Dead Kennedys celebrate their 40th anniversary with the upcoming release of “DK40.”

Out of the hundreds of punk bands that emerged from the late ’70s punk scene, only about a dozen or so have achieved iconic status four decades later. They include the Sex Pistols, the Clash and the Damned from the U.K.; the Ramones and Patti Smith Group from New York; X, the Germs and Black Flag from Los Angeles; and from San Francisco, the Dead Kennedys.

The DKs embodied the spirit of punk from the get-go. Their very name was a shocking reminder of the collapse of the American Dream. Then again, the name would be nothing if the Dead Kennedys didn’t have the goods to back it up.

DK40, a three-CD live collection due April 26 from Manifesto Records, offers the aural evidence that the Dead Kennedys were one of the most potent punk bands — period. It features the band serving up amped-up live versions of all their classic tracks, free from the constraints of the recording studio.

Formed in 1978 after guitarist East Bay Ray’s ad in The Recycler attracted the attention of singer Jello Biafra, they were soon joined by bassist Klaus Flouride; guitarist 6025 and drummer Ted.  D.H Peligro soon took over the rule of the drum chair.  After gigging around the Bay Area, they soon built a reputation cemented by the release of their first single, “California Über Alles,” on their own DIY label, within a year of their formation. Over a boleroesque rhythm consisting of pounding drums, throbbing bass and jagged guitar lines, Biafra lays into then-and-future California Governor Jerry Brown and the hippy dream. The song includes such memorable lines as “It’s the suede denim secret police / They have come for your uncool niece.” With their follow-up, 1980’s “Holiday in Cambodia,” the DKs showed no signs of letting up. It offered a brutal take on the powers behind the Vietnam War, with East Bay Ray’s iconic guitar parts showing people that the DKs were very much a musical force to be reckoned with. The band went onto release their debut album, Fresh Fruit for Rotting Vegetables, in 1980, featuring newly recorded versions of “California Über Alles” and “Holiday in Cambodia,” along with other classics such as “Kill the Poor,” “Let’s Lynch the Landlord” and a notable cover of the Elvis Presley hit “Viva Las Vegas.”

The subsequent releases, the 1981 EP, In God We Trust, Inc., 1982’s Plastic Surgery Disasters and 1985’s Frankenchrist albums followed. Live versions of the material from these releases are showcased on DK40.  Disc 1 captures the DKs at the Paradiso in Amsterdam, Netherlands in 1982, with a 13-song set, including “Holiday in Cambodia,” “Nazi Punks Fuck Off” and “Too Drunk to Fuck.”  The second disc has the DKs at Alabama Halle in Munich, Germany, also in 1982, with an 18-track set, including “Man With the Dogs,” “Police Truck” and “Chemical Warfare.”  The final disc of DK40 captures the band back on its home turf, at the Farm in San Francisco in 1985, with a 16-song romp that includes “Soup Is Good Food,” “Stars And Stripes Of Corruption” and “MTV Get Off The Air.”

While the DKs continue on following lineup changes, including the departure of Jello Biafra – vocalist Skip McSkipster of the Wynona Riders now bringing the songs to thousands of fans — DK40 captures the band at the height of their youthful exuberance, with the classic lineup of Jello Biafra, East Bay Ray, Klaus Flouride and D.H Peligro.

You’ll find DK40 even more fun than a holiday in Cambodia and the band’s blistering counsel is even more relevant today. They are here to remind us, “It’s never too late to think.”

Paradiso (December 5, 1982): 1. Moral Majority 2. Am the Owl 3. Life Sentence 4. Police Truck 5, Riot 6. Bleed For Me 7. Holiday in Cambodia 8. Let’s Lynch the Landlord 9. Chemical Warfare 10. Nazi Punks Fuck Off 11. Kill The Poor 12. We’ve Got A Bigger Problem Now 13. Too Drunk To Fuck Skateboard Party (December 13, 1982): 1. Skateboard Talk+Intro Noise 2. Man With The Dogs 3. Forward to Death 4. Kepone Factory 5. Life Sentence 6. Trust Your Mechanic 7, Moral Majority 8. Forest Fire 9. Winnebago Warrior 10. Police Truck 11. Bleed For Me 12. Holiday In Cambodia 13. Let’s Lynch the Landord 14. Chemical Warfare 15. Nazi Punks 16. We’ve Got A Bigger Problem Now 17. Too Drunk to Fuck 18. Kill the Poor The Farm (May 25, 1985): 1. Darren’s Mom 2. Goons of Hazard 3. Hellnation 4. This Could Be Anywhere 5. Soup Is Good Food 6. Chemical Warfare 7. Macho Insecurity 8. A Growing Boy Needs His Lunch 9. Forest Fire 10. Moon Over Marin 11. Jack-O-Rama 12. Encore 13. Stars and Stripes of Corruption 14. Second Encore 15. MTV Get Off the Air 16. Holiday In Cambodia

Keep your mind open.

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The 2091 Lollapalooza lineup is here.

If you didn’t know it already, here’s the lineup for the 2019 Lollapalooza music festival in Chicago, Illinois.  It’s…something.  The switch by Lollapalooza’s organizers from mostly rock acts to a wider variety of genres is clearly evident by now.  Ariana Grande is the headliner at a festival that used to boast Nine Inch Nails as a headliner.  Again, this is nothing new and Ms. Grande is a fine performer, indeed, but you might have to do a lot of research into this lineup if you’re looking for rock and some of its variants.  I recommend Idles for that.  Their set will probably be one of the loudest and wildest of the entire festival.

Keep your mind open.

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Review: BODEGA – Witness Scroll

Recorded in May of 2018 at two different venues in the United Kingdom, BODEGA’s first live album, Witness Scroll, is a great capture of their apparently wild shows…which I still haven’t seen, much to my dismay.

Opening with a quirky mix of samples and computer sounds, the bass-heavy “Name Escape,” kicks the album off to a funky start as the band complains and pokes fun at not being able to remember people you see at the same clubs and coffee shops every day.  The stabbing guitar chords of “Bookmarks,” (an all-too-true song about becoming a slave to modern technology) remind one of early B-52’s records.

The live version of “Can’t Knock the Hustle” is downright dangerous with it’s hard-hitting guitar chords and thudding beats.  Lead singer Ben Hozie describes the previously unreleased song “New Vanguard Revival” as “a genre exercise.”  I think he means an exercise in post-punk, because the jagged tempo of it is pure post-punk.  “Margot” leads into “Stain Glaze” – a Husker Du-loving tune from Ben Kozie and co-vocalist Nikki Belfiglio‘s first band, Bodega Bay.  Next up is the self-pleasure anthem “Gyrate,” which ramps up the guitar fuzz live compared to the album version on their excellent debut Endless Scroll from last year.

It’s no surprise that the album version of “Jack in Titanic” tore up the BBC radio airwaves after this tour because it and this live version are so damn catchy (and witty) you can’t ignore them.  The album ends with a nearly ten-minute version of “Truth Is Not Punishment” – a vicious track with some surf touches that slowly builds to a frantic pace and urgency. 

If this album doesn’t make you want to see BODEGA live, I’m not sure if anything will.  Something might be wrong with you.  You might be too deep in your Twitter or Instagram feeds and missing an amazing band.

Keep your mind open.

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Pitchfork Music Festival’s 2019 lineup is here for your pleasure.

The Pitchfork Music Festival announces today the full 2019 lineup, including headlinersHAIM, The Isley Brothers, and Robyn. The 14th Annual Pitchfork Music Festival returns to Chicago’s Union ParkFriday, July 19 through Sunday, July 21.

The festival opens on Friday with one of HAIM’s only performances of 2019, Mavis Staples, Earl Sweatshirt, Jeremih, Sky Ferreira, Low, Soccer Mommy, Julia Holter, Grapetooth, Rico Nasty, Valee, Standing on the Corner, MIKE, and Great Black Music Ensemble.

On Saturday, the festival presents The Isley Brothers’ 60th Anniversary Celebration, Belle & Sebastian, Stereolab’s first North American show in a decade, Kurt Vile, Pusha T, Parquet Courts, Freddie Gibbs, Amber Mark, Jay Som, Cate Le Bon, Tirzah, CHAI, Ric Wilson, and Lala Lala.

Sunday, the final day of the festival, features Robyn, Charli XCX, Whitney, Khruangbin, Clairo, Snail Mail, Neneh Cherry, Ibeyi, Amen Dunes, JPEGMAFIA, Flasher, Black Midi, Dreezy, and Tasha.

The 2019 Pitchfork Music Festival lineup spans genres and generations, placing cutting-edge artists of today alongside some of the most revolutionary acts of our time. The balance between the treasured and the new makes this event stand out as one of the most celebrated weekends in music.

“This summer’s Festival will be my first as editor,” said Pitchfork editor-in-chief Puja Patel. “It’s exciting that it also features such an inclusive lineup. More than half the artists performing are women, including modern pioneers of indie rock and hip-hop, legends of soul and R&B, and a headlining set by the dance-pop icon Robyn. For a national festival that’s so important to a larger music community, the scope of this year’s booking feels especially meaningful.”

“There are some one-of-a-kind moments in our lineup this year,” said Pitchfork festival director Adam Krefman, “not just big celebratory moments, but also moments with artists who have collaborated recently or have had clear influences on each other over the years. It’s a sign of Pitchfork’s standing in the festival landscape that we’re able to pull together such a special event. And we’re fortunate to have an audience who’s ready to follow us down these curatorial rabbit holes, eager to be surprised year after year.”

Pitchfork Music Festival tickets are on sale now. Three-day passes are $175; single day passes are $75. The Pitchfork PLUS upgrade is $375 for a three-day pass and $160 for a single-day pass. It includes exclusive amenities such as: premium food vendors and private specialty bars, air conditioned bathrooms, shaded seating and dining areas, expedited entry to the festival and “come and go” re-entry privileges, a welcome bag with festival essentials, storage lockers, and more. More details are available here. Prices for all passes will increase after May 31.

PURCHASE TICKETS HERE

FRIDAY, JULY 19
HAIM
Mavis Staples
Earl Sweatshirt
Jeremih
Sky Ferreira
Low
Soccer Mommy
Julia Holter
Grapetooth
Rico Nasty
Valee
Standing on the Corner
MIKE
Great Black Music Ensemble

SATURDAY, JULY 20
The Isley Brothers – 60th Anniversary Celebration
Belle & Sebastian 
Stereolab
Kurt Vile
Pusha T
Parquet Courts
Freddie Gibbs
Amber Mark
Jay Som
Cate Le Bon
Tirzah
CHAI
Ric Wilson
Lala Lala

SUNDAY, JULY 21
Robyn
Charli XCX
Whitney
Khruangbin
Clairo
Snail Mail
Neneh Cherry
Ibeyi
Amen Dunes
JPEGMAFIA
Flasher
Black Midi
Dreezy
Tasha

For more information, including lineups, event news, and the latest updates, please visit Pitchforkmusicfestival.com, facebook.com/pitchforkmusicfestival and follow Pitchfork Music Festival on Instagram and Twitter.

Keep your mind open.

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The Beths release new single, “Uptown Girl,” and lauch massive tour.

Photo by Mason Fairey

The Beths are back in North America for their largest headline tour in support of 2018’s breakout album, Future Me Hates Me (available now via Carpark Records). The band has already sold out shows in Toronto, New York City, Washington, DC, and Chicago. Today, they share the video for “Uptown Girl” compiled on their last North American tour in the fall. After this current run which includes a stop at SXSW, The Beths will continue onto Australia and Europe where they’ve started selling out shows and upgrading to bigger venues. Then, they’ll bookend the summer festival season at Primavera Sound, Pickathon and Pukkelpop. The band will also be releasing its debut EP, Warm Blood, on vinyl for the first time via Carpark Records. The official release date is April 26th with some copies being available to purchase on tour soon. Pre-order here.


Watch “Uptown Girl” Video – https://youtu.be/BmCZ-NxESOc

The Beths Tour Dates:

Sun. Mar. 10 – Tampa, FL @ Festival Gasparilla
Mon. Mar. 11-Fri. Mar. 15 – Austin, TX @ SXSW (w/ Bad Bad Hats)
Sat. Mar. 16 – Dallas, TX @ Not So Fun Wknd (w/ Bad Bad Hats)
Sun. Mar. 17 – Houston, TX @ Satellite Bar (w/ Bad Bad Hats)
Thu. Mar. 21 – Melbourne, AUS @ Forum
Fri. Mar. 22 – Melbourne, AUS @ Forum
Sun. Mar. 24 – Hobart, AUS @ Republic Bar & Café
Thu. Mar. 28 – Fortitude Valley, AUS @ The Foundry
Fri. Mar. 29 – Fortitude Valley @ The Tivoli
Sat. Mar. 30 – Newtown, AUS @ Enmore Theatre
Sun. Mar. 31 – Leichhardt, AUS @ Crowbar
Thu. Apr. 4 – Collingwood, AUS @ The Gasometer Hotel
Fri. Apr. 5 – Adelaide, AUS @ Thebarton Theatre
Sat. Apr. 6 – Adelaide, AUS @ Jive
Thu. Apr. 11 – Perth, AUS @ Badlands Bar
Sat. Apr. 13 – Perth, AUS @ Astor Theatre
Tue. May 7 – Birmingham, UK @ Hare & Hounds
Wed. May 8 – Oxford, UK @ The Wheatsheaf
Thu. May 9-Sat. May 11 @ Brighton, UK @ The Great Escape
Sun. May 12 – Leeds, UK @ Gold Sounds Festival
Mon. May 13 – Edinburgh, UK @ Sneaky Pete’s (SOLD OUT)
Tue. May 14 – Glasgow, UK @ G2 (MOVED DUE TO DEMAND)
Wed. May 15 – Manchester, UK @ Band on the Wall (MOVED DUE TO DEMAND)
Thur. May. 16 – London, UK @ The Dome, Tufnell Park (SOLD OUT)
Fri. May 17 – Bristol, UK @ Fleece (MOVED DUE TO DEMAND)
Sat. May 18 – Wrexham, UK @ Ty Pawb Arts Hub (Focus Wales)
Sun. May 19 – Ramsgate, UK @ Ramsgate Music Hall
Tue. May 21 – Paris, FR @ Supersonic
Wed. May 22 – Colmar, FR @ Le Grillen
Thu. May 23 – Lyon, FR @ Sonic
Sat. May 25 – Madrid, ES @ Tomavistas
Tue. May 28 – Dornbirn, AT @ Spielboden
Wed. May 29 – Munster, DE @ Gleis 22
Thu. May 30 – Groningen, NL @ VERA
Fri. May 31 – Nijmegen, NL @ Merleyn
Sat. June 1 – Hilvarenbeek, NL @ Best Kept Secret Festival
Sun. June 2 – Barcelona, ES @ Primavera Sound
Sat. Aug. 3 – Happy Valley, OR @ Pickathon
Thu. Aug. 15 – Trondheim, NO @ Pstereo
Sun. Aug. 18 – Haasselt, BE @ Pukkelpop
Wed. Aug. 28 – London, UK @ Heaven 

Purchase Future Me Hates Me:
Carpark Shop – http://smarturl.it/fmhm_carpark
Streaming Services – http://smarturl.it/fmhm_dsps

The Beths online:
https://thebeths.com/
https://www.facebook.com/thebethsnz
https://thebethsnz.bandcamp.com/
https://soundcloud.com/thebethsnz
https://twitter.com/lizstokedstokes
https://www.instagram.com/lizstokedstokes/

Keep your mind open.

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Live: Bob Mould and Airstream Futures – Metro – Chicago, IL – Feb. 22, 2019

I hadn’t seen the Bob Mould Band in concert since New Year’s Eve 2014 at the Metro in Chicago. That was a blast, and now one of my rock heroes was kicking off my year of live music in 2019. An added bonus was meeting Mr. Mould on Clark Street a few blocks south of the venue. I got to shake his hand and tell him thanks for everything, so the day was a win.

Opening for him were Chicago’s Airstream Futures. Unfortunately, none of the photographs I took of their set turned out well, but I can tell you that they played an energetic set of punk with pop riffs. Their drummer has impressive chops, and their lead singer had a lot of energy despite, as she mentioned, being fired from her full-time job earlier that day.

Mr. Mould and his pals, Jason Narducy on bass and Jon Wurster on drums, came out swinging with a triple threat of “The War,” “A Good Idea,” and “I Apologize.” There was barely time to catch your breath when they were tearing into “See a Little Light” and “Sunny Love Song” – a track of his new record, Sunshine Rock.

There were many moments when I thought a mosh pit would, and should, have broken out, but the crowd was mostly aging punks (like yours truly) who are afraid of twisting a knee or running out of breath in a pit (unlike yours truly). Such moments came with songs like the title track of the new album, “Hey Mr. Grey,” and “If I Can’t Change Your Mind.”

One thing Mr. Mould assured everyone of during the show was that he can still shred. He tore his guitar up during multiple songs and wowed many of us with the kinds of solos you rarely hear at punk rock shows anymore.

The encore of “Never Talking to You Again,” a cover of Sonny Curtis‘ “Love Is All Around,” and “Flip Your Wig” was another sonic assault that left everyone wanting more, as a good encore should. You can’t go wrong with a Bob Mould show. He’s still putting out great music and destroying stages. Don’t miss him.

Keep your mind open.

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Review: Mavis Staples – Live in London

Soul / gospel superstar Mavis Staples once said that she thought London’s Union Chapel was the best place in the world to sing. I’m willing to believe her from the sound of this great, powerful album she recorded there over the course of two nights not long ago. Live in London is a strong statement about the political state of the U.S., a funky soul record, and a high contender for best live album of 2019.

Starting with the soulful “Love and Trust,” Staples rightly declares, “The simplest things can be the hardest to do.” as her killer band breaks in with a killer groove (The album is full of them, really.). The song is about how everyone, sinners and saints alike, are looking for the same thing – love. “Who Told You That” is a smoky, subtle, sexy jam. Her cover of Talking Heads‘ “Slippery People” is a standout that she’s been singing since at least the 1980’s. It’s such a downright jam that you can’t help but shake and shimmy when hearing it.

“What You Gonna Do” is a classic blues track about preparing for death. “Take Us Back” has Staples proclaiming, “I’ve got friends, and I’ve got family. I’ve got help from all the people who love me.” She’s been in the business for decades and admits that she wouldn’t be where she is without those who supported her all those years.

Staples starts getting political on “You Are Not Alone” as she sings to those isolated and afraid in places of hostility, war, and poverty. “Every tear on every face tastes the same,” she sings. That’s truth. “No Time for Cryin'” has Staples calling us to action (“I’m going to march right up to that big [White] house. We got work to do.”) and railing against gun violence and “taking babies away from their mothers” while her guitarist plays a sizzling solo.

“Can You Get to That” has a solid groove that will keep Jack White awake at night wishing he’d come up with it. Her cover of Curtis Mayfield‘s “Let’s Do It Again” is one of the best make-out songs you’ve heard in a while. “Dedicated” starts with a lovely guitar solo and drifts into a lovely song about perseverance and those who sacrificed in the civil rights struggle. “We’re Gonna Make It” is an uplifting song about overcoming financial struggles, but Staples adds an urgency to it that reflects keeping your hopes up for better times in America.

“There just ain’t no stopping me, is it?” Staples says before launching into the album’s closer, “Touch a Hand,” a song about reaching out to strangers and neighbors alike in these times of narcissism and anger.

Live in London makes you want to catch Staples live as soon as possible (like any good live album should). Do it if you can.

Keep your mind open.

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Ohmme releases rocking cover of B-52’s “Give Me Back My Man.”

Photo by Alexis Viscius

“their harmonies – emerging both on and off kilter – run against the grain of the music in a way that ignites feelings all too familiar in a post 2016 world. Something insightful, something penetrating, and something leaving you feeling imbalanced. In this case, it’s a great thing.” — Aquarium Drunkard, 2018 Year In Review

“Ohmme play with the confidence and abandon of musicians who are scared of nothing and capable of almost anything.” — SPIN, The 51 Best Albums of 2018

“From vibrant art-pop and brooding, melodic rock to contorted, genre-less collages of lush pulses, guitar sketches and gleaming vocals, OHMME perfectly embody the city’s musical diversity and artistic spirit.” — Paste, 15 Chicago Bands You Need To Know in 2018

“one of the city’s best bands” — Chicago Reader

Ohmme, the Chicago duo of Sima Cunningham and Macie Stewart, are releasing ‘At Night b/w Give Me Back My Man’ 7″ February 1st via Joyful Noise. The 7” features a new original, “At Night” and a cover of the B-52’s’ “Give Me Back My Man.” Choosing the B-52s because “their love of all things retro and kraut-rock created this amazing aesthetic that still feels so unique,” Ohmme puts their own spin on the track, roughing up the edges by using distorted, electric guitars and a vivacious spirit. “We love ‘Give Me Back My Man’ in particular because it is one of their only tunes to really feature Cindy Wilson at the center and she kills it. The dynamic changes between her level voice in the verses and the explosion of rage in the choruses give such a strong statement of emotion.”

‘At Night b/w Give Me Back My Man’ follows the release of their debut full-length, Parts, on Joyful Noise Recordings in August 2018. The release found them adding drummer Matt Carroll and headlining a 6-week North American tour alongside critical acclaim from Pitchfork, SPIN, Aquarium Drunkard, Paste and The Chicago Reader. Ohmme continues to tour North America and Europe in support of Parts. All tour dates are below.

Pre-order Ohmme ‘At Night b/w Give Me Back My Man’ 7″ – https://www.joyfulnoiserecordings.com/products/at-night-b-w-give-me-back-my-man

Ohmme tour dates: Tue. Jan. 22 – Fort Wayne, IN @ The Brass Rail * Wed. Jan. 23 – Columbus, OH @ Rumba Cafe * Thu. Jan. 24 – Louisville, KY @ Zanzabar * Fri. Jan. 25 – Nashville, TN @ Drkmttr * Sat. Jan. 26 – Bloomington, IN @ The Bishop * Fri. Feb. 8 – Besançon, FR @ Festival Génériq Tue. Feb. 12 – Brussels, BE @ Botanique Witloofbar Wed. Feb. 13 – Amsterdam, NL @ CINETOL Fri. Feb. 15 – Leeds, UK @ Hyde Park Book Club Sat. Feb. 16 – Glasgow, UK @ The Hug and Pint Mon. Feb. 18 – Birmingham, UK @ The Hare and Hounds Tue. Feb. 19 – London, UK @ The Shacklewell Arms Wed. Feb. 20 – Bathurst Terrace, UK @ The Louisiana Sat. Feb. 23 – Brighton, UK @ Mutations Festival Fri. March 1 – West Columbia, SC @ New Brookland Tavern # Sun. March 3 – Miami, FL @ Gramps # Mon. March 4 – Orlando, FL @ Will’s Pub # Tue. March 5 – Atlanta, GA @ The Masquerade Wed. March 6 – Asheville, NC @ The Mothlight # Sat. April 27 – Chicago, IL @ Sleeping Village *= w/ The Ophelias #= w/ Speedy Ortiz

7″ artwork

Keep your mind open.

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Black Belt Eagle Scout releases new video in celebration of U.S. tour this spring.

Black Belt Eagle Scout (aka Portland-based Katherine Paul) has shared a new video for the song “Soft Stud” off her debut album, Mother of My Children, which came out last year via Saddle Creek. In the coming months, Paul will embark on a North American tour with opening slots for Julia Jacklin, The Beths, and Bad Hats. Here’s what Paul had to say about the video:

“Demien DinéYazhí and I created this video on the traditional lands of the Chinook people along the Columbia River, where most indigenous people of the PNW travel to this day. We played with symbolism a lot within the work. Our relationship to water is prevalent in this video as well as the joy of being an indigenous woman. Release of feelings with birds flying away as well as connection to land play a part in the video.”

After Mother of My Children was released to glowing endorsements from outlets like Bandcamp, FADER, Paste, and NPR’s All Songs Considered, Paul and her debut album landed on multiple “Best Of The Year” lists, including Pitchfork’s “Best Rock Albums of 2018,” Stereogum’s “40 Best New Bands of 2018,” Under The Radar’s “Top 25 Debut Albums of 2018,” and more. All tour dates and their tribal territories are below.

Watch “Soft Stud” video https://youtu.be/di2rv4gmHlo

Watch/Listen/Share: Mothers of My Children stream – https://bbes.lnk.to/MOMC

“Indians Never Die” video – https://youtu.be/aInrLRdBJuU

“Just Lie Down” stream – https://youtu.be/MfWHZSS6ZLg

Black Belt Eagle Scout Tour Dates: Sat. Mar. 16 – Wichita (Dallas, TX) @ Not So Fun Wknd Thu. April 18 – Očeti Šakówin (Sioux Falls, SD) @ Total Drag Tue. April 23 – Osage (Pittsburgh, PA) @ Mr. Roboto Project Wed. April 24 – Lenape (New York, NY) @ Bowery Ballroom Thu. April 25 – Lenape (Philadelphia, PA) @ Johnny Brenda’s Fri. April 26 – Wampanoag/Massachusett (Allston, MA) @ Great Scott Sat. April 27 – Iroquois/Mohawk (Montreal, QC) @ Bar Le Ritz PDB Sun. April 28 – Anishinabewaki/Huron-Wendat (Toronto, ON) @ Horseshoe Tavern Tue. April 30 – Pamunkey/Piscataway (Washington, DC) @ DC9 Wed. May 1 – Powhatan Confederacy (Richmond, VA) @ The Camel Thu. May 2 – Catawba (Carrboro, NC) @ Cat’s Cradle – Back Room Sat. May 4 – Muscogee/ Creek (Atlanta, GA) @ 529 Club Mon. May 6 – Cherokee/ Shawnee (Nashville, TN) @ Third Man Records Tue. May 7 – Miami (Columbus, OH) @ Ace of Cups Wed. May 8 – Peoria/Potawatomi/Miami (Chicago, IL) @ Schuba’s Thu. May 9 – Anishinabewaki/Očeti Šakówin (Minneapolis, MN) @ 7th Street Entry Fri. May 10 – Omaha/Očeti Šakówin (Omaha, NE) @ Reverb Lounge Sat. May 11 – Osage/Kaw/Očeti Šakówin (Kansas City, MO) @ recordBar Mon. May 13 – arapaho/Cheyenne/Ute/Sioux (Denver, CO) @ Larimer Lounge Tue. May 14 – Eastern Shoshone/Goshute (Salt Lake City, UT) @ Urban Lounge Fri. May 17 – Tsleil-Waututh/Skwxwú7mesh Úxwumixw/ S’ohl Téméxw/Stziuminus (Vancouver, BC) @ The Fox Cabaret Sat. May 18 – Duwamish/Puget Sound Salish (Seattle, WA) @ Tractor Tavern Sun. May 19 – Cinook (Portland, OR) @ Mississippi Studios Tue. May 21 – Ramaytush/Ohlone (San Francisco, CA) @ Swedish American Hall Thu. May 23 -Tongva ( Los Angeles, CA) @ Teragram Ballroom Tue. June 4 – Tonkawa/Comanche (Austin, TX) @ Barracuda Wed. June 5 – Sana (Houston, TX) @ White Oak Music Hall Thu. June 6 – Chahta Yakni/Chitimacha (New Orleans, LA) @ Gasa Gasa

Keep your mind open.

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Burger Booglaoo announces its 10th anniversary lineup.

“Burger Boogaloo is the perfect cult gathering of young and old music rebels who hate everybody in the world except each other. Being asked to host this lunatic festival for the fifth year in a row makes me feel all warm and scuzzy inside” – John Waters

“Burger Boogaloo brings underground acts back to life” – The San Francisco Chronicle

But wait, there’s more! The Burger Boogaloo staff has committed themselves to helping those affected by Oakland’s ongoing housing crisis and will host a series of fundraisers both before and during the festival to raise money for those in need. Additionally, staffers will be volunteering with the organization Punks With Lunch, including a Benefit Show at The Uptown on Friday, January 18th with 100% of ticket sales going to the organization.

To that end, Burger Boogaloo is partnering with The Homeless Action Center in 2019; the only legal service program in the Bay Area that focuses exclusively on public benefits advocacy as a critical tool to reduce and end homeless. HAC provides legal advocacy that is no-cost, barrier-free, culturally sensitive, and non-judgmental. Attendees can join the cause by donating while purchasing tickets or in person at the festival.

Snag your tickets and learn more about how to help those in need!

PURCHASE TICKETS & DONATE TO HAC HERE

LEARN MORE ABOUT THE HOMELESS ACTION CENTER

TICKET PRICES GA WEEKEND PASS – $129 VIP WEEKEND PASS – $199

Keep your mind open.

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