Tool announces short U.S. and Canada tour.

Prog-metal virtuosos Tool have announced a small batch of tour dates across the U.S. east coast and Midwest, and a couple in Canada.  Some of these towns haven’t seen a Tool show in over a decade.  They’re also headlining a couple music festivals this year.

No word yet on if this tour will be to promote their long-awaited fifth album or any songs from it will be played on the tour.  Tool always does their own thing, so don’t be surprised if they only play older tracks or nothing but stuff you haven’t heard before.

May 24 — Fairfax, Virginia @ Eaglebank Arena
May 27 — Bangor, Maine @ Darling’s Waterfront Pavilion
May 28 — Boston, Massachusetts @ Boston Calling
May 30 — Rochester, New York @ Blue Cross Arena
May 31 — Hamilton, Ontario @ First Ontario Centre
June 2 — Montreal, Quebec @ Bell Centre
June 5 — Pittsburgh, Pennsylvania @ Petersen Events Center
June 7 — Detroit, Michigan @ DTE Energy Music Theatre
June 8 — Chicago, Illinois @ Allstate Arena

Keep your mind open.

Pitchfork Music Festival announces full 2017 lineup.

Chicago’s annual Pitchfork Music Festival has announced its full lineup for 2017.  As usual, it’s an interesting mix of artists and genres.

At first glance, the most exciting picks for me are LCD Soundsystem, the Thurston Moore Group, A Tribe Called Quest, P.J. Harvey, George Clinton and Parliament Funkadelic, SURVIVE, Nicolas Jaar, The Avalanches, Derrick Carter, and NE-HI.

Ticket prices have gone up at least $25.00 since the announcement and will go up more as the festival dates get closer, so don’t wait.

Keep your mind open.

Death Cab for Cutie’s Dave Depper announces solo album.

DAVE DEPPER (OF DEATH CAB FOR CUTIE) ANNOUNCES DEBUT SOLO ALBUM,
EMOTIONAL FREEDOM TECHNIQUE, OUT JUNE 9TH ON TENDER LOVING EMPIRE

LISTEN TO “DO YOU WANT LOVE?”
https://soundcloud.com/tenderlovingempire/dave-depper-do-you-want-love
(photo credit: Jaclyn Campanaro)
“…a cloud of weightless synths anchored by a danceably funky bass groove.”
— Stereogum on “Do You Want Love?”
Everyone knows Dave Depper.

The perennial side man, Depper began his music career with a white lie. On a whim he decided to buy a Farfisa organ off of Craigslist, an organ that just happened to belong to the founder of Hush Recordsand member of Blanket Music, Chad Crouch. Crouch asked if Depper wanted to play bass, and despite not playing bass or owning one, he said yes. From there he went on to become the connection point between a staggering number of Northwest bands, playing with Menomena, Fruit Bats, Mirah, CorinTucker, and Laura Gibson. Tapped to join Ray LaMontagne’s touring band in 2014 and then snatched up to become a full-time member of Death Cab for Cutie, Depper solidified his role as the go-to guy, the man next to everyone on late night.

One night he and his friends decided to play a game where they each had to write 20 songs in 12 hours, and come back together at the end of it to listen to everyone’s efforts together. From that session came a slew of songs. When Depper presented them, though, almost everyone picked up on the synth-pop beat of “Never Worked So Hard,” a nascent but catchy tune half-finished and unlike any of the music Depper had played before. Emotional Freedom Technique began there.

Straddling the line between pop and despair, Emotional Freedom Technique is a letter to the broken heart that won’t mend but still beats. It is a portrait of what happens when someone is flung across the world on tour – grateful to be there, grateful for the success and the adventures, but ultimately lonely. The most straightforward pop song, “Your Voice on the Radio”, features friend and former bandmate LauraGibson adding vocals about unrealized and unsatisfied love over bubbling bass and sparkling, multiplying shakers and synths that build to a deceptively joyous chorus. Songs like “Do You Want Love”, which premiered this morning on Stereogum, and “Communication” lean forward on cutting deep, propulsive grooves. Grappling with loneliness, the longing for human connection and the fear thereof, Depper strings ornate synth melodies together into simple hooks that speak to the most relatable reasons we listen to pop music – to remember we aren’t alone, and to still have a good time with it.

Emotional Freedom Technique is out June 9th on Tender Loving Empire. Dave will play two special album release shows: Wed. June 22 at Barboza in Seattle and Thu. June 22nd at Mississippi Studios in Portland.

 

Listen to “Do You Want Love?” — 
https://soundcloud.com/tenderlovingempire/dave-depper-do-you-want-love

Emotional Freedom Technique tracklisting:
01. Do You Want Love?
02. Communication
03. Lonely With You
04. Your Voice On The Radio (feat. Laura Gibson)
05. Never Worked So Hard
06. Anytime, Anywhere
07. EZ-101
08. Summer Days
09. Hindsight / Emotional Freedom Technique

Dave Depper Tour Dates:
Wed. June 21 — Seattle, WA @ Barboza
Thu. June 22 — Portland, OR @ Mississippi Studios

Pre-order Emotional Freedom Technique — http://bit.ly/2mD1S4H

Download hi-res images & album art — http://pitchperfectpr.com/dave-depper/
(Emotional Freedom Technique album art)
Dave Depper online:
davedepper.com
twitter.com/davedepper
instagram.com/davedepper
tenderlovingempire.com
pitchperfectpr.com/dave-depper 

Moon Duo’s new album, “Occult Architecture Vol. 2,” due May 5th.

MOON DUO ANNOUNCE OCCULT ARCHITECTURE VOL. 2,
OUT MAY 5TH ON SACRED BONES

STREAM/WATCH VIDEO FOR NEW SINGLE, “LOST IN LIGHT”
https://www.youtube.com/watch?v=7rP-9axxbO4
https://soundcloud.com/sacredbones/moon-duo-lost-in-light/s-WEKtG

(above image of Moon Duo by John Jeffrey, post art by Jasmine Pasquill)
Following the recent release of Occult Architecture Vol. 1, Moon Duo – guitarist Ripley Johnson and keyboardist Sanae Yamada — announce the details of Vol. 2, the second part of their psychedelic opus, set for a May 5th release via Sacred Bones. The announcement comes with a new single, “Lost in Light,” and its accompanying video, which gives a glimpse into the shimmering world that represents the lighter half of this Yin and Yang themed creation – the Yang.

Directed by Micah Buzan, the “Lost In Light” video was created as a counter-reaction to his previous animation for Vol. 1’s “Cold Fear.” He explains: “’Lost In Light’ is the Yang to ‘Cold Fear’s Yin. In ‘Cold Fear’ the aliens ruled the planet in their giant skyscrapers and tortured humanoids. ‘Lost In Light’ continues the story of ‘Cold Fear’ a million years into the future, when the aliens have died off after exhausting the planet’s resources, and nature reclaims the land. Huge flowers grow out of the dead humanoids, aliens, and their buildings. Moon Duo emerge from an alien’s head as a flower and rainbow, becoming one with the planet as the sun absorbs everything into oblivion.”

The Occult Architecture of Moon Duo’s fourth album is an intricately woven hymn to the invisible structures found in the cycle of seasons and the journey of day into night, dark into light. Offering a cosmic glimpse into the hidden patterning embedded in everything, Occult Architecture reflects the harmonious duality of these light and dark energies through the Chinese theory of Yin and Yang. Following the Yin (darkness, night, earth) represented on Vol. 1, Vol. 2 presents the Yang. Yang means “the bright side of the hill” and is associated with the sun, light and the spirit of heaven. As such, Vol. 2 explores the light and airy elements of Moon Duo’s complex psyche.

“In production we referred to Vol. 1 as the fuzz dungeon, and Vol. 2 as the crystal palace,” guitarist Ripley Johnson explains. “The darkness of Vol. 1 gave birth to the light of Vol. 2. We had to have both elements in order to complete the cycle. We’re releasing them separately to allow them their own space, and to ensure clarity of vision. To that end we also mixed Vol. 2 separately, in the height of Portland summer, focusing on its sonic qualities of lightness, air, and sun. Listeners can ultimately use the two volumes individually or together, depending on circumstance or the desired effect.”

Watch Moon Duo’s “Lost in Light” Video –
https://www.youtube.com/watch?v=7rP-9axxbO4

Stream “Lost in Light” –
https://soundcloud.com/sacredbones/moon-duo-lost-in-light/s-WEKtG

Watch/Listen:
Occult Architecture Vol. 1 stream — https://open.spotify.com/album/4AlRpwAsVlD0fuDnt9i3XD
“Cold Fear” video — https://youtu.be/VwZG_jY9gFs
“Creepin’” stream — https://soundcloud.com/sacredbones/moon-duo-creepin/s-4zh7u

Occult Architecture Vol. 2 Tracklisting:
1. New Dawn
2. Mirror’s Edge
3. Sevens
4. Lost in Light
5. The Crystal World

Pre-order Occult Architecture Vol. 2—
http://hyperurl.co/OAVol2

Purchase Occult Architecture Vol. 1 —
Via iTunes – http://hyperurl.co/OAVol1
Via Bandcamp – https://moonduo.bandcamp.com/album/occult-architecture-vol-1

Moon Duo Tour Dates:
Sat. March 11 – Mexico City, MX @ Festival NRMAL
Wed. Mar. 15 – Newcastle, UK @ Northumbria University
Thu. Mar. 16 – Manchester, UK @ Band On The Wall
Fri. Mar. 17 – London, UK @ Heaven
Sat. Mar. 18 – Paris, FR @ Le Trabendo
Sun. Mar. 19 – Nancy, FR @ L’Autre Canal
Mon. Mar. 20 – Zurich, CH @ Plaza
Thu. Mar. 23 – Budapest, HU @ A38
Fri. Mar. 24 – Graz, AT @ Orpheum Extra
Sat. Mar. 25 – Vienna, AT @ Chelsea
Mon. Mar. 27 – Leipzig, DE @ UT Connewitz
Tue. Mar. 28 – Berlin, DE @ Bi Nuu
Wed. Mar. 29 – Copenhagen, DK @ Pumphuset
Thu. Mar. 30 – Oslo, NO @ Bla
Fri. Mar. 31 – Stockholm, SE @ Kagelbanan
Sat. Apr. 1 – Gothenburg, SE @ Pusterviks
Mon. Apr. 3 – Groningen, NL @ Vera Club
Tue. Apr. 4 – Amsterdam, NL @ Paradiso Noord
Wed. Apr. 5 – Eindhoven, NL @ Effenaar
Thu. Apr. 6 – Brighton, UK @ The Haunt
Fri. Apr. 7 – Leeds, UK @ Brudenell Social Club
Sat. Apr. 8 – Glasgow, UK @ Stereo
Fri. Apr. 21 – Chicago, IL @ Empty Bottle
Sat. Apr. 22 – Detroit, MI @ El Club
Sun. Apr. 23 – Toronto, ON @ Horseshoe Tavern
Tue. Apr. 25 – Montreal, QC @ La Sala Rossa
Wed. Apr. 26 – Boston, MA @ Great Scott
Thu. Apr. 27 – Brooklyn, NY @ Rough Trade
Fri. Apr. 28 – Philadelphia, PA @ Johnny Brenda’s
Sat. Apr. 29 – Washington, DC @ DC9
Sun. Apr. 30 – Cleveland, OH @ Beachland Tavern
Thu. June 8 – Ravenna, IT @ Beaches Brew
Sat. June 10 – Barcelona, ES @ Unload Club
Mon. June 12 – Bilboa, ES @ Kafe Antzokia
Tue. June 13 – Madrid, ES @ Caracol
Wed June 14 – Biarritz, FR @ Wheels and Waves Festival
Thu. June 15 – Montpellier, FR @ Le Rockstore
Mon. June 19 – Antwerp, BE @ Trix
Tue. June 20 – Brussels, BE @ Les Ateliers Claus
Sat. June 24 – Sat. July 1 – Roskilde, DK @ Roskilde Festival
Fri Aug. 18 – Parades De Coura, PT @ Parades de Coura

(Occult Architecture Vol. 2 cover art)
Download hi-res album art and press images – www.pitchperfectpr.com/moon-duo/

Partner release new single from upcoming album.

Partner_L-R_Josée-Caron_Lucy-Niles_photoby_Colin-Medley

PARTNER share new single and video “Comfort Zone”

Comfort Zone – YouTube // Clash

Official Statement
“A comfort zone does not have to be a place. A comfort zone is whatever makes you feel at ease. It can be a person, an object, a sensation. No two comfort zones are the same. We recognize that we have had the privilege and good fortune to experience comfort in a way that unfortunately eludes many. We feel that everyone deserves to feel the relief, however fleeting, that is offered by a comfort zone. We recognize that most people spend the majority of their time outside their comfort zones, and with this song we hope to express our belief that everyone deserves to feel comfortable and safe.

Whatever, wherever, whoever your comfort zone may be, it is our hope that you are able to access it as often as is necessary. Love and respect” – Partner

QUOTES

“Ontario-by-way-Sackville band Partner is one of the most exciting and brightest hopes for rock and roll in Canada.”
– Noisey

“Inspiring Canadian duo with a fetish for cold truth and hard riffs… ”
– Clash Magazine
RIYL – Weezer, PWR BTTM, Melissa Etheridge, Ween, Beavis & Butthead

Mixed by Grammy award winner Chris Shaw (Weezer, Public Enemy, Sum 41). Video directed by Colin Medley.

Partner is the “mature” effort of small town lesbians Josée Caron and Lucy Niles. Borne of their bizarre and fortuitous friendship, Partner boldly goes where few have even desired to go, moving effortlessly from topics like sex objects and gross secrets to more serious themes like intimacy, friendship, and existential unease.

Partner marries feminism and stadium rock riffage to produce a sound as queer as they are, and their arrival on the scene couldn’t be more timely: “Partner’s music is like what early 00s pop punk would be like if it was mixed with a reverence for classic rock era guitar solos. But unlike that generation’s insistence of straight white dude figureheads that traded a sense of humour for self-righteousness, Partner’s songs are funny as hell.”

After a freakishly productive year of writing, recording and touring, Partner are releasing a first single “Comfort Zone” to kick off 2017. Their enthusiastic and action-packed live set has led to them being named the “best new band in Canada” in the Globe and Mail, and although “Partner hasn’t even released an album yet, [watching] one of their sets, it’s clear right away that they’ve arrived fully formed.” Influenced by acts as varied as Ween, Weezer, Neil Young, and Sum 41, Partner promises to make you question everything you thought you knew about rock ‘n’ roll.

Tour Dates:
March 30 – Tender Trap, Brooklyn NY USA
April 01 – House of Targ, Ottawa ON (Juno Fest)
April 14 – Phog Lounge, Windsor ON
April 20 – The Casbah, Hamilton ON
April 22 – Long Boat Hall at the Great Hall, Toronto ON (CMW)
June 14 – Palais des Congrès, Montréal QC (Mondial de la bière)
June 15 – Saw Gallery, Ottawa ON (Ottawa Explosion)

Partner Links
Website: http://www.partnerband.com
Facebook: http://www.facebook.com/officiallypartners
Bandcamp: https://youvechangedrecords.bandcamp.com/album/comfort-zone
Record Label: http://youvechangedrecords.com/portfolio/partner/
Twitter: http://twitter.com/partner_band

L.A. Takedown announces new album.

L.A. TAKEDOWN ANNOUNCES NEW ALBUM, II, OUT MAY 12TH VIA RIBBON MUSIC

WATCH “NIGHT SKIING” VIDEO AT NPR MUSIC
http://smarturl.it/NightSkiingVideo

On their new album II, L.A. Takedown align the moody grandeur of a film score with the pure melodicism of pop. Led by Los Angeles-based composer/multi-instrumentalist Aaron M. Olson, the seven-piece band delivers a guitar-driven take on synth-pop that’s inspired its own genre. “Bjorn Copeland of Black Dice once described L.A. Takedown to me as ‘Baywatch Krautrock,’” Olson recalls. “I found myself saying, ‘Well, you know…it’s not not that—works for me!” Still, despite any association with oceanic hedonism, II ultimately leaves it to the listener to dream up their own imaginary movie for each beautifully sprawling track to live in. At turns ethereal and frenzied, groove-heavy and narcotic, II is lush with harmonized guitar leads and inspiration from the likes of King Crimson’s Robert Fripp, Japanese composer Tori Kudo, and Nigerian musician King Sunny Adé, giving way to an intricately textured sound laced with jagged beats and serene washes of synth.

Though L.A. Takedown began as a home recording project and experiment in film scoring, Olson eventually assembled a live band that soon took on a life of its own. The follow-up to L.A. Takedown’s 2015 self-titled debut, II is the first release featuring the full band, which includes keyboardists Ryan Adlaf and Jonah Olson, guitarists Miles Wintner (Girlpool) and Stephen Heath (Paul Bergman), drummer Mose Wintner, and bassist Jessica Espeleta (Weird War, Love as Laughter). L.A. Takedown recorded the album at a home studio in Van Nuys with producer Shane Stoneback (Sleigh Bells, Cults, Vampire Weekend), a process that Olson describes as “seven goofballs eating snacks and watching Columbo and making music.”

“We live in a world where we’re so inundated with all these pieces of pop culture that they just become part of us,” OIson says. “I like to try to find new ways to present things that are already familiar to everyone.” Whether tapping into a Tangerine Dream score or a post-rock epic, L.A. Takedown ends up creating inventively arranged pop with a quietly transportive power. Today, L.A. Takedown premiere the video for the album track “Night Skiing” via NPR Music.

WATCH “NIGHT SKIING” VIDEO
http://smarturl.it/NightSkiingVideo
“On its latest song and video, “Night Skiing,” the instrumental rock group L.A. Takedown confirms that the guitar solo is alive and kicking.” – NPR Music
The video, directed by Matt Hewitt, portrays a driver (played by Stephen Heath, one of the band’s three lead guitarists) stranded in the desert after his car has broken down. He wanders the landscape in search of help only to find a dirty man (played by Olson) in a van who gives him a mysterious pill that transports him to an epic desert jam session.

II TRACKLISTING
1. The First Thing…
2. Heatwave
3. L.A. Blue
4. The Valley
5. Bad Night at Black’s Beach
6. City of Glass
7. Blue Skies (on Mars)
8. Dose
9. Us
10. Night Skiing
11. The Most Crucial Game
12. The Last Thing…

L.A. TAKEDOWN TOUR DATES
Wed. May 17 – Oakland, CA @ Starline Social Club
Fri. May 19 – Portland, OR @ Mississippi Studios
Sat. May 20 – Vancouver, BC @ Cobalt
Sun. May 21 – Seattle, WA @ Barboza
Tue. May 23 – San Francisco, CA @ Swedish American Hall
Thu. May 25 – San Diego, CA @ Casbah
Fri. May 26 – Los Angeles, CA @ Bootleg Theater

PRAISE FOR L.A. TAKEDOWN

“Its relentless drive and fascinating sonic architecture lend it depth, and the result is a work that seems to loop through the hills, valleys and grids of Los Angeles.” – Los Angeles Times

“A fully realized symphony written in the language of ’80s thriller soundtracks” – LA Record

II is available to pre-order now on limited edition translucent green vinyl, CD, and digital download:

iTunes: http://smarturl.it/LATakedownIIDL
Ribbon Mart: http://smarturl.it/LATakedownIIRM

Hi-res images and album art: http://pitchperfectpr.com/la-takedown/

L.A. Takedown Online:
http://latakedown.com/
https://twitter.com/latakedownband/
https://www.facebook.com/LATakedown/
https://www.instagram.com/la_takedown/

Chicago’s Mamby on the Beach festival announces 2017 lineup.

Chicago’s third annual Mamby on the Beach festival has released its lineup for 2017.  Just some of the powerhouses scheduled are MGMT, Miike Snow, Flying Lotus, and Cut Copy.

Tickets are still available at decent prices, so don’t wait to snag some.  I have a lot of bands to research before June 24th.

Keep your mind open.

Rewind Review: Cream – Wheels of Fire (1968)

The third stop on my journey through the Cream (Ginger Baker – drums, Jack Bruce – bass and vocals, Eric Clapton – guitar and vocals) catalogue brings me to their double album Wheels of Fire.

The album opens with perhaps their greatest hit, “White Room,” in which Bruce sings about being trapped in a strange place while Baker’s drums try to break him out and Clapton’s guitar wails like someone in a mental asylum. It’s a great way to start a record. Many bands could (and did) learn from it.

Their cover of the blues classic “Sitting on Top of the World” is another fine entry into their list of blues-rock power tracks, and Clapton’s guitars are downright dirty on it. “Passing the Time” floats from rock to calliope-fronted psychedelia. “As You Said” is more tripped-out psychedelia with Bruce’s vocals layered with reverb, his acoustic guitar licks spiced with Arabic influences, and even playing cello on it.

“Pressed Rat and Warthog” brings in trumpet and recorder as Baker sings about an unlikely pair of pals with a weird store and Bruce and Clapton put down heavy riffs.

Everyone had a political statement to make in the 1960’s, and Cream was no exception. “Politician” is a sharp-witted sting on politicians using their position to get laid and ducking responsibility whenever possible (“I’m support the left though I’m leanin’ to the right, but I’m just not there when it’s comin’ to a fight.”). “Those Were the Days” mentions another subject common in 1960’s music – Atlantis. Bruce sings about ancient times and places and how he craves a return to such enlightened times before Clapton unleashes a quick solo that might raise the lost city from the depths.

Their cover of the blues standard “Born Under a Bad Sign” pretty much set the standard for covering the Booker T classic. You can tell they had a good time recording it, and Baker’s groove is so sick it needs penicillin. “Deserted Cities of the Heart” has an excellent guest violin by Felix Pappalardi (who contributes a lot to the album on several tracks and instruments).

The second part of the double album is a live recording from the Fillmore that opens with another one of Cream’s greatest hits – their cover of Robert Johnson’s “Crossroads.” Eric Clapton, as you well know by now, shreds the tune like a crosscut saw. As good as it is, however, it’s really a warm-up for the epic version of “Spoonful” that clocks in at nearly seventeen minutes. “Traintime” has Bruce having a blast on harmonica while Baker keeps a Johnny Cash-worthy beat behind him. Baker then goes bananas on “Toad” – a drum solo over sixteen minutes long.

The live portion of the album is alone worth the purchase price. The psychedelic rock on the studio album is a great bonus.

Keep your mind open.

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VIVA PHX artist spotlight: Yacht

Hailing from Portland, Oregon, but currently based in L.A., Yacht are an electro duo who were first on my radar with their 2009 album See Mystery Lights.  I’ve heard a couple singles from them since that time, but I’ll admit I’ve missed out on their last couple records.  I was delighted to see them on the VIVA PHX lineup, and surprised to see them finishing off the Desert Daze portion of the festival.  It should make for an interesting post-psychedelic freak-out afterparty.

Keep your mind open.

[The future might not be cool, but it would be cool if you subscribed to us.]

 

VIVA PHX artist spotlight: Temples

British psych-rock four-piece Temples have a new album, Volcano, and are currently taking the U.S. by storm on their latest tour.  Their last album, Sun Structures, is a lovely piece of psychedelia.  I caught them at Levitation Austin a few years ago and was surprised by how heavy their set was.  Seeing them at VIVA PHX will be my first time seeing them in a small venue, so I’m keen on hearing that surprising sound up close and personal.

Keep your mind open.