Rewind Review: Thee Oh Sees – Live in San Francisco (2016)

Recorded across the span of three shows (July 15 – 17, 2015) at San Francisco’s Chapel, Thee Oh Sees’ Live in San Francisco captures the band in full sweaty, raw power that threatens to blast you to smithereens.

Starting with the hard-charging “I Come from the Mountain,” the band (John Dwyer – guitar, vocals, synth, Tim Hellman – bass, Ryan Moutinho – drums, and Dan Rincon – drums) takes off like a rocket and barely gives you time to catch your breath between tracks. The “Whoa-oh!” chants of “The Dream” combined with Dwyer’s gasoline fire guitar work instantly invoke moshing (or at least the desire to do so) wherever you hear it. “Time Tunnel” sounds like that gasoline fire has spread across the rest of the stage and Hellman’s bass is dumping wood on the blaze. The song stops on a rough dime for a jarring effect.

The psychedelic surf swing of “Tidal Wave” is is a great example of the dual drumming of Moutinho and Rincon as they play different parts in different time signatures that match up at the best times to induce organized chaos. “Web” ramps up the reverb to send you into a calmer state, as does “Man in a Suitcase” (which is not a cover of the Police song, although I’m sure that would be outstanding) before that song’s wild guitar solos and heavy cymbal bashing smack you back into the present.

The happy, swelling grooves of “Toe Cutter Thumb Buster” practically make your speakers pogo. You’re almost exhausted by the time they get to the calm opening guitar chords of “Withered Hand,” but the song soon erupts like Old Faithful and dares you to keep up with it. “Sticky Hulks” gives you a little break with psychedelic fuzz to lull you into a warm place between mosh outbreaks.

The last two tracks, “Gelatinous Cube” and “Contraption” sound like riots. “Gelatinous Cube” has more precision drumming from Moutinho and Rincon while Dwyer’s guitar roars and soars all over the place and Hellman’s steady bass groove is like a gravitational pull keeping the rest of the band from blasting through the ceiling. “Contraption” brings in garage punk shredding and pounding and psychedelic freak-outs to powerwash off whatever’s left of your face by this point.

The vinyl edition of Live in San Francisco came with a DVD of the performances. This is widely available on YouTube as well. This recording is as close as you can come to being in the crowd at an Oh Sees show because it captures the incredible playing and the manic energy of one of their gigs so well. You owe it to yourself to get to one of their shows, but this album will hold you over in the meantime.

Keep your mind open.

[Get crazy with me by subscribing.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.