Shadow Show premieres “Charades” ahead of upcoming album due St. Valentine’s Day.

Photo by Jaimie Skriba

Detroit-based girl-group Shadow Show has released the first music video from their upcoming debut album Silhouettes out February 14. The video, for the 60s psych-rock inspired track “Charades,” premiered today exclusively on the IGTV and Youtube channels of Southern California Roller-skate company Moxi, whose colorful Lolly roller skates are featured in the video.

Shot in the band’s hometown of Detroit, and directed by Bobby Harlow of The Go, the video for “Charades” was filmed entirely with a super-8 camera, a reflection of Shadow Shows retro style and sound. About filming in and around Detroit, band member Kerrigan Pearce (drums) said, “we wanted to include all of the things that make Detroit home to us. The live footage was shot at UFO Factory, owned by local musician Dion Fischer. The rest was filmed in various places, such as Belle Isle, Detroit African Bead Museum, and another favorite bar Outer Limits Lounge.”

Shadow Show is a new sound in light of a new era. A power trio of a mysterious hue, Shadow Show combines elements of 60s garage-psychedelia and 21st-century modern pop-art. The trio pushes the boundaries of what can be, yet remain deeply rooted in a raw, untouchable Detroit sound. Comprised of guitarist Ava East, bassist Kate Derringer and drummer Kerrigan Pearce, the group made their debut in August of 2018. The group plan to tour the US and Europe to support the release of Silhouettes.

Shadow Show’s debut album Silhouettes was mixed by bass player Kate Derringer and mastered by Jim Diamond (The White Stripes, The Dirtbombs, Ghetto Recorders). The album will be available on February 14, 2020, via Stolen Body Records in the UK and Europe and Burger Records for the rest of the world. 

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Blackwater Holylight take us into “Death Realms” with their new single.

Portland, OR quintet Blackwater Holylight have shared the second single from their forthcoming sophomore album Veils of Winter (RidingEasy Records). Hear and share the pop-hook laced “Death Realms” via YouTube and Bandcamp.

The band previously dropped the immediately classic lead track “Motorcycle” via YouTube and all streaming platforms last month. Blackwater Holylight hit the road later this month, supporting Thou for a handful of Southern dates, followed by the full US with former RidingEasy label mates Monolord in November. Please see complete dates below.

Blackwater Holylight, as the name suggests, is all about contrasts. It’s a fluid convergence of sound that’s heavy, psychedelic, melodic, terrifying and beautiful all at once.

As a heavy band, their songs aren’t anchored to riffs, but rather riffs come and go in waves that surface throughout the band’s meditative, entrancing songs. It’s a hypnotic sound, with orchestral structures that often build tension and intrigue before turning the song on its head — not by simply getting louder or heavier, nor by just layering elements. They expertly subvert the implied heaviness of a part, dissecting it and splaying the song’s guts out to seep across the sonic spectrum. Now, having toured extensively following the band’s wildly-successful breakout self-titled debut in 2018, Blackwater Holylight has honed their sound and identity to a powerfully captivating beast. Their live set is all about the slow build, seeming to combine the melodic tension of early Sonic Youth crossed with the laconic fever-dream blues of the first Black Sabbath album and wiry experimentation of post-punk and krautrock. The lineup on this album is Allison (Sunny) Faris (bass/vocals), Laura Hopkins (guitar/vocals) and Sarah McKenna (synths), with new guitarist Mikayla Mayhew and drummer Eliese Dorsay fleshing out their sound in exciting ways.

“The process of this album was vastly different from our first record,” says Faris. “One, because we recorded it over the course of a few weeks, whereas the first record was over the course of about a year. And two, this album was a true collaboration between the five of us. Each of us had extremely equal parts in writing and producing, we all bounced ideas off each together, and we all had a say in what was going on during every part of the process.”

“One of our favorite things about this album is that because it was so collaborative, we didn’t compartmentalize ourselves into one vibe.” She continues. “It’s heavy, psychedelic, pop, shoegaze, doom, grunge, melodic and more. The whole process was extremely organic and natural for us, we were just being ourselves.”

Veils of Winter opens with fuzzed-drenched, drop-tuned bass and baritone guitar leading a dirge riff on “Seeping Secrets.” Faris’ lilting and funereal vocals drop in, adding to the mournful atmosphere until a short turnaround progression hints at changes to come, as Faris and Hopkins harmonize eerily and the tune suddenly turns into a krautrock charge. “Motorcycle” kicks off deceptively with a heavy grunge riff building up for about 40-seconds before the song abruptly shifts gears into a synth-led post-punk harmony, sounding something like Lush meets Syd Barrett era Pink Floyd. “Death Realms” is perhaps the poppiest track, based around soaring shoegaze guitars and interwoven light vocal harmonies. Soft piano notes, occasional woozy whammy bar dives and a driving tom-tom beat solidify its hooks. “Spiders” is a creepy-crawly guitar riff and counterpoint keys, while “Moonlit” explores prog-structures with a shredding guitar solo crescendo. The penultimate track, “Lullaby” is exactly that, a lulling, expansive tune exemplifying Blackwater Holylight’s genre smashing sound as it subtly moves across a vast sonic landscape atop a hypnotic 6/8 beat and repetitive 3-note motif. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace.

Veils of Winter will be available on LP, CD and download on October 11th, 2019 via RidingEasy Records. Pre-orders are available at www.ridingeasyrecs.com.

BLACKWATER HOLYLIGHT LIVE 2019: # 09/28 Gainesville, FL @ The Atlantic # 09/29 Pensacola, FL @ Chizuco # 10/10-13 Lake Perris, CA @ Desert Daze Festival 10/24 Portland, OR @ Star Theater – Album release show 11/05 San Diego, CA @ Brick By Brick * 11/06 Tucson, AZ @ Club Congress * 11/07 Albuquerque, NM @ Sister * 11/09 Austin, TX @ Barracuda – Levitation Fest – RidingEasy Stage 11/10 Lafayette, LA @ Freetown Boom Boom Room * 11/11 New Orleans, LA @ One Eyed Jacks * 11/12 Atlanta, GA @ 529 * 11/13 Asheville, NC @ Mothlight * 11/14 Richmond, VA @ Camel * 11/15 Baltimore, MD @ Metro Gallery * 11/16 Philadelphia, PA @ First Unitarian Church * 11/17 New York, NY @ Saint Vitus * 11/20 Chicago, IL @ Reggie’s * 11/21 Indianapolis, IN @ Black Circle Brewing * 11/22 St. Louis, MO @ Fubar * 11/23 Lawrence, KS @ The Bottleneck * 11/25 Denver, CO @ Marquis Theater * 11/27 Los Angeles, CA @ Teragram Ballroom * 12/05 Seattle, WA @ Neumos ^ 12/06 Eugene, OR @ WOW Hall ^ 12/07 Portland, OR @ Bossanova Ballroom ^ # w/ Thou * w/ Monolord ^ w/ Yob

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