Randy Holden set to release “Population III” – the follow-up to his 1970 classic “Population II.”

Los Angeles based unsung guitar hero Randy Holden announces the sequel to his legendary 1970 album Population II, set to arrive 52 years later, titled Population III via RidingEasy Records. The ex-Blue Cheer guitarist’s new album was recorded as a trio with members of Cactus and Black Sabbath. Hear and share the first single “Swamp Stomp” via Brooklyn Vegan HERE. (And direct via Bandcamp and YouTube.)
How do you follow up one of the most legendary, yet rarest albums said to signal the birth of doom metal? 

If you’re Randy Holden, you give everyone about 50 years to catch up, then casually drop a tastefully modernized reinterpretation of that sound. Population III picks up where Holden’s 1969 solo debut left off, updated with several decades worth of technological advances and personal hindsight. 

Following his tenure in proto-metal pioneers Blue Cheer in 1969, the guitarist aimed for more control over his next project. Thus, Randy Holden – Population II was born, the duo naming itself after the astronomical term for a particular star cluster with heavy metals present. Along with drummer/keyboardist Chris Lockheed, Holden created what many say is one of the earliest forms of doom metal. 

“Godzilla just walked into the room. People just stood there with their eyes and mouths wide open,” Holden says of the audience’s reaction to their live debut performing with a teeth-rattling phalanx of 16 (sixteen!) 200 watt Sunn amps. 
Likewise, their 6-song debut album Population II delves into leaden sludge, lumbering doom and epic soaring riffs that sound free from all constraints of the era. It’s incredibly heavy, but infused with a melodic, albeit mechanistic sensibility. However, troubles with the album’s original 1970 release bankrupted Holden, who subsequently left music for over two decades. For good reason, it’s widely hailed as a masterpiece, and until finally getting a proper formal release in 2020 on RidingEasy Records, was a longtime Holy Grail for record collectors. 

Flash forward 40 years to 2010, we find the guitarist/vocalist quietly coaxed into recording a followup album by Holden superfan and Cactus member Randy Pratt. Joined by drummer Bobby Rondinelli (who has played with Black SabbathBlue Öyster CultRainbow), the trio cut the 6-song collection of leaden future blues, Population III. “Randy Pratt had written the basic song structures, he understood my music and where I come from quite well,” Holden says. “He nailed it.” 

But the recording was ultimately shelved for over a decade. “A year ago, in 2021 I listened to the songs and was delightfully surprised,” Holden says. “I think it’s the best album I’ve ever done.” 

Throughout Population III, Holden effortlessly dishes out squealing, soaring leads and skull-thwacking riffs with his signature low end grit and penchant for Middle Eastern scales. Coupled with Pratt’s pocket-locked bass, the slight flanging effect on Rondinelli’s drums and his pugilistic beats, the album occasionally brings to mind Presence-era Led Zeppelin, particularly on the 22-minute epic “Land of The Sun.” Elsewhere, “Swamp Stomp” echoes more the troglodyte blues of Holden’s older work, with his evermore searing solos showing hints of early Clapton/Hendrix era guitar prowess to drive home the stomp of the song’s namesake. At times, Holden sounds reminiscent of Neil Young leading Crazy Horse’s ruptured grunge as his lilting falsetto vocals push and pull his guitar’s siren’s call. Taken as a whole, there’s a very distinct difference between the way these veterans of hard rock’s formative years carry the songs compared to the more lugubrious riffing of today’s young doom purveyors. Population III is the real deal — a powerful continuation of a sound forged 50 years ago, that almost didn’t happen. Somehow, Randy Holden’s music always finds a way to stand the tests of time. 

Population III will be available on LP, CD and download on July 1st, 2022 via RidingEasy Records. Pre-orders are available at ridingeasyrecs.com

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Anika releases Psychic TV cover and North American tour dates.

Photo by Sven Gutjahr

Anika shares new music for the first time since the release of her new album, Change (out now on Sacred Bones), ahead of her North American headline tour next month with live musicians Sally Wanda Whitton (bass, vox), Eilis Kiera Frawley (drums), and Zooey Rosa Agro (keys, vox). Tickets are on sale now here. The cover of Psychic TV’s “Godstar” appears on Sacred Bones’ Todo Muere SBXVcompilation out May 27th, and was recorded in tribute to the late Genesis Breyer P-Orridge, one of Anika’s biggest inspirations. 

Psychic TV, specifically the album Orchids, has been a huge influence on my music and human psyche over this musical life,” says Anika. “[Genesis] is a big inspiration, the humor and investigation element in their work. I remember going to a talk in NYC where G recommended that no-one finish art school. I like this concept. Perhaps it leaves things unfinished and room for the individual to grow shoots, continue on their own journey. Perhaps this is like music school or any creative school. I think G specifically thought the place was bull and that they could do it better on their own terms, which turned out great. They also told a story about an art school work, which involved a used tampon in the shell of a clock. It was called Period Piece. I like the humor in this piece and the deconstruction of social boundaries. They are for sure an inspiration, in how to do things your own way, carve out your own path and don’t worry too much about what other people are doing.
Listen to Anika’s “Godstar” (Psychic TV Cover)

Anika Tour Dates
Sat. May 14 – Austin, TX @ Oblivion Access Festival
Sun. May 15 – San Diego, CA  @ Casbah
Mon. May 16 – Los Angeles, CA @ Lodge Room
Tue. May 17 – San Francisco, CA @ Rickshaw Stop
Wed. May 19 – Portland, OR @ Mississippi Studios
Thu. May 20 – Seattle, WA @ Vera Project
Fri. May 21 – Vancouver, BC @ The Fox Cabaret
Mon. Mon. May 23 – Chicago, IL @ Empty Bottle
Wed. May 25 – Toronto, ON @ The Garrison
Thu. May 26 – Montreal, QC @ Fairmount Theatre
Sat. May 28 – New York, NY @ Knockdown Center
Sun. May 29 – Philadelphia, PA @ Johnny Brenda’s
Mon. May 30 – Washington, DC @ Union Stage
Tue. May 31 – Knoxville, TN @ Pilot Light
Wed. June 1 – Nashville, TN @ Third Man Records
Thu. June 2 – Memphis, TN @ Crosstown Arts
Fri. June 3 – Dallas, TX @ Cheap Steaks

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Grace Ives cuts “Loose” on her new single.

Photo by Logan White

Brooklyn-based musician Grace Ives presents “Loose,” her debut release on her new label True Panther/Harvest. This is her first new piece of music and video since 2019’s 2nd, an immediate pop record that found critical acclaim (and won over the likes of Grimes and Khalid). Ives wrote and did initial production of “Loose” at her home in Brooklyn and then teamed up with co-producer Justin Raisen (Yves Tumor, Charli XCX). Despite the song’s somewhat self-effacing lyrics – “Oh what a loser sound // I let out when I hit the ground // I never squeal like that // I need some respite, please” – “Loose” oozes confidence. The song is grounded in familiar sonics, but “Loose” is an elevated Ives. “Living in a bed bug infested apartment, withdrawing from SSRIs, not sleeping,” says Ives about where she was mentally and physically when she wrote the song. “There’s nowhere to go but up.”
WATCH “LOOSE” VIDEO

Music has always followed Grace Ives – she was raised in New York City by creative parents (her dad is a cinematographer and her mother worked in music), and when she was younger, she was inspired by the sounds of Brittany Spears and Rihanna. A brief stint at MICA in Baltimore and a three year study at SUNY Purchase led to Grace starting to perform, slowly winning over a crowd that has only grown more insatiable. Most recently, Ives opened for Remi Wolf, bringing her infectious songs to a new audience. “Loose” is the first taste of  much more to come. 

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October and the Eyes returns with “Spiral.”

Photo by Erika Denis Febles

Following the release of her debut EP Dogs and Gods in 2020, New Zealand-born, London-based singer & songwriter October and the Eyes is back with a new single “Spiral“, which is out now via KRO Records.

Speaking about the new single, October said “‘Spiral’ is about a problematic friendship where you never quite know where you stand at any given time – a constant pendulum between being pulled in and then spat out again, going round and round in circles until you’re left dizzied and jaded by the whole thing. The song is pretty scathing and somewhat of a waving fist.

I wanted the song to sound in constant flux, with reverberating percussion and vocals that feel like they could spiral out of control at any moment.”

Listen to “Spiral” here on Soundcloud: https://soundcloud.com/octoberandtheeyes-music/spiral

Listen via other streaming services here:https://orcd.co/octoberspiral

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The Black Angels announce western U.S. west tour for this June with Dion Lunadon and Primus.

The Black Angels have announced a cool tour through the western United States starting June 02nd in Denver and wrapping up twenty-three days later in Las Vegas. Bass fuzz maestro Dion Lunadon is opening for them, and eight of those shows (including the finale in Las Vegas) has The Black Angels and Mr. Lunadon opening for Primus, no less. Tickets are already on sale for these dates, so don’t miss out on them.

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Mosswood Meltdown announces a killer lineup for their July festival.

After two years of delays, Mosswood Meltdown is finally making its debut at Oakland’s Mosswood Park on Saturday, July 2nd and Sunday, July 3rd, 2022! Today, they announce their stacked lineup, featuring Bikini Kill, Kim Gordon, The Dirtbombs, Bleached, Hunx and His Punx, Shannon Shaw, The Linda Lindas, and more. Of course, you can’t have a Meltdown without our punktastic leader, John Waters, who will be hosting the festivities. 

All tickets purchased for the 2020 concert will be honored at this year’s event. A full lineup can be found below and tickets for the festival are on sale now.

Attendees will need to be fully vaccinated or have a negative COVID test within 48 hours prior to the start date of the event (July 2, 2022). Proper Covid vaccination card or negative Covid test will be required upon entry for all attendees, including negative Covid tests for children. These policies are subject to change based on state and city guidelines this June and July, 2022.
WATCH LINEUP ANNOUNCEMENT TEASER VIDEO
MOSSWOOD MELTDOWN 2022 LINEUP

Day 1
Kim Gordon
The Dirtbombs
Shannon Shaw
Bleached
Flipper
Twompsax
Carbonas
SNõõPER
Rubinoos

Day 2
Bikini Kill
Hunx and His Punx
Pansy Division
The Linda Lindas
The Fevers
Podium
Brontez Purnell
Fatty Cakes and the Puff Pastries

DJ’s
BABY DONUT – Allison Wolf (Bratmobile)
Jonathan Toubin – NY Nightrain 
Omar Perez – Pop Scene 
PURCHASE TICKETS HERE

Ticket Prices
Day 1 GA – $99
Day 2 GA – $99
GA Weekend Pass – $149
VIP Weekend Pass – $249
VIP Day 1 – $149
VIP Day 2 – $149

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Pitchfork 2022 Music Festival lineup is set and tickets are on sale now.

The beloved Pitchfork Music Festival will return to Chicago’s Union Park this summer, Friday, July 15 through Sunday, July 17. Today, the Festival announces the full 2022 lineup, including headliners The National, Mitski, and The Roots.
 
The Festival kicks off on Friday with The National, who played Pitchfork Music Festival’s first year in 2006, Spiritualized, Parquet Courts, Tierra Whack, Amber Mark, Dawn Richard, Tkay Maidza, Indigo De Souza, SPIRIT OF THE BEEHIVE, SPELLLING, Camp Cope, Wiki, Ethel Cain, and CupcakKe.
 
The festivities continue on Saturday with Mitski, Japanese Breakfast, Lucy Dacus, Low, Magdalena Bay, Dry Cleaning, Karate, Iceage, yeule, Arooj Aftab, The Armed, Chubby & the Gang, Hyd, and Jeff Parker & the New Breed.
 
The Festival closes on Sunday with The Roots, Toro y Moi, Earl Sweatshirt, Noname, BADBADNOTGOOD, Cate Le Bon, Tirzah, Xenia Rubinos, Erika de Casier, Injury Reserve, KAINA, L’Rain, Sofia Kourtesisand Pink Siifu.
 
“This year’s lineup is a celebration of the rising indie class, and those who continue to pave the way for innovation,” said Puja Patel, editor in chief of Pitchfork. “Our goal was to highlight a diverse group of artists who are taking their musical genres to new heights, and I’m proud of how it’s come together.”
 
Since 2006, the Pitchfork Music Festival has consistently proven to be one of the most welcoming, accessible, and rewarding festivals around. Hosting 60,000 attendees of all ages from all 50 states and dozens of countries, the Pitchfork Music Festival showcases the best up-and-coming music from around the world, as well as special performances from touring stalwarts and legends alike. Featuring diverse vendors, including specialty record and craft fairs, the Festival works to support local businesses while promoting the Chicago arts and food communities as a whole.
 
Currently, three-day passes are $200 and single-day passes are $99. The Pitchfork PLUS upgrade, including a range of exclusive amenities, is $399 for a three-day pass and $199 for a single-day pass. Payment plans are available for all ticket types. More details are available here.
 
For more information, including lineups, event news, and the latest updates, please visit PitchforkMusicFestival.comfacebook.com/pitchforkmusicfestival and follow Pitchfork Music Festival on Instagram and Twitter.

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Don’t “Boycott” Dälek’s new single, because it’s sharp.

Dälek, the groundbreaking alt-hip hop duo who recently announced the impending arrival of their eighth album, Precipice (April 29, Ipecac Recordings), have shared a second single, and accompanying video, from the set, releasing “Boycott” (https://youtu.be/g7kmJ1Igd40) this morning.

Will Brooks, aka MC Dälek, said of the track:

“BOYCOTT is the amalgamation of all of our elements.

Cooked like they supposed to be.

This song is my chest ripped open.

It is about the pain in our communities.

It is also about our strength and our inherent worth.

I been tried telling you…. Society’s been failing you.”

The band previously released the single and video for “Decimation (Dis Nation)” (https://youtu.be/a80PM1sphrQ), which was directed by founder Will Brooks, aka MC Dälek. Album pre-orders (https://dalek.lnk.to/Precipice) are available now, with the collection available on limited-edition 2LP gold vinyl, as well as a standard 2LP silver vinyl. The album’s cover was created by Paul Romano (Mastodon, Withered) with interior packaging featuring the art of Afrofuturist painter, Mikel Elam.

Precipice was a completely different record pre-pandemic,” Brooks explains. “We had been working on the sketch of what the album was going to be at the end of 2019. I think me and (Mike) Manteca had narrowed it down to 17 joints out of the 46 or so that we had started with. Me and Joshua Booth had taken the 17 and really fleshed out the joints. The idea was to bounce them back to Mike and then arrange write lyrics. 2020 obviously had different plans for everybody. We basically put everything on hold. I ended up doing the MEDITATIONS series that year on my own. I think the catharsis of that projects, its rawness, the pandemic, all the death, the social upheaval, everything that went down… when I went back and listened to what we had down… it just wasn’t right anymore, it wasn’t strong enough, it wasn’t heavy enough, it wasn’t angry enough. It just didn’t say what I needed it to say.”

Dälek tour dates:

May 27 Nantes, France WNWH Festival/ Stereolux

May 28 Verona, Italy Colorificio Kroen

June 1 Tourcoing, France Le Grand Mix (Tickets)

June 2 Strasbourg, France La Grenze

June 3 Dijon, France Un Singe en Hiver

June 4 Brussels, Belgium Magasin 4

June 5 Ottensheim, Austria Alter Bauhof Ottensheim

June 6 Vienna, Austria Werk

June 7 Prague, Czech Republic Fuchs 2

June 9 Preston, UK The Ferret

June 10 London, UK Electrowerkz

June 11 Birmingham, UK Centrala

June 12 Manchester, UK White Hotel

June 13 Newcastle, UK Cluny

June 14 Bristol, UK The Lanes

June 16 Glasgow, UK Bloc+

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Max Creeps warn us of modern technology with their new single “The Internet Killed Me.”

Max Creeps, the legendary punk forefathers who recently announced their break-up, reunion, and debut album, Nein (May 13, Velocity Records), have released a black and white performance video for “The Internet Killed Me” (https://www.revolvermag.com/music/max-creeps-hear-mysterious-punk-duos-new-rager-internet-killed-me), showcasing the duo’s pre-hardcore chops.

“’The Internet Killed Me’ is a euphemism for being killed – by the internet – literally and figuratively. You wouldn’t know it until it actually happens to you. I mean the internet LITERALLY killed me. AND the internet FIGURATIVELY killed me. It’s up to you to know the difference. Be afraid. Be VERY afraid,” said Max Blastic of the :58 second song that was written after P.C. Bullshit was erroneously reported dead via the r/punk Subreddit.

Bullshit and Blastic previously shared the “Burn It Down” video (https://youtu.be/EyDaVp3ReL0), which came on the heels of an outpouring of accolades and testimonials from fans and friends upon news of the influential band’s implosion. “I feel we’ve made the record we meant to have made back in the day. If the topics seem familiar, well, WE WROTE THEM FIRST,” Blastic said as the joyous reunion and album news arrived. “I don’t actually REMEMBER what the songs are about but I KNOW we were the first and the best. We were and are ALWAYS the first and best.”

Blastic is the featured guest on this week’s episode of The Punk News Podcast (listen here), discussing the infamous $262 gas bill that led to the untimely break-up, Nein, and the duo’s forthcoming tour.

Nein pre-orders are available now (https://linktr.ee/maxcreeps) with several, limited-edition vinyl variants available via U.S. and international retailers, Maxcreeps.com and Project M (RevolverBrooklyn VeganThe Hard Times).

The “Nobody Cares About You – Part One!” tour dates:

June 3 Pioneertown, CA

June 4 Chicago, IL

June 5 Las Vegas, NV

June 6 Albuquerque, NM

June 7 Tucson, AZ

June 8 Phoenix, AZ

June 9 Baltimore, MD

June 10 Norfolk, VA

June 11 Raleigh, NC

June 12 Athens, GA

June 13 Jacksonville, FL

June 14 St. Petersburg, FL

June 15 Orlando, FL

June 16 Ft. Lauderdale, FL

June 17 San Diego, CA

June 18 Anaheim, CA

June 19 Ventura, CA

June 20 San Luis Obispo, CA

June 21 Santa Cruz, CA

June 22 San Francisco, CA

June 23 Sacramento, CA

June 24 Reno, NV

June 25 Boise, ID

June 26 Bend, OR

June 27 Vancouver, BC

June 28 Seattle, WA

June 29 Portland, OR

June 30 Salt Lake City, UT

June 31 Denver, CO

July 1 Lawrence, KS

July 2 St. Louis, MO

July 3 Boston, MA

July 4 Washington, DC

July 5 San Antonio, TX

July 6 Houston, TX

July 7 Dallas, TX

Tickets for all dates are on-sale in May.

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[Thanks to Monica at Speakeasy PR.]

Flasher release title track from upcoming album, “Love Is Yours.”

Photo by Will Matsuda

Flasher – the duo of guitarist Taylor Mulitz and drummer Emma Baker – present the title track and accompanying video for their forthcoming album, Love Is Yours, out June 17th on Domino. “‘Love Is Yours’ is about the roller-coaster highs and lows of a long-term relationship—the kind where a conversation can feel like a tripwire, with subtextual clues that offer the promise of reward if correctly decoded,” the band explains. The accompanying video, directed by Camilla Smura (who also created the video for lead single “Sideways”), “is an homage to National Treasure, because much like a treasure room hidden beneath Trinity Church, love that endures is ‘the greatest adventure history has ever revealed.’” 

WATCH FLASHER’S VIDEO FOR “LOVE IS YOURS”

Following their acclaimed 2018 debut, Constant ImageLove is Yours steps up the ambition and reaches for the horizon. It was recorded in Washington, D.C. with long-time friend Owen Wuerker, who also helped flesh out the instrumentation by contributing additional bass, percussion, synths, and guitar. Rather than binding the duo to its past – to geography, old habits, or trusted sounds – the familiar environment proved liberating. Baker and Mulitz shared vocal duties, tweaked tempos, structures, and dynamics accordingly. They toyed with genre, melody, and texture. The resulting record is ablaze with mood, melody, and carefully threaded hooks, finding the band foregrounding the pop sensibilities that had always been present in their previous releases. It retains the attitude that was fundamental to the band’s DIY roots, but cuts loose a touch of the angst. Though the songs process disillusionment and loss, the music evokes warmth and optimism. It is their best record and also their most generous. Kicking off in June, Flasher will bring their live show across North America. Tickets for all dates are on sale now and a full list can be found below. 

WATCH THE “SIDEWAYS” VIDEO

PRE-ORDER LOVE IS YOURS

FLASHER TOUR DATES
Fri. June 17 – Washington, DC @ Comet Ping Pong
Sat. June 18 – Brooklyn, NY @ Baby’s All Right
Mon. June 20 – Richmond, VA @ The Camel
Tue. June 21 – Carrboro, NC @ Cat’s Cradle (Backroom)
Wed. June 22 – Atlanta, GA @ The Earl
Thu. June 23 – Nashville, TN @ Third Man Records
Fri. June 24 – Cincinnati, OH @ MOTR Pub
Sat. June 25 – Chicago, IL @ Empty Bottle
Mon. June 27 – Detroit, MI @ Magic Bag
Tue. June 28 – Toronto, ON @ The Baby G
Wed. June 29 – Montreal, QC @ L’Esco
Thu. June 30 – Providence, RI @ AS220
Fri. July 1 – Philadelphia, PA @ Kung Fu Necktie

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