The Beths announce live album, concert film, and massive tour.

Photo by Amanda Cheng

Playing a home show still feels special for The Beths, who began playing shows in 2015 and quickly won over local audiences with a low-key approach that disguised their drive for excellence. Today, the band announces its first live recording and film, Auckland, New Zealand, 2020, out September 17th on Carpark Records. The announcement also comes on the three-year anniversary of the release of their debut album, Future Me Hates Me.  Auckland, New Zealand, 2020 showcases the infectious energy The Beths bring to every performance. Native birds, wonkily crafted by the band from tissue paper and wire, festoon the venue’s cavernous ceiling while house plants soften and disguise the imposing pipes of an organ. The presence of the film crew isn’t disguised: much of the camerawork is handheld; full of fast zooms and pans. “Watching the film for the first time brought back all the emotions of 2020 for us. Sports Team have done such an amazing job of capturing the mix of anxiety and simple joy that was touring music in NZ at the time. We are so grateful that it happened and grateful to have it documented with so much love and care,” says lead vocalist/guitarist Elizabeth Stokes.

Future Me Hates Me is a fan favorite, as both band and audience feed off the mutual energy in the room.

Watch “Future Me Hates Me (Live)”

After building a loyal following through live performances and their 2016 EP Warm Blood, The Beths signed to Carpark Records and released the debut album, Future Me Hates Mein 2018. Jump Rope Gazers, released in July 2020, was a slower, yearning follow-up that still fizzes and sparks with pop-punk sensibilities. Immediately seized on by both fans and music critics as a bright spot during an otherwise dark year, Jump Rope Gazers was named Album of the Year at New Zealand’s national Aotearoa Music Awards in 2020, and secured the band awards for Best Group and Best Alternative Artist for the second year running. The releases catapulted the band straight into lengthy international tours that saw them support legends like The Pixies and Death Cab For Cutie as well as headlining increasingly large shows of their own.

Auckland, New Zealand, 2020 has its genesis in an urge to share the now-rare experience of a live show as widely as possible. The accompanying film makes the deep bond Stokes, lead guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck clearer than ever: capturing the in-jokes they share with audiences during on-stage banter, and foregrounding their mutual preoccupations with the game of cricket and New Zealand’s native birds. It’s a collective exhalation, in one of the few countries where live music is still possible. They deliberately include the date and location, because “That’s the sensational part of what we actually did,” says Pearce. In a mid-pandemic world, playing to a heaving, enraptured home crowd feels miraculous.

The band will follow up the release of Auckland, New Zealand, 2020 with a North American headline tour in 2022. “Our last North American tour was in summer of 2019, which feels like a century ago. There is no way to describe how much we have wanted to be over there playing music. Finally it is happening?! See you soon. xo,” says LizAn artist pre-sale will begin on Wednesday, August 11 at 10am local time, with a Brooklyn Vegan pre-sale running on Thursday, August 12 at 10am local time. Tickets go on sale to the general public on Friday, August 13 at 10am local time. Tickets are available at thebeths.com. Fans can join the band’s new Patreon in the meantime.

Watch Auckland, New Zealand, 2020 Trailer  & “Future Me Hates Me” (Live)Pre-order Auckland, New Zealand, 2020

Album – https://found.ee/beths_nz2020
Film – https://found.ee/film_nz2020

Live Album Tracklist:
1. I’m Not Getting Excited
2. Great No One
3. Whatever
4. Mars, the God of War
5. Future Me Hates Me
6. introduction
7. Jump Rope Gazers
8. Uptown Girl

9. bird talk
10. Happy Unhappy
11. Out of Sight
12. thank you
13. Don’t Go Away
14. Little Death
15. Dying to Believe
16. River Run

Film Setlist:
1. I’m Not Getting Excited
2. Great No One
3. Whatever
4. Mars, the God of War

5. Future Me Hates Me
6. Jump Rope Gazers
7. Uptown Girl
8. Happy Unhappy
9. Out of Sight
10. Little Death
11. Dying To Believe
12. You Wouldn’t Like Me
13. River Run

Tour Dates:
Fri. Sept. 17, 2021 – Auckland, NZ @ The Others Way
Tue. Sept. 28, 2021 – Auckland, NZ @ Whammy Bar
Wed. Sept. 29, 2021 – Auckland, NZ @ Whammy Bar
Thu. Sept. 30, 2021 – Auckland, NZ @ Whammy Bar
Fri. Oct. 1, 2021 – Auckland, NZ @ Whammy Bar
Sat. Oct. 2, 2021 – Auckland, NZ @ Whammy Bar
Fri. Oct. 22, 2021 – Tauranga, NZ @ Tauranga Arts Festival
Sat. Oct. 23, 2021 – Hawke’s Bay, NZ @ Labour of Love
Fri. Oct. 29, 2021 – Wellington, NZ @ San Fran
Sat. Oct. 30, 2021 – Wellington, NZ @ College of Creative Arts, Massey University (AA show)
Sun. Oct. 31, 2021 – Nelson, NZ @ Nelson Arts Festival
Thu. Nov. 4 – Sydney, NSW @ Factory Theatre
Fri. Nov. 5 – Brisbane, QLD @  The Zoo
Sat. Nov. 6 – Melbourne, VIC @ The Night Cat
Sat. Dec. 4 – Auckland, NZ @ The Outerfields

Thu. Jan. 20, 2022 – Washington, D.C. @ Black Cat
Fri. Jan. 21, 2022 – Philadelphia, PA @ Underground Arts
Sat. Jan. 22, 2022 – New York, NY @ Rough Trade (in-store signing)
Sat. Jan. 22, 2022 – New York, NY @ Webster Hall
Sun. Jan. 23, 2022 – Boston, MA @ The Sinclair
Tue. Jan. 25, 2022 – Montreal, QC @ Bar Le Ritz
Wed. Jan. 26, 2022 – Toronto, ON @ Lee’s Palace
Fri. Jan. 28, 2022 – Chicago, IL @ Metro
Wed. Feb. 2, 2022 – Calgary, AB @ Commonwealth
Fri. Feb. 4, 2022 – Vancouver, BC @ Biltmore Cabaret
Sat. Feb. 5, 2022 – Seattle, WA @ NeumosSun. Feb. 6, 2022 – Portland, OR @ Wonder Ballroom
Tue. Feb. 8, 2022 – San Francisco, CA @ The Independent
Thu. Feb. 10, 2022 – Los Angeles, CA @ Regent Theater
Sat. Feb. 12, 2022 – Phoenix, AZ @ Valley Bar
Tue. Feb. 15, 2022 – Austin, TX @ Parish
Wed. Feb. 16, 2022 – Dallas, TX @ Club Dada
Fri. Feb. 18, 2022 – Atlanta, GA @ Masquerade (Hall)
Sat. Feb. 19, 2022 – Nashville, TN @ Mercy Lounge
Sun. Mar. 27, 2022 – Southampton, UK @ The Loft
Mon. Mar. 28, 2022 – Leeds, UK @ Brudenell Social Club
Tue. Mar. 29, 2022 – Glasgow, UK @ St Luke’s
Thu. Mar. 31, 2022 – Manchester, UK @ Club Academy
Fri. Apr. 1, 2022 – Bristol, UK @ SWX
Sat. Apr. 2, 2022 – Birmingham, UK @ The Castle and Falcon
Mon. Apr. 4, 2022 – London, UK @ O2 Forum Kentish TownTue. Apr. 5, 2022 – Brighton, UK @ Concorde II
Thu. Apr. 7, 2022 – Paris, FR @ Point Ephémère
Fri. Apr. 8, 2022 – Lyon, FR @ Le Marché Gare
Sat. Apr. 9, 2022 – Dudingen, CH @ Bad Bonn
Sun. Apr. 10, 2022 – Lausanne, CH @ Le Romandie
Tue. Apr. 12, 2022 – Milan, IT @ Biko
Wed. Apr. 13, 2022 – Munich, DE @ Feierwerk
Fri. Apr. 15, 2022 – Vienna, AT @ B72
Sat. Apr. 16, 2022 – Prague, CZ @ Underdogs’
Mon. Apr. 18, 2022 – Berlin, DE @ LidoTue. Apr. 19, 2022 – Copenhagen, DK @ VEGA Ideal Bar
Wed. Apr. 20, 2022 – Hamburg, DE @ Molotow
Thu. Apr. 21, 2022 – Cologne, DE @ Bumann & Sohn
Fri. Apr. 22, 2022 – Brussels, BE @ Ancienne Belgique
Sat. Apr. 23, 2022 – Amsterdam, NL @ Paradiso
Sun. Apr. 24, 2022 – Esch-sur-Alzette, LU @ Kulturfabrik

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Patrick at Pitch Perfect PR.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.