Winged Wheel release gritty new single – “I See Poseurs Every Day” – and European tour dates.

Photography by Katy McElroy

oday, Winged Wheel share “I See Poseurs Every Day,” the third track released in advance of their forthcoming album, Desert So Green, due January 9 on 12XU. The song’s greasy steel guitar riffing evokes a truck stop showdown between ZZ Top and the Silver Apples, offering another glimpse into the band’s quickly evolving sound as they move toward the release of their third full-length in just four years.

In its premiere at Magnet, Winged Wheel’s Fred Thomas explains: “The working title was ‘Truck Stop’ because of how dirty and gruff the riff was—like something you’d hear in a nearly abandoned, potentially dangerous truck stop in the middle of nowhere. It’s way more choogling and crunchy than the kraut-inspired improv of our previous album, Big Hotel, or the more textural air that makes up the rest of Desert So Green. The official title was also pulled out of the ether, from a breakfast conversation on tour that turned into a running inside joke—though it’s not without a shred of truth. We do see poseurs every day, and we need to let them know we’re watching.”

An “experimental super-band” comprised by Whitney Johnson (Matchess, Circuit des Yeux), Cory Plump (Spray Paint, co-owner of the dream venue Tubby’s), Matthew J. Rolin (solo guitar wizard and half of the Powers/Rolin Duo), Steve Shelley (Sonic Youth), Lonnie Slack (Water Damage), and Fred Thomas (Idle Ray, Tyvek), Winged Wheel is a creatively and geographically scattered collective, with each player living in a different city and bringing their own unique element to the group’s interpersonal alchemy.

Early long-distance file trading between a few members yielded 2022’s debut album, No Island. As awareness and buzz grew around the band, they expanded their membership and met in person for the sessions that became 2024’s Big Hotel, a surgically assembled murk of high-energy kosmische rock with jammed-out tendencies. Fast forward, and the band that started out as a passing idea has completed multiple tours, become a taper’s dream with sets that drift through structure and improvisation, and ridden the momentum to places unforeseen on their third album, Desert So Green. The nine-track collection takes them into a space of sharpened dynamism and more nuanced expression. Things move a little slower, and the aftershock hits harder than the initial adrenaline rush. The energy that arrived all at once in loud explosions on earlier albums is refracted here, and ultimately all the more transcendent.

In January 2026, Winged Wheel will tour Europe for the first time. The band is also set to perform at Big Ears Festival in March 2026, while additional North American tour dates will be announced shortly. 

Winged Wheel
2026 Tour Dates

​9 Jan – Amsterdam, NL – OCCII
10 Jan – Groningen, NL – Vera
11 Jan – Hamburg, DE – Hafenklang
12 Jan – Leipzig, DE – Noch Besser Leben
13 Jan – Berlin, DE – Neue Zukunft
14 Jan – Prague, CZ – MeetFactory
15 Jan – Jena, DE – Trafo
16 Jan – Kusel, DE – Kinett
17 Jan – Düdingen, CH – Bad Bonn
18 Jan – Strasbourg, FR – La Grenze
19 Jan – Dijon, FR – Consortium
20 Jan – Paris, FR – La Station – Gare des Mines
21 Jan – Les Roches-l’Évêque, FR – Zero Degre Est
22 Jan – Rennes, FR – L’Antipode
23 Jan – Lorient, FR – Hydrophone
24 Jan – Rouen, FR – Le Kalif
26-29 Mar – Knoxville, TN – Big Ears Festival

Winged Wheel Desert So Green is available January 9, 2026 via 12XLU on Vinyl and Digital Formats // Pre-Order Available Here

Keep your mind open.

[I see you subscribing today.]

[Thanks to Kevin at Calabro Music Media.]

Live: The Bob Mould Band and Winged Wheel – May 12, 2025 – Bell’s Eccentric Café – Kalamazoo, MI

It’s odd that I haven’t seen a full concert in almost five months, so opening my 2025 concert season with one of my rock heroes seemed appropriate. The Bob Mould Band was playing an easy drive from my house, so seeing them for the third time, and in a small venue, was an easy decision.

First up were Winged Wheel, who described themselves as being “from multiple cities” and thus rarely getting opportunities to play and tour together. They played an interesting brand of psychedelia that mixed synthwave with trippy guitars, a violin, and even lap steel guitar.

Winged Wheel

They had a great sunset to provide a light show, and I thought, “They could play Levitation.” Their sound is unique and they all look like someone you know.

After about a twenty-minute gear switch, The Bob Mould band came out and got straight to business. It was the last show of their current tour, and they emptied the gas tank on the Bell’s outdoor stage.

They tore through the first group of tracks so fast that you could barely breathe. The crowd, mostly aging hipsters like yours truly, seemed a bit low key. The trio of Mr. Mould, Jason Narducy (bass), and Jon Wurster (drums) were roaring and few people were dancing at first. I think some were just overwhelmed by the tidal wave of sound coming at them. There were a couple songs when it felt like a mosh pit could, and should, have broken out. Three guys tried to start one for a moment, but one of the trio soon stopped it and calmed his pals down before it could form.

The Bob Mould Band was undeterred by this, thank heavens, and ripped through a lot of good stuff from their catalogue, both new (from their Here We Go Crazy album) and even a short set of tracks from 2020. Wurster was dropping some killer fills the whole night, and Narducy’s bass grooves were locked in the whole set.

Mould, go figure, shredded the entire evening with both his guitar and his voice. It’s wild to see and hear him create that much sound.

A highlight for me was them playing the theme from The Mary Tyler Moore Show near the end of the night. If you’re a fan of Hüsker Dü, then you know that cover was a staple of their early shows so it was a blast to hear that gem brought out to shine.

It’s great that these guys are still crushing it and that Mould is still putting out great music and showing youngsters how it’s done.

Keep your mind open.

Thanks to the chap who let me snap a photo of this set list he scored.

[Thanks to Jim and Mia at Big Hassle for the press pass!]