  Is it any coincidence that Infante’s bass is prominent throughout the track and thuds like a fearful heartbeat?  “When It’s Over” is brash and bold but it still keeps that shoegaze fuzzy edge that runs throughout the album.

“Ariel” is the sound of southern California road trips with the top down and the front passenger trying to make out with you while you’re driving.  That shimmering sound continues on “Donkey” and “I Don’t Care.”  “I Don’t Care” isn’t as apathetic as its title would have you believe, but it is about cutting ties with a lover who holds you back from your potential.  “Agrias” lures you into a bit of a trance, and the closer, “Honora,” brings back some hard-edged crunch to the guitars to send you off feeling like a bad ass.

This is a solid debut.  I’m loving the resurgence of shoegaze in the last few years, and bands like Crystales are giving us fans of the genre a lot to love.

Keep your mind open.

 

Levitation Austin artist spotlight: Oh Sees

Otherwise known as Thee Oh Sees and OCS, Oh Sees are a wild psych-rock band whose lineup goes through changes seemingly with every record but the hard, driving energy of their music never alters.  Both of their Levitation Austin shows at Barracuda on April 28th and 29th are sold-out, but you still might be able to get tickets for their show at Austin’s Hotel Vegas on April 30th (which is a charity benefit show, no less).  These shows are sure to be nuts, so get to one if you can.

Keep your mind open.

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Levitation Austin artist spotlight: Pow!

Synth-punk weirdos POW! are playing Levitation Austin at Barracuda on April 29th at 10:50pm.  It’s a sold-out show at with them opening for Oh Sees.  They pay a quirky, catchy brand of electro-rock that I think will be a treat live.  I hope you can make it.

Keep your mind open.

[Don’t forget to subscribe before you split.]