oday singer-songwriter and composer María Mónica Gutiérrez (aka Montañera) shares another look at her forthcoming album ‘A Flor de Piel’, which is set for release on November 17th via Western Vinyl.
‘A Flor de Piel’ is a meditative journey of self-discovery across oceans, time, and the traditional confines of genre. Originally from Bogota, Colombia, Gutiérrez began the album as a way to explore her identity after a difficult move to London for school left her feeling untethered and alone in a strange new place. The daunting 5,000 mile journey over a seemingly endless ocean, sparked the beginning of a metamorphosis, imparting her with a new understanding of herself as an artist, and as a human being. Throughout the album Gutiérrez examines the immigrant’s experience through a rich sonic lens inspired by sources as disparate as traditional Colombian and Senegalese music, contemporary ambient and experimental production, and whalesong from the depths of the Atlantic.
Produced by one of the most interesting bands of the moment in Colombia, Rizomagic, and composed by Montañera, it is an album that captivates for the singularity of her voice and melodies, and for the finely crafted production. It was mixed by Joseph Shabason and mastered in Germany by Stephan Mathieu.
The only track on the album to feature percussion, today’s new single “Santa Mar“ is an atmospheric piece featuring marimba player Cankita from the band Bejuco and the expressive voices of Las Cantadoras de Yerba Buena, a group of traditional singers from Tumaco, Colombia.
Check out “Santa Mar” on YouTubeand on digital services.
Montañera comments: “It’s a song that talks about peace in Colombia, specifically with the afro pacific women. The lyrics were inspired by them after investigating their musical practice for my master’s studies. Understanding their personal and collective healing processes within the peace-building process of the country. I want to portray the importance of womanhood for peace-building in their territory and the song talks about the forces of the sea to cure and the sea as a female saint, of how these women have the power of the sea in themselves. The marimbas are played by the amazing Cankita from Bejuco, who is very close with the Cantadoras de Yerba Buena, he calls them his “aunts”, his masters. It’s a true honour having the voices of these elder women in the album, they have such a strong life story and nevertheless, so much vitality, strength, and drive in life, a true inspiration for me.”
Using skilfully restrained synths and electronic textures, ‘A Flor de Piel’ triumphs by re-contextualising traditional sounds and sentiments into something fresh, urgent, and pulsing with life. It’s a fitting representation of Montañera’s personal struggles, while also echoing universal truths, as she summons the strength of past generations, to emerge as a phoenix full of hope and potential. As she describes it, “The album has accompanied me through inner journeys of finding myself in a new territory — of redefining myself, of remembering who I am — in a strange place.” As we drift towards an uncertain future, perhaps Montañera’s ‘A Flor de Piel’ is exactly what we need: a deep well of strength, to bring us peace, and to accompany our own journey into the unknown.
Keep your mind open.
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[Thanks to George at Terrorbird Media.]