I still don’t know why Kasabiandidn’t sell out their Chicago House of Blues show last week. They sold out Chicago’s Metro a couple years ago when I saw them with Bo Ningen. Yet, here they were with fellow Brits Slavesin a venue about the same size, but tickets were still available at the box office an hour before the show. As one guy behind me in the crowd said, “These guys sell out at Glastonbury. Where the hell is everybody?”
That’s not to say there was barely anyone in the place. The venue was nearly full, and I was happy to see so many people there in time for Slaves’ set. I’ve been keen on this duo since I heard their single “Where’s Your Car, Debbie?” Their newest album Take Controlwas one of my top records of 2016.
They came out oozing punk attitude and were soon tearing through songs like “Sockets” and “White Knuckle Ride.” My friend, Portia, had just seen them open for Buzzcocks earlier in the month and knew their set. She and I were the only people in the audience, it seemed, who knew how to reply when Slaves’ drummer and lead singer, Isaac Holman, told the story about how a man once asked him, “Where’s your hi-hat?” after a gig. The correct response, by the way, is “Fuck the Hi-Hat.” My friend and I were yelling it so much during the build-up to the song that people around us thought we were angry drunks.
People were still buzzing about them after their too-brief seven-song set, and I’d like to see them in a small venue where they’re the headliners. I’m sure that would be nuts.
Kasabian soon emerged and ripped into a fun set that had the crowd bouncing for most of the show. They started with “Ill Ray” and “Bumblebee” and had the crowd in their hands by the time they reached “Ez-Eh.”
A funny moment happened when they messed up the introduction to “Underdog.” “That’s the first time that’s happened,” said lead singer Tom Meighan. “I’m glad you were all here to see it.” They jumped back on the horse and nailed the song. Everyone laughed with them. Up next were three solid cuts, “Shoot the Runner,” “You’re in Love with a Psycho” (from their newest record, For Crying Out Loud), and “Club Foot.”
The rest of the show was just as fun, with “Empire,” “L.S.F.,” “Bless This Acid House,” “Vlad the Impaler,” and “Fire” being good highlights. It was a fun Tuesday night crowd (perhaps that’s why it didn’t sell out) rocking to two solid bands. It’s too bad if you missed it. Much praise also to the HOB and tour sound crews. The mix for both bands sounded great.
The premiere rock / hip hop / alternative music festival in New Orleans, Voodoo, has recently released one-day tickets for sale.
They have a good lineup, as usual. As for Friday, Kendrick Lamar is one of the biggest names in rap right now, and LCD Soundsystem should never be missed. Prophets of Rage are probably the must-see band of the year, and I’d love to see Marian Hill again.
On Saturday, don’t miss Foo Fighters, Crystal Castles, the Record Company, or the Black Angels. I’d check out Cold War Kids, La Femme, Ron Gallo, and Bleached on Sunday.
She-Devils’ (Audrey Ann Boucher and Kyle Jukka) self-titled record is a lovely blast of electro dream pop that we need more of in this world right now. The opener, “Come,” is a slightly trippy seduction and (“Don’t try to resist me,” Boucher sings) I think a salute to orgasms. It’s the best song about such subjects since Frankie Goes to Hollywood sang about them. The follow-up, “Hey Boy,” mixes shoegaze and electro so well that you can barely tell where one influence ends and the other begins. I like the low-tuned guitar throughout it by Jukka, and Boucher’s voice is playful and a little bit dangerous. It’s the kind of track the Dum Dum Girls used to make.
“Make You Pay” feels like something out of a shoegaze sweat lodge as Boucher sings about exacting revenge (via firearm) against her cheating lover. In “Darling,” however, she professes her love again as the guitars shuffle like a soft shoe dancer around her. “How Do You Feel” and “Blooming” are ethereal dream pop songs in which Boucher questions both her lover’s intentions and her desires. “I can’t do anything for you,” she sings on “You Don’t Know.” Her lover doesn’t know what love is, so she can’t help him see what’s bugging her.
On the weird and wonderful “The World Laughs,” Boucher boldly proclaims “I want to go inside of you…” Well, well, well. The guitars sound almost like something from a reggae record that’s been left out in the Jamaican sun too long. Trust me, it’s pretty neat. “Never Let Me Go” and the closer, “Buffalo,” are haunting love songs with Boucher’s vocals coming at you like incense smoke down a dimly lit hall and Jukka’s instrumentations ranging from Angelo Badalamenti influences to hints of psychedelic-era Brian Wilson.
This is the kind of album that makes you want to hear the next sooner rather than later. Improving on this already fine record will mean something stunning in the future.
Keep your mind open.
[Hey, boy, don’t forget to subscribe before you go.]
I missed Day One of the 2017 Middle Waves Music Festival(Curse you, full-time job!), but I managed to make it to the latter half of Day Two. Sadly, I didn’t make it to Headwaters Park in Fort Wayne in time to catch Diarrhea Planet‘s set (Again, curse you, full-time job!), but I heard it was outstanding.
I snagged my press pass and soon spotted this pedicab nearby.
Yes, that’s an MGMTpedicab. You could hook up to a couple mp3 players attached to it and hear four songs of their upcoming album. It was a neat gimmick, and the four tracks weren’t bad either.
I wandered to the food court to snag a slice of pizza and noticed one vendor truck was a portable barber shop / styling salon giving out free haircuts. I debated partaking in one, but opted to check out some music instead.
One thing Middle Waves does that makes them stand out from most other music festivals is that they offer two free stages for the entire two days. This is genius. Some of the best bands play these free stages, so make sure you check out these shows next year. Again, it costs you nothing to see them.
I saw two local bands on a free stage this year, and both were excellent. The first was Wolfbearhawk. How do you not see a band with that name? They played a solid rock set, and it was good to hear some power chords after a long, hot day of work.
Wolfbearhawk – Possibly the best named band of the festival.
I then walked to the other free stage to see Selector Dub Narcotic. This wasn’t to be, however, because SDN (known in real life as music producer Calvin Johnson) was yanked off the stage as soon as I arrived after he stood on one of the monitors.
SDN / CJ has a chat with a Ft. Wayne PD officer while he and fans wonder what just happened.
I was told by two other press members that Calvin Johnson attempted to move two monitors from the center of the stage just before I arrived and the sound booth guy told him not to move them. He then attempted to move them again and the sound booth guy warned him he would be cut off if he attempted it a third time.
As I arrived at the stage, the sound booth guy was standing at stage left and watching CJ as he performed a freestyle rap without any microphone or instruments. CJ then stood on one of the monitors at center stage and the sound booth guy told him he was cut off / done and he pulled him to stage right. Another man came out from stage right as CJ was being pulled away. Fans began yelling, and one yelled, “You can’t do that!” The man who entered from stage right yelled back, “Yes, we can. That’s OUR stuff.” So, the guys contracted to do sound for this stage were concerned CJ was going to break something.
Fans began pounding on the stage and nearby police officers ran to the scene and made sure nobody stormed the stage. No one was injured. No arrests were made. No one was handcuffed. No pepper spray or Tasers were deployed. I didn’t see the officers put a hand on anyone in the crowd. One officer stood on stage while CJ packed up his minimal gear and seemed to be having an amicable chat with him as fans booed. CJ told fans he’d take his gear somewhere west of the stage and play there. He instead came into the crowd and finished his rap among the fans, took some photos, grabbed his backpack and then left without looking back while a MW volunteer walked with him. The sound booth guy who shut CJ down did at one point walk to down center stage and attempt to get his attention while he was rapping amongst the fans. I don’t know if this was going to be an offer to play his set, but the dye was cast by then and CJ was out of there.
Calvin Johnson finishes his song in the crowd.
I hung out by the free stages for a little while and eventually caught a great set by Ft. Wayne’s Love Hustler. They put down a great set of electro-disco-funk. I knew it was going to be a good set as soon as I saw a key-tar and a “golden throat” guitar effect microphone on stage. They put on the best set of the day, in my opinion. I’m eager to hear their upcoming EP.
Love Hustler – Also possibly the best named band of the festival.
The Middle Waves Twitter feed recommended getting to the main stage early for headliners MGMT. They figured a long line would be the result of extra security checks there. They were right.
I got in quick thanks to my press pass (Thanks again, Middle Waves!), and MGMT were already playing their blend of trippy electro and psychedelic rock.
This was my first time seeing them live, so I was surprised to see five people onstage. MGMT is mainly two guys, but I’m sure they need more people to replicate their sound live. They played a good mix of old and new tracks. One big highlight, of course, was “Fated to Pretend,” which sent the crowd into a frenzy.
“Fated to Pretend”
They announced that their upcoming album is “rugby themed,” and played “Me & Michael” from it. It’s a catchy tune, and I thought, “Yeah, MGMT recording an entire album about rugby seems right.”
Outside the main stage area, fans were peeking through the fence and standing on pillars and what-not to see and hear MGMT’s set. It made me grin. It’s always good to see “old school” concert cheating like that.
Fans watching and listening outside the main stage fence.
So, another good festival put on by the Middle Waves crew. There were some bumps, like any other festival, but I think they’ll improve on them and come back stronger next year.
Toronto, Ontario’s Play De Record(411 Spadina Avenue) is a haven for vinyl enthusiasts. The place is packed with records for you to feast your eyes (and wallet) on as soon as you walk in the door.
Look at all that funk and soul!
This is all in the first room, by the way (and only a small sample of what was available there). Once you get done browsing all the new arrivals and reissues, you end up here.
Yes, more records await you. Most of them in this back room are, as the sign says, vintage vinyl.
Call the crate diggers!
You also might’ve noticed that sign mentions “studio gear.” They sold a lot of good stuff there. These wonderful toys were along the right wall as soon as you walked into the store.
I wanted all of this.
I could’ve fiddled with that stuff until they closed if they’d let me. This wrecka stow is on the edge of Toronto’s Chinatown, so you can get some good food and then buy a bunch of vinyl. It’s a win-win.
This has been a good year for shoegaze. Two legendary British shoegaze bands returned after long absences with great records. One of them is RIDE (Andy Bell, Loz Colbert, Mark Gardener, and Steve Queralt), whose newest record, The Weather Diaries, is a welcome return and a sharp piece of work.
Opener “Lannoy Point” has the layered, echoing guitars you love from RIDE and lyrics about being wiser with the passage of time. They’re ready to get a lot of stuff off their chests. You can’t help but think the hard-hitting “Charm Assault” is about certain politicians on both sides of the pond. Lyrics like “Your charm assault has scarred the world. It looks so ugly as your lies begin to unfurl.” and “Privilege abused at every turn. Serious as a heart attack, he’s standing. He sets fire to your world and lets it burn.” hit as hard as the drum beats.
“All I Want” was one of the first singles off the record, and the decision to make it so was a no-brainer. It blends shoegaze and electro very well (and those drum beats are jaw-dropping), and the lyrics cover familiar shoegaze ground – loneliness and the urge to improve one’s lot in life. “Home Is a Feeling” is lovely dream pop, and the title track could be about global warming, but I think it’s about being overwhelmed by media (“When I was younger, it was simple. You didn’t have to question everything.”) – and the guitars build to a static-like roar by the end.
The name of “Rocket Silver Symphony” pretty much sums up the way the song sounds. It’s electric, bold, bright, and bursting with energy. “Lateral Alice,” a song taken from some of Andy Bell’s dreams, is a kick-ass rocker. “Cali” is Bell’s love letter to surf, sand, and sun in the U.S. The guitars in it are as wonderful as you hope they’ll be in such a song, and the vocals get ahold of your mind and won’t let go. You’ll want this on every summer playlist you make now.
“Impermanence” is a beautiful song about the end of things – life, relationships, even random physical objects like windowpanes. Bell tries to cope with the end of a relationship (while guitars soar all around his vocals) by meditating on the impermanence of all things, but it doesn’t help him much. “White Sands” (another song referencing beaches) muses on illusions we create and our struggles to let go of them. It’s hypnotizing in many ways, as is most of the record.
Good shoegaze always hypnotizes you. It causes you to get lost in dreamscapes and to notice the moment around you. It’s nice to have these musical Zen masters back among us.
Thanks to RIDE for being groovy cats when I met them at Pitchfork Music Festival earlier this year.
CLUTCH ANNOUNCE WINTER PSYCHIC WARFARE TOUR DATES WITH DEVIN TOWNSEND PROJECT & THE OBSESSED
Clutch has just announced Winter tour dates for the continuum of their Psychic Warfare tour. Supporting the tour will be Devin Townsend Project and The Obsessed. Fan club pre-sale tickets will start at 2:00pm ET today, public stale starts 10am ET on Friday. Exclusive fan club pre-sale tickets and show info available here: mt.cm/clutch. The on sale date for the 4 Florida shows is TBD due to the hurricane in the region. Check the bands official website www.pro-rock.com for all upcoming ticket and show info.
Clutch will be entering the studio in early 2018 to begin work on their 12th studio album.
Psychic Warfare is the latest and eleventh studio effort from Clutch. The disc debuted at No. 11 on the Billboard 200, No. 2 on the Billboard Independent, No. 1 on the Billboard Hard Rock and Billboard Rock charts. Psychic Warfare was produced by longtime producer Machine (Lamb Of God, Every Time I Die).
Clutch, Devin Townsend Project and The Obsessed Tour Dates:
Wed, 11-29-17 Greensboro, NC at Cone Denim Entertainment Center
Fri, 12-01-17 Myrtle Beach, SC at House Of Blues
Sat, 12-02-17 St Petersburg, FL at Jannus Live
Sun, 12-03-17 Fort Lauderdale, FL at Revolution
Tue, 12-05-17 Saint Augustine, FL at Backyard Stage @ St Augustine Amphitheatre
Wed, 12-06-17 Pensacola, FL at Vinyl Music Hall
Fri, 12-08-17 Baton Rouge, LA at Varsity Theatre
Sat, 12-09-17 San Antonio, TX at The Aztec Theatre
Sun, 12-10-17 Houston, TX at House Of Blues
Tues, 12-12-17 Springfield, MO at Gillioz Theatre
Wed, 12-13-17 Lincoln, NE at Bourbon Theatre
Fri, 12-15-17 Peoria, IL at Limelight Eventplex
Sat, 12-16-17 Nashville, TN at Marathon Music Works
Wed, 12-27-17 Clifton Park, NY at Upstate Concert Hall
Thu, 12-28-17 Sayreville, NJ at Starland Ballroom
Fri, 12-29-17 Richmond, VA at The National
Sat, 12-30-17 Knoxville, TN at The International
Sun, 12-31-17 Columbus, OH at Express Live
CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion
For more information, check out the band’s website:
TONY VISCONTI SET TO PRODUCE NEW DAMNED ALBUM SET FOR RELEASE 2018
FORMER BASSIST PAUL GRAY REJOINS BAND
Photos: Dod Morrison
As reported in early spring, legendary punk band The Damnedsigned a new label deal with Search & Destroy and announced plans for their 11th studio album. Now the band is pleased to announce that preparations are underway.
The band’s raw, primal and macabre energy will see its match in the studio this October in Brooklyn, NY with famed Producer Tony Visconti who for over five decades has produced some of the world’s most influential artists and their greatest albums (David Bowie, T.Rex, Morrisey, U2, The Stranglers, Iggy Pop and Thin Lizzy). On Engineer duties is four time Grammy-winning Producer /Engineer/Mixer Kevin Kline, who has also worked with Bowie and has spent the last several decades compiling an impressive list of credentials featuring premiere pop artists Peter Gabriel, Elvis
Costello, Burt Bacharach, Bryan Ferry and Brandon Flowers.
The New York Observer proclaimed, “The Damned are a band of infinite depth and a wide variety of pleasures… high-quality blurs of melodic punk, Beach Boys-ish flowery psych-pop, chiming, bittersweet post-punk, Moody Blues-ish bombastmopherics, spiraling goth and soaring faux soul, all brilliantly executed…”
It’s rather fitting that the band who in 1976 launched an alchemic, heady new British rock sound collaborates with one of the most important and influential producers in the history of rock. “We want to do the unexpected,” noting that the new album will offer some of the old and a lot of the new. “We’ve never been predictable and well, neither has Tony. There will be a measure of experimentation and we know he’ll do his best to artistically challenge us. He’s been at the top of our producer list since we first started thinking about recording the album, dream come true he’s on board!” The as-yet-unnamed new album will be their first new album for nearly ten years and is the follow up to, ‘So, Who’s Paranoid?’ which came out in 2008.
This news also comes with a change in The Damned’s line up. The Damned announce the bitter sweet news of the departure of bassist Stu West. “We had a great time with Stu on this long journey. We have infinite respect for him and are forever grateful for his contributions to The Damned. As a result of this mutual understanding, we respect his decision, support him wholeheartedly and wish him the best of luck and success.”
Furthermore, The Damned reveal that once again they will reunite with their former bass player Paul Gray (Eddie and the Hot Rods/Johnny Thunders (New York Dolls, Rob Tyner (MC5)/UFO), who was an essential part of the Damned during the 80s and who played bass on previous Damned albums “The Black Album” and “Strawberries”. Gray will be joining the Damned in the studio this fall.
A dizzying mix of dedication, creativity and stubborn will continues to fuel Dave Vanian, Captain Sensible, Monty Oxymoron, and Pinch. While The Damned’s 40 year journey has been challenging, rewarding and shocking at best, they continue to reign as Punk’s original connoisseurs and feel very positive about what lies ahead in the future. That evidence will be heard on their new album and in venues worldwide as the blitz continues on their Evil Spirits Tour set to rock intimate venues through out the UK this January.
The Damned ‘Evil Spirits’ 2018 UK Tour Dates:
26 January Newcastle O2 Academy
27 January Dundee Caird Hall
28 January Glasgow O2 Academy
30 January Leeds O2 Academy Leeds
31 January Manchester Academy 1
1 February Birmingham O2 Academy
3 February Leicester O2 Academy
4 February Nottingham Rock City
6 February Folkestone Leas Cliff Hall
7 February Southend Cliffs Pavilion
9 February Cardiff Great Hall
10 February Bristol O2 Academy Bristol
11 February Bournemouth O2 Academy
13 February Southampton O2 Guildhall
14 February Bexhill De La Warr Pavilion
17 February London O2 Forum
About The Damned:
Formed in 1976, The Damned really need no introduction… As well as releasing the first ever British punk single and album, they also broke further new ground as the first UK punk act to tour America. The Damned still receive their dues in the US, where they are often cited as a major influence on many future rock acts, including bastions of the nascent US hardcore scene such as Black Flag and Bad Brains plus heavy metal heavyweights such as Green Day, The Offspring and Guns ’N’ Roses. The band recently celebrated four decades together with a deluxe reissues package and a world tour.
About Search and Destroy:
Raw Power Management oversee a roster of internationally successful acts which include: Bring Me The Horizon, At The Drive In, While She Sleeps, Of Mice and Men, Don Broco, Mallory Knox, and others. The company’s record label Search and Destroy is home to, among others, Bullet For My Valentine & Atreyu. Search and Destroy is a joint venture with Spinefarm Records / Universal.
New Album Float Out October 6th On Downtown/Interscope
Catch Him On Tour Now
Slow Magic is sharing a new single, “Drum,” from his new album, Float, coming out October 6th on Downtown/Interscope.
“I spent a week in Stockholm last summer recording the drums for the whole album,” he explains. “I always play drums live along with the songs, but Float is my first time recording live drums directly. I decided to keep it simple, just two toms and one cymbal. I wanted to capture the simplicity and limitation of using only a couple of drums.”
“After recording the drums, the record really came together and started sounding complete,” he continues. “A few months later at home I was listening back to the drum mixes and started building something completely new with them. That’s what ended up being the song ‘Drum.’”
“Drum” follows previously released singles “Mind” (feat. Kate Boy) and “Light” (feat. Tropics), both of which are sampled on “Drum,” along with every other song from Float. “I wanted to make a song that reminded people of their animal instinct.”
Slow Magic is currently touring the world in support of Float headlining his biggest rooms yet. “I’m planning a lot of new things that I haven’t done before. There will be a completely revamped live show with a ton of new music. I’m hoping people that have been to my show and people that never have will all feel like they are experiencing something they never have imagined.” A full list of dates is below.
Slow Magic Tour Dates:
9/13 – Paris, France @ Batofar
9/14 – Milan, Italy @ Circolo Magnolia
9/15 – Rome, Italy @ Monk Club [tix]
9/19 – Amsterdam, Netherlands @ Sugar Factory [tix]
9/20 – Brussels, Belgium @ Beursschouwburg [tix]
9/21 – Liege, Belgium @ Reflektor [tix]
9/23 – London, UK @ Oslo [tix]
9/24 – Copenhagen, Denmark @ Lille Vega [tix]
9/27 – Stockholm, Sweden @ Debaser [tix]
9/28 – Berlin, Germany @ Gretchen [tix]
9/29 – Barcelona, Spain @ Razzmatazz [tix]
9/30 – Madrid, Spain @ Costello Club [tix]
10/25 – Austin, TX @ Empire Control Room [tix]
10/26 – Dallas, TX @ Trees [tix]
10/27 – Houston, TX @ White Oak Music Hall [tix]
10/28 – New Orleans, LA @ Varsity Theatre [tix]
10/29 – Atlanta, GA @ Masquerade (Hell Stage) [tix]
11/2 – Philadelphia, PA @ Trocadero [tix]
11/3 – Brooklyn, NY @ Elsewhere [tix]
11/4 – Washington, DC @ U Street Music Hall [tix]
11/5 – Boston, MA @ Royale [tix]
11/8 – Montreal, QC @ Theatre Fairmount [tix]
11/9 – Toronto, ON @ Horseshoe Tavern [tix]
11/10 – Detroit, MI @ The Magic Stick [tix]
11/11 – Grand Rapids, MI @ The Stache [tix]
11/12 – Minneapolis, MN @ Triple Rock Social Club [tix]
11/15 – Chicago, IL @ Bottom Lounge [tix]
11/16 – Kansas City, MO @ The Record Bar [tix]
11/17 – Englewood, CO @ Gothic Theatre [tix]
11/18 – Salt Lake City, UT @ Metro Music Hall [tix]
11/30 –Vancouver, BC @ Venue [tix]
12/1 – Seattle, WA @ The Showbox [tix]
12/2 – Portland, OR @ Wonder Ballroom [tix]
12/3 – Eugene, OR @ WOW Hall [tix]
12/6 – Arcata, CA @ Arcata Theatre [tix]
12/7 – San Francisco, CA @ Warfield Theatre [tix]
12/8 – San Diego, CA @ The Observatory North Park [tix]
12/9 – Santa Ana, CA @ The Observatory [tix]
12/10 – Los Angeles, CA @ The Novo [tix]
My wife and I caught Buddy Guy at the Lerner Theatre in Elkhart, Indiana. It was our first show at the Lerner, even though we’ve lived a 30-minute drive from Elkhart for over 20 years. I don’t know how this happened, but we got some good seats (after a ticket mix-up at the box office) and settled in for the opener – 17-year-old blues guitarist wunderkind Quinn Sullivan.
Quinn Sullivan
Sullivan first played on stage with Buddy Guy when he was seven years old. He shreds like he’s been playing for far longer than seventeen years. He played a few cuts from his three albums, as well as a cover of Jimi Hendrix’s “Little Wing.”
Buddy Guy came out to meet a rowdy crowd (many of whom had done plenty of pre-game drinking) and got right down to business by breaking a guitar string on the first note.
Buddy Guy with replacement guitar.
Once a replacement guitar was brought to him, he proceeded to shred through “Damn Right I Got the Blues” and then played around with classics like “Rock Me Baby,” “Fever,” “Hoochie Coochie Man,” and “Who’s Making Love to Your Old Lady?”
Guy had plenty of fun stories as well, including one lively rant about genetically engineered chickens and tomatoes (“When I was a kid, a tomato was like cotton. You could make a sandwich out of it. Now you get a tomato and you could play baseball with it.”) and how you should buy produce that still has bugs on it (“Because it hasn’t been sprayed with stuff you shouldn’t eat.”).
One wild part of the show was when he played a guitar solo using a drum stick and a shirt.
Playing guitar with a shirt and a drumstick. Really.
Trust me, it worked. It worked quite well, in fact. He was flailing his guitar with a T-shirt and playing Cream riffs while doing it. He also walked through the crowd, shredding and singing the whole time.
He brought his son, GregGuy, andQuinn Sullivan back onstage for the end. His back-up band was, just like the last time I saw him, killer. They can play seemingly any tune and stop on a dime. Greg Guy and Sullivan played along during Buddy’s hit “Feels Like Rain” and then tore through Clapton and Hendrix covers to end the show.
Buddy Guy (right) watches his son, Greg, and Quinn Sullivan carry on the blues tradition.
The show was close to three hours total, and a fun performance that had everyone cheering and hollering. Buddy Guy is eighty-one years old now, so don’t miss him if he comes close. He’ll probably tour until he drops dead, but make sure you see him shred. There aren’t many living legends anymore.
