Review: Bayonne – Drastic Measures

Bayonne’s Bandcamp page describes each track on his new album, Drastic Measures, as being “orchestral in texture.”  I’m not sure I can describe it better than that, because it’s evident from the opening notes.

The first song, “QA,” begins with string section-like synths and heartbeat rhythms as Roger Sellers (AKA Bayonne) sings like he’s coming out of a dream with the words still fresh in his mind.  The title track is an instant toe-tapper that builds into a whole body-mover with Afrobeat-tinged percussion and joyful synths.  “Same” is a lovely track that starts with soft piano and builds like a breeze beneath you that almost feels like it’s going to lift you off the ground.

“Gift” continues the orchestral / cinematic feel and by now one realizes how good a pianist Sellers is, and how well he melds piano chords with electronic beats.  “Enders” is a slightly trippy instrumental, and “I Know” starts off with what sounds like creaky sounds from an old boat tied to a pier but then turns into a bright, bouncy love song.  I couldn’t help but think of Christopher Cross while listening to “Kind” thanks to Sellers’ floating vocals and its smooth synths.

“Uncertainly Deranged” not only has an interesting title, but it also has interesting beats and a happily manic feel to it.  “Abilia” reminds me of a horse galloping in a field on an early spring morning before the sun has thawed the frosted grass as Sellers sings to a lover he’s wronged in the past and is now, perhaps like that horse, running toward his ex in hopes her heart will thaw.

The album ends with “Bothering” – an interesting title for a closing track because Sellers certainly hasn’t been bothering us throughout the record.  It’s a beautiful song (with more great piano work by Sellers) about hope and presence in a time or constant bother from outside forces.  Sometimes drastic measures are needed to quiet the endless feed of white noise coming at us from all sides, but sometimes the simplest measures yield amazing results.  Ending an album called Drastic Measures with a hopeful, simple song is both bold and subtle – as is this entire record.

Keep your mind open.

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Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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