No Joy shares new single, “Barking at the Sun,” from their upcoming EP.

Last month, No Joy announced a new EP entitled Big Life, Big Leaf (out August 21st via Hand Drawn Dracula). The EP is the follow up to the widely beloved 5th LP from Jasamine White-Gluz long-running project, 2025’s Bugland, which like the new EP was co-produced by the heralded Chicago experimental artist Fire-Toolz.  That album earned a Best New Music designation from Pitchfork, who called it “a perfect album for our current shoecraze…Bugland is full of more textures, more ambiance, more chunky ’90s guitar. It crushes like a giant box of Gushers,” with further praise coming fromBandcamp, FADERStereogumBrooklynVeganAV ClubHearing Things, FLOOD, and Exclaim. and wasalso recently nominated for the Polaris Prize.

The new EP was announced with its title track, which was co-written with Japanese Breakfast and Sky Ferreira producer Jorge Elbrecht. Today, No Joy are sharing a second single from the EP called “Barking At The Sun.” that blends dreamy shoegaze with ferocious blast beats and scratching from DJ Diego Juarez.

White-Gluz says of the track:

This song is driving through empty corn fields with the windows down on the first warm days of spring. During the last solar eclipse, I drove my car to the fields and watched the sun disappear and reappear, feeling like it was both the beginning and the end of the world.

This was the first song Angel & I worked on after Bugland. The song grew out of a very old demo where I played around with Drop C guitar tunings. With this opening guitar riff, I collaged bits and pieces of other demos together to make a patchwork of a song. Angel then took that into her world and made it more technicolor. 

Keep your mind open.

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[Thanks to Tom at Terrorbird Media.]

No Joy releases title track from upcoming EP – “Big Life, Big Leaf.”

credit: Samuel Fournier

In 2025, No Joy released their 5th LP Bugland. The project of Jasamine White-Gluz, had long been a critical darling, but their 2025 album was a new high water mark. Produced by the heralded Chicago experimental artist Fire-Toolz, the album earned a Best New Music designation from Pitchfork, who called it “a perfect album for our current shoecraze…Bugland is full of more textures, more ambiance, more chunky ’90s guitar. It crushes like a giant box of Gushers,” with further praise coming from Bandcamp, FADERStereogumBrooklyn VeganAV ClubHearing Things, FLOOD, and Exclaim, and last week was nominated for the Polaris Prize.

At the end of May, No Joy appeared at first edition New York’s Total Bummer fest and next month they’ll make an appearance at the legendary Roskilde festival. Ahead of that appearance No Joy is announcing a new EP entitled Big Life, Big Leaf, which is a further collaboration with Fire-Toolz, who just released her first LP on Warp Records. The EP will be released on August 21st on Hand Drawn Dracula, and is being announced with its title track, which was co-written with Japanese Breakfast and Sky Ferreira producer Jorge Elbrecht

White-Gluz says of the track:

“This was a demo I had that we never got around to during the Bugland sessions. In 2024 I brought it to Jorge Elbrecht (Japanese Breakfast, Sky Ferreira), who I have a long history of writing with. We really love exploring the absurd, combining musical ideas that shouldn’t really make sense together – it felt great picking up where we left off after 2020’s Motherhood LP. Bringing the song back around to Angel Marcloid (Fire-Toolz) more recently (post-Bugland LP sessions) made perfect sense to me; both Angel and Jorge have insane musicality and melodic imagination. Angel is a brilliant pop producer, she has a knack for shaping where a song can take you emotionally. Tara McLeod (Kittie) rips on guitar as usual, continuing to bring this heavy-but-effervescent energy.

“Lyrically, I wrote and recorded these vocals in one take during an emotional time this past spring. I was exploring the boundless pain one feels when it is time to say goodbye to someone or something. It is also during those moments that it is important to remember, ironically, to have joy. To mourn is also to celebrate.”

Keep your mind open.

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[Thanks to Tom at Terrorbird Media.]