Review: Shred Flintstone – Unlimited Power

If your band’s name is Shred Flintstone and your album is titled Unlimited Power, you need to have the chops to back up those things. Otherwise, you’ll be dismissed as a “joke band.” Shred Flintstone need not worry. They have enough chops to power a car-crushing monster truck.

Album opener “All My Friends Are Bread” starts us off with post-punk bass riffs Ed Weisgerber and guitar chords from Dan Barrecchia that sound like frantic radio transmissions from a military base being attacked by a giant monster. The whole thing turns into a wild assault on the senses in just a few moments. Wesigerber’s fury continues on the title track while his rhythm section mate, Joey Giambara, locks in everything with crisp chops. “Shred Durst” shreds harder than anything Fred Durst has released in years.

Barrecchia’s guitar work on “Red Dawn” reminds me of early Nirvana tracks. “Friend of a Friend of the Devil” is, dare I say it, a bit psychedelic as Barrecchia sings about trying to run from his fate / sins and then learning to accept it / them. The three of them go nuts on “Big Gun” – a New Bomb Turks-like punk track with the vocal reverb turned up to eleven. “Escape from New Jersey” (the band’s home state) turns the vocal effects up to twelve and drops riffs and drum fills heavier than a dump truck full of broken concrete. “Dirty Boi” comes at you like Leatherface with its heavy buzz and frantic pounding. The album’s closer, “Always,” wraps things up with surf and even a bit of 1950s love ballad crooning.

So, yes, Shred Flintstone have the chops to back up their name and album’s title, as well as knock the speakers off your shelves or walls. If you’re thinking of installing solar panels to power your house, you could just plug this album into your fuse box and save a ton of money.

Keep your mind open.

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[Thanks to Katz at Junkfood PR.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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