Live – Shonen Knife and Shooda Shook It – Tucson, AZ – May 24, 2017

I was delighted to discover Japanese pop-punk legends Shonen Knife were playing in Tucson (at the nice little club / art space 191 Toole) while I was recently there.  I’d never seen them, and their “Ramen Adventure Tour” included original bassist Atsuko, original guitarist Naoko, and new drummer Risa.  Tickets were only $15.00, so this was a must-see.

Opening for them were local new wave / post-punk outfit Shooda Shook It.  They showed up in matching black and white outfits and checkerboard masks that made them look like either luchadors or obscure Bronze Age comic book villains.

Shooda Shook It

They were funky, groovy, and good.  They played a set that started like early Devo, then ventured into early Talking Heads-like stuff, and then a neat blend of surf-punk and P-funk.  I need to track down their stuff.

Shonen Knife came out to a rousing chorus of cheers.

Sisters Atsuko (left) and Naoko (right).

They ripped out a set of stuff from their newest record, Adventure, including “Jump into the New World” and “Green Tangerine” – which was sung by their outstanding (and adorable) drummer, Risa.

They then played a big “food” set of songs related to food, including “Banana Chips,” “Ramen Rock,” “Sushi Bar,” “Wasabi,” “Fruits and Vegetables,” and “Barbecue Party.” I was bouncing like a delighted schoolgirl during “Banana Chips” and the crowd chants during “Sushi Bar” were great.

L-R: Atsuko, Risa, Naoko rocking out “Sushi Bar.”

Other highlights were “Twist Barbie,” “Capybara,” and “Bear Up Bison,” which I thought was a fun addition to a set in the southwest.  Their encore included their cover of “Daydream Believer” and the heavy classic “Bakka Guy,” which proves Shonen Knife could’ve been a doom metal band if they’d wanted.

Encore performance of “Daydream Believer.”

It was a solid set that lasted just under an hour.  They promised their set in Tempe the next day would be entirely different and they’d have different costumes (all of which are designed by Atsuko, by the way).

My wife said I was “crushing on them,” and she was right.  I geeked out for them hard.  I didn’t realize how much I needed a fun pop-punk show until then, let alone how much Shonen Knife material is out there I still don’t have.  I hope I can catch them again sooner rather than later.

Keep your mind open.

Naoko’s foot pedal board. I think she keeps her guitar picks in the Altoids tin.

Jai Wolf announces summer tour and releases new single – “Starlight.”

Jai Wolf Announces Summer Tour Dates,
Including Brooklyn Steel, Red Rocks, Lollapalooza, Electric Forest, Capitol Hill Block Party, HARD Summer and MOREListen To New Single, “Starlight (Feat. Mr Gabriel):
https://soundcloud.com/jaiwolfmusic/starlight-feat-mrgabriel/
http://smarturl.it/Starlight_YouTube

Photo by Dash Grey

Jai Wolf has unveiled his initial summer tour dates on the heels of a recent sold out headline tour around Coachella. Starting next month he’ll make stops at Free Press Summer Fest, Red Rocks, Electric Forest and more, before heading to Capitol Hill Block Party in July and Lollapalooza and HARD Summer in August, with many other dates along the way. He’ll cap off the summer with a hometown headline show at Brooklyn Steel on August 25th. It marks his first NYC headline show in 2017 since playing Terminal 5 late last year. A list of dates is below with more to be announced soon.

The recent touring comes in support of his new single, “Starlight,” featuring vocals from Mr Gabriel. “Starlight” picked up where his debut EP, Kindred Spirits, left off by melting the lines between indie electronic, hip hop, and 80s pop, proving Jai Wolf is a promising young artist with a distinct, emotional sound and style. Both “Starlight” and Kindred Spirits are available now via Mom+Pop.

Jai Wolf Tour Dates:
Sun. June 4 – Houston, TX @ Free Press Summer Fest
Sun. June 11 – Morrison, CO @ Red Rocks Amphitheatre (w/ Marshmello)
Fri. June 23 – Rothbury, MI @ Electric Forest
Sat. June 24 – Mountain View, CA @ ID10T Festival
Sun. June 25 – Heber City, UT @ Bonanza Campout & Music Festival
Thu. June 29 – Rothbury, MI @ Electric Forest
Fri. July 7 – Surrey, BC @ FVDED in the Park
Sat. July 22 – Seattle, WA @ Capitol Hill Block Party
Sat. Aug. 5 – Chicago, IL @ Lollapalooza
Sun. Aug. 6 – Fontana, CA @ HARD Summer
Sat. Aug. 12 – Salmo, BC @ Shambhala Music Festival
Sun. Aug. 13 – Baltimore, MD @ Moonrise Festival
Fri. Aug. 25 – Brooklyn, NY @ Brooklyn Steel

Live – Midnight Oil and Boytoy – Chicago, IL – May 18, 2017

“You know what the coolest thing is about this show?” Said a man next to me in the Vic Theatre where young Aussie rockers Boytoy and Aussie rock legends Midnight Oil were about to perform. “No one here is under thirty!”

It wasn’t true, but it was definitely an older crowd at the Vic. It had been over twenty years since my wife and I had seen Midnight Oil in concert, and you could tell the entire crowd in the hot, packed venue was ready to go nuts once Midnight Oil hit the stage.

Boytoy were first. They were three young ladies who were playing some good garage rock when we walked into the place, but they transformed into a stoner rock band by the end of their set, which elated me to no end. I need to track down their stuff.

Boytoy

Speaking, sort of, of stoner rock, the guy next to me tapped me on the shoulder, pointed at my rolled-up tour poster and said, “I thought that was a bong! I thought, ‘This guy’s the coolest guy in here!’” He even grabbed it at one point during Boytoy’s set and took an imaginary hit off it.

The guy in the teal shirt behind me thought this tour poster was a bong at first glance.

Midnight Oil came out to a roaring welcome and then got right down to business. They hadn’t lost a step in the time they’d been off working on other projects or, in the case of lead singer Peter Garrett, serving in the Australian Parliament.

“Why hasn’t he aged?” My wife asked about Garrett. My best guess is that he’s either a vampire or the food is much better in Australia because she was right. He looked like he’d barely grown older since we saw them in the early 1990’s.

He was, of course, politically outspoken. You don’t go to a Midnight Oil show and not expect to hear some political commentary.

Garrett started fairly early in the set. “Fact one: Thanks for waiting for so long. Fact two: It’s nice to be back in Obama territory. Fact three: There will be no alternative facts here tonight. Fact four: We don’t have short memories.” They then tore into “Short Memory” and had everyone bouncing.

He would touch on compulsory voting (“I don’t think you-know-who would’ve gotten in.” (if we had it here in the U.S.)), the environment (“We have a Mother Earth who takes care of us.”), universal health care (“If you make tacos for a living, you pay a little bit. If you have fifty million in a hedge fund and support the governor, you pay a bit more. We don’t call this socialism. We call it common sense.”), and equal rights (“Everyone, no matter their race, sex, age, or religious beliefs deserves to be treated with respect.”) before the night was over, and he wore a shirt that read “To sin by silence when one should protest makes cowards of men.”

Among the many great spots in their set were an acoustic version of “My Country,” a funky rendition of “When the Generals Talk,” roaring versions of “Read About It” and “Kosciusko,” and a killer performance of “Dreamworld” to end the set that had everyone pumping their fists and chanting.

A stunning rendition of “My Country.”

They played two encores. The first started with “Put Down that Weapon,” and I couldn’t help but think they chose to play that in Chicago as a message toward the high rate of gun violence there the last two years. “Truganini” and “Forgotten Years” rounded out the mini-set, and then they came out once more to dedicate “Sometimes” to people working hard to help others.

“Sometimes”

It was a trip back in time to songs that are still relevant today. Midnight Oil is globetrotting for this tour, so catch them if they come near you. This is one of the best and most welcome tours of the year.

Keep your mind open.

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Live – Tom Petty and the Heartbreakers and Joe Walsh – St. Louis, MO – May 12, 2017

My wife and I honeymooned in St. Louis twenty years ago, and we ended up back there for our twentieth anniversary.  It was great timing because not only were we going to see the Cubs play the Cardinals (Cardinals win 5-3), but we also had tickets to see rock legends Tom Petty and the Heartbreakers and Joe Walsh.  Tom Petty has been high on my wife’s bucket list for years.  She’s also a big fan of the Eagles, so the addition of Joe Walsh was a win-win.

Joe Walsh just getting warmed up.

Mr. Walsh came out with nine people in his band behind him, including four back-up singers and two drummers.  He quickly got to work with “Meadows” and then dialed up “Ordinary Average Guy.”  You could tell he was having fun by then.  He threw down “The Bomber” by the James Gang (“Was part of that from Bolero?” My wife asked.  Answer: “Yes.”) and made my wife cry when he played “Take It to the Limit” and dedicated it to Glenn Frey.  “In the City” hits harder live than you expect it will, and people went nuts for “Life’s Been Good.”

I was yelling “Golden throat!” by this point, and sure enough he ended with “Rocky Mountain Way.”  It’s easy to forget how good a guitarist Walsh is.  He can still shred and the golden throat effects on this track are still fun after all these years.

Walsh proving he can still shred.

Tom Petty and the Heartbreakers started their set with the first song off their first album – “Rockin’ Around (with You).”  They unleashed “Mary Jane’s Last Dance” next and played it so well and with such fervor that it could’ve been the encore.  “I could go home right now,” my wife said as we sat there with our mouths hanging open in stunned appreciation.

Tom Petty and the Heartbreakers playing “Mary Jane’s Last Dance.”

They tore through many of their biggest hits, including “You Don’t Know How It Feels,” “I Won’t Back Down,” and “Freefallin'” (a big crowd favorite).  Two surprises were “It’s Good to Be King” and the lovely, acoustic “Wildflowers.”

“Wildflowers” – a lovely part of the set.

“Refugee” slayed the place, and the band was firing on all cylinders by this point. “Runnin’ Down a Dream” was almost a full-on psychedelic mind trip with its accompanying visuals.

Tom Petty and the Heartbreakers getting trippy.

There was a nice salute to hometown hero Chuck Berry when they played “Carol,” and they ended, no surprise, with “American Girl,” which had everyone jumping.  It was a great end to a wonderful set.  It’s hard to believe Petty and his band are on a 40th anniversary tour, because many of his songs still sound so fresh.

“American Girl”

Keep your mind open.

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She-Devils release new single and North American tour dates.

She-Devils Share Video For New Single, “Hey Boy”
Watch Here
North American Tour Dates Added;
European Tour Starts Next WeekSelf-Titled Debut Album Out May 19th On Secretly Canadian

“She-Devils are aware of some future truth that the rest of us aren’t privy to.” – NME

“intimate, dusty hybrid pop that searches for cosmic meaning in vintage sounds” – The FADER

“She-Devils…are creating a new way forward for tape looping. The group…dive into the souls of the samples they use, possessing them and finding otherworldly new emotions.” – Pitchfork

“She-Devils evoked the ’70s and ’80s electro-punk minimalism of Suicide and Soft Cell with an austere but riveting presentation.” – Chicago Tribune

A week ahead of the release of their eagerly anticipated self-titled debut album, She-Devils are pleased to share the new video for “Hey Boy.” The duo directed the video themselves, as with the all of their videos, and this focused vision creates a style that is very much in tune with the song. Bright and bombastic colors harp back to the video’s influences including the art of Yayoi Kusama, as well as 90s TV shows such as Pee-wee’s Playhouse, and 60s yé-yé music videos like Brigitte Bardot and Serge Gainsbourg in “Comic Strip.”She-Devils have expanded their North American tour in support of the album. In June, they’ll make their way through Canada and the Midwest hitting Do Division Festival and ending in the Northeast with a stop at Northside Festival. Come July, the duo will join Beach Fossils for a western states run. Starting next week, She-Devils will be in Europe for two London shows as well as a Saturday slot at The Great Escape Festival in Brighton, plus more. A full list of dates is below.

Watch She-Devils’ “Hey Boy” video:
https://www.youtube.com/watch?v=z98O1v9lUskListen & Watch:
“Hey Boy” stream – https://soundcloud.com/secretlycanadian/she-devils-hey-boy-2
“The World Laughs” video – https://youtu.be/lCRZCEQpOqY
She-Devils Tour Dates (new dates in bold):
Wed. May 17 – Paris, FR @ Pop Up du Label (Fireworks Festival
Thu. May 18 – London, UK @ Moth Club
Fri. May 19 – London, UK @ London Fields Brewhouse (Bad Vibrations Alldayer)
Sat. May 20 – Brighton, UK @ The Great Escape Festival
Thu. May 25 – Berlin, DE @ ACUD
Thu. June 1 – Montreal, QC @ Bar Le Ritz
Fri. June 2 – Toronto, ON @ The Baby G
Sat. June 3 – Detroit, MI @ UFO Factory
Sun. June 4 – Chicago, IL @ Do Division Festival
Mon. June 5 – Chicago, IL @ Empty Bottle
Wed. June 7 – Philadelphia, PA @ Ortlieb’s
Thu. June 8 – Brooklyn, NY @ Union Pool (Northside Festival)
Fri. June 9 – Boston, MA @ Lily Pad
Wed. July 5 – Los Angeles, CA @ Resident
Fri. July 7 – Fresno, CA @ Strummer’s (w/ Beach Fossils, Ablebody)
Sat. July 8 – San Francisco, CA @ The Fillmore (w/ Beach Fossils, Ablebody)
Mon. July 10 – Vancouver, BC @ Biltmore Cabaret (w/ Beach Fossils, Ablebody)
Tue. July 11 – Seattle, WA @ The Crocodile (w/ Beach Fossils, Ablebody)
Wed. July 12 – Portland, OR @ Holocene (w/ Beach Fossils, Ablebody)
Fri. July 14 – Boise, ID @ Neurolux (w/ Beach Fossils, Ablebody)
Sat. July 15 – Salt Lake City, UT @ Kilby Court (w/ Beach Fossils, Ablebody)
Sun. July 16 – Denver, CO @ Marquis Theater (w/ Beach Fossils, Ablebody)
Tue. July 18 – Santa Fe, NM @ Meow Wolf (w/ Beach Fossils, Ablebody)
Wed. July 19 – Phoenix, AZ @ Crescent Ballroom (w/ Beach Fossils, Ablebody)
Thu. July 20 – San Diego, CA @ The Casbah (w/ Beach Fossils, Ablebody)


She-Devils
album art

Live – The Black Angels and A Place to Bury Strangers – Chicago, IL – May 11, 2017

I will see The Black Angels or A Place to Bury Strangers at any opportunity, so having them both on the same bill is a win-win and a must-see for me.  Seeing them in Chicago’s Thalia Hall was an added bonus because the acoustics there are outstanding and there isn’t a bad place to stand or sit in the joint.

A Place to Bury Strangers were prompt, starting the show at 9:00pm sharp (which seems to be a trend in Chicago venues as of late).  They came out as they always do – loud and heavy.  They opened with “We’ve Come So Far” from Transfixiation and it was off to the races.  The addition of Lia Braswell on drums is a great one, as she practically beat her kit into the floor.  Her backing vocals bring a new dimension to many APTBS tracks, and I hope this trend continues on some new material.  Guitarist and lead singer Oliver Ackermann was on fire for their whole set.

Every APTBS show looks like a scene from a John Carpenter film.

They ended their set with a wild sequencer / synth / bass / light show that I’d seen them do before in Detroit.  They moved into the crowd and were soon casting laser lights and weird, warping synths beats and Dion Lunadon’s growling bass licks throughout the whole hall.

APTBS blowing minds and retinas in Thalia Hall.

As if that weren’t trippy enough, the Black Angels started their set with this image.

Do I detect a nod to Devo here?

“Take your acid now,” said a friend of mine upon seeing this.  The Black Angels opened up with “Currency,” the first single off their new album – Death Song (review coming soon).  “Bad Vibrations” (always a favorite) followed, and it again wowed the crowd.

The Black Angels dropping “Currency” from their new album.

This was the sixth time I’ve seen the Black Angels (and the third I’ve seen APTBS), and this might’ve been the heaviest set I’ve seen by them.  My wife (who’s seen them five of the six times with me) noticed this, too.  The version of “You On the Run” they played was certainly the heaviest I’d heard.  It bordered on stoner metal.  Christian Bland’s guitar seemed cranked to 11 in terms of volume and distortion for the entire show.  Stephanie Bailey further cemented her prowess as one of the best rock drummers of our time.  I say this every time I see the Black Angels live: Stephanie Bailey is their secret weapon.  I later realized this was the first show I’d seen in a while in which both bands had powerful drummers.

The Black Angels getting heavy.

They played many tracks from the new record.  “Half Believing,” “Comanche Moon,” “I Dreamt,” “Medicine,” “Grab As Much As You Can,” and “Death March” all sounded great.  They closed with “Young Men Dead,” which made one man behind me so happy that he rushed ahead of me to head-bang and share his one-hitter with the strangers to his left and right.

The Black Angels performing “Young Men Dead” during their encore.

This made six good shows in a row from the Black Angels and three straight for APTBS in my experience.  This tour is selling out across the country, so you’d better get your tickets soon if you want to catch it.  I also must give a salute to the two men who make up the Mustachio Light Show.  They provided all the wild and stunning visuals during the Black Angels’ set.  It’s a great addition to this tour.

Thanks to Oliver Ackermann, Steven Matrick, and Burgers Rana for getting me a press pass to this show.  I’ll have an interview with Oliver Ackermann posted soon as well.

Keep your mind open.

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Kelly Lee Owens adds North America dates to her world tour.

KELLY LEE OWENS ANNOUNCES FIRST NORTH AMERICAN TOUR
AND PRESENTS VIDEO FOR “THROWING LINES”
WATCH THE VIDEO HERE

DEBUT ALBUM OUT NOW ON SMALLTOWN SUPERSOUND

(above image by Kim Hiorthøy)

“Kelly Lee Owens sounds ethereal and jittery at the same time — not an easy thing . . . Her sounds are the rounded, rubbery boops and pings of techno, ricocheting all around; a steady but understated beat carries [‘Anxi’] into a complete transformation halfway through.” – The New York Times

“[Kelly Lee Owens] mixes dream pop and ambient techno on her immensely varied and fully-formed debut.” – Pitchfork

“The stunning debut album from [Kelly Lee Owens] is the aural equivalent of a hot-stone massage: It’s 45 minutes of gently pulsing electronic beats, sumptuous keyboard hooks, and Owens’ heavenly vocals.” – Entertainment Weekly “Must List”

“an album of contradictions, subverting dance music and pop structures at once.” – W Magazine
London-based producer Kelly Lee Owens is announcing her first ever North American tour in support of her self-titled, debut album, released this past March via Smalltown Supersound. On stage as on record, Kelly blurs the line between throbbing techno and pop vocal performances. For her first trip stateside, she’ll bring her meditative and immersive live show to FYF Fest, plus other major cities across the country.

Additionally, Kelly now presents the video for “Throwing Lines.” As Kelly describes it, “This is one of the poppiest tracks on my record and it could have had a showy video to match, but it feels good to take the piss instead – out of myself and that world.”

Kelly Lee Owens bridges the gaps between cavernous techno, spectral pop, and Krautrock’s mechanical pulse. It brims with exploratory wonder and delves into a variety of moods – sadness, anxiety, and darkly shaded ecstasy – with a trippy-eyed clarity and confidence. Since announcing her debut album, Kelly has quickly become regarded as one of the most exciting new artists to watch from the likes of Pitchfork, Rolling Stone, Entertainment Weekly, and way beyond.
Watch Kelly Lee Owens’ “Throwing Lines” Video –
https://youtu.be/oyx-lpJYGCg

Watch/Listen/Share:
Kelly Lee Owens album stream – https://open.spotify.com/album/3Zx14dyUjtZcEas89nZZfn
“Anxi” ft. Jenny Hval video – https://youtu.be/FdDf2Ib4B64
“Anxi” ft. Jenny Hval stream – http://bit.ly/2qZpJuq

Kelly Lee Owens’ Tour Dates:
(new dates in bold)
Wed. May 10 – London, UK @ Pickle Factory
Thu. May 11 – Amsterdam, NL @ De School
Sat. May 13 – Brussels, BE @ Les Nuits Botanique
Wed. May 17 – Toulouse, FR @ Art Gallery (DJ Set)
Sat. June 3 – Barcelona, ES @ Primavera Sound
Sun. June 11 – Paris, FR @ We Love Green Festival
Sat. July 8 – Cheshire, UK @ Jodrell Bank Observatory, Bluedot Festival
Wed. July 12 – Brooklyn, NY @ Good Room
Thu. July 13 – Montreal, QC @ Ritz PDB
Fri. July 14 – Toronto, ON @ Coda w/ John Talabot
Sat. July 15 – Philadelphia, PA @ Underground Arts
Thu. July 20 – Seattle, WA @ Q Nightclub w/ John Talabot
Fri. July 21 – Los Angeles, CA @ FYF Fest
Sat. July 22 – San Francisco, CA @ Swedish American Music Hall
Fri. Aug 11 – Göteborg, SE @ Way Out West Festival
Sat. Aug. 12 – Oslo, NO @ Øya Festival
Fri. Sep. 1 – Dorset, UK @ End of the Road
Sun. Sep 3 – Stradbally, IE @ Electric Picnic Festival
Thu. Oct 19 – London, UK @ Oslo Hackney
Wed. Nov. 1 – Sun. Nov. 5 – Reykjavik, IS @ Air Waves Festival

Purchase Kelly Lee Owens
http://smarturl.it/KellyLeeOwens

Download hi-res press images –
www.pitchperfectpr.com/kelly-lee-owens/
Kelly Lee Owens online:
https://kellyleeowens.bandcamp.com/
https://www.facebook.com/kellyleeowens/
https://twitter.com/kellyleeowenshttps://www.instagram.com/kellyleeowens/
https://soundcloud.com/kellyleeowens
http://www.smalltownsupersound.com/
http://pitchperfectpr.com/kelly-lee-owens

Rewind Review: MC 900 Foot Jesus – Live in Vienna – A.D. MCMXCII (2015)

MC 900 Foot Jesus (Mark Griffin) was one of the most innovative experimental and hip-hop musicians in the 1990’s. His 1990 album Hell with the Lid Off album shattered conceptions of hip-hop and was a weird, manic masterpiece chronicling madmen, drunks, schizophrenics, and the notion that “Truth is out of style.” He put out a couple more records after that, 1991’s Welcome to My Dream and 1994’s One Step Ahead of the Spider. He retired before releasing a fourth album, citing frustrations with the music industry, but has since come out of retirement and is again playing shows and working on that fourth record.

He’s released, for free, Live in Vienna 1992. It’s a radio station’s recording of a live show there, and it’s outstanding. Griffin and his longtime collaborator, DJ Zero (Patrick Rollins), throw down stunning beats and rhymes of tracks from the first two records.

The album begins with a brief interview with Griffin, in which he says he tries “to put you inside someone’s head who really sees the world in a bizarre way” with his music. This approach is evident throughout all of his songs, which feature bizarre characters and people who believe their worldview is the truth.

“Falling Elevators” opens the set, and the slightly evil bass, beats, and saxophone set the scene right away. “Adventures in Failure” lets DJ Zero cut loose (as does the saxophonist, who sounds like he or she is going for broke), and MC 900 Foot Jesus raps a story about a man so sick of his job and wife that he fakes a kidnapping scheme after he skips work and wrecks his car. DJ Zero scratching the sound of a car screeching to a halt is a stunning lesson to anyone wishing to work the wheels of steel.

“I’m Going Straight to Heaven” again has DJ Zero slinging scratches like a fastball pitcher closing out the ninth inning. Griffin raps through what sounds like a bullhorn microphone. Griffin and his band slow down a bit on “The City Sleeps,” a song about a serial arsonist. There’s more excellent saxophone work throughout it. “Truth Is Out of Style,” Griffin’s first big hit, follows, and DJ Zero’s turntable work is even more impressive on it live. The only blip on the track is when the Austrian recorders cut out a mention of Shirley MacLaine in the lyrics, probably thinking they’d get sued if they didn’t.

The beats on “Killer Inside Me” are killer indeed. MC 900 Foot Jesus raps about a man who pretends to be a simpleton but who is actually a psychopathic killer who strikes after luring his victims into believing he’s harmless. DJ Zero also gets to stretch his scratching muscles more than on the recorded version of the track. He’ll leave you gobsmacked with admiration. “O-Zone” is almost a weird dream with its warped saxophone and droning synths.

The performance ends with “Spaceman,” a suitably trippy song about a bum who gets drunk and high to the point where he sees himself floating away from the Earth. Is he dead? Are aliens kidnapping him? Is he suddenly free of gravity? I don’t know. It’s Griffin’s reality, not ours. Each reality is one’s own truth, and the truth is this live album is worth finding. I got my copy through MC 900 Foot Jesus’ Facebook page, so go there and grab it while you can.

Keep your mind open.

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Columbus Psych Fest reveals 2017 lineup…and it’s all free.

I don’t know if you’ll be in or near Columbus, Ohio on May 19th, but it would be worth your while to check out the Columbus Psych Fest if you are.  It’s a free show featuring at least ten bands at the Park Street Saloon.

Many of the bands are from the central Ohio area, and I can highly recommend Brujas Del Sol.  I also recently learned that Austin, Texas’ Ancient River will be playing there, and they are guaranteed to warp your minds.

Get there if you can.

Keep your mind open.

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Live – Ritesh and Rajnish Mishra – University of Notre Dame – April 27, 2017

My wife let me know about a performance of classic Indian music taking place at the University of Notre Dame for free on April 27th.  I love classical Indian music, so I was willing to stay up a bit late even though I had to work early Friday morning to catch this show.

The performers were a pair of brothers named Ritesh and Rajnish Mishra.  They’re classically trained and singing duets in classical Indian music isn’t easy since you have to harmonize and be able to improvise at any moment.  The brothers put on a nice show, and their enthusiasm was contagious as they laughed and cheered not only each other but also their backing musicians.

Tabla player Hindole Majumdar put down great beats and harmonium player Anirban Chakrabarty created a hypnotic drone and bass.  The four men performed for almost two hours with only ten minutes intermission.  This was also the third time the Mishra brothers had performed at UND, and they certainly deserved a larger audience than the couple dozen of us who were there.

The ragas they performed were spiritual at first and then playful by the end.  They also explained the beat structure of each before performing it.  I love that about classical Indian music shows.  The performers almost always give you a little music composition lesson at the beginning.

It was a nice way to spend the evening, and the lack of sleep was worth it.

L-R: Hindol Majumdar, Ritesh Mishra, Rajnish Mishra, Anirban Chakrabarti

Keep your mind open.

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