Fenne Lily’s “Lights Light Up” is a bright look at the apprehensive world of new love.

Photo Credit: Michael Tyrone Delaney

Today, UK-born and now New York-based artist Fenne Lily announces Big Picture, her new album out April 14th on Dead Oceans, and presents its lead single/video, “Lights Light Up.” She also announces a month-plus North American co-headline tour with Christian Lee Hutson, as well as a UK and EU run, on sale this Friday, January 20th at 10am local time. A gorgeous and gripping portrait of Fenne’s last two years, Big Picture was pieced together in an effort to self-soothe and offers a brilliant catharsis. Tracked live in co-producer Brad Cook’s North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs. claustrophobia. “Writing this album was my attempt at bringing some kind of order to the disaster that was 2020,” Fenne states. “By documenting the most vulnerable parts of that time, I felt like I reclaimed some kind of autonomy.” 
 
This collision of repose and harsh reality is laid bare in Big Picture’s lead single “Lights Light Up,” a prophetic and insightful account of love at its temporary best. Written partially as a conversation, it tracks the tender details of a burgeoning relationship and recognizes the transitory nature of any shared thing; the bittersweet truth that you can only walk hand in hand with someone as long as you’re going in the same direction. With delicately interwoven guitar lines, propulsive rhythm and a chorus that offers the feeling of a voicemail left by someone from your past, it feels at once deeply personal and universal (“and you said so do you ever wanna leave here / and I said well that depends on the day / and you said oh do you even wanna be here / and I said well that depends on the way”)

“I’d never really written about love in the present tense before this, but even though I was still in love and not thinking about the end, there was something else going on subconsciously that led to a song about moving on before the moving on had begun,” comments Fenne. “When it came time to record, the band and I had been playing it live for a while and it’d become something joyful and positive, but when I started recording vocals, the lyrics made me cry. By that point the song was over a year old and I thought those wounds had healed but I guess it hurt to admit I’d been letting go of something while still trying to hold on.” The song’s accompanying video, shot throughout Brooklyn, was directed by Haoyan of America

Watch Fenne Lily’s “Lights Light Up” Video

Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne’s most cohesive, resolute work to date, both lyrically and sonically. “This isn’t a sad album — it’s about as uplifting as my way of doing things will allow,” she says. “These songs explore worry and doubt and letting go, but those themes are framed brightly.” With confidence and quiet strength, each track provides insight into Fenne’s ever-changing view of love and, ultimately, its redefinition — love as a process, not something to be lost and found.
 
Notably, these 10 songs are Fenne’s first and only to have been written over the course of a relationship; 2018’s On Hold and 2020’s BREACH both confront the pain of retrospection, saying goodbye to a love that’s gone.  Big Picture does the exact opposite — rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together.
 
After writing Big Picture in the solitude of her Bristol flat, Fenne consciously aimed to make the recording process her most collaborative thus far. Co-producing with Brad Cook (Waxahatchee, Kevin Morby, Snail Mail) at his Durham studio, Fenne’s core intention was to make something that sonically reflected the kind of compact space the songs were written in; something warm, honest and comforting. Alongside Fenne’s touring band, the album features Christian Lee Hutson (guitar), Katy Kirby (vocals), and was mixed by Melina Duterte of Jay Som.
 
Big Picture’s cover art, constructed on a miniature scale by the artist Thomas Doyle, shows the collapse of a home confined within a bell jar and features several inch-high models of Fenne in various places throughout. This physical representation of a self-contained disaster is a reminder that we are small in the grand scheme of things which, for Fenne, is a relief: “We only really know the one world we find ourselves in at any given time” Fenne expands. “It’s only when that world changes or collapses that we realize there are other narratives available — that we’ve known only one of many possible ways to exist.” 

Pre-order Big Picture
 
Big Picture Tracklist:
1. Map of Japan
2. Dawncolored Horse
3. Lights Light Up
4. 2+2
5. Superglued
6. Henry
7. Pick
8. In My Own Time
9. Red Deer Day
10. Half Finished
 
Fenne Lily Tour Dates:
Sat. Apr. 15 – Leeds, UK @ Brudenell Social Club
Sun. Apr. 16 – Dublin, IE @ Workman’s Club
Tue. Apr. 18 – Glasgow, UK @ St Luke’s
Wed. Apr. 19 – Manchester, UK @ YES
Thu. Apr. 20 – London, UK @ Islington Assembly Hall
Fri. Apr. 21 – Bristol, UK @ Trinity
Sun. Apr. 23 – Brighton, UK @ Patterns
Mon. Apr. 24 – Brussels, BE @ AB Club
Tue. Apr. 25 – Amsterdam, NL @ Bitterzoet
Thu. Apr. 27 – Hamburg, DE @ Nochtspeicher
Fri. Apr. 28 – Copenhagen, DK @ VEGA Ideal Bar
Sat. Apr. 29 – Berlin, DE @ Frannz
Mon. May 1 – Munich, DE @ Ampere
Tue. May 2 – Cologne, DE @ Stadtgarten
Wed. May 3 – Paris, FR @ FMR
Thu. May 11 – Santa Ana, CA @ Constellation Room *
Fri. May 12 – Felton, CA @ Felton Music Hall *
Sat. May 13 – San Francisco, CA @ Great American Music Hall *
Mon. May 15 – Seattle, WA @ Neumos *
Tue. May 16 – Portland, Oregon @ Aladdin Theater *
Wed. May 17 – Vancouver, BC @ Hollywood Theatre *
Fri. May 19 – Salt Lake City, UT @ Kilby Court *
Sat. May 20 – Denver, CO @ Bluebird Theater *
Mon. May 22 – Lawrence, KS @ The Bottleneck *
Tue. May 23 – Minneapolis, MN @ Fine Line *
Wed. May 24- Milwaukee, WI @ Back Room at Colectivo Coffee *
Thu. May 25 – Chicago, IL @ Thalia Hall *
Fri. May 26 – Kalamazoo, MI @ Bell’s Eccentric Cafe *
Sat. May 27 – Toronto, ON @ The Legendary Horseshoe Tavern *
Tue. May 30 – Portsmouth, NH @ 3S Artspace *
Wed. May 31 – Cambridge, MA @ The Sinclair *
Fri. Jun. 2 – Brooklyn, NY @ Music Hall of Williamsburg *
Sat. Jun. 3 – Philadelphia, PA @ Union Transfer *
Sun. Jun. 4 – Washington, DC @ Black Cat *
Mon. Jun. 5 – Durham, NC @ Motorco Music Hall *
Tue. Jun. 6 – Atlanta, GA @ Terminal West *
Wed. Jun. 7 – Nashville, TN @ The Basement East *
Fri. Jun. 9 – Fayetteville, AR @ George’s Majestic Lounge *
Sat. Jun. 10 – Fort Worth, TX @ Tulips *
Sun. Jun. 11 – Austin, TX @ The Parish *
Tue. Jun. 13 – Santa Fe, NM @ Meow Wolf *
Thu. Jun. 15 – Phoenix, AZ @ Rebel Lounge *
Fri. Jun. 16 – West Hollywood, CA @ Troubadour *
 
* = co-headline with Christian Lee Hutson

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[Thanks to Jessica at Pitch Perfect PR.]

Fenne Lily gets lost in the supermarket in her new single and video.

“Solipsism” video still

Dead Oceans’ newest signing, Bristol, UK-based Fenne Lily, presents a new single/video, “Solipsism,” from her forthcoming album, BREACH, out September 18th on Dead Oceans. It follows a string of previously released songs and videos – BREACH’s “Berlin” and “Alapathy” and standalone singles “To Be a Woman Pt. 2” and “Hypochondriac.” “Solipsism” is a hazy lo-fi rock number, written in an attempt to create “something that sounded cheerful, about something really not cheerful.” The song deals with the anxieties of a social media driven generation, “because everyone is sharing everything, and everyone’s comparing their lives to other people’s.” Fenne sighs her age of 21 (“one and twentyyyyy… ohhh”) over the strident surge of guitar fuzz, as she sings about the pressure to have more fun in her 20s, and the solipsism that keeps her awake. The accompanying video, directed by Tom Clover in partnership with the nonprofit organization Film Co, playfully points out some of these anxieties.

A lot of situations make me uncomfortable — some parties, most dates, every time I’m stoned in the supermarket,” says Fenne. “‘Solipsism’ is a song about being comfortable with being uncomfortable and the freedom that comes with that. If you feel weird for long enough it becomes normal, and feeling anything is better than feeling nothing. I wanted this video to be a reflection of the scary thought that I’ll have to live with myself forever. It’s surreal to realise you’ll never live apart from someone you sometimes hate. Dad, if you’re reading this you killed it as shopper number 2.

Clover comments, ““I asked Fenne what products she wanted to be and then worked backwards from there with the illustrators. Most of the references came from Asian Supermarket packaging – they are way more interesting. The most important thing was making sure that it reflected upon Fenne’s personality – there’s a bunch of details you might miss on the first watch!”
Watch Fenne Lily’s Video for “Solipsism”

BREACH is a diaristic, frequently sardonic record that deals with the mess and the catharsis of entering your 20s and finding peace while being alone. Although its subject matter is solitude, it sounds bigger and more intricate than Fenne’s debut, On Hold, and presents a newly upbeat and urgent streak to her songwriting. Throughout, Fenne “pitches her honeyed voice low amid martial drums, pellucid guitar, driving melody. Like Laura Marling covering The War On Drugs” (MOJO).

Fenne kicked off her Wednesday evening IG Live interview series, “The Bathtime Show,” last month. Guests thus far have included Phoebe BridgersLucy Dacus, Christian Lee HutsonMatthew Maltese and SOAK. Keep an eye here for future guests joining Fenne in the tub (from afar).
Watch/Listen/Share:
“Alapathy” Video
“Berlin” Video
“Hypochondriac” Stream
“To Be A Woman Pt. 2” Stream

Pre-order BREACH

Fenne Lily Tour Dates:
Fri. April 30 – Brussels, BE @ Grand Salon
Sat. May 1 – Amsterdam, NL @ Bitterzoet
Mon. May 3 – Hamburg, DE @ Nochtspeicher
Tue. May 4 – Copenhagen, DK @ Ideal Bar
Thu. May 6 – Berlin, DE @ Frannz
Fri. May 7 – Munich, DE @ Mila
Sat. May 8 – Zurich, SE @ Exil
Sun. May 9 – Milan, IT @ Magnolia
Tue. May 11 – Frankfurt, DE @ Das Bett
Wed. May 12 – Paris, FR @ Le Pop Up
Mon. May 17 – Leicester, UK @ The Cookie
Tue. May 18 – Liverpool, UK @ Phase One
Wed. May 19 – Dublin, IE @ The Workman’s Club
Fri. May 21 – Leeds, UK @ Brudenell Social Club
Sat. May 22 – Glasgow, UK @ King Tut’s Wah Wah Hut
Sun. May 23 – Birmingham, UK @ Dead Wax
Tue. May 25 – Manchester, UK @ Deaf Institute
Wed. May 26 – London, UK @ Omeara
Thu. May 27 – Cambridge, UK @ The Portland Arms
Fri. May 28 – Bristol, UK @ Thekla

Keep your mind open.

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[Thanks to Jessica and Brid at Pitch Perfect PR.]

Fenne Lilly’s new album, “BREACH,” is due this September, but the lead single, “Alapathy,” is available now.

BREACH cover art

Bristol-based musician Fenne Lily announces BREACH, her second album and first for Dead Oceans, out September 18th. It presents a newly upbeat and urgent streak to her songwriting, immediately evident with lead single “Alapathy,” and its accompanying video directed by Benjamin BrookBREACH is an expansive, diaristic, frequently sardonic record that deals with the mess and the catharsis of entering your 20s and finding peace while being alone. It’s the follow-up to 2018’s On Hold, a tender collection of open-hearted songs written during her teenage years which deemed Fenne “a new and extraordinary voice capable of wringing profound and resonant moments out of loss” (The Line of Best Fit).

Fenne wrote BREACH during a period of self-enforced isolation pre-COVID, after a disjointed experience of touring Europe, followed by a month alone in Berlin. The album deals largely with “loneliness, and trying to work out the difference between being alone and being lonely.” Although its subject matter is solitude, it sounds bigger and more intricate than anything Fenne previously released. She recorded with producer Brian Deck at Chicago’s Narwhal Studios, with further work at Electrical Audio with Steve Albini who helped flesh out her sound with vast, rich guitars.

The insistent percussion of the album’s first single, “Alapathy,” mimics the anxious racing thoughts Fenne deals with as an overthinker and chronicles how she “started smoking weed to switch off [her] brain.” The title is a made-up word that merges “apathy” and “allopathic” (as in Westernized medicine). “Western medicine generally treats the symptoms of an illness rather than the cause,” explains Fenne. For Fenne, taking medication to improve her mental health didn’t solve her problems — she felt like she was only treating the effects of her discomfort, not the reason for it. Its stylized accompanying video features Fenne enjoying solitude in various ways.

It’s that journey to find peace inside herself that underpins the whole of Fenne’s second album. Its title, BREACH, occurred to Fenne after deep conversations with her mum about her birth, during which she was breech, or upside down in the womb. The slippery double-sidedness of the word – which, spelled with an “A”, means to “break through” – drew her in. “That feels like what I was doing in this record; I was breaking through a wall that I built for myself, keeping myself safe, and dealing with the downside of feeling lonely and alone. I realized that I am comfortable in myself, and I don’t need to fixate on relationships to make myself feel like I have something to talk about. I felt like I broke through a mental barrier in that respect.” Even though it also carries implications of awkwardness, rebellion, and breakage, it’s a wide-reaching word, representing new beginnings and birth. 
Watch Fenne Lily’s Video for “Alapathy”

Listen to “To Be A Woman Pt. 2”

Listen to “Hypochondriac”

Pre-order BREACH

BREACH Tracklist
1. To Be a Woman Pt. 1
2. Alapathy
3. Berlin
4. Elliott
5. I, Nietzsche
6. Birthday
7. Blood Moon
8. Solipsism
9. I Used To Hate My Body But Now I Just Hate You
10. ’98
11. Someone Else’s Trees
12. Laundry And Jet Lag

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[Thanks to Jessica at Pitch Perfect PR.]