Live music – Page 9 – 7th Level Music

Durand Jones and The Indications announce U.S. fall tour dates and a new single – “Flower Moon.”

Durand Jones & The Indications — the trio of Durand Jones, Aaron Frazer, and Blake Rhein— announce a fall North American tour and release “Flower Moon,” the second single/video from their forthcoming album, Flowers out June 27th on Dead Oceans. On the heels of a successful European headline run which included shows supporting Lenny Kravitz, the band’s expansive tour includes some of their largest shows yet, with stops in New York, Chicago, LosAngeles, Toronto, and more. Tickets go on sale Friday, April 25th at 10am local time. A full list of dates is below, with tickets and further information available here.

Following lead single “Been So Long,” praised by Rated R&B as a “petal-soft tune [that] rides with the smoothness of an early ’70s soul jam,” “Flower Moon” guides listeners to an end-of-night dancefloor with Frazer’s trademark falsetto on full display. Reflecting on the track, Jones says: “It felt right to release ‘Flower Moon’ with this record. Spring is here and the flowers are blooming everywhere. We really wanted to catch that essence of the song and bring it to life for the listener. Also the Flower Moon is happening in a few weeks, so everything just seemed aligned to bring this song to our fans. It’s a feel-good tune to enjoy with friends or a loved one.” The song’s accompanying video was directed by Alec Basse.

Watch the Video for “Flower Moon”

On Flowers, The Indications’ fourth album and first since 2021’s “disco and funk infused” (Billboard) Private Space, the group leaned into a particular desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut. Just as they did on that 2016 release, The Indications prioritized close-knit collaboration while creating Flowers. Much of the self-produced album was written together at Rhein’s Chicago home studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease.

Reflecting a strong sense of the band’s maturation and conviction, the 11 songs that make up Flowers are grown and sexy, fit for cruising, and delight in the softer side of soul and disco. “All of these songs touch on such mature topics, things that we never got to sing about before,” says Jones. “We are all in our 30s, have all been through ups and downs in our personal lives and professional lives, and flowers are a sign of maturity, growth, spring, productivity.” Frazer adds: “We took the spirit of play that started the project, and added in the wisdom and lessons we’ve acquired through the years.”

Pre-order / Pre-save Flowers

Watch the Video for “Been So Long”

Durand Jones & The Indications Tour Dates
(New Dates in Bold)
Fri. July 4 – East Sussex, UK @ Love Supreme Jazz Festival
Sun. July 6 – Ewijk, NL @ Down The Rabbit Hole
Sun. July 6 – Werchter, BE @ Werchter Festival Park
Thu. Sept. 11 – Phoenix, AZ @ The Van Buren *
Fri. Sept. 12 – Flagstaff, AZ @ Orpheum Theater *
Sat. Sept. 13 – Abiquiú, NM @ Blossoms & Bones
Mon. Sept. 15 – San Antonio, TX @ Aztec Theatre *
Tue. Sept. 16 – Austin, TX @ Stubb’s Waller Creek Amphitheater *
Thu. Sept. 18 – Atlanta, GA @ Variety Playhouse *
Fri. Sept. 19 – Nashville, TN @ Brooklyn Bowl *
Sun. Sept. 21 – Washington, DC @ 9:30 Club *
Tue. Sept. 23 – Philadelphia, PA @ Union Transfer *
Fri. Sept. 26 – Boston, MA @ Citizens House of Blues *
Sat. Sept. 27 – New York, NY @ Webster Hall *
Tue. Sept. 30 – Indianapolis, IN @ HI-FI Annex *
Wed. Oct. 1 – Chicago, IL @ The Salt Shed *
Fri. Oct. 3 – Englewood, CO @ Gothic Theatre *
Sat. Oct 4 – Fort Collins, CO @ Washington’s *
Sun. Oct. 5 – Salt Lake City, UT @ The Depot *
Tue. Oct. 7 – Oakland, CA @ Fox Theater *
Fri. Oct 10 – Los Angeles, CA @ The Greek Theatre *
Sat. Oct. 11 – Las Vegas, NV @ Brooklyn Bowl *
Thu. Oct. 23 – Del Mar, CA @ The Sound *
Fri. Oct. 24 – Sacramento, CA @ Channel 24 *
Mon. Oct. 27 – Portland, OR @ Crystal Ballroom *
Tue. Oct. 28 – Vancouver, BC @ Commodore Ballroom *
Wed. Oct. 29 – Seattle, WA @ Showbox SoDo *
Fri. Oct. 31 – Boise, ID @ Knitting Factory *
Sat. Nov. 1 – Bozeman, MT @ The ELM *
Mon. Nov 3 – Minneapolis, MN @ First Avenue *
Tue. Nov 4 – Milwaukee, WI @ Turner Hall Ballroom *
Wed. Nov 5 – Detroit, MI @ Saint Andrew’s Hall *
Fri. Nov. 7 – Toronto, ON @ The Concert Hall *
Sat. Nov 8 – Montreal, QC @ Beanfield Theatre *
Sun. Nov. 9 – South Burlington, VT @ Higher Ground Ballroom *
Tue. Nov 11 – Columbus, OH @ Newport Music Hall *
Wed. Nov. 12 – Asheville, NC @ The Orange Peel *
Fri. Nov. 14 – New Orleans, LA @ Tipitina’s *
Sat. Nov. 15 – Houston, TX @ The Heights Theater *
Sun. Nov. 16 – Dallas, TX @ House of Blues *

* = w/ The Psycodelics

Keep your mind open.

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[Thanks to Sam from Pitch Perfect PR.]

Live: The Bob Mould Band and Winged Wheel – May 12, 2025 – Bell’s Eccentric Café – Kalamazoo, MI

It’s odd that I haven’t seen a full concert in almost five months, so opening my 2025 concert season with one of my rock heroes seemed appropriate. The Bob Mould Band was playing an easy drive from my house, so seeing them for the third time, and in a small venue, was an easy decision.

First up were Winged Wheel, who described themselves as being “from multiple cities” and thus rarely getting opportunities to play and tour together. They played an interesting brand of psychedelia that mixed synthwave with trippy guitars, a violin, and even lap steel guitar.

They had a great sunset to provide a light show, and I thought, “They could play Levitation.” Their sound is unique and they all look like someone you know.

After about a twenty-minute gear switch, The Bob Mould band came out and got straight to business. It was the last show of their current tour, and they emptied the gas tank on the Bell’s outdoor stage.

They tore through the first group of tracks so fast that you could barely breathe. The crowd, mostly aging hipsters like yours truly, seemed a bit low key. The trio of Mr. Mould, Jason Narducy (bass), and Jon Wurster (drums) were roaring and few people were dancing at first. I think some were just overwhelmed by the tidal wave of sound coming at them. There were a couple songs when it felt like a mosh pit could, and should, have broken out. Three guys tried to start one for a moment, but one of the trio soon stopped it and calmed his pals down before it could form.

The Bob Mould Band was undeterred by this, thank heavens, and ripped through a lot of good stuff from their catalogue, both new (from their Here We Go Crazy album) and even a short set of tracks from 2020. Wurster was dropping some killer fills the whole night, and Narducy’s bass grooves were locked in the whole set.

Mould, go figure, shredded the entire evening with both his guitar and his voice. It’s wild to see and hear him create that much sound.

A highlight for me was them playing the theme from The Mary Tyler Moore Show near the end of the night. If you’re a fan of Hüsker Dü, then you know that cover was a staple of their early shows so it was a blast to hear that gem brought out to shine.

It’s great that these guys are still crushing it and that Mould is still putting out great music and showing youngsters how it’s done.

Keep your mind open.

Thanks to the chap who let me snap a photo of this set list he scored.

[Thanks to Jim and Mia at Big Hassle for the press pass!]

The Beths get “Metal” on their new single and announce a new world tour.

The Beths — the New Zealand-based quartet of vocalist Elizabeth Stokes, guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck — announce signing to ANTI- and release the new single/video, “Metal.” “Metal” is the first taste of new music from the band since the release of 2023’s Expert In A Dying Field (Deluxe), the expanded version of their beloved 2022 album.

Following Liz Stokes’s recent, sold–out solo show at Largo in Los Angeles with special guests Courtney Barnett and Bret McKenzie (Flight of the Conchords), The Beths announce a world tour across North America, the UK and Europe this fall. The band returns to the U.S. for the first time since playing Coachella, Bonnaroo and Newport Folk Festival, and supporting The National, Death Cab for Cutie and The Postal Service in 2023-2024. They’ll headline some of their biggest venues to date including The Wiltern in Los Angeles, The Fillmore in San Francisco, The Salt Shed in Chicago, Brooklyn Paramount in New York City, Union Transfer in Philadelphia, 9:30 Club in Washington, DC and more. Tickets go on sale Fri. May 2 at 10am local and are available here.

Today’s single “Metal” was born out of a time of rigorous touring, mental health struggles, and several diagnoses for Stokes. “In some ways ‘Metal’ is a song about being alive and existing in a human body,” she explains. “That is something I have been acutely aware of in the last few years, where I have been on what one might call a ‘health journey’. For parts of the last few years, I kind of felt like my body was a vehicle that had carried me pretty well thus far but was breaking down, something I had little to no control over. All of the steps in the Rube Goldberg machine of life are so unlikely, and yet here we are in it. I have a hunger and a curiosity for learning about the world around me, and for learning about myself. And despite all the ways that my body feels like a broken machine, I still marvel at the complexity of such a machine.”

“I can hold that knowledge in one hand, and yet with the other hand I can point to my reflection and just be like ‘you are shit’. Or ‘ugly’. Or ‘worthless’. I can reliably respond to any suggestion that I might be able to achieve any small thing with ‘no’. And these are variations of the ‘short word’ referenced in the song.”

Sonically, the track sees The Beths fully embracing jangle rock. Stokes says, “There was a propulsion to the acoustic strumming pattern on the original demo. Tristan’s drums meet that feeling so perfectly, the feeling of a train pushing up the tracks. Jonathan got to play his Burns 12 string guitar as sparkly as he wanted, and Ben as usual can’t be contained to the lower register. I think we ended up with an arrangement that embodies the frenetic intricacy of an engine in action. There’s a lot going on, until there isn’t.”

Watch the Video for “Metal”

2023’s Expert In A Dying Field (Deluxe) expanded upon the brilliance of The Beths’ acclaimed 2022 album, “another collection of tunes that cements their status as one of the great guitar-pop bands of this present moment” (Stereogum). The third studio album from The Beths, Expert In A Dying Field was released to a wealth of critical praise, and was named one of 2022’s best releases by the likes of Pitchfork, The Ringer, Stereogum and more. Surrounding its release, The Beths were profiled by Rolling Stone, made their U.S. television debut on CBS Saturday Morning, and performed a NPR Music Tiny Desk Concert, The Beths are undeniably one of the most exciting indie rock bands to emerge in recent memory.

The Beths Tour Dates:
Thu. Sept. 18 – Dublin, IE @ Button Factory
Sat. Sept. 20 – Manchester, UK @ Albert Hall
Sun. Sept. 21 – Glasgow, UK @ SWG3 TV Studio
Mon. Sept. 22 – Leeds, UK @ Project House
Wed. Sept. 24 – Bristol, UK @ O2 Academy
Thu. Sept. 25 – Birmingham, UK @ XOYO
Fri. Sept. 26 – London, UK @ Roundhouse
Sat. Sept. 27 – Brighton, UK @ CHALK
Mon. Sept. 29 – Tourcoing, FR @ Le Grand Mix
Tue. Sept. 30 – Paris, FR @ Le Trabendo
Wed. Oct. 1 – Brussels, BE @ Botanique
Fri. Oct. 3 – Cologne, DE @ Kantine
Sat. Oct. 4 – Amsterdam, NL @ Paradiso
Sun. Oct. 5 – Hamburg, DE @ Krust
Tue. Oct. 7 – Stockholm, SE @ Slaktkyrkan
Wed. Oct. 8 Oslo, NO @ Parkteatret Scene
Thu. Oct. 9 – Copenhagen, DK @ Pumpehuset
Sat. Oct. 11 – Berlin, DE @ Lido
Sun. Oct. 12 – Munich, DE @ Strom
Mon. Oct. 13 – Zurich, CH @ Plaza
Wed. Oct. 15 – Barcelona, ES @ Razzmatazz 2
Thu. Oct. 16 – Madrid, ES @ Nazca
Fri. Oct. 17 – Lisbon, PT @ LAV
Thu. Oct. 30 – Asheville, NC @ The Orange Peel*
Fri. Oct. 31 – Atlanta, GA @ Variety Playhouse *
Sat. Nov 1 – Nashville, TN @ Brooklyn Bowl *
Mon. Nov. 3 – Dallas, TX @ The Studio At The Bomb Factory *
Tue. Nov. 4 – Austin, TX @ Emo’s *
Thu. Nov. 6 – Phoenix, AZ @ The Van Buren *
Fri. Nov. 7 – Los Angeles, CA @ The Wiltern * ^
Sat. Nov. 8 – San Francisco, CA @ The Fillmore *
Wed. Nov. 12 – Sacramento, CA @ Ace of Spades *
Fri. Nov. 14 – Portland, OR @ Crystal Ballroom *
Sat. Nov. 15 – Seattle, WA @ The Moore Theatre *
Sun. Nov. 16 – Vancouver, BC @ Commodore Ballroom *
Tue. Nov. 18 – Salt Lake City, UT @ Metro Music Hall *
Wed. Nov. 19 – Denver, CO @ Ogden Theatre *
Fri. Nov. 21 – Kansas City, MO @ The Truman *
Sat. Nov. 22 – St. Paul, MN @ Palace Theatre *
Sun. Nov. 23 – Chicago, IL @ The Salt Shed (Indoor) * +
Tue. Nov 25 – Cleveland, OH @ Globe Iron *
Wed. Nov. 26 – Pittsburgh, PA @ Roxian Theatre *
Fri. Nov. 28 – Toronto, ON @ Danforth Music Hall *
Sat. Nov. 29 – Montreal, QC @ Beanfield Theatre *
Tue. Dec. 2 – Boston, MA @ Royale *
Wed. Dec. 3 – Providence, RI @ Fete Music Hall *
Fri. Dec. 5 – Brooklyn, NY @ Brooklyn Paramount * #
Sat. Dec. 6 – Philadelphia, PA @ Union Transfer *
Tue. Dec. 9 – Washington, D.C. @ 9:30 Club *

* w/ Phoebe Rings
^ w/ Bret McKenzie
+ w/ Squirrel Flower
# w/ illuminati hotties

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Review: Frankie and The Witch Fingers – Live at KEXP

In case you weren’t aware, Seattle’s KEXP is one of the best radio stations out there for music lovers. Part of the reason is that they present so many great live performances from so many artists in different genres. They also host, and broadcast, full live concerts. Some of them are even released for us to consume afterwards, like the newest Live at KEXP record from psychedelic rippers Frankie and The Witch Fingers.

FATW go back to their (near) beginning by opening with the title track from their Brain Telephone album. Nikki Pickle‘s bass is a snarling beast, and it’s easy to lose track of whose guitar sounds like it’s already falling apart – Dylan Sizemore‘s or Josh Menashe‘s. Just when you think the whole song and set is going to be wild noise, they drop into their funk grooves that they do so well. “Futurephobic” starts and stops on a dime, leaving you a bit bewildered by the end.

“Syster System” struts around the stage like an unearthed Thin Lizzy track stretching its muscles and staking a claim on rock and roll. “Cops & Robbers” is almost a psychobilly track with the wild lyrics about bank robbery and Nick Aguilar‘s punk drumming, and then it dissolves / oozes into the slime-punky “Sidewalk.” “Weird Dog” snaps back and forth between garage rock funk and crunchy punk kerplunk that your neck might snap.

Jon Modaff is a welcome addition to the FATWF lineup on synths, and his work on “i-Candy” almost brings the band into spooky rock / haunted house terror music. In other words, more cool stuff the band pulls off with ease. The longest cut, “Empire,” has become a fan favorite of their live shows as it lets each band member shine at different times and always belts you hard in the chest.

The concert, and album, ends with “Bonehead” – a raucous rocker made for pogo-dancing and kicking down doors and, well, boneheads…and good grief, Menashe’s solo is manic. The whole song, and (again) the album, practically has you sweating just from hearing it. It, like seeing them in the flesh, will leave you invigorated.

Keep your mind open.

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The Brian Jonestown Massacre announce new single and U.S. tour dates.

THE BRIAN JONESTOWN MASSACRE announce a new single, ‘Makes Me Great / Out Of Body’, on red transparent 10” vinyl, released April 25th via Anton Newcombe’s record label A Recordings. Pre-save here. Following a hugely successful UK and Europe tour earlier this year, the band will return to North America this fall for an extensive run of live shows, including two dates with special guests, Cast, making their first US appearance in nearly 30 years. Tickets on sale now.

It is over 30 years since Anton Newcombe – frontman, songwriter, composer, studio owner, multi-instrumentalist, producer, engineer, father, force of nature – and his band The Brian Jonestown Massacre released their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavour of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no. As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn’t a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly acquiesced to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. “I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway,” he says. “Or dislike me. It doesn’t matter.”

Much of this was documented on the controversial documentary ‘Dig!’, which is still hailed as one of the best rock documentaries ever made, and celebrates its 20th Anniversary this year with the remastered, expanded version “Dig! XX.”

Brian Jonestown Massacre’s shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music’s most fascinating bands. There have been a further 20 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock’n’roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.

Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He’s emerged as a revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. “My only option with everything in life has always been that you just jump into the fire,” he declared. “It doesn’t matter what it is.”

It’s with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 15 years and has two flats, one to live in and one that’s been converted into his studio.

After a hugely prolific 2010s that saw the release of eight long-players and one mini-album, Newcombe had been going through a period of writer’s block when one day he picked up his 12-string guitar and The Real (the opening track on previous album Fire Doesn’t Grow on Trees) came out of him. Like the kraken, it was as if he’d summoned it. “All of a sudden, I just heard something,” he says. “And then it just didn’t stop. We tracked a whole song every single day for 70 days in a row.” By the end of it they had 2 albums ready to go. Joining Newcombe in the studio for The Future Is Your Past were Hakon Adalsteinsson (guitar) and Uri Rennert (drums).

Brian Jonestown Massacre released their 20^th full-length studio album The Future Is Your Past, in February 2023 on Anton’s record label, A Recordings. In 2022 / 2023, they completed a massive world tour that saw them play 34 dates in North America, 25 dates across Europe and 16 dates in the UK. Towards the end of 2024, they released ‘Don’t Look At Me’ ft. Aimee Nash. It is a delicious slice of hypnotic shoegaze with Nash lyrically casting a spell with the mantra “Do No Harm.”

There is no such thing as a defining statement in Anton Newcombe’s world anymore, just more chapters that contribute to the tale. “Nobody can stop me, I’m not asking somebody, I’m not making the rounds at Warners, saying ‘please put out my record!’. It’s just for me,” he says. He hopes he can be an inspiration to others. “I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That’s the only reason I need. It’s the only reason to do stuff.” That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick. He’ll keep jumping in that fire. That’s how he rolls. Savor it.

LIVE SHOWS:

Sept. 3 – Cat’s Cradle – Carrboro, NC
Sept. 4 – Variety Playhouse – Atlanta, GA
Sept. 5 – Basement East – Nashville, TN
Sept. 6 – Orange Peel – Asheville, NC
Sept. 8 – 9:30 Club – Washington, D.C.
Sept. 9 – Webster Hall – New York, NY – with special guests, Cast
Sept. 10 – Union Transfer – Philadelphia, PA – with special guests, Cast
Sept. 12 – The Sinclair – Cambridge, MA
Sept. 13 – Beanfield Theatre – Montreal, QC
Sept. 14 – Danforth Music Hall – Toronto, ON
Sept. 16 – Globe Iron – Cleveland, OH
Sept. 17 – Majestic Theatre – Detroit, MI
Sept. 18 – Mercury Ballroom – Louisville, KY
Sept. 19 – Hi-Fi Annex – Indianapolis, IN
Sept. 20 – Majestic Theatre – Madison, WI
Sept. 22 – Metro – Chicago, IL
Sept. 23 – Slowdown – Omaha, NE
Sept. 24 – recordBar – Kansas City, MO
Sept. 26 – Studio at The Factory – Dallas, TX
Sept. 28 – White Oak Music Hall – Houston, TX
Oct. 31 – Music Box – San Diego, CA
Nov. 1 – Pappy and Harriet’s – Pioneertown, CA

Nov. 2 – Observatory OC – Santa Ana, CA
Nov. 4 – SLO Brew – San Luis Obispo, CA
Nov. 6 – Swan Dive – Las Vegas, NV
Nov. 7 – The Van Buren – Phoenix, AZ
Nov. 8 – Tumbleroot – Santa Fe, NM
Nov. 10 – Gothic Theatre – Englewood, CO
Nov. 11 – Fox Theatre – Boulder, CO
Nov. 13 – Metro Music Hall – Salt Lake City, UT
Nov. 14 – Shrine Social Club – Boise, ID
Nov. 15 – The Showbox – Seattle, WA
Nov. 16 – The Pearl – Vancouver, B.C
Nov. 18 – Revolution Hall – Portland, OR
Nov. 20 – Regency Ballroom – San Francisco, CA
Nov. 21 – Rio Theatre – Santa Cruz, CA
Nov. 22 – Teragram Ballroom – Los Angeles, CA
Nov. 23 – Teragram Ballroom – Los Angeles, CA

TICKETS

Keep your mind open.

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[Thanks to Jo Murray!]

The Sword announces their first European tour in a decade.

The Sword have announced their first European tour dates since 2015, with the recently reunited band slating a trio of intimate club performances alongside festival appearances, including Copenhell, Freak Valley, and Tons of Rock.

The Sword European Tour:

June 19 Copenhagen, DK Copenhell Festival

June 21 Netphen, DE Freak Valley Festival

June 22 Nijmegen, NL Doornroosje

June 25 Gothenburg, SE Monument

June 26 Stockholm, SE Slaktyrkan

June 28 Oslo, NO Tons of Rock Festival

Tickets for the three exclusive club dates are on-sale now, with ticket links available via TheSwordOfficial.com.

The legendary Austin-based band announced their reunion earlier this year, bringing their signature blend of crushing heaviness and cosmic groove back to audiences who have long awaited their comeback. JD Cronise, in conversation with Revolver, discussed The Sword’s Levitation Festival performance as a turning point for the foursome, describing the experience as “like putting on a comfortable pair of sneakers.” Kyle Shutt added: “I can’t tell you what it means to see everyone’s positive reception. It feels so good to see people out there almost more enthusiastic about the band than ever – it’s something we’ll never take for granted.”

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Monica at Speakeasy PR.]

Levitation France announces its 2025 lineup.

Levitation France has announced its full (?) lineup for 2025, and they’ve packed a lot of good bands into just two nights.

Vendredi (Friday) brings in Italy’s New Candys (whose new album, so far, sounds pretty cool), UK’s Ditz (a sharp new post-punk band), Spain’s Hinds (also promoting a new album), Danish metal giants Kadavar, and the U.S.’ own Blonde Redhead.

Samedi (Saturday) has Angers post-punkers Rest Up, UK’s mysterious HONESTY, goth-queen Heartworms, experimental psych-rockers Bryan’s Magic Tears, and psych-proggers bdrmm, plus the U.S.’ synthwave duo Boy Harsher, and finally French psych heavyweights The Limiñanas.

It’s a good lineup with some serious rock in it this year, and it’s in a new location – a pyramid on a lakefront, no less. Don’t miss it.

Keep your mind open.

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Rewind Review: Flat Worms – Live in Los Angeles (2022)

I have yet to see Flat Worms live. This seems like a crime to me. They’re a great power trio with darkly humorous lyrics and power you cannot deny. So, Live in Los Angeles (recorded in 2019) will have to do until I can catch them at a somewhat dingy venue that feels like a sweatbox and smells like beer mixed with incense.

“Pearl” starts off the raucous set with Will Ivy‘s guitars sounding like a sped-up hotel fire alarm and his vocals bringing angry post-punk lyrics about keeping up with the Joneses to the crowd. “Motorbike” roars like its namesake and Justin Sullivan‘s chops on the drums turn on a dime at any given moment. The live version of “Into the Iris” slows it down a bit but doesn’t lack in power. It’s almost a sludge rock tune in the first half and then kicks into near-punk fury for the second half. It’s songs like this in which Tim Hellman excels on bass. He can lock down any track at any speed and in seemingly any genre, and he plays like a time bomb is about to off on “Plaster Casts.”

“Condo Colony,” a great takedown of gated communities and HOA madness, absolutely slays on this. It’s impossible to choose which of the three is killing it more. The short-instrumental “Scattered Palms” explodes into the snarky “11816.” The album ends with “Red Hot Sand,” and yes, it’s blistering. Hellman’s bass is frantic, Ivy’s guitar is a race car tearing up a dirt track, and Sullivan’s drums threaten to crack the floor under you.

It’s a great capture of a trio clicking on all fronts and crushing everything around them. If you can’t see them live, this is a worthy alternative.

Keep your mind open.

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Levitation releases 2025 lineup for Austin Psych Fest and the first wave of bands for Levitation France.

The good folks at Levitation and the Reverberation Appreciation Society have unveiled the full lineup for the 2025 Austin Psych Fest.

They’re playing heavy this year. The first night alone unleashes Explosions in the Sky, Godspeed You! Black Emperor, Black Mountain, Kadavar, and Blackwater Holylight on you. Kim Gordon shows up Saturday night to wallop you, and then Dinosaur Jr. closes Sunday night. That’s a lot of decibels in three nights.

As if that weren’t a big enough announcement, they also announced the first three bands for Levitation France this year: Blonde Redhead, Boy Harsher, and Kadavar. Three powerhouses already booked, and that’s just the start.

Tickets are on sale now for both festivals. Don’t miss either.

Keep your mind open.

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Top 25 live shows of 2024: #’s 5 – 1

Here they are: My top five concerts of 2024. They were doozies.

#5: Slift – Reggie’s Music Joint, Chicago, IL, October 18, 2024

This was the first time I saw Slift in 2024, and the second time I’d seen them in a small venue. It had been a while since I’d been to a show at Reggie’s, and I’d forgotten how small it is. I figured Slift were going to blow off the back wall with their cosmic rock, and I was right. I don’t know how the building didn’t collapse.

#4: Osees – Thalia Hall, Chicago, IL, October 19, 2024

Yes, I saw Slift one night and then Osees the next. This was the second of two shows at Thalia Hall for Osees (another yearly tradition for them), and seeing them on a bare stage with a fun crowd in one of my favorite venues was outstanding. It was, as always, a blast and the pit crowd is like a reunion of pals you haven’t seen in a year.

#3: LCD Soundsystem – Aragon Ballroom, Chicago, IL, May 26, 2024

It’s always good to see LCD Soundsystem, and this was night three of a four-night residency at the Aragon for them. It was also my girlfriend’s first time seeing them, and experiencing that with her was delightful. They had a nice tribute to Steve Albini during “Someone Great.”

#2: King Gizzard and the Lizard Wizard – Huntington Bank Pavilion, Chicago, IL, September 01, 2024

It had been a couple years since I’d been to a KGATLW show, and this was my first three-hour marathon set by them I was able to attend. Good grief, they slayed this stage, playing everything from Nonagon Infinity cuts to a short techno set. They even went longer than three hours by ending the show with a nearly twenty-minute version of “Head On / Pill.” The massive crowd was in heaven.

#1: Orbital – Radius, Chicago, IL, March 23, 2024

This show was like stepping into a time machine and emerging into a 1995 rave. I wasn’t sure I’d ever see Orbital, and they hadn’t been in Chicago in many years. This was also my girlfriend’s first “rave” of sorts, and the crowd was a mix of Gen Xers like us, new rave kids, goths, and even senior citizens. I hadn’t danced that much in a long while.

I’m looking forward to shows in 2025. I already have tickets to see Viagra Boys this year, and will soon have tickets for King Buffalo‘s current tour. Other bands I hope to catch this year are George Thorogood and The Destroyers, Mdou Moctar, Helmet, Kelly Lee Owens, Soft Play, Gang of Four, Amyl and The Sniffers, A Place to Bury Strangers (again), Diana Krall, Alison Krauss, King Gizzard and The Lizard Wizard (again), and Osees (again).

Keep your mind open.

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