“Kids rock” rockers Feltworth return with new emphasis on power-pop rock.

FELTWORTH (Canadian Puppet Power-Pop)
*Premiere debut music video “Forget This Feeling
*Release AA-side 7-inch “Forget This Feeling / You Turn Me On”
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FELTWORTH –“Forget This Feeling” / “You Turn Me On” 7-inch
(out June 02, 2017)

Share new video “Forget This Feeling”  YouTube // Brooklyn Vegan
“Both songs are super-catchy pop, reminiscent of The Beatles or The Sweet, or Canadian bands who like The Beatles and The Sweet.”Brooklyn Vegan

“There’s no Juno category for Best Musical Performance By a Puppet — but if there were, Feltworth would likely have it locked down.”CBC
“Forget This Feeling” is a rollicking slice of pure power-pop built on an insistent piano part from Morris and stellar brotherly harmonies, all loving smothered in appropriately fuzzy guitars. For Feltworth the near future is bright…orange.”
The Line Of Best Fit
Feltworth is a 4-piece rock band consisting of Dezi Feltworth (bass, vocals), his brother Manny Feltworth (guitar, vocals), Morris Katzenburd (piano, keyboards) and Cozy Balboa (drums, tambourine). You may, of course, know of them already if you have children at arm’s length. Feltworth has been an outrageously successful act on the children’s music scene for many years. They burst into the limelight early in their career with their first album of music for youngsters called Super DuperThey followed that smash record with both Felty, Felty Places and We’re Feltwortha pair of multi-platinum releases that saw the “fabric four” begin to add more original material to their repertoire of tried and true children’s classics. Their game changing fourth album, Beanbag Townwas their first album of all original songs for kids. It’s still considered a high water mark on the spectrum of adolescent entertainment.

Though regarded as financially and commercially successful, the fellows of Feltworth didn’t feel creatively satisfied by being pigeon-holed as children’s act. So, against their manager’s wishes, they’ve embarked on making a real pop/rock record that reflects their own personality and their influences – be it The Sweet, Paul McCartney, Brian Eno or Rupert Holmes. With the change in direction, they are challenging their core audience and seeking new listeners. It’s been a tough-sell to their manager and label, so the band has decided to self-finance the new recordings that will be released via their own Dezman Productions label. The first release from this brand new batch of activity is a limited edition orange coloured 7” single featuring the rocking “Forget This Feeling” (lead vocals by Manny) and the longing romanticism of “You Turn Me On” (lead vocals by Dezi). There’s more music to come. The past is behind them. The future awaits-ish.

Feltworth – Forget This Feeling / You Turn Me On
Release Date: June 02, 2017
Pre-order: https://feltworth.bandcamp.com/

Feltworth Links
Official: http://feltworth.com/​
Instagram: https://www.instagram.com/feltworth/
Twitter: https://twitter.com/feltworth​
Facebook: https://www.facebook.com/feltworth/
YouTube: https://www.youtube.com/Feltworth

The Districts release new single from upcoming “Popular Manipulations” album.

The Districts Share New Single, “If Before I Wake”
Listen HerePopular Manipulations Out August 11th On Fat Possum


Photo by Pooneh Ghana

“‘Ordinary Day’ is the first chapter of a new book in the band’s creative growth.” – NPR Music

“The album’s chock-full of emotional anthems.” – Noisey

Last month, The Districts announced their new album, Popular Manipulations, and shared the video for lead single “Ordinary Day.” Today, they’re back with another anthem, “If Before I Wake,” premiering via NME.

Rob Grote from the band says, “The lyrics were written the morning after actually waking up during a storm that felt like it was right over my room. It was refreshing to work on as a band because we had been talking about ideas of restraint and contrast, removing chord changes and toying with droning notes, and this one felt like we synthesized some of those ideas more by second nature as we had been exploring those ideas for a while at this point.”

The distinctly intense sound of Popular Manipulations—charging guitars, thunderous drumming, and Grote’s searing vocals—was brought on by a few cited influences, from shoegaze’s aggressive swirl to the Velvet Underground’s impeccable drone-rock sound. But don’t mistake easy comparisons for a lack of originality: on Popular Manipulations, the Districts are in a lane entirely their own, exploring lyrical themes of isolation and abandonment in a way that ups the music’s already highly charged emotional quotient.

For such weighty thematic material, though, Popular Manipulations is purely life-affirming rock music, bursting with energy that cuts through the darkness of the world that surrounds us. “We’re a much better distillation of who we wish to be as a band,” Grote reflects on the journey that has led the Districts to this point. “We’ve figured out how to distill the things we’ve been trying to accomplish as a band, musically and lyrically. We’ve always viewed making music as something we’re trying to do better the whole time.”

The Districts tour throughout the coming year in support of Popular Manipulations including dates with My Morning Jacket. They’ll make stops at Lollapalooza, Osheaga, Reading and Leeds Festivals, and more. Their live show is not to be missed. Every song is epic and heart-stopping. A full list of dates is below.

Listen To The Districts’ “If Before I Wake”:
https://soundcloud.com/fatpossum/the-districts-if-before-i-wakeWatch & Listen:
“Ordinary Day” video – https://youtu.be/zEdWd1W3cV0
“Ordinary Day” stream – https://soundcloud.com/fatpossum/the-districts-ordinary-day

The Districts Tour Dates:
5/22 – Paris, FR – La Maroquinerie
5/23 – London, UK – The Dome
5/25 – Berlin, DE – Badehaus Szimpla
5/26 – Amsterdam, NL – London Calling @ Paradiso
6/4 – Lancaster, PA – Long’s Park Amphitheater
6/21 – Charlotte, NC – Visualite
6/22 – Charleston, SC – Royal American
6/23 – Orlando, FL – The Social
6/24 – Athens, GA – Georgia Theatre
6/26 – Houston, TX – Raven Tower
6/27 – Austin, TX – Sidewinder
6/29 – Santa Fe, NM – Meow Wolf
6/30 – Tucson, AZ – Club Congress
7/01 – Los Angeles, CA – Troubadour
7/03 – San Francisco, CA – The Independent
7/06 – Portland, OR – Doug Fir
7/07 – Seattle, WA – Tractor Tavern
7/08 – Vancouver, BC – Cobalt
7/10 – Salt Lake City, UT – Kilby Court
7/11 – Denver, CO – Globe Music Hall
7/13 – Kansas City – Record Bar
7/14 – St. Louis, MO – Off Broadway
7/15 – Indianapolis, IN – The Hi-Fi
8/04 – Chicago, IL – Lollapalooza
8/04-06 – Montreal, QC – Osheaga
8/07 – Cambridge, MA – The Sinclair
8/08 – Hamden, CT – The Ballroom at The Outer Space
8/10 – Columbus, OH – Express Live *
8/11 – Philadelphia, PA – Union Transfer
8/12 – North Adams, MA – Mass MoCA *
8/16 – New York, NY – Bowery Ballroom
8/18 – Washington, DC – 9:30 Club
8/25 – Reading , UK – Reading Festival
8/26 – Leeds, UK – Leeds Festival
8/27 – Hull, UK – Fruit
8/29 – Newcastle, UK – Cluny
8/30 – Edinburgh, UK – Caves
8/31 – Glasgow, UK – King Tuts
9/3 – Cambridge, UK – Portland Arms
9/5 – Nottingham, UK – Bodega
9/6 – Manchester, UK – Gorilla
9/7 – Cardiff, UK – Clwb Ifor Bach
9/11 – Brighton, UK – Haunt
9/14 – Monthey, CH – Pont Rouge
9/15 – Milan, IT – Serraglio
9/17 – Darmstadt, DE – Golden Leaves Festival
9/18 – Zurich, CH – Werk 21
9/19 – Munich, DE – Strom
9/20 – Vienna, AT – Flex
9/25 – Brussels, BE – Rotonde

* supporting My Morning Jacket

Live – Midnight Oil and Boytoy – Chicago, IL – May 18, 2017

“You know what the coolest thing is about this show?” Said a man next to me in the Vic Theatre where young Aussie rockers Boytoy and Aussie rock legends Midnight Oil were about to perform. “No one here is under thirty!”

It wasn’t true, but it was definitely an older crowd at the Vic. It had been over twenty years since my wife and I had seen Midnight Oil in concert, and you could tell the entire crowd in the hot, packed venue was ready to go nuts once Midnight Oil hit the stage.

Boytoy were first. They were three young ladies who were playing some good garage rock when we walked into the place, but they transformed into a stoner rock band by the end of their set, which elated me to no end. I need to track down their stuff.

Boytoy

Speaking, sort of, of stoner rock, the guy next to me tapped me on the shoulder, pointed at my rolled-up tour poster and said, “I thought that was a bong! I thought, ‘This guy’s the coolest guy in here!’” He even grabbed it at one point during Boytoy’s set and took an imaginary hit off it.

The guy in the teal shirt behind me thought this tour poster was a bong at first glance.

Midnight Oil came out to a roaring welcome and then got right down to business. They hadn’t lost a step in the time they’d been off working on other projects or, in the case of lead singer Peter Garrett, serving in the Australian Parliament.

“Why hasn’t he aged?” My wife asked about Garrett. My best guess is that he’s either a vampire or the food is much better in Australia because she was right. He looked like he’d barely grown older since we saw them in the early 1990’s.

He was, of course, politically outspoken. You don’t go to a Midnight Oil show and not expect to hear some political commentary.

Garrett started fairly early in the set. “Fact one: Thanks for waiting for so long. Fact two: It’s nice to be back in Obama territory. Fact three: There will be no alternative facts here tonight. Fact four: We don’t have short memories.” They then tore into “Short Memory” and had everyone bouncing.

He would touch on compulsory voting (“I don’t think you-know-who would’ve gotten in.” (if we had it here in the U.S.)), the environment (“We have a Mother Earth who takes care of us.”), universal health care (“If you make tacos for a living, you pay a little bit. If you have fifty million in a hedge fund and support the governor, you pay a bit more. We don’t call this socialism. We call it common sense.”), and equal rights (“Everyone, no matter their race, sex, age, or religious beliefs deserves to be treated with respect.”) before the night was over, and he wore a shirt that read “To sin by silence when one should protest makes cowards of men.”

Among the many great spots in their set were an acoustic version of “My Country,” a funky rendition of “When the Generals Talk,” roaring versions of “Read About It” and “Kosciusko,” and a killer performance of “Dreamworld” to end the set that had everyone pumping their fists and chanting.

A stunning rendition of “My Country.”

They played two encores. The first started with “Put Down that Weapon,” and I couldn’t help but think they chose to play that in Chicago as a message toward the high rate of gun violence there the last two years. “Truganini” and “Forgotten Years” rounded out the mini-set, and then they came out once more to dedicate “Sometimes” to people working hard to help others.

“Sometimes”

It was a trip back in time to songs that are still relevant today. Midnight Oil is globetrotting for this tour, so catch them if they come near you. This is one of the best and most welcome tours of the year.

Keep your mind open.

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Rest in peace, Chris Cornell.

I’m not sure what I can add to the thousands of words already written on the death of Soundgarden and Audioslave lead singer Chris Cornell.  He was one of the best rock singers of my generation, and even sang the Bond theme for the modern version of Casino Royale – “You Know My Name.”

I’ll always remember him for his work on Soundgarden’s masterpiece album Superunknown.  The whole record is a stunning piece of work, and Cornell’s voice ranges from screaming metal work to psychedelic wanderings to doom metal growls.

He was open about his drug addictions, and there is already talk that his death might be the result of suicide.  I wish him peace and his bandmates and fans strength.

Keep your mind open.

 

Beach Fossils deliver new single from upcoming album.

Beach Fossils Share New Single, “Down The Line”
Watch The Video Here

Somersault Out June 2nd on Bayonet Records

Photo by Rebekah Campbell

Beach Fossils have shared their latest single from Somersault titled, “Down The Line.” The song features many hallmarks of Somersault – a buoyant bassline, a propulsive, wayward guitar. Beach Fossils have charted into new musical territory with a refined songwriting style. On “Down The Line,” Dustin Payseur sings, “I don’t want your Wall Street / Don’t got no degree / Written on the concrete / A.C.A.B.” They’ve expanded their range both musically and lyrically. This is a band in bloom.

The song is paired with a video directed by Payseur and features the members of Beach Fossils exploring New York City after hours. Shots of McGolrick Park, the Williamsburg Bridge, the JMZ line and the sunrise loom large. The “Down The Line” video mirrors the band’s previous video for “Saint Ivy,” which pays homage to New York City artists. Somersault captures flashes of life in New York grounded in personal experience.

Later this month, Beach Fossils will play some of their first shows in support of Somersault with a weekend in South America including a festival playing alongside Slowdive. Come July, the band will tour the west coast with support from She-Devils and Ablebody capping it off at FYF before making their way to the UK in August. A full list of dates is below.

Somersault is out June 2nd on Bayonet Records.

Watch Beach Fossils’ “Down The Line” Video:
https://youtu.be/zdfjCivNxGY

Watch The “Saint Ivy” Video:
http://hyperurl.co/SaintIvyYT

Listen To “This Year”:
http://hyperurl.co/BFThisYearYT

Beach Fossils Tour Dates:
Fri. May 12 – Buenos Aires, AR @ Niceto Club
Sat. May 13 – Huechuraba, CL @ Espacio Riesco
Fri. July 7 – Fresno, CA @ Strummer’s
Sat. July 8 – San Francisco, CA @ The Fillmore
Mon. July 10 – Vancouver, BC @ Biltmore Cabaret
Tue. July 11 – Seattle, WA @ The Crocodile
Wed. July 12 – Portland, OR @ Holocene
Fri. July 14 – Boise, ID @ Neurolux
Sat. July 15 – Salt Lake City, UT @ Kilby Court
Sun. July 16 – Denver, CO @ Marquis Theater
Tue. July 18 – Santa FE, NM @ Meow Wolf
Wed. July 19 – Phoenix, AZ @ Crescent Ballroom
Thu. July 20 – San Diego, CA @ Casbah (early & late shows)
Fri. July 21 – Sun. July 23 – Los Angeles, CA @ FYF
Sat. Aug. 26 – Leeds, UK @ This Must Be The Place
Wed. Aug. 30 – London, UK @ Oslo Hackney

Somersault artwork

*Pre-order regular black LP / limited white+red splatter LP + goodies / CD / Cassette tape: http://hyperurl.co/BFsomersault
*Pre-order limited edition white+red splatter LP + goodie bag + signed poster: http://hyperurl.co/BFsomersaultextraLTD
*iTunes pre-order: http://hyperurl.co/BFsomersaultitunes

Beach Fossils online:
http://www.beachfossils.com/
https://www.facebook.com/beachfossils/
https://twitter.com/beachfossils
https://www.instagram.com/beachfossilsnyc
https://bayonetrecords.com/

Kane Strang’s new album due June 30th.

Kane Strang Announces New Album, Two Hearts and No Brain,
Out June 30th On Dead Oceans

Listen To New Single, “My Smile Is Extinct”
https://youtu.be/Q1fVG1IctmA
https://soundcloud.com/deadoceans/kane-strang-my-smile-is-extinct-3

Kane Strang has announced his new album, Two Hearts and No Brain, out June 30th on Dead Oceans. Along with the announcement he’s sharing the new single, “My Smile Is Extinct.” It’s the follow up to lead single, “Oh So You’re Off I See,” his first taste of new music since 2016’s Blue Cheese, which was shared ahead of Kane’s first ever North American tour last month.

Recorded in his hometown of Dunedin at the notoriously haunted Chick’s Hotel studio, Kane teamed up with producer Stephen Marr from trip hop group Doprah for Two Hearts and No Brain. The collaborative result is a razor sharp blend of intelligent alt-rock, bearing the signatures of grunge/alt rock swiftly executed with careful, meticulous precision over 11 tracks. Marr’s influence brings a pristine, retro-futuristic sheen which complements Strang’s perfectionist recording style, sharp melody, and verbose lyrical neuroticism. Taking to well-worn subject matter (heartbreak, loneliness, family) with a disarmingly frank scalpel, Strang’s wryly deadpan lines never miss a beat – the results often sardonic, and always captivating.

Two Hearts and No Brain is pure pop genius from start to finish. It’s hard to imagine who else could convincingly fuse fuzzy synths with slide guitar; crunchy chords with chiming vocals in such a kaleidoscopic pop vision. The album’s cover art, featuring a refracted analogue photograph taken of Kane atop of a rocky precipice; echoes the spirit of lean guitar-pop shining through a truly contemporary, innovative lens. His attention to detail shows up the fat slack present in the work of many of Kane’s contemporaries; yet his sound remains emotive and playfully laced with a tongue-in-cheek nostalgia – timelessly old and new in the same breath.

What sets Kane apart from the rafts of DIY indie songwriters is a willingness to push further. Having mastered the lo-fi aesthetic, he’s stretched his already limber songwriting legs and production chops to new unexpected spaces on Two Hearts and No Brain. Kane’s vision of extending his sound far beyond the bedroom promises international touring and releases the world over. With a live show that exhibits his unpredictable and exhilarating command on stage, Kane’s amassed a band of cohorts to execute his vision with arresting impact, sure to charm crowds with his sideways slant of guitar pop.

Listen To Kane Strang’s “My Smile Is Extinct”:
https://youtu.be/Q1fVG1IctmA
https://soundcloud.com/deadoceans/kane-strang-my-smile-is-extinct-3

Watch & Listen:
“Oh So You’re Off I See” video – https://www.youtube.com/watch?v=Y0mAC5NldNg
“Oh So You’re Off I See” audio – https://www.youtube.com/watch?v=l1VLO17X3Is&feature=youtu.be

Two Hearts and No Brain tracklist:
1. Lagoons
2. Silence Overgrown
3. Not Quite
4. Oh So You’re Off I See
5. See Thru
6. Summertime In Your Lounge
7. My Smile Is Extinct
8. Two Hearts and No Brain
9. It’s Not That Bad
10. Don’t Follow Me (I’m Lost)
11. Good Guy

Kane Strang UK/EU Tour Dates:
Sat. May 13 – Zurich, CH @ Stall 6 (Lauter Festival) (tickets)
Mon. May 15 – Manchester, UK @ Gullivers (tickets)
Tue. May 16 – Leeds, UK @ Headrow House (tickets)
Wed. May 17 – London, UK @ The Lexington (tickets)
Thu. May 18 – Brighton, UK @ The Great Escape (tickets)
Fri. May 19 – Brighton, UK @ The Great Escape (tickets)
Fri. May 19 – Brighton, UK @ The Mucky Duck (The Great Escape) (tickets)
Sat. May 20 – Antwerp, BE @ Trix
Mon. May 22 – Berlin, DE @ Privatclub (tickets)
Tue. May 23 – Paris, FR @ La Mecanique Ondulatoire
Wed. May 24 – Kortrijk, BE @ De Kreun (tickets)
Thu. May 25 – London, UK @ Greenman Presents Courtyard at Kings X (tickets)
Sat. May 27 – Amsterdam, NL @ Paradiso Upstairs (London Calling) (tickets)

The New Pornographers – Whiteout Conditions

 The New Pornographers  (Kathryn Calder – vocals, keyboards, guitar, Neko Case – vocals, John Collins – bass, Todd Fancey – lead guitar, Carl Newman – vocals, guitar, Joe Seiders – drums, vocals, Blaine Thurier – keyboards, synthesizers) hail from Canada, so that might explain the title of their new album – Whiteout Conditions. Such things are frequent there in the winters. I can’t help but think, however, that the title is a tongue-in-cheek reference to the result of the 2016 U.S. Presidential election and the voter base that led to that result.  Carl Newman and Neko Case are openly critical of President Trump on their respective Twitter feeds, so it’s not too much of a stretch.

Judging by the bright, uplifting feel of this record, the band assures us that everything will be all right. The opener, “Play Money,” is full of brilliant keyboards even as Ms. Case sings lyrics like “…just when I thought we beat the system, I knew a gentleman of leisure. He loved to talk about his treasure and how he got it for a song.”

The title track is a tale of some depression Newman’s admitted he was feeling at the time he wrote it (Shock at the result of the 2016 election?) “Flying and flat on the ceiling, I’m barely dealing…I wasn’t hoping for a win, I was hoping for freedom,” he sings, disguising the song as a tale of a man who’s sick of his job with pulsing synths and almost New Order beats. The first single, “High Ticket Attractions,” amps up the synths and witty lyrics (“You can’t imagine all the factions that form around high ticket attractions.”) even more, but now they’re backed with solid rock drumming by Seiders.

“This Is the World of the Theatre” pretty much wears its meaning on its sleeve. Like many of the tracks off their last album, Brill Bruisers, it sounds like an ELO track. “Darling Shade” has some of the funkiest bass on the record as Newman and his niece, Calder, sing, “When you give your mind to your voices, you accept the terms of your sentence.” “Second Sleep” is about insomnia (Due to stress?) as Peter Hook-style bass drives the track. “Colosseums” sprinkles in a bit of psychedelia as Newman sings about being overcome by, and warning against the distractions of, grand spectacle (“Colosseums, colosseums of the mind. Right on time, celebration in the ruin. Elation is moving in a wave. I avert my eyes, but I still see the lions.”). I love the percussion on this. It reminds me of Oingo Boingo songs, actually.

“We’ve Been Here Before” doesn’t sprinkle in psychedelia, it lays it on like a sweet strawberry jam. Just listen to those synths and vocals and you’ll hear it. Newman and Case assure us that we’ll get out of these times of “gods of bad parties.”

“Juke” is electro-psych with Newman singing about shattered crystal balls and people diverging on many paths after chaos explodes around them. The much-appreciated dive into psych-rock continues on “Clockwise.” It’s something you wouldn’t be surprised to hear on a Besnard Lakes album. The closer is “Avalanche Alley.” It opens with keyboards reminiscent of Pete Townshend’s “Let My Love Open the Door,” and then breaks into a great clickety-clack beat. I love that they chose to end an album about post-election blues with such a peppy, upbeat track.

As usual, the New Pornographers have crafted a great record. They’ve yet to swing and miss. Whiteout Conditions let us know that everything will be all right. Winter always gives way to spring. Whiteouts always clear sooner or later.

Keep your mind open.

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Bleached – Can You Deal?

Coming off their highly acclaimed full-length album Welcome the Worms, Bleached (Jennifer Calvin – guitar and lead vocals, Jessica Calvin – vocals and lead guitar, Micayla Grace – bass and vocals, Nick Pillot – drums) found not only more fame, but also more headaches from a music business dominated by men and, at best, dismissive towards women.

These attitudes, and the current political climate, inspired the four-song EP Can You Deal?. It’s a brilliant title. Can you deal with Bleached carving out a name for themselves in the music industry? Can you deal with them being a rock band instead of a female rock band? Can you deal with them not putting up with sexism or giving a shit about what you think?

The title track is all those questions and more amid shimmering punk-pop and a go-for-broke guitar solo by Jessica Calvin. “Flipside” is a lovely ode to a guy who rolls his eyes at the idea of being in a relationship because he’s too hip for the room. It’s undeniably catchy and, in a proper universe, would launch Bleached to the moon in terms of record sales. Seriously, it’s one of the prettiest singles of 2017.

“Turn to Rage” has Bleached showing off their rock chops (particularly the hammering drums by Pillot) while Jennifer Calvin warns a potential suitor not to fuck with her or he might end up “fishin’ for compliments from the grave.” The rock crunch continues on the final track, “Dear Trouble.” “Poor, Jennifer, I’ll be crazy all my life,” Calvin sings as she yearns for a relationship free of drama.

This is a solid EP and another booming step forward for Bleached on their way to being Next Big Things. They are currently touring with the Damned, so that alone should earn your respect if this EP doesn’t (but it will).

Keep your mind open.

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Sleater-Kinney – Live in Paris

The first ever live album from alt-rock / punk / riot grrl legends Sleater-Kinney (Carrie Brownstein – guitars and vocals, Corin Tucker – guitars and vocals, Janet Weist – drums and vocals) is a doozy. Live in Paris captures the band on their 2016 tour supporting the No Cities to Love album (their first in over a decade), and the only show of the tour where they performed a second encore.

Opening with the fiercely funky “Price Tag,” the band is already firing on all cylinders within the first thirty seconds. Tucker is growling and spitting lyrics like a rivet gun throughout it. “Oh!”, one of their biggest hits, keeps up the pace and you can envision the whole Parisian crowd bouncing throughout it. The crunch of “What’s Mine Is Yours” is only outmatched by Tucker’s battle cry voice. It also has a cool breakdown that flirts with psychedelia before Weis hammers out a tremendous fill that takes them back to angry rock.

“A New Wave” is chock-full of fuzz and bent notes as Brownstein and Tucker sing great double vocals on the chorus. “Start Together” is one of Sleater-Kinney’s best songs about rocky relationships. Tucker’s vocals are always pleading on it, as is the guitar work. “No Cities to Love,” from the album of the same name, is a slick song about attachment and how many of us never truly connect with the place we live (“There are no cities to love. It’s not the cities, it’s the weather we love.”).

“Surface Envy” has Tucker crying out for a little help in a relationship (“We win, we lose. Only together do we break the rules.”) and Brownstein and Weis pound out a hard rhythm behind her. I would’ve flipped had I been in the crowd when they played “I Wanna Be Your Joey Ramone.” It’s a powerful song about a girl with an unrequited crush and one of my favorites by them. “Turn It On” is a song about what might happen if that crush returns the affection.

Weis cuts loose at the beginning of “Entertain,” proving yet again that she’s one of the best rock drummers around nowadays. It’s a scathing song about a lover who expects Brownstein to entertain her all the time, but she lets her lover know that “reality is the new excitement.” “Jumpers” is one of Sleater-Kinney’s great examples of dual vocals from Brownstein and Tucker. The encores are “Dig Me Out” (a scorching punk track) and “Modern Girl” (a simple, but slightly fuzzed ode to being okay despite being alone).

Live in Paris might be the closest I get to a Sleater-Kinney show in a while, and I’m happy they released it. Everything you’ve heard about a live Sleater-Kinney show is true. This album is proof.

Keep your mind open.

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A gift from Ron Gallo.

I took part in Ron Gallo‘s PledgeMusic campaign to help fund his debut album, Heavy Meta.  I’d been a fan of his since I’d seen him live last year and nabbed his RG3 EP.  One of the perks he was offering in his campaign was a download of Heavy Meta and a mix CD he’d make for you for a mere $30.00.  That seemed like a steal, so I jumped on it.

My mix CD arrived today, along with a hand-written note and track list from Mr. Gallo.  The note reads, “Thank you for the support.  Enjoy this eclectic mix of jams that influenced Heavy Meta.  Be well.”

The track listing has a lot of great stuff on it, including tracks from artists whose influence I could immediately hear in Gallo’s work (the Stooges, John Lennon, Minor Threat, the Modern Lovers) and others I hadn’t expected but was delighted to see (Dangerdoom, Lauryn Hill, Duke Ellington).  Anyone who can and would put together a great mix like this is sure to do great things.

Thank you, Mr. Gallo.  I look forward to the future.

Keep your mind open.

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