Live – Midnight Oil and Boytoy – Chicago, IL – May 18, 2017

“You know what the coolest thing is about this show?” Said a man next to me in the Vic Theatre where young Aussie rockers Boytoy and Aussie rock legends Midnight Oil were about to perform. “No one here is under thirty!”

It wasn’t true, but it was definitely an older crowd at the Vic. It had been over twenty years since my wife and I had seen Midnight Oil in concert, and you could tell the entire crowd in the hot, packed venue was ready to go nuts once Midnight Oil hit the stage.

Boytoy were first. They were three young ladies who were playing some good garage rock when we walked into the place, but they transformed into a stoner rock band by the end of their set, which elated me to no end. I need to track down their stuff.

Boytoy

Speaking, sort of, of stoner rock, the guy next to me tapped me on the shoulder, pointed at my rolled-up tour poster and said, “I thought that was a bong! I thought, ‘This guy’s the coolest guy in here!’” He even grabbed it at one point during Boytoy’s set and took an imaginary hit off it.

The guy in the teal shirt behind me thought this tour poster was a bong at first glance.

Midnight Oil came out to a roaring welcome and then got right down to business. They hadn’t lost a step in the time they’d been off working on other projects or, in the case of lead singer Peter Garrett, serving in the Australian Parliament.

“Why hasn’t he aged?” My wife asked about Garrett. My best guess is that he’s either a vampire or the food is much better in Australia because she was right. He looked like he’d barely grown older since we saw them in the early 1990’s.

He was, of course, politically outspoken. You don’t go to a Midnight Oil show and not expect to hear some political commentary.

Garrett started fairly early in the set. “Fact one: Thanks for waiting for so long. Fact two: It’s nice to be back in Obama territory. Fact three: There will be no alternative facts here tonight. Fact four: We don’t have short memories.” They then tore into “Short Memory” and had everyone bouncing.

He would touch on compulsory voting (“I don’t think you-know-who would’ve gotten in.” (if we had it here in the U.S.)), the environment (“We have a Mother Earth who takes care of us.”), universal health care (“If you make tacos for a living, you pay a little bit. If you have fifty million in a hedge fund and support the governor, you pay a bit more. We don’t call this socialism. We call it common sense.”), and equal rights (“Everyone, no matter their race, sex, age, or religious beliefs deserves to be treated with respect.”) before the night was over, and he wore a shirt that read “To sin by silence when one should protest makes cowards of men.”

Among the many great spots in their set were an acoustic version of “My Country,” a funky rendition of “When the Generals Talk,” roaring versions of “Read About It” and “Kosciusko,” and a killer performance of “Dreamworld” to end the set that had everyone pumping their fists and chanting.

A stunning rendition of “My Country.”

They played two encores. The first started with “Put Down that Weapon,” and I couldn’t help but think they chose to play that in Chicago as a message toward the high rate of gun violence there the last two years. “Truganini” and “Forgotten Years” rounded out the mini-set, and then they came out once more to dedicate “Sometimes” to people working hard to help others.

“Sometimes”

It was a trip back in time to songs that are still relevant today. Midnight Oil is globetrotting for this tour, so catch them if they come near you. This is one of the best and most welcome tours of the year.

Keep your mind open.

[Get updates all the time when you subscribe.]

Rest in peace, Chris Cornell.

I’m not sure what I can add to the thousands of words already written on the death of Soundgarden and Audioslave lead singer Chris Cornell.  He was one of the best rock singers of my generation, and even sang the Bond theme for the modern version of Casino Royale – “You Know My Name.”

I’ll always remember him for his work on Soundgarden’s masterpiece album Superunknown.  The whole record is a stunning piece of work, and Cornell’s voice ranges from screaming metal work to psychedelic wanderings to doom metal growls.

He was open about his drug addictions, and there is already talk that his death might be the result of suicide.  I wish him peace and his bandmates and fans strength.

Keep your mind open.

 

Beach Fossils deliver new single from upcoming album.

Beach Fossils Share New Single, “Down The Line”
Watch The Video Here

Somersault Out June 2nd on Bayonet Records

Photo by Rebekah Campbell

Beach Fossils have shared their latest single from Somersault titled, “Down The Line.” The song features many hallmarks of Somersault – a buoyant bassline, a propulsive, wayward guitar. Beach Fossils have charted into new musical territory with a refined songwriting style. On “Down The Line,” Dustin Payseur sings, “I don’t want your Wall Street / Don’t got no degree / Written on the concrete / A.C.A.B.” They’ve expanded their range both musically and lyrically. This is a band in bloom.

The song is paired with a video directed by Payseur and features the members of Beach Fossils exploring New York City after hours. Shots of McGolrick Park, the Williamsburg Bridge, the JMZ line and the sunrise loom large. The “Down The Line” video mirrors the band’s previous video for “Saint Ivy,” which pays homage to New York City artists. Somersault captures flashes of life in New York grounded in personal experience.

Later this month, Beach Fossils will play some of their first shows in support of Somersault with a weekend in South America including a festival playing alongside Slowdive. Come July, the band will tour the west coast with support from She-Devils and Ablebody capping it off at FYF before making their way to the UK in August. A full list of dates is below.

Somersault is out June 2nd on Bayonet Records.

Watch Beach Fossils’ “Down The Line” Video:
https://youtu.be/zdfjCivNxGY

Watch The “Saint Ivy” Video:
http://hyperurl.co/SaintIvyYT

Listen To “This Year”:
http://hyperurl.co/BFThisYearYT

Beach Fossils Tour Dates:
Fri. May 12 – Buenos Aires, AR @ Niceto Club
Sat. May 13 – Huechuraba, CL @ Espacio Riesco
Fri. July 7 – Fresno, CA @ Strummer’s
Sat. July 8 – San Francisco, CA @ The Fillmore
Mon. July 10 – Vancouver, BC @ Biltmore Cabaret
Tue. July 11 – Seattle, WA @ The Crocodile
Wed. July 12 – Portland, OR @ Holocene
Fri. July 14 – Boise, ID @ Neurolux
Sat. July 15 – Salt Lake City, UT @ Kilby Court
Sun. July 16 – Denver, CO @ Marquis Theater
Tue. July 18 – Santa FE, NM @ Meow Wolf
Wed. July 19 – Phoenix, AZ @ Crescent Ballroom
Thu. July 20 – San Diego, CA @ Casbah (early & late shows)
Fri. July 21 – Sun. July 23 – Los Angeles, CA @ FYF
Sat. Aug. 26 – Leeds, UK @ This Must Be The Place
Wed. Aug. 30 – London, UK @ Oslo Hackney

Somersault artwork

*Pre-order regular black LP / limited white+red splatter LP + goodies / CD / Cassette tape: http://hyperurl.co/BFsomersault
*Pre-order limited edition white+red splatter LP + goodie bag + signed poster: http://hyperurl.co/BFsomersaultextraLTD
*iTunes pre-order: http://hyperurl.co/BFsomersaultitunes

Beach Fossils online:
http://www.beachfossils.com/
https://www.facebook.com/beachfossils/
https://twitter.com/beachfossils
https://www.instagram.com/beachfossilsnyc
https://bayonetrecords.com/

Kane Strang’s new album due June 30th.

Kane Strang Announces New Album, Two Hearts and No Brain,
Out June 30th On Dead Oceans

Listen To New Single, “My Smile Is Extinct”
https://youtu.be/Q1fVG1IctmA
https://soundcloud.com/deadoceans/kane-strang-my-smile-is-extinct-3

Kane Strang has announced his new album, Two Hearts and No Brain, out June 30th on Dead Oceans. Along with the announcement he’s sharing the new single, “My Smile Is Extinct.” It’s the follow up to lead single, “Oh So You’re Off I See,” his first taste of new music since 2016’s Blue Cheese, which was shared ahead of Kane’s first ever North American tour last month.

Recorded in his hometown of Dunedin at the notoriously haunted Chick’s Hotel studio, Kane teamed up with producer Stephen Marr from trip hop group Doprah for Two Hearts and No Brain. The collaborative result is a razor sharp blend of intelligent alt-rock, bearing the signatures of grunge/alt rock swiftly executed with careful, meticulous precision over 11 tracks. Marr’s influence brings a pristine, retro-futuristic sheen which complements Strang’s perfectionist recording style, sharp melody, and verbose lyrical neuroticism. Taking to well-worn subject matter (heartbreak, loneliness, family) with a disarmingly frank scalpel, Strang’s wryly deadpan lines never miss a beat – the results often sardonic, and always captivating.

Two Hearts and No Brain is pure pop genius from start to finish. It’s hard to imagine who else could convincingly fuse fuzzy synths with slide guitar; crunchy chords with chiming vocals in such a kaleidoscopic pop vision. The album’s cover art, featuring a refracted analogue photograph taken of Kane atop of a rocky precipice; echoes the spirit of lean guitar-pop shining through a truly contemporary, innovative lens. His attention to detail shows up the fat slack present in the work of many of Kane’s contemporaries; yet his sound remains emotive and playfully laced with a tongue-in-cheek nostalgia – timelessly old and new in the same breath.

What sets Kane apart from the rafts of DIY indie songwriters is a willingness to push further. Having mastered the lo-fi aesthetic, he’s stretched his already limber songwriting legs and production chops to new unexpected spaces on Two Hearts and No Brain. Kane’s vision of extending his sound far beyond the bedroom promises international touring and releases the world over. With a live show that exhibits his unpredictable and exhilarating command on stage, Kane’s amassed a band of cohorts to execute his vision with arresting impact, sure to charm crowds with his sideways slant of guitar pop.

Listen To Kane Strang’s “My Smile Is Extinct”:
https://youtu.be/Q1fVG1IctmA
https://soundcloud.com/deadoceans/kane-strang-my-smile-is-extinct-3

Watch & Listen:
“Oh So You’re Off I See” video – https://www.youtube.com/watch?v=Y0mAC5NldNg
“Oh So You’re Off I See” audio – https://www.youtube.com/watch?v=l1VLO17X3Is&feature=youtu.be

Two Hearts and No Brain tracklist:
1. Lagoons
2. Silence Overgrown
3. Not Quite
4. Oh So You’re Off I See
5. See Thru
6. Summertime In Your Lounge
7. My Smile Is Extinct
8. Two Hearts and No Brain
9. It’s Not That Bad
10. Don’t Follow Me (I’m Lost)
11. Good Guy

Kane Strang UK/EU Tour Dates:
Sat. May 13 – Zurich, CH @ Stall 6 (Lauter Festival) (tickets)
Mon. May 15 – Manchester, UK @ Gullivers (tickets)
Tue. May 16 – Leeds, UK @ Headrow House (tickets)
Wed. May 17 – London, UK @ The Lexington (tickets)
Thu. May 18 – Brighton, UK @ The Great Escape (tickets)
Fri. May 19 – Brighton, UK @ The Great Escape (tickets)
Fri. May 19 – Brighton, UK @ The Mucky Duck (The Great Escape) (tickets)
Sat. May 20 – Antwerp, BE @ Trix
Mon. May 22 – Berlin, DE @ Privatclub (tickets)
Tue. May 23 – Paris, FR @ La Mecanique Ondulatoire
Wed. May 24 – Kortrijk, BE @ De Kreun (tickets)
Thu. May 25 – London, UK @ Greenman Presents Courtyard at Kings X (tickets)
Sat. May 27 – Amsterdam, NL @ Paradiso Upstairs (London Calling) (tickets)

The New Pornographers – Whiteout Conditions

 The New Pornographers  (Kathryn Calder – vocals, keyboards, guitar, Neko Case – vocals, John Collins – bass, Todd Fancey – lead guitar, Carl Newman – vocals, guitar, Joe Seiders – drums, vocals, Blaine Thurier – keyboards, synthesizers) hail from Canada, so that might explain the title of their new album – Whiteout Conditions. Such things are frequent there in the winters. I can’t help but think, however, that the title is a tongue-in-cheek reference to the result of the 2016 U.S. Presidential election and the voter base that led to that result.  Carl Newman and Neko Case are openly critical of President Trump on their respective Twitter feeds, so it’s not too much of a stretch.

Judging by the bright, uplifting feel of this record, the band assures us that everything will be all right. The opener, “Play Money,” is full of brilliant keyboards even as Ms. Case sings lyrics like “…just when I thought we beat the system, I knew a gentleman of leisure. He loved to talk about his treasure and how he got it for a song.”

The title track is a tale of some depression Newman’s admitted he was feeling at the time he wrote it (Shock at the result of the 2016 election?) “Flying and flat on the ceiling, I’m barely dealing…I wasn’t hoping for a win, I was hoping for freedom,” he sings, disguising the song as a tale of a man who’s sick of his job with pulsing synths and almost New Order beats. The first single, “High Ticket Attractions,” amps up the synths and witty lyrics (“You can’t imagine all the factions that form around high ticket attractions.”) even more, but now they’re backed with solid rock drumming by Seiders.

“This Is the World of the Theatre” pretty much wears its meaning on its sleeve. Like many of the tracks off their last album, Brill Bruisers, it sounds like an ELO track. “Darling Shade” has some of the funkiest bass on the record as Newman and his niece, Calder, sing, “When you give your mind to your voices, you accept the terms of your sentence.” “Second Sleep” is about insomnia (Due to stress?) as Peter Hook-style bass drives the track. “Colosseums” sprinkles in a bit of psychedelia as Newman sings about being overcome by, and warning against the distractions of, grand spectacle (“Colosseums, colosseums of the mind. Right on time, celebration in the ruin. Elation is moving in a wave. I avert my eyes, but I still see the lions.”). I love the percussion on this. It reminds me of Oingo Boingo songs, actually.

“We’ve Been Here Before” doesn’t sprinkle in psychedelia, it lays it on like a sweet strawberry jam. Just listen to those synths and vocals and you’ll hear it. Newman and Case assure us that we’ll get out of these times of “gods of bad parties.”

“Juke” is electro-psych with Newman singing about shattered crystal balls and people diverging on many paths after chaos explodes around them. The much-appreciated dive into psych-rock continues on “Clockwise.” It’s something you wouldn’t be surprised to hear on a Besnard Lakes album. The closer is “Avalanche Alley.” It opens with keyboards reminiscent of Pete Townshend’s “Let My Love Open the Door,” and then breaks into a great clickety-clack beat. I love that they chose to end an album about post-election blues with such a peppy, upbeat track.

As usual, the New Pornographers have crafted a great record. They’ve yet to swing and miss. Whiteout Conditions let us know that everything will be all right. Winter always gives way to spring. Whiteouts always clear sooner or later.

Keep your mind open.

[No whiteouts of blog posts when you subscribe!]

 

Bleached – Can You Deal?

Coming off their highly acclaimed full-length album Welcome the Worms, Bleached (Jennifer Calvin – guitar and lead vocals, Jessica Calvin – vocals and lead guitar, Micayla Grace – bass and vocals, Nick Pillot – drums) found not only more fame, but also more headaches from a music business dominated by men and, at best, dismissive towards women.

These attitudes, and the current political climate, inspired the four-song EP Can You Deal?. It’s a brilliant title. Can you deal with Bleached carving out a name for themselves in the music industry? Can you deal with them being a rock band instead of a female rock band? Can you deal with them not putting up with sexism or giving a shit about what you think?

The title track is all those questions and more amid shimmering punk-pop and a go-for-broke guitar solo by Jessica Calvin. “Flipside” is a lovely ode to a guy who rolls his eyes at the idea of being in a relationship because he’s too hip for the room. It’s undeniably catchy and, in a proper universe, would launch Bleached to the moon in terms of record sales. Seriously, it’s one of the prettiest singles of 2017.

“Turn to Rage” has Bleached showing off their rock chops (particularly the hammering drums by Pillot) while Jennifer Calvin warns a potential suitor not to fuck with her or he might end up “fishin’ for compliments from the grave.” The rock crunch continues on the final track, “Dear Trouble.” “Poor, Jennifer, I’ll be crazy all my life,” Calvin sings as she yearns for a relationship free of drama.

This is a solid EP and another booming step forward for Bleached on their way to being Next Big Things. They are currently touring with the Damned, so that alone should earn your respect if this EP doesn’t (but it will).

Keep your mind open.

[Catch us in your e-mail inbox when you subscribe to us.]

Sleater-Kinney – Live in Paris

The first ever live album from alt-rock / punk / riot grrl legends Sleater-Kinney (Carrie Brownstein – guitars and vocals, Corin Tucker – guitars and vocals, Janet Weist – drums and vocals) is a doozy. Live in Paris captures the band on their 2016 tour supporting the No Cities to Love album (their first in over a decade), and the only show of the tour where they performed a second encore.

Opening with the fiercely funky “Price Tag,” the band is already firing on all cylinders within the first thirty seconds. Tucker is growling and spitting lyrics like a rivet gun throughout it. “Oh!”, one of their biggest hits, keeps up the pace and you can envision the whole Parisian crowd bouncing throughout it. The crunch of “What’s Mine Is Yours” is only outmatched by Tucker’s battle cry voice. It also has a cool breakdown that flirts with psychedelia before Weis hammers out a tremendous fill that takes them back to angry rock.

“A New Wave” is chock-full of fuzz and bent notes as Brownstein and Tucker sing great double vocals on the chorus. “Start Together” is one of Sleater-Kinney’s best songs about rocky relationships. Tucker’s vocals are always pleading on it, as is the guitar work. “No Cities to Love,” from the album of the same name, is a slick song about attachment and how many of us never truly connect with the place we live (“There are no cities to love. It’s not the cities, it’s the weather we love.”).

“Surface Envy” has Tucker crying out for a little help in a relationship (“We win, we lose. Only together do we break the rules.”) and Brownstein and Weis pound out a hard rhythm behind her. I would’ve flipped had I been in the crowd when they played “I Wanna Be Your Joey Ramone.” It’s a powerful song about a girl with an unrequited crush and one of my favorites by them. “Turn It On” is a song about what might happen if that crush returns the affection.

Weis cuts loose at the beginning of “Entertain,” proving yet again that she’s one of the best rock drummers around nowadays. It’s a scathing song about a lover who expects Brownstein to entertain her all the time, but she lets her lover know that “reality is the new excitement.” “Jumpers” is one of Sleater-Kinney’s great examples of dual vocals from Brownstein and Tucker. The encores are “Dig Me Out” (a scorching punk track) and “Modern Girl” (a simple, but slightly fuzzed ode to being okay despite being alone).

Live in Paris might be the closest I get to a Sleater-Kinney show in a while, and I’m happy they released it. Everything you’ve heard about a live Sleater-Kinney show is true. This album is proof.

Keep your mind open.

[Make your friends envious by subscribing to us and getting updates in your e-mail inbox.]

 

A gift from Ron Gallo.

I took part in Ron Gallo‘s PledgeMusic campaign to help fund his debut album, Heavy Meta.  I’d been a fan of his since I’d seen him live last year and nabbed his RG3 EP.  One of the perks he was offering in his campaign was a download of Heavy Meta and a mix CD he’d make for you for a mere $30.00.  That seemed like a steal, so I jumped on it.

My mix CD arrived today, along with a hand-written note and track list from Mr. Gallo.  The note reads, “Thank you for the support.  Enjoy this eclectic mix of jams that influenced Heavy Meta.  Be well.”

The track listing has a lot of great stuff on it, including tracks from artists whose influence I could immediately hear in Gallo’s work (the Stooges, John Lennon, Minor Threat, the Modern Lovers) and others I hadn’t expected but was delighted to see (Dangerdoom, Lauryn Hill, Duke Ellington).  Anyone who can and would put together a great mix like this is sure to do great things.

Thank you, Mr. Gallo.  I look forward to the future.

Keep your mind open.

[You’ll get a gift in your e-mail inbox when you subscribe to us – automatic updates!]

Steve Gunn announces 2017 summer tour.

STEVE GUNN ANNOUNCES SUMMER TOUR DATES IN SUPPORT OF EYES ON THE LINES

SOLO CO-HEADLINE DATES IN JUNE WITH LEE RANALDO & FULL BAND DATES IN JULY

After a banner year in 2016, with the release of Eyes on the Lines, his new album and debut for Matador, Steve Gunn is preparing to hit the road this summer for a slew of North American tour dates. For those not lucky enough to see Gunn and Lee Ranaldo’s intimate co-headline tour earlier this year, the pair will play dates this June throughout the south and along the east coast. After a quick run of shows in Australia, Gunn and his full band, The Outliners, will return for select dates up the west coast, wrapping up with a performance at Pickathon in early August. All tickets are on-sale this Friday.

Eyes on the Lines sees Gunn’s songwriting at its most vibrant and evocative, fully embracing a sense of uncertainty and adventure that comes with getting lost out on the road; “propulsive, rolling, repetitive in deliberate ways, and insomuch as it conjures a single image it’s of smooth and endless blacktop, receding in a rearview mirror.” (The New Yorker). The album has been met with acclaim from the likes of NPR Music, Pitchfork, Vulture, Noisey, WIRED, Brooklyn Magazine, INTERVIEW, The Guardian, Paste, and beyond.
Steve Gunn Tour Dates (new dates in bold):
Wed. Apr. 5 – Leeds, UK @ Holy Trinity
Thu. Apr. 6 – Birmingham, UK @ Glee Club
Fri. Apr. 7 – Bighton, UK @ Unitarian Church
Sat. Apr. 8 – Genk, BE @ Little Waves
Sun. Apr. 9 – Amsterdam, NL @ Zonnehuis
Mon. Apr. 10 – Utrecht, NL @ Doopsgezinde Kerk (church)
Tue. Apr. 11 – Brussels, BE @ Les Atelier Claus
Wed. Apr. 12 – Gent, BE @ Vooruit (Theater Zaal)
Thu. Apr. 13 – Paris, FR @ Le Carreau du Temple
Fri. Apr. 14 – Lausanne, CH @ Le Bourg
Sat. Apr. 15 – Düdingen, CH @ Bad Bonn
Mon. Apr. 17 – Padova, IT @ Anfiteatro del Venda
Tue. Apr. 18 – Rome, IT @ Blackmarket/Unplugged in Monti Series
Wed. Apr. 19 – Oslo, NO @ St. Edmunds Church
Thu. Apr. 20 – Randaberg, NO @ Tungenes Lighthouse
Sat. Apr. 22 – Helsinki, FI @ G Livelab
Sun. Apr. 23 – Copenhagen, DE @ Vega
Tue. April 25 – Barcelona, ES @ Sidecar
Wed. April 26 – Bilbao, ES @ Kafe Antzocika
Thu. April 27 – Madrid, ES @ Moby Dick
Fri. April 28 – Ourense, ES @ El Torgal
Sun. June 11 – Peterborough, NH @ The Thing in Spring Festival
Tue. June 13 – Richmond, VA @ Broadberry w/ Lee Ranaldo (solo) *
Wed. June 14 – Carrboro, NC @ ArtsCenter w/ Lee Ranaldo (solo) *
Thu. June 15 – Athens, GA @ 40 Watt w/ Lee Ranaldo (solo) *
Fri. June 16 – Atlanta, GA @ Smith’s Olde Bar w/ Lee Ranaldo (solo) *
Sat. June 17 – Birmingham, AL @ Saturn w/ Lee Ranaldo (solo) *
Sun. June 18 – New Orleans, LA @ Gasa Gasa w/ Lee Ranaldo (solo) *
Mon. June 19 – Houston, TX @ White Oak Music Hall w/ Lee Ranaldo (solo) *
Tue. June 20 – Dallas, TX @ Sons of Hermann Hall w/ Lee Ranaldo (solo) *
Wed. June 21 – Austin, TX @ The North Door w/ Lee Ranaldo (solo) *
Fri. June 23 – Oxford, MS @ Proud Larry’s w/ Lee Ranaldo (solo) *
Sat. June 24 – Nashville, TN @ The Anchor w/ Lee Ranaldo (solo) *
Thu. July 6 – Sydney, NSW @ The Basement
Fri. July 7 – Melbourne, VIC @ National Gallery of Victoria – The Great Hall
Sun. July 9 – Brisbane, QLD @ The Junk Bar
Thu. July 27 – Santa Ana, CA @ Constellation Room w/ Heron Oblivion #
Fri. July 28 – Los Angeles, CA @ The Echo w/ Heron Oblivion
Sun. July 30 – San Diego, CA @ The Space Bar w/ Heron Oblivion #
Wed. Aug. 2 – San Francisco, CA @ Great American Music Hall w/ Heron Oblivion
Fri. Aug. 4 – Seattle, WA @ Tractor Tavern #
Sat. Aug. 5 – Sun. Aug. 6 — Happy Valley, OR @ Pickathon Music Festival

* = w/ Meg Baird
# = w/ James Elkington

Watch/Listen/Share
Steve Gunn’s “Smiths Versions” Lagniappe Session — http://bit.ly/2oWudkv
Eyes On The Lines album stream – https://open.spotify.com/album/50Ul1rF4oMcwGt0GcmM9Hd
“Conditions Wild” Video – https://youtu.be/VsG0kDv2EGs
“Ancient Jules” Video – https://youtu.be/W79x_WuvQ5Y
“Park Bench Smile” Lyric Video – https://youtu.be/0UjVXkeFvmc
NPR Music “Field Recording” – http://n.pr/2dXz4xK

Purchase Eyes On The Lines:
Steve Gunn store – stevegunn.kungfustore.com
Matador – http://smarturl.it/EyesOnTheLines_lp
iTunes – http://smarturl.it/EyesOnTheLines_i
Amazon – http://smarturl.it/EyesOnTheLines_a
Google – http://smarturl.it/EyesOnTheLines_g
Spotify – http://smarturl.it/EyesOnTheLines_s

Partner release new single from upcoming album.

Partner_L-R_Josée-Caron_Lucy-Niles_photoby_Colin-Medley

PARTNER share new single and video “Comfort Zone”

Comfort Zone – YouTube // Clash

Official Statement
“A comfort zone does not have to be a place. A comfort zone is whatever makes you feel at ease. It can be a person, an object, a sensation. No two comfort zones are the same. We recognize that we have had the privilege and good fortune to experience comfort in a way that unfortunately eludes many. We feel that everyone deserves to feel the relief, however fleeting, that is offered by a comfort zone. We recognize that most people spend the majority of their time outside their comfort zones, and with this song we hope to express our belief that everyone deserves to feel comfortable and safe.

Whatever, wherever, whoever your comfort zone may be, it is our hope that you are able to access it as often as is necessary. Love and respect” – Partner

QUOTES

“Ontario-by-way-Sackville band Partner is one of the most exciting and brightest hopes for rock and roll in Canada.”
Noisey

“Inspiring Canadian duo with a fetish for cold truth and hard riffs… ”
Clash Magazine
RIYL – Weezer, PWR BTTM, Melissa Etheridge, Ween, Beavis & Butthead

Mixed by Grammy award winner Chris Shaw (Weezer, Public Enemy, Sum 41). Video directed by Colin Medley.

Partner is the “mature” effort of small town lesbians Josée Caron and Lucy Niles. Borne of their bizarre and fortuitous friendship, Partner boldly goes where few have even desired to go, moving effortlessly from topics like sex objects and gross secrets to more serious themes like intimacy, friendship, and existential unease.

Partner marries feminism and stadium rock riffage to produce a sound as queer as they are, and their arrival on the scene couldn’t be more timely: “Partner’s music is like what early 00s pop punk would be like if it was mixed with a reverence for classic rock era guitar solos. But unlike that generation’s insistence of straight white dude figureheads that traded a sense of humour for self-righteousness, Partner’s songs are funny as hell.”

After a freakishly productive year of writing, recording and touring, Partner are releasing a first single “Comfort Zone” to kick off 2017. Their enthusiastic and action-packed live set has led to them being named the “best new band in Canada” in the Globe and Mail, and although “Partner hasn’t even released an album yet, [watching] one of their sets, it’s clear right away that they’ve arrived fully formed.” Influenced by acts as varied as WeenWeezerNeil Young, and Sum 41, Partner promises to make you question everything you thought you knew about rock ‘n’ roll.

Tour Dates:
March 30 – Tender Trap, Brooklyn NY USA
April 01 – House of Targ, Ottawa ON (Juno Fest)
April 14 – Phog Lounge, Windsor ON
April 20 – The Casbah, Hamilton ON
April 22 – Long Boat Hall at the Great Hall, Toronto ON (CMW)
June 14 – Palais des Congrès, Montréal QC (Mondial de la bière)
June 15 – Saw Gallery, Ottawa ON (Ottawa Explosion)

Partner Links
Website: http://www.partnerband.com
Facebook: http://www.facebook.com/officiallypartners
Bandcamp: https://youvechangedrecords.bandcamp.com/album/comfort-zone
Record Label: http://youvechangedrecords.com/portfolio/partner/
Twitter: http://twitter.com/partner_band