Underworld release “I Exhale” from first album in six years.

British house / techno gods Underworld have released “I Exhale,” the first single from their upcoming album Barbara Barbara, We Face a Shining Future.  The track is an immediate club hit and brilliant in its simplicity of booming bass and synths, stream of consciousness lyrics, and dance beats.  It’s an instant cure to seasonal affective disorder.

You can pre-order Barbara Barbara, We Face a Shining Future (the band’s first album in six years) now.  They’ll also be playing Coachella this year, so don’t miss them if you’re out west.

Chelsea Wolfe – Abyss

chelsea-wolfe-abyss-cover-art

I haven’t picked up a dark wave record in a long while. The last record that might come close is a Bauhaus collection, and that’s actually a goth record. Chelsea Wolfe’s Abyss is a great way for me to get back into the dark wave game. It’s a stunning, sexy, scary debut.

“Carrion Flowers” slides into your ears with bass and drums you might hear from the armies of Mordor as they cross the Misty Mountains. It grabs your attention and won’t let go. “Iron Moon” moves from Wolfe’s near-lullaby vocals to some of the heaviest doom metal riffs you’ve heard since your last trip to Norway. “Dragged Out” is a great title for the third track, as the bass and pace sound like some…thing dragging itself out of the primordial ooze to bellow at the moon. “Maw” opens with Wolfe’s Dario Argento film-style vocals before floating into a pretty space that reminds me of cathedrals and dust seen in the light through stained glass.

“Grey Days” introduces some cello to excellent effect and keeps the album from having too much low-end guitar as the main force behind Wolfe’s vocals. “After the Fall” could be about a fallen angel. It definitely belongs on the soundtrack to that new Lucifer show because it’s dark and brooding.

“Crazy Love” seems to be Ms. Wolfe’s tribute to Mazzy Star. Her vocals curl around the track like clove cigarette smoke and the instrumentation reminds me of a creaking haunted tall mast ship. “Simple Death” is another quietly disturbing, yet lovely track that shows off Wolfe’s vocal talents. It needs to be on the soundtrack for the Twin Peaks relaunch. “Survive” might be the most haunting song on the record. Wolfe’s vocals are often layered in reverb as the drums and synths build to ritualistic fervor.

“Color of Blood” pays tribute to another woman who has obviously influenced Ms. Wolfe – Siouxsie Sioux. The song is like a snake in a dark corner – dangerous, menacing, and mysterious. The title track closes the record, and it’s complete with creepy, slightly out of tune piano that’s right out of that creepy clown dream you have at least once a week.

The Abyss is a great name for the record, because it’s easy to fall into it and get lost. Wolfe has spoken openly about her struggle with sleep paralysis and how this record is her exploration of her affliction and dreams. It’s like pitching over the edge of the Marianas Trench – terrifying at first and then strangely peaceful as you let it consume you.

Levitation Chicago 2016 line-up announced.

The fine folks at the Levitation Music Festival have released their show schedule (as in who is playing which dates, set times will come later) and full line-up for their Chicago festival March 10-12 at Thalia Hall.  Tickets are only $95.00 (plus tax) for this three-night festival, and that’s a steal when you check out who’s playing there.

lev_chicago2016_lineupI’ll highlight the bands I’m most interested in seeing as the festival gets closer, but my must-see list is as follows:

Thursday: Vadaat Charigim, Gary Wilson, Health, Oneohtrix Point Never.

I missed Vadaat Charigim (an Israeli psychedelic band) at Levitation Austin last year, so I don’t want to miss them again.  Gary Wilson is a legendary recluse and experimental music creator who is one of Beck’s biggest influences.  Health create crazy electro that borders on noise rock.  Oneohtrix Point Never is considered to be an ultra-hipster darling by many, but his new album is supposed to be mostly dark electro.  He’s also performing at Levitation Austin in April (which I’ll also be attending), so I won’t have to check out his set there if I don’t like his set in Chicago.

Friday: Nite Fields, Blanck Mass, Ryley Walker, Lightning Bolt.

Nite Fields make fine dreamy shoe gaze that sounds like it’s from the late 1980’s.  Blanck Mass is another act I missed in Austin last year and a great electro performer.  Ryley Walker is an excellent guitar player, and Lightning Bolt make some of the craziest noise rock on the planet.

Saturday: Natural Information Society & Bitchin’ Bajas, Night Beats, Earthless, Chelsea Wolfe, Faust.

A great night right there.  Natural Information Society & Bitchin’ Bajas team up to make cool world music-influenced psychedelia.  Night Beats are one of my favorite bands, and they make great blues-dipped psych rock.  I’ve seen them twice at Levitation Austin and will see them at any opportunity.  Earthless blew my mind with their cosmic stoner rock in Austin two years ago, so I’m sure another set from them will be just as good.  Chelsea Wolfe is a new act to me, but she makes fine dark wave music.  Faust is a legendary krautrock band who has inspired many.

See you there?

Keep your mind open.