“If You Don’t Know” the Wine Lips’ new single, you’re missing out.

Toronto’s Wine Lips return with “If You Don’t Know,” the second single from their upcoming album TV Dinner, out August 28 on Stomp Records. Pulling from the blown-out punch of ’90s alt rock and garage while keeping their signature psych chaos intact, the track lands somewhere between the hook-heavy crunch of The Hives, the fried-out swirl of Osees, and the ragged urgency of Frankie and the Witch Fingers, with flashes of Nevermind-era vocal weight cutting through the noise. Following the sharp, confrontational punch of lead single “Projector,” this one shifts inward, heavier, more reflective, but no less immediate. Built around blown-out vocals, chorus-drenched guitar lines, and a locked-in mid-tempo drive, “If You Don’t Know” leans into the band’s rawer instincts. It moves like a late summer rip down the 401 at sunset, bugs cracking against the windshield, half cut, windows down, volume too loud, head nodding at just the right tempo to make you feel like you’ve tapped into something. The guitars smear at the edges while Aurora Evans’ drums hit like a truck, her snare snapping dead center, physical, sharp, and impossible to ignore.

Lyrically, the track circles burnout, detachment, and the slow realization that time doesn’t move the way it used to. “Been a long long while since 16” lands less like nostalgia and more like a quiet gut check, the kind that creeps in somewhere between last call and the first train home. It’s not dramatic. It just settles in. Over the last decade, Wine Lips have quietly built one of the most formidable independent rock careers to come out of Canada, racking up more than 50 million streams, earning praise from Iggy Pop on BBC Radio, and touring relentlessly across North America, Europe, the UK, and Asia. Somewhere along the way, they became something harder to pin down, a fuzzed-out, road-worn force that thrives just outside the mainstream while pulling in a global audience.

As the album rollout continues, Wine Lips show no signs of slowing down. Following the release of TV Dinner, the band will head back onto international highways with a fall tour supporting Death From Above 1979 and another European run already on the horizon. With TV Dinner, that balance tightens. If earlier records felt like full-tilt psychedelic escape, this one keeps its feet planted on cracked pavement. The chaos is still there, but it’s more focused now, shaped by glowing phone screens, long nights that blur together, and the low hum of everything being just a bit too much. “If You Don’t Know” sits right in that pocket, heavy, restless, and locked in.

Keep your mind open.

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[Thanks to Chad at No Rules PR.]

Wine Lips wallop you with their new single – “Projector.”

Toronto’s Wine Lips return with “Projector,” the first single from their newly announced fifth album TV Dinner, arriving August 28 on Stomp Records. Drawing from the blown-out spirit of ’90s garage punk while retaining the psychedelic chaos that has become the band’s calling card, “Projector” channels the urgency of Teengenerate, The Hives, New Bomb Turks, Frankie and the Witch Fingers, and Osees into a sharp blast of scorched guitars, pounding drums, and razor-wire attitude. The single also marks the first lead vocal appearance from drummer Aurora Evans, offering an electrifying introduction to the next chapter of one of modern rock’s most relentless bands. Over the last decade, Wine Lips have quietly become one of the most successful independent rock bands to emerge from Canada in a generation. Their records have accumulated more than 45 million streams, earned international acclaim, landed songs in film, television, and video games, and carried the band across North America, Europe, the UK, Hong Kong, and China. In the long and strange lineage of Canadian rock, somewhere between Rush, April Wine, and Tricky Woo, lurks Wine Lips: a fuzz-covered northern beast that keeps appearing in unexpected places, leaving blown speakers, sweaty clubs, and new converts in its wake.

“Projector” wastes no time making its intentions clear. Driven by Evans’ commanding vocal performance, the track takes aim at the kind of person who projects their insecurities, frustrations, and baggage onto everyone around them. Every sneering lyric lands with purpose while the band barrels forward behind her in a glorious racket of overdriven guitars and barely contained momentum. It’s direct, cathartic, and impossible to ignore. The song offers the first glimpse into TV Dinner, a thirteen-track collection shaped by the absurdities of contemporary life. Across the album, Wine Lips tackle burnout, addiction, doomscrolling, dead-end jobs, housing frustrations, and the low-grade anxiety humming beneath modern existence like fluorescent lights in a suburban strip mall. Rather than wallow in any of it, the band responds the only way they know how: louder, faster, and with zero interest in cleaning up the mess.

Recorded with longtime collaborator Simon Larochette at The Sugar Shack in London, Ontario, TV Dinner captures Wine Lips at their most immediate and instinctive. Embracing imperfections and leaving room for mistakes, strange moments, and happy accidents, the band deliberately resisted polishing away the record’s rough edges. The result is a collection of songs that feels alive, unpredictable, and wired directly to the energy that has made Wine Lips such a formidable live act, an energy they’ll carry back onto international highways this fall with a tour supporting Death From Above 1979 and another European run already on the horizon.

If previous Wine Lips records often felt like psychedelic escapes from reality, TV Dinner keeps its feet planted firmly on the cracked pavement outside. It’s a record built for an era of glowing phone screens, rising rents, information overload, and endless noise. “Projector” is the opening shot. Loud, urgent, and impossible to ignore. Warm up the microwave. TV Dinner is almost ready.

Keep your mind open.

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[Thanks to Chad at No Rules PR.]