Review: Shadow Show – Silhouettes

Detroit’s Shadow Show (Kate Derringer – bass, Ava East – guitar, and Kerrigan Pearce – drums) mix 1960’s garage rock with psychedelia and post / art-punk to create their debut album Silhouettes.

The album’s songs deal a lot with perception and illusion. The band’s and album’s names represent things that are real yet unreal. The first track on the record, “Charades,” begins with Pearce’s rapid-fire drumming and then dives into lyrics like “I could be you, you could be me. I could be anything I see.” The fiery “Contessa” is a tribute to a fiery ex-lover who deals in deception (and hot love that sometimes makes it worth it, to be honest). Derringer’s bass on “Green Stone” is as funky as Donald Dunn‘s on “Green Onions.”

An alchemist is someone who, among other things, seeks ways to transform one element to another. It’s another reference to altering perception and reality. The song “The Alchemist” has a cool underlying fuzz to it and lyrics about seeing “the center of your mind.” “Shadow Box” refers to something preserved for all to see, but yet still entrapped. The lyrics refer to a lover who couldn’t see and think outside the box and thus screwed up the good thing they had.

The deft “Trapeze Act” moves and glides like its namesake as a relationship is compared to death-defying stunts. East knows when to let her guitar take the lead and when to swing it back, and the reverbed vocals near the end are a great touch. Her guitar takes on a bit of bluesy swagger on “Glass Eye” (another title alluding to false images and altered perception). “Dreamhead” opens with dreamy acoustic guitar (and, I suspect, acoustic bass) for a groovy trip that discusses how some secrets are best left that way.

The opening riffs of “The Machine” remind me of old Love and Rockets tracks and even seem to have a bit of Middle Eastern flair in them. The words “There are times you keep me hanging on…” start the closer, “Silhouette.” It’s a song about finally seeing truth and reality in a relationship and realizing that going along the path that’s been set will only result in becoming a shadow of what you once were.

Silhouettes is a lovely, groovy, sexy, and somewhat dark record that I suspect has many layers that will reveal themselves over multiple listens. Don’t miss the Shadow Show.

Keep your mind open.

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Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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