Annie-Claude Deschênes teams up with Shit Robot for a killer remix of “Main de Fer.”

Photo credit: Alice Hirsch

Annie-Claude Deschênes presents the first in a series of remixes of “Main de Fer“, her latest single released in April. Produced by Shit Robot (DFA Records), it is available now on all platforms. The track is out now via Italians Do It Better (US) and Bonsound (ROW).

“I chose Shit Robot because his unique sound and creative vision felt like the perfect match to reimagine Main de Fer in a bold, new way”, explains Annie-Claude. The Irish producer and DJ, known for his affiliation with the DFA Records label, brings an analog touch to the track by using a variety of synthesizers and sequencers straight out of the 90s. “This was one of those great projects where you fire up the machines and everything falls into place really quickly. I was very excited to get started on this as the original vocals are great and the energy of the track is infectious”, adds Shit Robot, who also mixed the final result alongside LCD Soundsystem member and Grammy Award winner Korey Richey.

Listen to “Main de Fer (Shit Robot Remix)”https://www.youtube.com/watch?v=VDzgEPGcnHA
Listen on other streaming services: https://bonsound.co/maindeferrobotRP

Annie-Claude Deschênes will perform at the Reeperbahn Festival in Hamburg on September 18th and at Rialto Hall at POP Montreal on September 25th before embarking on a European tour in October. This series of dates will take her to Brussels, Strasbourg, Lyon, Luxembourg, and Paris, among other cities, after which she will return to Canada for dates in Toronto and the province of Quebec. She will also be part of M for Montreal’s official selection in November. See the list below for all tour dates.

Multidisciplinarity is an integral part of the creative process of Annie-Claude Deschênes, who continues her perpetual personal quest of uniting music and performance art by bending the pre-established conventions of stage presence. A key figure on the Montreal independent music scene for almost twenty years, she made her mark as a singer, musician, songwriter, performer and visual artist with Duchess Says and PyPy, two bands that are renowned as much for their electrifying performances as for their artistic sensibility. Over the course of her career, she shared the stage with a number of internationally renowned bands, including The Yeah Yeah Yeahs, Teenage Jesus and the Jerks, The Black Lips, The Hives, The Hot Snakes and Buzzcocks. Duchess Says and PyPy’s extensive touring has taken her all over North America and Europe, playing venues and festivals (Primavera Fest, Eurockéennes de Belfort, OSHEAGA, Sled Island, etc.) as well as unconventional locations such as golf courses, factories and churches. Her exploratory approach to staging and sound design takes a new direction with this solo project: the urgency that characterizes her work remains, but frustration and aggression give way to introspection and vulnerability. Annie-Claude Deschênes explores and reinvents herself under her own name, driven by a constant need to create outside of her comfort zone.

Inspired by minimal pop and the pioneers of electronic music, LES MANIÈRES DE TABLE, her first solo album released in spring of 2024, is as danceable and melodic as it is disquieting and dystopian, proposing to set the table differently by deconstructing the social codes of politeness imposed on us. LES MANIÈRES DE TABLE earned a spot on the Polaris Prize long list and garnered attention from international media outlets such as KEXP, BrooklynVegan, CLASH, The Guardian, Les Inrockuptibles and Radio Nova, as well as landing on several year-end lists.

Tour dates:
09/16/2025 – Berlin, DE – Berlin Experience (Reeperbahn Festival)
09/18/2025 – Hamburg, DE – UWE (Reeperbahn Festival)
09/19/2025 – Hamburg, DE – MOPO Stage (Reeperbahn Festival)
09/25/2025 – Montreal, QC – Rialto Hall (POP Montreal) *
10/03/2025 – Brussels, BE – Botanique (Festival FrancoFaune)
10/04/2025 – Mulhouse, BE – Motoco (Festival Microsiphon)
10/07/2025 – Reims, FR – La Cartonnerie
10/09/2025 – Longwy, FR – The Long Way
10/10/2025 – Strasbourg, FR – La Grenze ***
10/11/2025 – Lyon, FR – Le Sonic
10/14/2025 – Luxembourg, LU – Les Rotondes
10/16/2025 – Tours, FR – Le Super 9
10/17/2025 – Metz, FR – Les Trinitaires
10/18/2025 – Troyes, FR – Midi O Halles (Festival Off Off Off)
10/22/2025 – Dunkirk, FR – Le LAAC ***
10/23/2025 – Paris, FR – Le Hasard Ludique ***
10/31/2025 – Toronto, ON – Wavelength @ St. Anne’s
11/07/2025 – Alma, QC – Café du Clocher +
11/08/2025 – Jonquière, QC – Côté-Cour +
11/15/2025 – Rimouski, QC – Salle Desjardins-TELUS +

* Opening for Bolis Pupul
*** Opening for Camilla Sparksss
+ Opening for Choses Sauvages

Keep your mind open.

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[Thanks to Frankie at Stereo Sanctity.]

Annie-Claude Deschênes drops hot (and slightly weird) new single – “Main de Fer.”

Photo credit: Alice Hirsch

Montreal based multidisciplinary artist Annie-Claude Deschênes returns with new single “Main de Fer“, out now via Italians Do It Better & Bonsound.

On “Main de Fer”, Annie-Claude Deschênes fuses minimal techno with avant-garde to trigger a disorienting exploration through emotional isolation. An invisible grip engulfs the mind and erases the contours of the self, leading to a silence where breath is extinguished as the soul dissolves in the shadow of control. Its disturbing soundscapes and fragmented textures challenge the blindness of the self and others, offering us the opportunity to free ourselves from our inhibitions in a controlled chaos.

Listen here on YouTube: https://www.youtube.com/watch?v=WZ6UcsJQ9UM
Listen here on other streaming services:https://bonsound.co/maindeferRP

As a key figure on the Montreal independent music scene for the last two decades, she has left her mark as a performer & visual artist with Duchess Says & PyPy; two bands that are renowned as much for their electrifying live shows as they are for their artistic sensibilities. Always forward, her exploratory approach takes her into uncharted territory with her debut as a solo artist. The urgency that characterises her work remains, but frustration & aggression give way to introspection & vulnerability. 

Over the course of her career, Annie-Claude Deschênes shared the stage with a number of renowned bands, including The Yeah Yeah Yeahs, Teenage Jesus & the Jerks, The Black Lips, The Hives, The Hot Snakes & Buzzcocks, among others. Her debut solo album titled ‘LES MANIÈRES DE TABLE’ was released last year via Italians Do It Better & Bonsound.

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Frankie at Stereo Sanctity.]

Annie-Claude Deschênes “Phones” you with her new single.

Photo credit: Audrey St-Laurent

After sharing her debut solo single “MENACE MINIMALE at the end of last year, Montreal based multidisciplinarity artist Annie-Claude Deschênes has announced her debut album ‘LES MANIÈRES DE TABLE’ will be released this Spring via Italians Do It Better + Bonsound. Today Deschênes is sharing the second single from the record, “PHONES”.

The track is a standard call for a restaurant reservation that turns into an anxiety attack. A reflection on the absurdity of good manners that sometimes lead us to rigidity and over-politeness. The robotic rhythms, made from interference noises and ringtones, punctuate the conversation while the repetitive bass line accentuates this hymn to alienation.

“PHONES” on YouTubehttps://www.youtube.com/watch?v=T1USaV5X22M
“PHONES” on other streaming services:https://idib.ffm.to/phones

As a key figure on the Montreal independent music scene for the last two decades, she has left her mark as a performer & visual artist with Duchess Says & PyPy; two bands that are renowned as much for their electrifying live shows as they are for their artistic sensibilities. Always forward, her exploratory approach takes her into uncharted territory with her debut as a solo artist. The urgency that characterises her work remains, but frustration & aggression give way to introspection & vulnerability. Driven by the endless need to create outside her comfort zone, Annie-Claude Deschênes reinvents herself once again.

Over the course of her career, Annie-Claude Deschênes shared the stage with a number of renowned bands, including The Yeah Yeah Yeahs, Teenage Jesus & the Jerks, The Black Lips, The Hives, The Hot Snakes & Buzzcocks, among others. Her extensive touring has taken her all over the world, playing venues & festivals (Primavera Fest, Eurockéennes de Belfort, OSHEAGA, Sled Island, etc.) as well as unconventional locations like golf courses, factories & churches. Her career is punctuated by collaborative projects linking various art forms, including the co-founding of the collective Conclusion Finale, with whom she exhibits at Concordia University’s VAV gallery, the DARE-DARE diffusion center & Université Laval in Quebec City, & the production of the soundtrack for Yves St-Laurent’s Los Angeles fashion show with PyPy. Winner of the 2022 cohort of the PHI NORD program, she was awarded a two-week immersive creative residency, during which her songs transformed into a tangible debut album titled ‘LES MANIÈRES DE TABLE’ due in Spring.

See Annie-Claude Deschênes live:
April 26 – PHI Centre, Montreal, QC
May 2 – Club Saw, Ottawa, ON
May 10 – CEM, Chicoutimi, QC
May 11 – Pantoum, Québec, QC

Keep your mind open.

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[Thanks to Frankie at Stereo Sanctity.]