Yard Act warn of “Dark Days” with new single.

Emerging Leeds outfit Yard Act have today shared their new single “Dark Days” – out via their own Zen F.C. label. Following their debut 7” Fixer Upper / The Trapper’s Pelts, which sold out its entire 500 copy pressing on the day of release, the band announced the Dark Days / Peanuts double A-side yesterday and sold out 1000 copies in just under 2 hours. In signature Yard Act fashion, “Dark Days” propels frontman James Smith’s striking social observations forward along with steadfast guitar lines and jutting rhythms. Recorded in the same session as “Peanuts” with Ross Orton, “Dark Days” rounds off the opening chapter of Yard Act’s strange lockdown existence before they head off to record their debut album.

LISTEN: to Yard Act’s “Dark Days” on YouTube


Smith explains: “With ‘Dark Days’ I wrote the first verse and chorus hook quite fast but then I didn’t know how to finish it. The demo Ryan sent was ace, real sparse. The drums were really driven but the bassline felt like it was suspended mid air in the verses, like a dub bassline or something. It created the illusion that you have time to stop and look around amidst the ensuing chaos. It’s like in war films when all the noise stops and you just hear the protagonist heavy breathing whilst they survey their surroundings in slow motion. Then the chorus hit with this ‘Captain Caveman’ vibe, it reminded me of that stop-motion cartoon from the 90’s ‘GOGS’ if anyone remembers that? I liked the juxtaposition of the bleak world with the cartoon bass line.”

“Despite all the advances humanity has made, the threat of devolving feels increasingly possible in the modern world, and on my bad days when I’m spiralling I can’t help but get trapped in my own head envisioning this post-apocalyptic future we’re seemingly headed toward, so fuck knows why I decided to watch ‘Children of Men’ when I was feeling like that. If I’d fully remembered what happened in it, I don’t think I would’ve in the middle of a pandemic, but I did, and I actually came away feeling really uplifted by the ending. I saw hope in it, and it helped me finish the story.” 

Yard Act formed in Leeds in late 2019 when Ryan Needham found himself temporarily living in James Smith’s spare bedroom. The two had been pub associates for years, but their new living circumstances served as a catalyst for their friendship and creative partnership which saw them fuse James’ interest in spoken word with Ryan’s primitive proto-punk demos using an ancient drum machine and borrowed bass guitar.

Yard Act’s rise since arriving in March 2020 with debut track “The Trapper’s Pelts” has been nothing short of extraordinary, even without the opportunity to showcase their incendiary live set. Their first releases last year proved an instant hit with national newspapers (The ObserverThe TimesThe Independent, and The Guardian) and radio stations (BBC Radio 6 Music (“Fixer Upper” and “Peanuts” were both daytime playlisted), BBC Radio 1 and Radio X) alike. The band rounded off 2020 with spots on the NME 100, Dork HYPE List, The Daily Star ‘Ones to Watch 2021’, Gigwise ‘21 for 21’, and Selector Radio’s ‘New Wave Artists 2021’. Single ‘Fixer Upper’ landed on Loud & Quiet and So Young Magazine’s ‘Tracks of the Year’, while “Peanuts” earned a place as BBC Introducing West Yorkshire Track of the Week, as well as being playlisted at NME, So Young, and The Independent alongside appearing on the cover of ‘The Punk List’ and ‘Hot New Bands’ at Spotify

“Dark Days” is out now on Zen F.C. It is available here

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[Thanks to Tom at Hive Mind PR.]

Review: Mush – 3D Routine

Post-punk has been thriving the last couple years in the US and the UK. One of the UK bands getting a lot of attention in the genre nowadays is Mush (Nick Grant – bass, Dan Hyndman – vocals, Phil Porter – drums, Tyson Porter – guitar) who combine quirky jamming with sharp spoken word lyrics about work life drudgery, political mockery, and crushing debt left behind by past generations on their debut album 3D Routine.

“Revising My Fee” starts with sharp guitar angles and reminding everyone that practically everyone in Mush’s generation is “always in debt.” Tyson Porter’s solo on it is outstanding. The band punches back at the forces keep them in that debt on “Eat the Etiquette” and then tackles death on “Existential Dread” – a snappy tune (with even snappier drumming by Phil Porter) about shuffling along and avoiding life while approaching death.

I’m guessing “Coronation Chicken” is about the Royal Family, but I could be wrong. I do know that it has a swanky groove to it that I love. “Island Mentality,” like “Eat the Etiquette,” starts with a short instrumental intro, before it kicks into quick post-punk rollicking. “Fruits of the Happening,” apart from having an intriguing title, has another solid intro before Hyndman sings about how, if we’re not vigilant, we can become the product of events around us that are often out of our control.

“Hey Gammon Head” has Tyson Porter’s guitar work bordering on psychedelic rock territory. Hyndman spits his lyrics so fast on the title track that you can barely keep up with him, but Grant’s bass keeps the tune rooted. “Gig Economy” is a frantic take on not only the economics of being in a touring band, but also how everyone is working some sort of side hustle gig just to get by.

“Poverty Pornography” keeps up this theme by throwing down a snarky track about rich folks getting richer and enjoying the fruits of the poor’s labor. “No Signal in the Paddock” has one of the best grooves on the whole record, with the Porter brothers and Grant all working in perfect timing yet still sounding rough and raw. The closer, “Alternative Facts,” is over nine minutes of ranting against those who power who expect us to swallow their bullshit.

I’d be remiss if I didn’t mention Hyndman’s weird vocal delivery. He mixes post-punk sarcasm with punk snot and art rock flair. In other words, he’s perfect for singing in a post-punk band.

This is a routine you’ll enjoy.

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Shopping slide into the end of 2019 with one of the sharpest singles of the year – “Initiative.”

Photo by Matt Draper

Shopping announce All Or Nothing, their new album out February 7th on FatCat Records, and present the video for lead single, “Initiative.” Following 2018’s The Official Body, the songs that make up All or Nothing are the band’s boldest yet; confident, elastic, streamlined grooves that crackle with energy and intention. The trio’s vision – deeply queer; political by default – place them in a radical lineage of dance, a continuum connecting disco and post-punk to Chicago house and EDM. 

Storming lead single “Initiative” was written in a Seattle basement. Like the album as a whole, the track thrums with purpose, marking a confident new phase for the band. Referencing  governments who shirk responsibilities but place the blame on individuals, the song has a frustrated groove that’s propelling, motivated by necessity to keep going against the grain. The accompanying video, directed by Jack Barraclough, is brightly-stylized, and stars the band themselves. 
 

Watch Video For “Initiative” – 
http://www.youtube.com/watch?v=8Owoq6vVkUs


Though the band members now live countries away from each other – guitarist Rachel Aggs (Trash Kit, Sacred Paws) and drummer Andrew Milk (Current Affairs) in Glasgow and Billy Easter (Wet Dog) in Los Angeles – the trio returned to London for an intense, 10-day period. For All Or Nothing, they teamed up with US-based producer Davey Warsop to record, shifting their stripped-down ethos to one that took a leap into pop production. Talking Heads, YYYs, Bronski Beat and LCD Soundsystem are among the artists to feature on the production inspo playlist the band created for Nick Sylvester, who mixed the record, in Los Angeles.

Along with cleaner, new production values, All Or Nothing sees Shopping experiment further with the sonic additions that coloured The Official Body. Jubilantly ‘80s synths and electronic percussion add new textures to their signature minimalist dynamic. 

Four albums in, Shopping are as committed and focused as ever, regardless of any distance. “We found ourselves singing about being true to yourself, in an often binary and belligerent digital age, and reclaiming agency when it feels like our personal freedom and privacy is constantly eroding.”  In an era dominated by spin and surveillance, All Or Nothing invites us to remember what really moves us, in dance and in life. 
 

All Or Nothing Tracklist:
1. All Or Nothing
2. Initiative
3. Follow Me
4. No Apologies
5. For Your Pleasure
6. About You
7. Lies
8. Expert Advice
9. Body Clock
10. Trust In Us

Shopping Tour Dates:
Fri. Feb. 7 – London, UK @ Rough Trade East
Sun. Feb. 9 – Bristol, UK @ Rough Trade Bristol
Mon. Feb. 10 – Nottingham, UK @ Rough Trade Nottingham
Thu. March 5 – Portland, OR @ Mississippi Studios *
Fri. March 6 – Seattle, WA @ Sunset Tavern *
Sat. March 7 – Vancouver, BC @ The Biltmore *
Mon. March 9 – Reno, NV @ Holland Project * 
Tue. March 10 – San Francisco, CA @ Rickshaw Stop *
Wed. March 11 – Los Angeles, CA @ 1720 *
Thu. March 12 – San Diego, CA @ UCSD *
Sat. March 14 – Tucson, AZ @ Club Congress (Spring Thing) *
Mon. March 16 – Sat. March 21 – Austin, TX @SXSW
Mon. March 23 – Tallahassee, FL @ The Bark *
Tue. March 24 – Atlanta, GA @ The Masquerade – Purgatory *
Wed. March 25 – Durham, NC @ The Pinhook *
Thu. March 26 – Washington, DC @ DC9 *
Fri. March 27 – Philadelphia, PA @ Boot & Saddle *
Sat. March 28 – Brooklyn, NY @ Elsewhere *
Sun. March 29 – Portsmouth, NH @ The Press Room *
Tue. March 31 – Toronto, ON @ The Monarch *
Thu. April 2 – Detroit, MI @ Deluxx Fluxx *
Fri. April 3 – Fort Wayne, IN @ The Brass Rail *
Sat. April 4 – Chicago, IL @ Subterranean *
Sun. April 5 – Minneapolis, MN @ 7th Street Entry *
Tue. April 7 – St. Louis, MO @ Sinkhole *
Wed. April 8 – Lawrence, KS @ White Schoolhouse *
Thu. April 9 – Denver, CO @ Hi Dive *
Fri. April 10 – Salt Lake City, UT @ Kilby Court *
Tue. May 5 – London, UK @ The Lexington
Wed. May 6 – Paris, FR @ Supersonic
Fri. May 8 – Utrecht, NL @ ACU
Sat. May 9 – Hamburg, DE @ Molotow (SkyBar)
Sun. May 10 – Copenhagen, DK @ VEGA Ideal Bar
Mon. May 11 – Berlin, DE @ Urban Spree
Thu. May 14 – Vienna, AT @ Fluc Café
Fri. May 15 – Prague, CZ @ Meetfactory
Sat. May 16 – Munich, DE @ Milla
Sun. May 17 – Bern, CH @ Reitschule/Rössli
Tue. May 19 – Winterhur, CH @ Albani
Thu. May 21 – Luxembourg, LU @ De Gudde Wellen
Sat. May 23 – Offenbach, DE @ Hafen 2

* = w/ Automatic

Pre-order All Or Nothing – 
https://fat-cat.co.uk/release/shopping/all-or-nothing

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Dry Cleaning release “Viking Hair” from upcoming new EP.

UK quartet Dry Cleaning share the second single off their forthcoming EP Boundary Road Snacks and Drinks (their second EP in just over 4 months), entitled “Viking Hair.”

Trademark repetitive, melodic guitar motifs ring out over an energized rhythm section that builds to a gradual crescendo. The result is invigorating and driven yet thoughtful and emotive.

Lyrically, Viking Hair is inspired by romantic ideas about someone you’re attracted to but don’t know well, and distracting things seen in the street. The ‘oooohs’ are intended to sit somewhere between a heart monitor flat-lining and feedback from a microphone.

The song is accompanied by a video shot and edited by the band and Pedro Pina. The band provides the following context:

“Cactus Club is a weekly LGBT line dancing class and club where everyone is welcome. Based in Clapham, South London, it was established in 1993 and is run by Michael, Anne and Peter. Whilst recording ‘Viking Hair,’ we noticed the mood and rhythm of the song brought line dancing to mind. We found Cactus Club online and approached them to see if they would be interested in helping us to make a video. Dry Cleaning wish to thank the Cactus Club organizers and all the dancers who took part for sharing the fantastic atmosphere at their club with us, and for their enthusiasm and expertise.”

WATCH “VIKING HAIR” VIDEO https://youtu.be/d5MNSuhiIGM

LISTEN TO “SIT DOWN MEAL” https://youtu.be/2zd2K4_UykQ

Both EP’s, July’s Sweet Princess and October’s Boundary Road Snacks and Drinks, will be compiled together for a 12″ vinyl release on October 25th and can be pre-ordered HERE.

DRY CLEANING TOUR DATES: Oct. 17th – Dublin, IE @ Workman’s Club Oct. 19th – Bristol @ Simple Things Festival Oct. 20th – Cardiff, UK @ SWN Festival Oct. 23rd – London, UK @ The Lexington Nov. 23rd – Glasgow, UK @ Great Western Festival Nov. 24th – Sheffield, UK @ Picture House Social Wed. Feb. 12 – Manchester, UK @ Gulliver’s Thu. Feb. 13 – Edinburgh, UK @ Sneaky Pete’s Fri. Feb. 14 – Glasgow, UK @ The Hug and Pint Sat. Feb. 15 – Leeds, UK @ Hyde Park Book Club Thu. Feb. 20 – Cambridge, UK @ Portland Arms Fri. Feb. 21 – Liverpool, UK @ The Shipping Forecast Sat. Feb. 22 – Birmingham, UK @ The Sunflower Lounge Fri. Feb. 28 – Brighton, UK @ Green Door Store Sat. Feb. 29 – Bristol, UK @ The Louisiana Sun. March 1 – Southampton, UK @ Heartbreakers Tue. March 3 – London, UK @ Village Underground  

Dry Cleaning online: https://drycleaning.bandcamp.com/ https://www.instagram.com/drycleaningband/ https://www.facebook.com/drycleaningband/ https://pitchperfectpr.com/dry-cleaning/

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