Wrecka Stow: Smallville – Paris, France

Located at 26 Rue du Chateau d’Eau, Paris’ Smallville Records is indeed a small place, but it’s a good stop for lovers of vinyl records if you’re visiting the city.  Vinyl is far more popular than CD’s in Paris, it seems, and Smallville has plenty of records to spare.

It’s mostly modern artists, but you can find some good electronica, hip hop, and European rock there.  The record at the top left of the second photo is Zombie Zombie‘s Livity, which I highly recommend.

You can listen before you buy, and their turntable covers clearly show how much they love vinyl.

Keep your mind open.

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Review: CHAI – Pink

Originally released in Japan last October, but first released in the U.S. earlier this year, the four-piece pop-punk band CHAI might have released the most fun record of the last 12 months – Pink.

Twin sisters Mana (vocals and keys) and Kana (guitar) joined up with high school classmate Yuna (drums) and college pal Yuuki (bass) to create music that is cute, catchy, and crunchy all at the same time.  It’s the aural equivalent of Pocky, and I mean that in the best possible sense.

Beginning with “Hi Hi Baby,” a song about babies being goofy, CHAI puts down infectious cowbell-heavy beats, post-punk bass, and even steel drums to produce something so fun that you’re almost not sure how to process it.

“You are so cute.  Nice face, oh yeah!  We are so cute.  Nice face, oh yeah!” starts off “N.E.O.”, which is nearly three minutes of pop-punk laced with psychedelia and has maybe the sickest drum and bass groove of the last year.  This is the kind of track that makes you think, “Where the hell have these women been all my life?” when you hear it.  The bass gets fat and the guitars and synths get fuzzy on “Boyz Seco Men” while the dual vocals between Mana and Kana bring to mid early 1990’s glam-pop love songs.

“Horechatta” adds reverb and downright sexy vocals that remind me of late 1970’s yacht rock.  I’m fairly certain “Fried” is about how great fried fish is, but I could be wrong.  I doubt it, because a lot of songs on Pink are about food.  Tempura fish, when done well, is great, as are Mana’s bright synths on the track.  “She Is Kitty” bounces like a kitten looped on catnip and chasing a butterfly, and the psychedelic touches make you think the kitten has knocked over a lava lamp in the process.

Not weird enough for you?  Then try “Gyaranboo,” which I won’t even attempt to describe.  “Kawaii Hito,” a song about double standards of beauty, is almost as strange.  “Walking Star” is lovely pop-punk with some of the toughest guitar riffs on the record.  “Sayonara Complex” is a bass-driven song that seems to produce sunlight from your speakers.  The closer, “Flat Girl,” strolls along like a happy tourist on a Japanese beach.  By the way, it’s about women with small breasts.

This is one of the catchiest and surprisingly trippy records released in the U.S. this year.  It’s the perfect antidote for these modern, angry times.

Keep your mind open.

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Satan’s Satyrs release title track from upcoming album, “The Lucky Ones,” ahead of tour with Windhand.

Satan’s Satyrs premiere title track from forthcoming album, tour w/ Windhand starts Monday
 Produced by Windhand guitarist on RidingEasy / Bad Omen Records
Hear & share “The Lucky Ones” (YouTube) (CvltNation)

 

“Channels high-speed, denim and leather ’70s rock but gives it a slightly modern touch. You could imagine hearing it on the Dazed and Confused soundtrack just as easily as you could imagine hearing it on the radio next to Queens of the Stone Age.” — Brooklyn Vegan
 
“Rooted in a glammy early Seventies rock sound, ‘She Beast’ is the sort of head-nodding cut that you’d expect to hear blaring out of a muscle car, with a beautiful feathered-hair couple taking the front seats.” — Revolver
Richmond, VA quartet Satan’s Satyrs premiere the title track from their forthcoming album The Lucky Ones today via CvltNation. Hear and share “The Lucky Ones” HERE. (Direct YouTube.)
 
Satan’s Satyrs hit the road in support of the album with doom faves Windhand in October. See all dates below.
Revolver Magazine recently shared album track “She Beast” HERE. Brooklyn Vegan previously launched album opener “Thrill of the City” HERE.
 
Upon recovering from being steamrolled over by the onslaught of Satan’s Satyrs‘ new album The Lucky Ones, you’ll likely wonder just what exactly it was that hit you. A punky, sleaze rock groove (perhaps even a whiff of 70s glam) meets NWOBHM melodic fury, Blue Cheer mass and volume, and Ozzy‘s dramatic charisma condensed into a sound all its own, perhaps. At its core is an unstoppable, unpretentious exorcism of rock’n’roll exuberance.
“It doesn’t sound like anything else happening right now,” says bassist/vocalist Clayton Burgess, who has spent the last few years splitting his time in British doom heroes Electric Wizard. “The band has its own unique idiosyncratic sound.”
A significant difference on this album is the addition of second guitarist Nate Towle, which expands the band’s steamrolling capacity tenfold. Burgess, Towle, guitarist Jarrett Nettnin and drummer Stephen Fairfield convened at the Richmond, VA studio of Windhand guitarist Garrett Morris, working in fits and starts over several months, first quickly capturing the raw energy of a band firing on all cylinders, then fine tuning the sounds and experimenting to get everything as massive as you hear it now. Likewise, Burgess’ lyrics show new levels of achievement.
“I pushed myself to get more of my own life in the songs, but open enough that anyone can interpret them in their own way,” he says. “I just wanted to capture weirdness. It reflects my unusual tastes, but also takes a personal perspective.”
The twin guitar assault begins from the very first beat of The Lucky Ones and never relents until the last second of the 9-track, 35-minute album. Opener “Thrill of the City” wastes no time launching into soaring harmonized riffs and swaggering rhythms setting the scene for a debauched good time. The title track, perhaps the most personal song on the album, is also the most unabashedly melodic. “Too Early To Fold” captures the frustrations and challenges of life as a touring musician, expressed through a belligerent 2-guitar attack and pounding snare on all 4 downbeats driving it all home. “Trampled By Angels” pits a swinging T Rex vibe against dizzy, noisy guitars and lyrics about a pioneer of fetish photography using his medium to express forbidden desires to the world. Likewise, The Lucky Ones itself is a vibrant, brash and loud expression of defiance against convention that refuses to be ignored.
The Lucky Ones will be available on LP, CD and download on October 19th, 2018 on Bad Omen Records, manufactured and distributed in North America by RidingEasy Records. Pre-orders are available HERE.
SATAN’S SATYRS LIVE:
10/08: Atlanta, GA – The Earl #
10/09: New Orleans, LA – Gasa Gasa #
10/10: Houston TX – White Oak Music Hall #
10/11: Dallas, TX – Club Dada #
10/12: Austin, TX – Barracuda #
10/14: Albuquerque, NM – Sister #
10/15: Phoenix, AZ – Valley Bar #
10/16: Los Angeles, CA – El Rey Theatre #
10/17: Oakland, CA – Starline Social Club #
10/19: Portland, OR – Aladdin Theatre #
10/20: Vancouver, BC – Venue #
10/21: Seattle, WA – Neumos #
10/23: Denver, CO – Larimer Lounge #
10/24: Kansas City, MO – The Riot Room #
11/01: Philadelphia, PA – Underground Arts #
11/02: Brooklyn, NY – Elsewhere #
11/03: Boston, MA – Brighton Music Hall #
11/04: Montreal, QC – Le Belmont #
11/05: Toronto, ON – The Legendary Horseshoe Tavern #
11/07: Chicago, IL – Subterranean #
11/08: Minneapolis, MN – Fine Line Music Cafe #
11/09: Milwaukee, WI – Cactus Club #
11/10: Indianapolis, IN – The Hi-Fi #
11/11: Nashville, TN – The Basement East #
11/12: Louisville, KY – Zanzabar #
11/13: Columbus, OH – Ace of Cups #
# w/ Windhand

Artist: Satan’s Satyrs
Album: The Lucky Ones
Label: RidingEasy Records/Bad Omen Records
Release Date: October 19th, 2018
01. Thrill of the City
02. The Lucky Ones
03. She Beast
04. Take It and Run
05. You and Your Boots
06. Too Early to Fold
07. Pulp Star
08. Trampled By Angels
09. Permanent Darkness
On the Web:

ridingeasyrecs.com/product/satans-satyrs-the-lucky-ones/

Keep your mind open.
[I’ll feel lucky if you subscribe.]

Live: Garbage and Dream Wife – September 20, 2018 – Paris, France

My wife and I were delighted to learn that Garbage would be playing in Paris while we were on vacation there.  I was surprised we managed to score tickets at face value, and even more surprised by the intimacy of the venue – the Bataclan. I expected a much bigger place, but the small size made the show louder, closer, and better.

Openers Dream Wife put down a raucous set of garage punk about subjects like female empowerment and ending gender bias.  The people tending their merch table were having a great time all night.

Garbage came out to a lively crowd and were soon tearing through hits from their second album, Garbage 2.0.  It was the 20th anniversary tour of the record, so you had to expect it.  They played other hits, of course, and lead singer Shirley Manson had the crowd in her hands within moments of the first notes she sang.

They tore through tracks like “Deadwood,” “Wicked Ways” (which included parts of Depeche Mode‘s “Personal Jesus”), and “The World Is Not Enough” – the Bond theme they did from the movie of the same name back in 1999.  Other highlights included “Medication,” with Manson telling the story of how she had to deal with health care in the U.S. after nearing dying of flu while on tour, “I Think I’m Paranoid,” “Sleep Together,” “Dumb,” and “Push It.”

They closed with “The Trick Is to Keep Breathing,” a new song called “No Horses” (which Manson said is about an environmental apocalypse), and “Cherry Lips” (which Manson said has become the Garbage concert anthem).

It was a fun show with an appreciative crowd.  You can’t ask for much more than that.

Keep your mind open.

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Unknown Mortal Orchestra surprises everyone with an instrumental album – “IC-01 Hanoi” – out later this month.

UNKNOWN MORTAL ORCHESTRA
ANNOUNCES SURPRISE INSTRUMENTAL ALBUM

IC-01 HANOI, OUT 10/26 ON JAGJAGUWAR; LISTEN TO “HANOI 6”

While recording Unknown Mortal Orchestra’s latest release, Sex & Food, Ruban Nielson, his longtime collaborator Jacob Portrait and his brother Kody Nielson, found themselves in the Vietnamese city of Hanoi at Phu Sa Studios.  During the recording process for Sex & Food the band recorded live sessions with local musician Minh Nguyen on Sáo Trúc, Đàn Môi, and Vietnamese Percussion and Nielson’s father, Chris, on Flugelhorn, Saxophone and keyboards.  These sessions became IC-01 Hanoi: a sonic distillation of the band’s influences in Jazz, Krautrock, and the avant-garde.  At its core Hanoi is a record of exploration, finding its closest antecedent in Miles Davis’ experimental On The Corner – itself a record full of nods toward avant-garde composers and jazz outsiders alike.  Hanoi finds Ruban amplifying and stretching out on lead guitar, with a blown-out and wandering fuzz tone that slinks throughout the sessions.  The rest of the group match Ruban’s melodic diversions with aplomb, mining their talents and finding as easy a role in the fusion of funk as they do in the more ambient and abstract tangents on Hanoi. IC-01 Hanoi will see release on October 26th via Jagjaguwar.

LISTEN TO “HANOI 6”
https://youtu.be/JDsmgYRh6nA

PRE-ORDER IC-01 HANOI
https://umo.ffm.to/ic-01hanoi

IC-01 HANOI TRACKLISTING
1. Hanoi 1
2. Hanoi 2
3. Hanoi 3
4. Hanoi 4
5. Hanoi 5
6. Hanoi 6
7. Hanoi 7

UNKNOWN MORTAL ORCHESTRA TOUR DATES
September 25 – Kuala Lumpur, MY @ The Bee
September 26 – Jakarta, ID @ Empirica
October 4 – Guadalajara, Mexico @ C3 Stage
October 6 – Lomas Atlas, Mexico @ Festival Hipnosis @ Deportivo Lomas Atlas
October 26 – Madrid, ES @ Sala Mon
October 27 – Bilbao, ES @ BIME Live
October 29 – Porto, PT @ Hard Club
October 30 – Lisbon, PT @ Aula Magna
November 1 – Clermont-Ferrand, FR @ La Cooperative de Mai
November 2 – Antwerp, BE @ Filter Festival
November 3 – Paris, FR @ Pitchfork Music Festival Paris
November 4 – Frankfurt, DE @ Zoom Frankfurt
November 6 – Copenhagen, DK @ Vega
November 7 – Stockholm, SE @ Kagelbanan
November 8 – Oslo, NO @ Parkteatret – SOLD OUT
November 9 – Bergen, NO @ Landmark – SOLD OUT
November 11 – Groningen, NL @ Oosterpoort
November 13 – Vienna, AT @ Flex
November 14 – Zurich, CH @ Rote Fabrik
November 15 – Vevey, CH @ Rocking Chair
November 16 – Amsterdam, NL @ Melkweg
November 17 – Leipzig, DE @ Trascentury Update No. 3 Festival
November 19 – Birmingham, UK @ O2 Institute
November 21 – London, UK @ Royal Albert Hall
November 22 – Brighton, UK @ Concorde 2 – SOLD OUT
November 23 – Sheffield, UK @ The Leadmill
November 25 – Dublin, Ireland @ The Academy
November 26 – Glasgow, UK @ SWG3
January 12 – Christchurch, NZ @ Hagley Park
January 14 – Queenstown, NZ @ John Davies Oval
January 19 – Auckland, NZ @ Western Springs – SOLD OUT

Listen to Sex & Food – https://unknownmortalorchestra.lnk.to/sexandfood
Watch “Hunnybee” – https://www.youtube.com/watch?v=IJrKlSkxRHA
Watch “Not In Love We’re Just High” – https://youtu.be/uY82vChor2A
Watch “Everyone Acts Crazy Nowadays” – https://youtu.be/ad2Iy0DMCWU
Watch “American Guilt” – https://www.youtube.com/watch?v=4-JlcmCxIXU
Download hi-res images here: http://pitchperfectpr.com/unknown-mortal-orchestra/
UMO Online:
https://twitter.com/umo
http://unknownmortalorchestra.com/
http://instagram.com/unknownmortalorchestra
http://www.jagjaguwar.com/artist.php?name=umo
https://www.facebook.com/unknownmortalorchestra

Keep your mind open.

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Public Practice releases “Foundation” from upcoming EP.

Public Practice Shares New Single “Foundation”
Listen Here

Distance Is A Mirror, Debut EP Out October 26th Via Wharf Cat Records

[“Foundation” artwork]

Last month, Public Practice announced their debut EP, Distance Is A Mirror, to be released October 26th via Wharf Cat Records and shared lead single “Fate/Glory.” Today, they’re back with another new single, “Foundation.” The song deep fries Beach Boys guitars in ice-cold-but-somehow-funky Scritti Politti grooves. Add a dead pan David Byrney vocal, and Public Practice remind us again how integral it is to use honesty and self-reflection to bring some of life’s double standards to light.

The four members of Public Practice—singer Sam York, guitarist Vince McClelland, synth/bassist and vocalist Drew Citron, and drummer/programmer and producer Scott Rosenthal—are no strangers to songwriting. A Brooklyn DIY super group of sorts, Public Practice combines members of freshly-dead punk project WALL and local pop band Beverly. Public Practice backs their ambitious songwriting with serious chops, their live shows already pulling them into the sharp foreground of a scene growing all too warm and fuzzy.

Distance is a Mirror is a confident, juried testimony of love steeped in dark optimism. By the end of the short and bittersweet 4-song EP, Public Practice anchors themselves as a new band with wisdom like their influences, bringing songs distinctly fresh as they are familiar. Public Practice will privately change your mind about where guitar music is going.

Stream “Foundation” – https://bit.ly/2N46WIZ

Stream “Fate/Glory” – https://bit.ly/2Iix5mp

Public Practice Live:
Fri. Oct. 5 – Brooklyn, NY @ Music Hall of Williamsburg (w/ Shame, BODEGA)
Fri. Oct. 26 – Brooklyn, NY @ Alphaville (Record Release Party)
Fri. Nov. 30 – Washington, DC @ Black Cat (w/ Flasher, Gong Gong Gong)
Mon. Dec. 3 – Cleveland, OH @ Beachland Tavern (w/ Flasher, Gong Gong Gong)
Tue. Dec. 4 – Chicago, IL @ Hideout (w/ Flasher, Gong Gong Gong)
Wed. Dec. 5 – Columbus, OH @ Ace of Cups (w/ Flasher, Gong Gong Gong)
Thu. Dec. 6 – Paterson, NJ @ A Red Wheelbarrow (w/ Flasher, Gong Gong Gong)

[Distance Is A Mirror artwork]
Keep your mind open.
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Review: Exploded View – Obey

International experimental musicians Exploded View (Annika Henderson hailing from Berlin and Hugo Quezada and Martin Thulin from Mexico City) explore themes of punishment and isolation (physical, mental, social) on their new album Obey.

They open with the instrumental “Lullaby,” which could be the opening theme to a Mario Bava movie, and then slide into the sultry “Open Road,” which could be the opening theme to David Lynch’s next movie.  Henderson’s voice hypnotizes you within moments and Quezada and Thulin’s instrumentation ranges from weird lounge jazz to dreamwave.  “Dark Stains” brings in krautrock bass and synths while Henderson sings about lost time and a lover’s deceptions.

“What would you do if your love was gone tomorrow and you never found the words to say?” Henderson asks on the haunting synthwave track “Gone Tomorrow,” in which Exploded View implores us to not wait and not to be afraid to find love.  The unsettling title track is about obeying not only laws but also the unwritten rules of society (both in the flesh and online) which can get you ostracized if you don’t tow the line.  Henderson’s voice seems to be on the outside of the song, like she’s being punished for not conforming.  I can’t help but think of another filmmaker when hearing this track – John Carpenter.  It seems to flow out of his film They Live.

“Sleepers” is one of the best synthwave tracks of the year, with buzzsaw guitars, sunlight-bright synths, dark bass, and Henderson’s vocals calling out to you through your dreams.  “Letting Go of Childhood Dreams” is about the sometimes cold nature of reality.  Again, Henderson’s vocals seem distant, almost like she’s fading away as the synths drift into every corner of the room.

The catchy “Raven Raven” is probably being blasted in goth dance clubs across Europe by now.  If not, it should be.  It’s perfect for dark rooms, make-out sessions, late night Metro rides, and catching the eyes of a raven-haired maiden as she looks at you over a cup of jet black espresso at 2am.  “Come On Honey” brings in chaotic guitars and frenetic percussion while Henderson’s vocals keep us and her bandmates grounded (but just barely).  The closing track, “Rant,” is appropriately urgent.  Henderson implores us one last time to embrace life, love, and beauty.  “Life could be so damn simple, if you let it,” she sings.

We’re too busy obeying, however.  We’re obeying advertising, 24-hour news cycles, social media, and the expectations and opinions of others and not trusting our own minds, eyes, and hearts.

Stop obeying.  Start living.  That’s the message of Exploded View’s Obey.

Keep your mind open.

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Review: mmph – Serenade

Sae Heum Han, otherwise known as mmph, has released his second EP of electronic instrumentals – Serenade – and I’m not sure I can describe it better than the official press release for it, which states:  “Melodically focused, orchestrally informed and rhythmically driven, each of Serenade’s five songs utilize a different classical trope to create Wagnerian suites in miniature. ‘Minuet’ is a stately dance in triple time (performance), ‘Tragedy’ is a play (death), ‘Elegy’ is a mourning poem (death), and ‘Serenade’ is a courtship song often played in the open air (love).”

“Minuet” is indeed a performance, with big, crashing guitars, percussion, and synths before lush pianos and strings take over the track.  The choppy synths on “Tragedy” remind me of a crashing helicopter (or at least the sounds of such an event when seen in action films), which is appropriate for the title.  They become almost angelic wails at one point.

The middle track, “Woodlawn,” starts and stops with chopped-up beats that resemble panicked breathing and uncertainty.  “Elegy” is the creepy little synth brother to Mussorgsky’s “A Night on Bald Mountain.”  The synths become gothic chants and the beats are the flapping of demon wings.  The title track’s themes of love and courtship is evident from the first few notes.  Synths bloom and burst and chase each other around like giddy lovers.

Serenade is an impressive piece of work.  It’s bold and artful, and one of the more interesting electronica albums this year.

Keep your mind open.

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Constant Lovers share heavy, frantic track “You Are Dinner” from upcoming album.

Constant Lovers share first track from forthcoming album Pangs
 Chaotic, fun punk rock’n’roll w/ members of Helms Alee, Damien Jurado, Harkonen, Suffering & The Hideous Thieves, Triumph of Lethargy

Hear and share “You Are Dinner” (Soundcloud) (Heavy Blog)
“A curve ball…A barely contained explosion of rock n’ roll riffs and potential, shaking off bonds that lay at the base of why rock n’ roll is so good.” — Heavy Blog Is Heavy
Seattle, WA quartet Constant Lovers premiere the first track from their forthcoming sophomore album, Pangs today via Heavy Blog is Heavy. Hear and share “You Are Dinner” HERE. (Direct Soundcloud and Bandcamp.)
It’s like we’ve all forgotten what a great rock ‘n’ roll band should sound like. Everything’s been subdivided into narrower and narrower genres. The idea of a loud, fun, sometimes heavy, other times chaotic, brash and unfettered rock band seems completely alien today. Constant Lovers is one of those – like how the MC5 sounded completely different on every album, yet always unparalleled in rhythmic, propulsive force.
Considering that Constant Lovers is a coterie of Seattle musicians from a mixed musical background, their collision of styles makes perfect sense. Drummer Ben Verellen plays guitar and sings in celebrated crunchers Helms Alee (Sargent House), guitarist Eric Fisher played with Sub Pop songwriter Damien Jurado, guitarist/vocalist Joel Cuplin played in Murder City Devils offshoot Triumph of Lethargy Skinned Alive To Death and bassist/vocalist Gavin Tull-Esterbrook in murder balladeers Suffering and The Hideous Thieves. The entire band’s members have generally vacillated across the board of musical convention over the years.
Hearkening to the late-60s/early-70s boundary pushing of proto-punk, Constant Lovers have added saxophone and the use of improvisation in both recording and their live shows. Some tunes are as taut and wiry as Television, others are heavy as modern doom metal, most of them are just loud and fun and less than serious — aside from delivering the goods to the good people. Of course, more modern comparisons are equally fitting, like early aughts chameleons and fellow Seattleites The Blood Brothers, rock iconoclasts Cloud Nothings, and a more playful amalgam of the band members’ other outfits.
At once a celebration of the heavier sounds featured in their last album, Experience Feelings, Pangs also signals a turn towards a more exploratory nature. Pangs opens with a slow fade in to the propulsive skree of “The Wound Up Get Down” reminiscent of The Birthday Party. “You Are Dinner” repeats an urgent, chirping guitar line before erupting in a heavy, slinking riff. “Meow Meow Meow” takes a rock’n’roll swagger, chopped into jagged slashes of guitar over syncopated drums. Elsewhere, “Bone Shard Fashion” and “Lullabye” serve up low end fury and frantic vocals. Throughout, while it’s an aggressive and wild ride, Pangs never abandons melody for the sake of crunch.
Pangs will be available on LP and download on October 26th, 2018. Preorders are available HERE.

Artist: Constant Lovers
Album: Pangs
Record Label: Self-released
Release Date: October 26th, 2018
01. The Wound Up Get Down
02. Meow Meow Meow
03. Ceiling Sweats
04. It’s Electric
05. You Are Dinner
06. Bone Shard Fashion
07. Know The Knot
08. Rally Cry For The Pang In Your
09. Lullabye
10. Amuse Bouche
11. Pang Time
On the Web:
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Beijing duo Gong Gong Gong release premiere single – “Siren”

INTRODUCING BEIJING DUO GONG GONG GONG

LISTEN TO DEBUT SINGLE ON WHARF CAT, “SIREN 追逐劇“; CATCH THEM ON TOUR THIS FALL

Beijing’s Gong Gong Gong make driving, stripped-down transnational blues, tapping into the spirit of Bo Diddley, the Monks, and psychedelic music from West Africa to Southeast Asia. “Phantom Rhythm” is the concept at the duo’s core: between Tom Ng’s percussive guitar and Joshua Frank’s melodic, charging bass, an aura of ghostly snare hits emerges over a thumping low-end pulse. Atop this framework, Ng recounts Cantonese tales of absurdity, love and lust with fragmented, wry vision.

On their first US release, “Siren 追逐劇” b/w “ Something’s Happening 突發 “ (out 11/9 on Wharf Cat) Gong Gong Gong brings to life a cinematic chase scene. Shot-by-shot, frame-by-frame, “Siren 追逐劇“ is a story of galloping hooves and screeching tires—a horse and car racing each other through mountains and desert, charging into the city. The flip-side, instrumental “Something’s Happening 突發” is Gong Gong Gong at their most raw: locomotive jangle and fuzz-faced roar. Dust, sweat and engine oil, the landscape rushing by. Gong Gong Gong have dates lined up on both sides of the Atlantic with the likes of Parquet Courts, Bodega and Flasher. A full list of upcoming tour dates is below.

LISTEN TO “SIREN追逐劇“
https://youtu.be/Xtz1OJfgeAM

PRE-ORDER “SIREN” 7″
https://www.wharfcatrecords.com/store/gong-gong-gong-siren

GONG GONG GONG TOUR DATES
Sun. Sept. 23 – Seattle, WA @ The Showbox w/ Parquet Courts
Mon. Sept. 24 – Vancouver, BC @ Imperial w/ Parquet Courts
Tue. Sept. 25 – Portland, OR @ Wonder Ballroom w/ Parquet Courts
Thu. Sept. 27 – San Francisco, CA @ The Fillmore w/ Parquet Courts
Fri. Sept. 28 – San Jose, CA @ The Ritz w/ Parquet Courts
Sun. Oct. 7 – Brooklyn, NY @ Alphaville w/ Eaters
Fri. Oct. 19 – Queens, NY @ Outpost Artists Resources
Fri. Nov. 30 – Washington, DC @ Black Cat w/ Flasher, Public Practice
Mon. Dec. 3 – Cleveland, OH @ Beachland Tavern w/ Flasher, Public Practice
Tue. Dec. 4 – Chicago, IL @ The Hideout w/ Flasher, Public Practice
Wed. Dec. 5 – Columbus, OH @ Ace of Cups w/ Flasher, Public Practice
Thu. Dec. 6 – Patterson, NJ @ The Red Wheelbarrow w/ Flasher, Public Practice
Tue. Feb. 12 – Brussels, BE @ Rotonde, Botanique w/ Bodega
Thu. Feb. 14 – Bottingham, UK @ Rescue Rooms w/ Bodega
Fri. Feb. 15 – Glasgow, UK @ The Art School w/ Bodega
Sat. Feb. 16 – Dublin, IR @ Whelan’s w/ Bodega
Mon. Feb. 18 – Manchester, UK @ Gorilla w/ Bodega
Tue. Feb. 19 – Leeds, UK @ Brudenell Social Club w/ Bodega
Wed. Feb. 20 – London, UK @ Scala w/ Bodega
Sat. Feb. 23 – Paris, FR @ Point Ephemere w/ Bodega
Mon. Feb. 25 – Rotterdam, NL @ Rotown w/ Bodega
Tue. Feb. 26 – Amsterdam, NL @ Bitterzoet w/ Bodega
Keep your mind open.
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