Pitchfork Music Festival unveils full lineup for 2018.

THE PITCHFORK MUSIC FESTIVAL ANNOUNCES FULL 2018 LINEUP:

HEADLINERS TAME IMPALA, FLEET FOXES AND MS. LAURYN HILL

PLUS COURTNEY BARNETT, THE WAR ON DRUGS, CHAKA KHAN,
MOUNT KIMBIE, BLOOD ORANGE, DRAM, BIG THIEF, RAPHAEL SAADIQ,
NONAME, 
EARL SWEATSHIRT, THIS IS NOT THIS HEAT, JAPANDROIDS, SYD, MOSES SUMNEY, (SANDY) ALEX G, JULIEN BAKER, KELELA, ALEX CAMERON,
AND MORE!

JULY 20-22, 2018 AT CHICAGO’S UNION PARK
—Tickets available here

The Pitchfork Music Festival announces today the full 2018 lineup, including headliners Tame Impala, Fleet Foxes, and Ms. Lauryn Hill – The Miseducation of Lauryn Hill 20th Anniversary Performance. The 13th Annual Pitchfork Music Festival takes place Friday, July 20 through Sunday, July 22 at Chicago’s Union Park.

The festival opens on Friday with performances by Tame Impala, Courtney Barnett, Mount Kimbie, Big Thief, Earl Sweatshirt, Syd, Julien Baker, Saba, Open Mike Eagle, Julie Byrne, Joshua Abrams & Natural Information Society, Lucy Dacus, Melkbelly, and The Curls.

On Saturday, the festival presents Fleet Foxes, The War on Drugs, Blood Orange, Raphael Saadiq, This Is Not This Heat, Moses Sumney, Kelela, Girlpool, Kaitlyn Aurelia Smith, Circuit des Yeux, Nilüfer Yanya, Zola Jesus, berhana, and Paul Cherry.

Sunday, the final day of the festival, features Ms. Lauryn Hill – The Miseducation of Lauryn Hill 20th Anniversary Performance, Chaka Khan, DRAM, Noname, Japandroids, (Sandy) Alex G, Alex Cameron, Smino, Japanese Breakfast, Kelly Lee Owens, Ravyn Lenae, Kweku Collins, Irreversible Entanglements, and Nnamdi Ogbonnaya.

“It’s very inspiring to see the Pitchfork Music Festival come together for the thirteenth year,” said Adam Krefman, senior director, festivals and activations for Pitchfork. “It has become much more than a music festival—it’s a community of artists and musicians, and also a reflection of Pitchfork as a media voice and event producer. What we do in Union Park every July resonates in Chicago, but also nationally and internationally, and we could not be prouder to present this year’s artists to festivalgoers old and new.”

Committed to striking a balance between discovery and celebration through a diverse, unexpected lineup, the Pitchfork Music Festival continues to be one of the world’s most accessible and exciting weekends in music.

“Since the festival’s inception, we’ve tried to present the most unique and eclectic musical lineup,” says festival producer Mike Reed. “Unlike other festivals, music is always at the forefront, so it’s great to step back and see how diverse and inclusive the music makers and listeners have become. We hopefully do our best to reflect that by simply staying true to our initial ideals.”

The Festival offers attendees a wide array of activities beyond the music with 50 individual vendors, as well as specialty record and craft fairs. It also works to support local businesses while promoting the Chicago arts and food communities as a whole. Each year, a commitment is made to keeping Pitchfork Music Festival ticket prices affordable, while providing new and useful experiences, and working with the city’s best local vendors.

Pitchfork Music Festival tickets are on sale now for $75 a day or $175 for a three-day pass. The Pitchfork +PLUS upgrade is $375 for a three-day pass and includes a variety of exclusive amenities such as premium food vendors and private specialty bars. Details are available here.

PURCHASE TICKETS HERE

FRIDAY, JULY 20
Tame Impala
Courtney Barnett
Mount Kimbie
Big Thief
Earl Sweatshirt
Syd
Julien Baker
Saba
Open Mike Eagle
Julie Byrne
Joshua Abrams & Natural Information Society
Lucy Dacus
Melkbelly
The Curls

SATURDAY, JULY 21
Fleet Foxes
The War on Drugs
Blood Orange
Raphael Saadiq
This Is Not This Heat
Moses Sumney
Kelela
Girlpool
Kaitlyn Aurelia Smith
Circuit des Yeux
Nilüfer Yanya
Zola Jesus
berhana
Paul Cherry

SUNDAY, JULY 22
Ms. Lauryn Hill–The Miseducation of Lauryn Hill 20th Anniversary Performance
Chaka Khan
DRAM
Noname
Japandroids
(Sandy) Alex G
Alex Cameron
Smino
Japanese Breakfast
Kelly Lee Owens
Ravyn Lenae
Kweku Collins
Irreversible Entanglements
Nnamdi Ogbonnaya

For more information, including line-ups, event news and the latest updates, visit Pitchforkmusicfestival.com, Facebook.com/PitchforkMusicFestival and follow @pitchforkfest.

About Pitchfork:
Pitchfork is the most trusted voice in music. Pitchfork.com is the preeminent resource for highly-engaged fans looking to discover and experience new music in a thought-provoking way. Its comprehensive reviews and analyses of the people, trends, and events shaping the industry have defined music journalism for more than 20 years. Not only does Pitchfork set the standard for music coverage, it has a global reputation for hosting unique and eclectic music events, including annual Music Festivals in Chicago and Paris. For more go to Pitchfork.com and follow @pitchfork.

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Fat Hot – Self-titled

Garage rockers Jonathan Kahler and Gamble Scrantom make up the duo Fat Hot, and their self-titled album (currently only available on cassette or as a download, no less) is a fun, snarky, fuzzy treat. 

Opening with “Boatman Love Song,” the album gets a rough surf rock sound going before unleashing reverbed vocals about found and lost love.  “Ghost Drugs” is a fun little tune that seems to be about a spirit hoping to get some spirits from a young woman.  The catchy “Bad Drink” continues the theme of substances that alter one’s state of mind as they sing about searching for a bad drink while lamenting the loss of a shoe.

“Krakken Me Up” returns to the earlier nautical theme and continues the Flat Duo Jets-like wall of blues rock Fat Hot seems to have mastered early in their career.  “Sweet” is a slow burn about a one-night stand that might end up in danger, disaster, or both.  It unloads around the 2:15 mark with a surprising fury before going back to a simmer for a little while.  “Sour” is the longest track on the album, coming it at nearly six minutes, and it’s full of scorching guitar and drum fills that mix stoner metal with psychedelia.

“Harpy Woman” is the second reference to a mythological monster, and the seventh time Fat Hot unleashes blistering riffs and beats.  “Shudder” brings up a common theme in blues-garage-psych-psychobilly tracks – the Devil.  It’s a toe-tapper of a tune about impending death.  The album ends with another salute to being a sad drunk – “Rye Smile.”  The guitar work on it is deceptively tricky and the drum work switches on a dime at any given moment.

This is a fun record, and a pleasant discovery for me.  It will be for you, too.

Keep your mind open.

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Neko Case’s new single, “Hell-On,” is (as you would expect) wonderful.

One of the best singer-songwriters of our time, Neko Case, has unveiled the first single and title track from her upcoming album, Hell-On.  It’s a lovely, haunting, and slightly quirky track highlighted by a cello backing Case’s distinctive voice and witty lyrics.

Hell-On is available for pre-order and is set for release on June 01, 2018.  She’s also embarking on a U.S. tour with Ray Lamontagne beginning May 27th and ending July 10th.

This will surely be one of the best records of the year.  Ms. Case always delivers.

Keep your mind open.

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All Them Witches – Lost and Found

In case you need some good news, Nashville psych / blues rockers All Them Witches have released a free EP available for download.

It’s four tracks of more haunting songs from the band.  The opener, “Hares on the Mountain,” is an old English love song that practically summons the ghosts of dead soldiers from their unmarked graves with Allan Van Cleave‘s slightly menacing organ and Ben McLeod‘s drones and Celtic ghost guitar work.  “Before the Beginning” is a slick Fleetwood Mac cover, and “Call Me Star” (from their excellent album Dying Surfer Meets His Maker) is a lovely display of Michael Parks‘ old soul / weary traveler vocals as his acoustic guitar and McLeod’s sparse psychedelic chords back him.

I love that the EP ends with a dub track (Yes, a dub track) – “Dub Passageways.”  It gives drummer Robby Staebler a chance to cut loose with some wicked chops.  It’s a dub version of “Open Passageways” (also from Dying Surfer Meets His Maker) and a nice look into another musical style that’s influenced All Them Witches.

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Ladytron offers great PledgeMusic perks for their first album in seven years.

Electro / shoegaze quartet Ladytron are set to release their first album in seven years.  The as yet untitled album will be out later this year, but the current single, “The Animals,” is already available.

Ladytron have started a PledgeMusic campaign for the album to celebrate the new album’s upcoming release, and it has some great perks.  A CD of the new album signed by the band is just $25.00.  There are big bundles of signed music and merchandise, handwritten lyric sheets, colored vinyl copies of the album, and you can even get your name listed in the album credits.  Each pledge level comes with a digital download of the full album and an immediate download of “The Animals” and a remix of the track.

Get this stuff while you can.

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Pitchfork Music Festival announces second round of 2018 lineup artists.

THE PITCHFORK MUSIC FESTIVAL ANNOUNCES
SECOND ROUND OF 2018 PERFORMERS

JULY 20-22, 2018 AT CHICAGO’S UNION PARK
– Tickets available here 

The Pitchfork Music Festival returns to Chicago’s Union Park Friday, July 20 through Sunday, July 22 for its thirteenth year. As previously announced, the 2018 lineup is being unveiled in three parts via a hand-painted mural in Chicago’s Wicker Park neighborhood, which is also being livestreamed on Pitchfork.com. Moments ago, the second round of performers for the Pitchfork Music Festival were revealed: The War on Drugs, Chaka Khan, Courtney Barnett, Earl Sweatshirt, Big Thief, Mount Kimbie, Moses Sumney, Smino, Girlpool, Syd, Kweku Collins, Zola Jesus, Julie Byrne, and Berhana. They join the following acts: Tame Impala, DRAM, Raphael Saadiq, This Is Not This Heat, (Sandy) Alex G, Japandroids, Kelela, Julien Baker, Ravyn Lenae, Kelly Lee Owens, Melkbelly, Lucy Dacus, Joshua Abrams & Natural Information Society, and Irreversible Entanglements. The breakdown by day is listed below, and the livestream can be viewed here.

Committed to striking a balance between discovery and celebration through a diverse, unexpected lineup, the Pitchfork Music Festival continues to be one the world’s most accessible and exciting weekends in music. The Festival offers attendees a wide array of activities beyond the music with 50 individual vendors, as well as specialty record and craft fairs. It also works to support local businesses while promoting the Chicago arts and food communities as a whole. Each year, a commitment is made to keeping Pitchfork Music Festival ticket prices affordable, while providing new and useful experiences, and working with the city’s best local vendors.

Pitchfork Music Festival tickets are on sale now for $75 a day or $175 for a three-day pass. The Pitchfork +PLUS upgrade is $375 for a three-day pass and includes a variety of exclusive amenities such as premium food vendors and private specialty bars. Details are available here.

PURCHASE TICKETS HERE

FRIDAY, JULY 20
Tame Impala
Courtney Barnett – NEW
Mount Kimbie – NEW
Big Thief – NEW
Earl Sweatshirt – NEW
Syd – NEW
Julie Byrne – NEW
Lucy Dacus
Melkbelly
Joshua Abrams & Natural Information Society

SATURDAY, JULY 21
The War on Drugs – NEW
Raphael Saadiq
This Is Not This Heat
Moses Sumney – NEW
Kelela
Girlpool – NEW
Julien Baker
Zola Jesus – NEW
berhana – NEW

SUNDAY, JULY 22
Chaka Khan – NEW
DRAM
Kelly Lee Owens
Irreversible Entanglements
Japandroids
(Sandy) Alex G
Smino – NEW
Ravyn Lenae
Kweku Collins – NEW

For more information, including line-ups, event news and the latest updates, visit Pitchforkmusicfestival.com, Facebook.com/PitchforkMusicFestival and follow @pitchforkfest.

About Pitchfork:
Pitchfork is the most trusted voice in music. Pitchfork.com is the preeminent resource for highly-engaged fans looking to discover and experience new music in a thought-provoking way. Its comprehensive reviews and analyses of the people, trends, and events shaping the industry have defined music journalism for more than 20 years. Not only does Pitchfork set the standard for music coverage, it has a global reputation for hosting unique and eclectic music events, including annual Music Festivals in Chicago and Paris. For more go to Pitchfork.com and follow @pitchfork.

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Burger Boogaloo announces great lineup for 2018 festival.

BURGER BOOGALOO ANNOUNCES 2018 LINEUP

DEVO, THE DAMNED, LE SHOK, MUDHONEY, TRADITIONAL FOOLS, THE MUMMIES, JOHN WATERS, & MORE

JUNE 30TH & JULY 1ST IN OAKLAND’S MOSSWOOD PARK

“If you’ve never been to Burger Boogaloo, you’re missing out what it means to truly revel in the glory of music.” – SF Weekly

“This festival is now an essential Oakland summer treat.” – East Bay Express

Ohhh boy! Burger Boogaloo is back on Saturday, June 30th and Sunday, July 1st with a whip-crackin’, damn good, “shok”-inducing lineup! This year’s Boogaloo will include performances from Devo, The Damned, Le Shok, Mudhoney, Traditional Fools, The Mummies, and plenty of others. That’s right, folks; Devo are playing their first gig in 3 years right here in Oakland’s Mosswood Park. Of course, no Burger bash would be complete without our legendary host, John Waters, who will be returning for the fourth year in a row! Whether you’re a first timer or a yearly Booger, this year’s lineup has something for everyone. We’ve got a gut feeling that you’re gonna have a good time.

Tickets for Burger Boogaloo are on sale now, with weekend passes starting at $169 and VIP passes going for $269. VIP passes include a bag-o-swag and the mighty power to come and go from the fest as you please. Got a tight Boogying schedule and can’t make it both days? No sweat! Saturday passes are $125 and Sunday passes are $99. Purchase links and lineup info are below.

BURGER BOOGALOO LINEUP
DEVO – 1st show in 3 years
THE DAMNED
LE SHOK – 1st show in 15 years
TRADITIONAL FOOLS – 1st show in 5 years
THE MUMMIES
THE RIP OFFS – 1st show in 5 years
SPITS
HUNX & HIS PUNX – Reunion Show
MUDHONEY
DWARVES
THE DICKIES
GIUDA
GRIS GRIS – 1st show in 10 years
QUINTRON & MS. PUSSYCAT
THE FLAKES
FIRESTARTER – 1st show in USA
SUBSONICS
FLYTRAPS
CUMSTAIN
BATTLESHIP – 1st show in 10 years
NOTS
FRANCIS LAU
HOSTED BY JOHN WATERS
PURCHASE TICKETS HERE:
https://www.ticketfly.com/purchase/event/1646107

TICKET INFO:
GA Weekend Pass – $169
VIP Weekend Pass – $269
Saturday Ticket w/ Devo – $125
Sunday Ticket w/ Damned – $99

* VIP tickets come with ins and outs and bag-o-swag

http://burgerboogaloo.com/

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A Place to Bury Strangers unleash second single, “There’s Only One of Us,” from upcoming album – “Pinned.”

A Place To Bury Strangers Share New Single “There’s Only One Of Us”
Watch The Video Here

Pinned Out April 13th On Dead Oceans

SXSW Scheduled Announced

[still from “There’s Only One Of Us” video]
A Place To Bury Strangers have revealed the next single from their forthcoming album, Pinned. “There’s Only One Of Us” is a haunting, harmonized response to the tensions of our current political climate. Guitarist/singer Oliver Ackermann says about the song, “I am a person. We are all animals. We are all on this planet. This planet is one of billions speeding through space. It is incredible to be alive.”

Accompanying today’s single release is a video directed by Elizabeth Skadden. “The inspiration comes from the foghorn bass line, military drum beat, and kamikaze guitars that intimate a war taking place,” says Skadden. “Talking to the band, I learned the ‘war’ was people under the siege of making a creative project. The work the band does to create the song is expressed in the ‘totem’ built over the course of the music video. Visually, I broke the song into its sonic elements and assigned each its own visual, such as the shifting red and blue lights. The lighting setups were inspired by a Fad Gadget performance from the 1980s, and films by Pedro Almodovar and Kathryn Bigelow.”

Watch A Place To Bury Strangers’ “There’s Only One Of Us” Video:
http://www.youtube.com/watch?v=ZkRebfgTLNc
For well over a decade now, A Place to Bury Strangers— Ackermann, Dion Lunadon, and, officially, drummer Lia Simone Braswell—have become well known for their unwavering commitment to unpredictable, often bewildering live shows, and total, some might say dangerous volume. They don’t write setlists. They frequently write new songs mid-set. They deliberately provoke and sabotage sound people in a variety of cruel yet innovative ways. They can and will always surprise you.

April 13th marks the release of Pinned, the band’s fifth full-length, via Dead Oceans. It finds A Place To Bury Strangers converting difficult moments into some of their most urgent work to date. It’s their first since the 2016 election, and their first since the 2014 closing of Death By Audio, the beloved Brooklyn DIY space where Ackerman lived, worked, and created with complete freedom. It’s a clear and honest statement of intent, not just for everything that follows, but for this band as a whole.

A Place To Bury Strangers will tour extensively in support of Pinned starting this spring. They’ll kick things off at SXSW this month before heading to Europe and eventually traversing the U.S. through June. A full list of dates is below.

Watch:
“There’s Only One Of Us” video – http://www.youtube.com/watch?v=ZkRebfgTLNc
“Never Coming Back” video – http://www.youtube.com/watch?v=rij8qYpT1S0
A Place To Bury Strangers Tour Dates:
3/15/18 Austin, TX – Side Bar (Outdoors) @ Fredricksburg All Ages Day Party (12:35PM)
3/15/18 Austin, TX – Waterloo Records (3:00PM)
3/15/18 Austin, TX – The Blackheart @ PledgeMusic/NoiseTrade/Current Day Party (5:00PM)
3/15/18 Austin, TX – Barracuda (Outdoor Stage) @ Secretly Group Official SXSW Showcase (9:00PM)
3/15/18 Austin, TX – Hotel Vegas Patio @ Levitation SXSW Official Showcase (12:30AM)
3/16/18 Austin, TX – Hotel Vegas Annex @ Northern Spy/Wharf Cat/11A Records Day Party (3:00PM)
3/16/18 Austin, TX – Lazarus Brewery @ Music For Listeners Day Party (5:00PM)
3/16/18 Austin, TX – Cheer Up Charlie’s @ Ad Hoc Official SXSW Showcase (1:00AM)
3/17/18 Austin, TX – Cheer Up Charlie’s @ Brooklyn Vegan Day Party (TBD)
3/17/18 Austin, TX – Whole Foods Market Rooftop @ Quantum Collective Southwest Invasion (1:25PM)
3/17/18 Austin, TX – Sidewinder (Outdoors) @ Pianos  Day Party (5PM)
3/18/18 Austin, TX – Empire Garage (Garage Stage) @ Chili Dog Fest (5:00PM)
3/18/18 Austin, TX – Hotel Vegas (Main Stage) @ Burgermania (7:15PM)
4/12/18 Brooklyn, NY – Elsewhere [Pinned Record Release] w/ Surfbort & Conduit (tickets)
4/18/18 Wiesbaden, Germany – Alter Schlachthof (tickets)
4/19/18 Bern, Switzerland – ISC (tickets)
4/20/18 Giavera Del Montello, Italy – Bemicio Live Gigs (tickets)
4/21/18 Bologna, Italy – Freakout Club (tickets)
4/22/18 Turin, Italy – Spazio 211 (tickets)
4/24/18 Winterthur, Switzerland 0 Salzhaus (tickets)
4/25/18 Lyon, France – Marche Gare (tickets)
4/26/18 Paris, France – Le Trabendo (tickets)
4/27/18 Amiens, France – La Lune Des Pirates (tickets)
4/28/18 Dortmund, Germany 0 FZW (tickets)
4/29/18 Antwerp, Belgium – Trix Bar (tickets)
5/01/18 Nijmegen, Netherlands – Doonroosje (tickets)
5/02/18 Amsterdam, Netherlands – Paradiso Noord (tickets)
5/04/18 Copenhagen, Denmark – Vega Small (tickets)
5/05/18 Oslo, Norway – BLAA (tickets)
5/07/18 Berlin, Germany – Bi Nuu (tickets)
5/08/18 Hamburg, Germany – Logo (tickets)
5/10/18 London, UK – The Garage (tickets)
5/24/18 Washington, DC – DC9 w/ Prettiest Eyes & Buck Gooter (tickets)
5/25/18 Baltimore, MD – Metro Gallery w/ Prettiest Eyes & Thrushes (tickets)
5/26/18 Raleigh, NC – Kings Barcade w/ Prettiest Eyes & Lacy Jags (tickets)
5/27/18 Asheville, NC – The Mothlight w/ Prettiest Eyes & Lacy Jags (tickets)
5/28/18 Atlanta, GA – The Earl w/ Prettiest Eyes & Nest Egg (tickets)
5/30/18 New Orleans, LA – Gasa Gasa w/ Prettiest Eyes & Trashlight (tickets)
5/31/18 Houston, TX – The Secret Group w/ Prettiest Eyes  & Narcons (tickets)
6/01/18 Austin, TX – Barracuda w/ Prettiest Eyes & Xetas (tickets)
6/02/18 Dallas, TX – Club Dada w/ Prettiest Eyes (tickets)
6/03/18 San Antonio, TX – Paper Tiger w/ Prettiest Eyes & My Education (tickets)
6/05/18 Santa Fe, NM – Meow Wolf w/ Prettiest Eyes (tickets)
6/06/18 Phoenix, AZ – Valley Bar w/ Sextile & Strange Lot (tickets)
6/07/18 San Diego, CA – The Casbah w/ Sextile & Keepers (tickets)
6/09/18 Los Angeles, CA – The Regent w/ Sextile & Prettiest Eyes (tickets)
6/10/18 San Francisco, CA – Great American Music Hall w/ Sextile & Prettiest Eyes (tickets)
6/12/18 Portland, OR – Mississippi Studios w/ Sextile & Tender Age (tickets)
6/13/18 Vancouver, BC – Fox Cabaret w/ Sextile Dopey’s Robe (tickets)
6/14/18 Seattle, WA – The Crocodile w/ Sextile & Haunted Horses (tickets)
Pinned artwork

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DJ Koze’s new album is out May 4th, but you can hear “Illumination” from it now.

DJ Koze Shares New Single “Illumination” feat. Róisín Murphy
https://soundcloud.com/pamparecords/dj-koze-illuminationknock knock out May 4th via Pampa Records


[Photo by Gepa Hinrichsen]
DJ Koze returns with his second single from knock knock, his forthcoming album on Pampa Records. “Illumination” follows the previously released “Seeing Aliens” and is the first knock knock track Koze has shared featuring vocals. The ever-unique Róisín Murphy becomes a cyborg funk diva on “Illumination.” “Working on a song together with Roísín is even better than not working at all,” says Koze. Listen below.
Listen to DJ Koze’s “Illumination” feat. Róisín Murphy:
https://soundcloud.com/pamparecords/dj-koze-illumination
Like all DJ Koze records, knock knock exists outside of trend and influence. In fact, knock knock is a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. Which is not to say it is utter alien abstraction. There is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thrift store record memories and indie rock – but though it may sound familiar, it never does what your brain thinks it’s going to do.And that’s what is crucial here. Koze is a world-maker. You don’t get to choose how you hear his music – you enter his world or you don’t, that’s it. And that’s why individual influences, whether it’s the trippy German techno that’s always rippled through his albums or the beat-scene abstract hip hop that he incorporated into his DJ-Kicks mix in 2015, are all but irrelevant. Though he’d never compare himself to anyone else, Koze only makes sense in the way that other world-builders do, from Bowie to Sun Ra, Outkast to Kate Bush. And Knock Knock is far and away his greatest statement of that. It’s an album that came together slowly and steadily, his working processes arcane and mysterious in their steady accumulation of sound and inspiration. It’s so complete and bursting with detail and consistency from every microsecond that you’d swear it was meticulously planned (but there was no master plan) to create a definitive artifact: the record itself decided when it was ready. And now it is ready, the most perfectly constructed portal into that other world, you had better be ready too!


knock knock
 artwork
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Shopping U.S. tour is underway, and they’re celebrating by releasing a new single – “Suddenly Gone.”

SHOPPING SHARE VIDEO FOR “SUDDENLY GONE”
https://youtu.be/GVcZGVVhfkU

THE OFFICIAL BODY OUT NOW ON FATCAT RECORDS;
NORTH AMERICAN TOUR UNDERWAY!

“Wiry and urgent, ‘The Official Body’ offers vibrant, chaotic catharsis at an ideal moment.” — RollingStone
“…Shopping have opted for one of the most revolutionary forces of all: fun.” — NPR Music

“The third record from the UK trio wrangles their elastic, post-punk spirit into an urgency that feels bonded to the present. It makes for songs that are as mesmerizing as they are exhilarating.” — Pitchfork

“…their songs bristle at the rubbish aspects of modern life and sound like a proof of the time-worn maxim that dancing is an essential part of revolution.” — Bandcamp
Shopping are pleased to present the video for “Suddenly Gone,” before kicking off their NorthAmerican tour tomorrow night in Boston at Great Scott! The tour takes them all across the US and Canada, including stops at both Savannah Stopover and SXSW, in support of The Official Body, out last month on FatCat Records. A full list of dates is below.

The “Suddenly Gone” video, directed by LA-based director and animator Lessa Millet, “talks about labour and resources,” says band member Rachel Aggs. “It’s about feeling used and undervalued in a relationship or, more generally, as a queer and/or a person of colour making music or art in the UK and how that can feel very draining.” She adds, “you can feel overlooked for years and then suddenly tokenized when your identity becomes buzz-worthy or fashionable.

So much of the guitar music we love originates from roots and blues music made by and for people of colour and the same goes for dance and disco that has its roots so firmly in queer culture. We are asking people to reflect on what our cultural landscape would really look like if it weren’t for those pioneering but marginalized artists and in particular what our cities will eventually look like if queer spaces and independent gig venues continue to be forced to close.”

In creating the video, Millet says, “I went off of the energy of the song and the feeling behind it – this feeling of ‘I see what you’re doing, and I’m done being used.’ It’s optimistic and angry at the same time. In looking for images I just thought about all the instances a small group of people profit from everyone else, which way the money river flows, where does it pool. I think the magic tricks and hand shadows were a good metaphor for all the distractions that prevent us from seeing what is going on underneath.”

“It also suggests a parallel between this kind of emotional, creative draining and the terrifying environmental consequences of reckless money-grabbing corporations,” Aggs continues, “undervaluing and exploiting our natural resources and the impact of that on people living and working in more precarious parts of the world.”

Watch Shopping’s “Suddenly Gone” video — 
https://youtu.be/GVcZGVVhfkU

Watch Shopping’s “Wild Child” Video — 
https://youtu.be/GWvzFYTPrRw

Watch Shopping’s “The Hype” Video – 

https://youtu.be/JnAm6AphanY



Shopping Tour Dates:

Sun. March 4 — Philadelphia, PA @ Johnny Brenda’s *
Tue. March 6 — Washington, DC @ Union Stage *
Wed. March 7 — Asheville, NC @ Mothlight *
Thu. March 8 — Savannah, GA @ Savannah Stopover *
Fri. March 9 — Atlanta, GA @ 529 *
Sat. March 10 — New Orleans, LA @ Gasa Gasa *
Sun. March 11 — Houston, TX @ The Secret Group *
Mon. March 12 — San Antonio, TX @ Paper Tiger *
Wed. March 14 — Austin, TX @ Hotel Vegas Annex (SXSW) (11:25pm)
Thu. March 15 — Austin, TX @ Latitude 30 (SXSW) (10pm)
Fri. March 16 — El Paso, TX @ Lowbrow Palace *
Sat. March 17 — Phoenix, AZ @ Rebel Lounge *
Sun. March 18  — San Diego, CA @ Whistle Stop *
Tue. March 20 — Santa Ana, CA @ Constellation Room *
Wed. March 21 — Los Angeles, CA @ Resident * #
Thu. March 22 — San Francisco, CA @ Rickshaw Stop #
Fri. March 23 — Portland, OR @ Bunk Bar #
Sat. March 24 — Seattle, WA @ Vera Project #
Tue. March 27 — Minneapolis, MN @ 7th Street Entry
Wed. March 28 — Chicago, IL @ Beat Kitchen &
Thu. March 29 — Detroit, MI @ Marble Bar &
Fri. March 30 — Toronto, ON @ Baby G &
Sat. March 31 — Montreal, QC @ Bar Le Ritz &

* = w/ French Vanilla
# = w/ Lithics
& = w/ Tyvek

Purchase The Official Body:

via Bandcamp – http://bit.ly/2kZQL6Z
via iTunes – http://apple.co/2iBSknm

via FatCat Shop – http://bit.ly/2C3DGO8
 


Download hi-res album art and press images – 
www.pitchperfectpr.com/shopping/

(photo credit: CJ Monk)
Shopping online:

facebook.com/weareshopping

twitter.com/SH0PP1NG

soundcloud.com/shoppingband

fat-cat.co.uk/artist/shopping

pitchperfectpr.com/shopping

Keep your  mind open.

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