Les Claypool of Primus and Sean Lennon of The Ghost of a Sabre Tooth Tiger have teamed up to create a new psychedelic-prog rock project called The Claypool Lennon Delirium.
TGOASTT opened for Primus on their last tour, and Claypool and Lennon would often jam on tour before, during, and after shows. Claypool had hoped to put together another Oysterhead album after Primus’ last tour, but “the stars wouldn’t align” (according to the CLD’s website) and Lennon told him he didn’t have any immediate plans.
The initial tracks of the CLD’s album, Monolith of Phobos, are a trippy mix of Primus, TGOASTT, Beatles, Zappa, Beefheart, Pet Sounds Beach Boys, and acid jazz. This should be an excellent record (due out in June), and their summer tour should be a must-see.
Keep your mind open.
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Yes, you read that right. Actor, producer, and director Kiefer Sutherlandwill be releasing his debut album Down in a Hole sometime this summer. Sutherland has already released tour dates to promote the record and has been playing gigs since at least last year.
It turns out Sutherland has been involved in the music industry since 2002 by producing and releasing records by musicians he liked. He also collects classic guitars. He wrote a couple songs and those songs eventually bloomed into a full album. I don’t know if the title track is a cover of Alice in Chains‘ classic, but clips of Sutherland’s live performances are good. He has an excellent backing band and his rough voice is perfect for outlaw country. Down in a Hole should be an interesting listen.
Keep your mind open.
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The annual Vans Warped Tourhas released its tour dates and line-up for 2016. The show has become a who’s-who of punk, metal core, screamo, and ska acts. The biggest draws so far are Atreyu, Bullet for My Valentine, Falling in Reverse, Good Charlotte, Less Than Jake, New Found Glory, Reel Big Fish, Sum 41, and Yellowcard.
Keep your mind open.
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Bestival Torontohas announced its initial line-up for their early summer festival. The two biggest draws so far are The Cure and Tame Impala. They also have interesting things planned like the “Inflatable Church” and the “Day of the Dead Cocktail Bus.”
Keep your mind open.
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Rest and peace to Malik “Phife Dawg” Taylor of A Tribe Called Quest. Phife Dawg was a powerful MC whose flow bounced off Q-Tip‘s like they were winning a doubles tournament at Wimbledon. Phife Dawg’s style of rapping was in the everyman vein. He made you think you could rap, even if you had no flow. He was effortless. His loss is a hard blow to hip hop and music fans everywhere, but we have his rhymes with us forever.
Lollapalooza‘s 25th anniversary show line-up has been announced, as well as the daily line-ups. Radiohead and LCD Soundsystem were major scores and long-rumored. Other fine artists on the bill are Jane’s Addiction (naturally), Die Antwoord, Bloc Party, The Joy Formidable, and Wavves.
Keep your mind open.
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It is fitting, crucial in fact, that the name of the newest Night Beats record isn’t Who Sold My Generation? It’s Who Sold My Generation. No question mark. Night Beats (Robert Levon Breen – bass and backing vocals, Danny Lee Blackwell – guitar, vocals, piano, percussion, bass, James Traeger – drums) aren’t asking who sold their generation to career politicians, multinational banks, and corporations. They already know. It was sold by “spitting news anchors,” people selling toxic junk as food and drink, those in power who let that power corrupt them, and, mostly, damningly, their generation for allowing it to happen.
“Celebration #1” is a spoken word manifesto over a freak-out beat, blues bass walk, and dark alley guitar. “When they come into your down, the sons of a sold generation, they’ll grab what isn’t nailed down,” Blackwell sings. Millennials don’t expect things to be handed to them, but they are tired of their future being bartered, sold, and stolen. They are here to take it back.
“Power Child” makes sure you know this is a Night Beats record because it is full of their usual great grooves, reverb, slick drumming, and sound that would be just as fresh if they’d originally opened for MC5. Blackwell’s shredding solo on it closes out the song, leaving you wanting more. Don’t worry, because “Right / Wrong” is just as good. I always like the vocal effects Blackwell uses. It’s hard to discern sometimes where his normal singing voice ends and where distortion and reverb begins, and I think that’s great.
“No Cops” is the first single from the record, and it’s a burner with Been’s bad ass bass, Traeger’s floor-stomping drums, and Blackwell’s guitar that seems to be everywhere at once as he sings about a couple days in the city gone horribly wrong. It’s nice to hear the band branching out into border rock territory with the Spanish lyrics in “Porque Manana,” which could be translated as “Why Tomorrow?” Since there’s no question mark here either, I’m guessing it’s actually “Because Tomorrow.” Act now, because tomorrow isn’t guaranteed to any of us.
Traeger plays drums and a maraca at the same time on “Sunday Mourning,” creating one of the best beats on the record, and Been’s bass line on it holds the song together so well that I imagine he’s a bricklayer when he’s not on tour. Been is the newest member of Night Beats, and his addition has taken the band to another level. His bass work is a hot mix of boogie blues, psychedelia, and funk. Not to be outdone, Blackwell’s guitar on “Sunday Mourning” might make your jaw fall off your head.
“Shangri Lah” and “Bad Love” reveal the band’s love of surf music. “Burn to Breathe” is a slow burn of excellent psychedelia that calls back to the 1960’s better than most modern psychedelic bands can even attempt.
The Monkees’ “Last Train to Clarksville” is about a young man about to be sent to Vietnam. Night Beats rock far harder than the Monkees, of course (although “Clarksville” is a great tune), but I can’t help wondering if “Last Train to Jordan” might be the band’s tribute to members of their generation who served in the Middle East.
“Ain’t gonna wait for tomorrow, ain’t gonna wait for tonight,” Blackwell sings on “Turn the Lights.” Again, complacency is the enemy of us all. The song has a great harmonica solo. So, as a sloppy player of the Mississippi saxophone myself, I love it.
The album closes with “Egypt Berry” – perhaps the most raucous rocker on the record. Pay attention, upcoming bands: If you’re wondering how to end your album, you might want to take a lesson from Night Beats. End with a song that combines Arabian-flavored guitar, Elvis Presley rhythm section beats, Johnny Cash bass, surf cymbals, and a false ending that gives you one last hit before you go.
This is already in my top records of 2016 so far and will most likely be in the top ten for the entire year. Night Beats get better with each record, so buy this and their whole catalogue. Do not hesitate. Hesitation helped sell a generation to one percent of the populace. Night Beats have warned us to not let it happen again.
Keep your mind open.
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The Kills‘ fifth full-length album, Ash & Ice, is due for release on June 03, 2016. The first single, “Doing It to Death,” is already available for download and purchase and puts electro beats with their usual smoky, crunchy guitar riffs and sultry vocals.
They’ll start a tour on April 07, 2016 in Nashville, Tennessee and play shows all the way through mid-August. Catch them if you can.
Located at 1808 South Allport Street in Chicago, Illinois, 606 Records is a nice vinyl and cassette store (as well as books and magazines devoted to music) conveniently located across from Thalia Halland in a booming part of the city. There’s a large Hispanic community in the area, so there are some good Mexican restaurants nearby as well.
606 Records has neat art inside and a wide selection of good vinyl ranging from gospel and world music to rock and rap.
They were playing some neat psychedelic rock when I arrived there on March 10, 2016. I was tempted to flip through the rock records while I was there, but I was running short on time and wanted to get to the Levitation Chicago festival at Thalia Hall before the first band started. I spotted this groovy graffiti art as I left.
It’s a neat store with a slick look. I recommend it for vinyl lovers and for anyone checking out a show at Thalia Hall.
Brazilian singer extraordinaire Ceuhas released tour dates for this summer.
I hope to catch her at that Chicago date on June 24th. I’ve yet to see a live bossa nova show, let alone one that combines electro beats with the genre. Catch her if you can.
Keep your mind open.
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