I don’t know if the title to Acid Dad‘s record, Take It from the Dead, refers to taking a physical object from the deceased or heeding their advice. It could be both.
The record, with its blend of psych-rock and post-punk, is a good time. The first track, “Searchin’,” lends some credence to the idea that the album’s title might be about imploring the dead for answers. “I’m lost, and I’m found. I’m still searchin’ for a sound,” sings co-guitarist Vaughn Hunt amid shiny synths and drum licks that are happily “stuck in the 70s.” “BBQ” brings in some heavy guns on the instruments and cool reverb on the vocals. It reminds me a bit of early Failure tracks.
“RC Driver” begins and ends with enough guitar for two albums. “She Only Eats Organic,” apart from having a fun title (and a not-so-hidden oral sex joke?), is a bit of a barn-burner with beats from Trevor Mustoe that barely rest for the entire track. Sean Fahey‘s vocals have a bit of a post-punk snarl to them on it. The psychedelic “Good Time” is as trippy as the album cover.
“Smile You’re on Camera” builds on a Peter Hook-like bass line and then drops in melting wax vocals. The cranked fuzz on “2 Face” boosts Hunt’s lyrics about wanting something more from a potential lover, but knowing he should tread lightly. The closing track, “Djembe,” with its Cure-influenced bass and Jesus and Mary Chain-influenced guitar, is a killer ending. It somehow oozes and shimmers at the same time, resulting in a space-rock guitars that blaze past you like a comet.
Take It from the Dead is one of those albums that will probably reveal more layers of itself every time you listen to it, which is a testament to its craftsmanship. We could use more bands making music this intriguing.
Keep your mind open.
[I’m searchin’ for your subscription.]
