Review: Mötorhead – Louder Than Noise…Live in Berlin

Recorded on December 05, 2012 in front of an audience of about 12,000 fans, Mötorhead‘s Louder Than Noise…Live in Berlin is a good record of the band’s power and ferocity. The trio of Phil Campbell (guitar), Mikkey Dee (drums), and Ian “Lemmy” Kilmister (bass and vocals) was the longest-running Mötorhead lineup, and their locked-in energy is palpable throughout the show.

The show begins with Kilmister yelling, “Guten abend! How you doin’? All right? We are Mötorhead…Phillip, if you would be so kind?” in his signature bourbon-and-cigarettes-laced voice before they rip into the snarky “I Know How to Die.” “Damage Case” swings with a bluesy groove that is made dangerous by Kilmister’s growls and Campbell’s rock riffs. It rolls right into “Stay Clean” thanks to Dee’s relentless yet effortless drum fills.

They give the crowd and the listener a brief break before rolling out “Metropolis,” which starts like a stoner metal track and then two sharp snare cracks from Dee turn it into a fuzzy rocker. Kilmister dedicates “Over the Top” to Campbell, probably because Campbell shreds for almost three minutes straight on it. “Doctor Rock” is just as fun and fast and furious as you hope it will be. Campbell plays a nice two-minute solo (“String Theory”) and then his bandmates join him in the classic “The Chase Is Better Than the Catch.”

“Rock It” comes after the band takes a quick drink of…something, and then it rolls into the wicked, dark blues cut “You Better Run,” which I’m sure had the mosh pit amped up even more than it was at the start of the show. “The One to Sing the Blues” has some of Dee’s most ferocious drumming, including a tremendous solo. The whole track sounds like Mötorhead are daring any challengers to their throne of skulls.

“Now, then, this is a rock and roll song,” Kilmister says before they launch into the swinging, blazing “Going to Brazil” (as if all the other songs aren’t). “Killed by Death” brings plenty of fuzz and power to warm you up (if you’re not already sweating) for, of course, “Ace of Spades” to close the main set. “Remember? We’re deaf!” Kilmister yells to the audience after the song ends. I’m sure the whole audience was, too. “Overkill” is the crazy, wild finale, with Dee going for broke and Campbell and Kilmister doing their best to blow the back of the joint.

It’s a fun recording, and I wish I could’ve seen them live before Kilmister left for the giant after-party in the sky. This is a good substitute, however.

Keep your mind open.

[Why not go over to the subscription box while you’re here?]

[Thanks to Maria at Adrenaline PR.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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