Tanukichan teams up with Enumclaw on “Thin Air.”

Photo by Brendan Nakahara

In November, Tanukichan announced their sophomore LP GIZMO (out March 3rd via Company Records). A project led by Hannah van Loon, in collaboration with the Grammy-nominated chillwave pioneer Chaz Bear of Toro y Moi, their album is the follow up to their debut LP, Sundaysarelease that saw an enthusiastic response when it was released in 2018, earning praise from outlets like PitchforkRolling StoneFADERStereogum, Loud & Quiet and The AV Club.

The album’s lead single “Don’t Give Up was greeted with excitement upon its release, earning best of the week nods from outlets like MTV and Pitchfork, and today Tanukichan are sharing a second single from the album, a track called “Thin Air” that features Aramis Johnson of the Tacoma, Washington band Enumclaw. To coincide with the single’s release van Loon has spoken to Stereogum about the new album. 

LISTEN
to Tanukichan’s “Thin Air” feat. Enumclaw
HERE

READ
Stereogum’s Interview w/ Tanukichan
HERE

“This song is about exes, some people that I really cared about but ultimately didn’t want to be with,” van Loon explains. “The sadness I feel when I’m hurting someone, and missing them and knowing you won’t ever have that closeness again. It’s about how important they are and how much they’ve taught me, or helped me, but how I also know that people come and go. The chorus has a double meaning for me where I feel like I can’t prioritize relationships because I need to keep on focusing on myself. The other is feeling like I’m broken and keep ending up with the wrong people, and hurting them.”

——–

GIZMO is named after van Loon’s, who became a much-needed companion while the Bay Area musician wrote her second album as the pandemic began. The album is an exercise in release, whether from situational hindrances — a forced lockdown, for one — or from self-imposed hedonistic coping mechanisms. “A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.
 
To channel the more uplifting spirit she wanted for GIZMO, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” 

This new found positivity and interesting blend of influences are in evidence on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove that deals with the experience of trying to overcome imposter syndrome, as van Loon explains:
 
“This song is about feeling I haven’t done anything with my life, but also knowing that I’ve accomplished a lot and it’s only getting better. I started writing the lyrics when I was on tour opening for the Drums after my first album came out. We were playing sold out shows in front of hundreds of people, but I knew it could change in an instant. I felt like I hit rock bottom emotionally, I wasn’t ready for the road and it killed me. I felt so disconnected from the band even though they were my backbone and were making it happen. The only thing that really helps me at that point is feeling like I can just let everything go, and we all die. Just accepting the fact that I can’t control anything and that in the end it doesn’t matter. We will all disappear. I wrote the chorus years later when I was finishing a bunch of the songs. I didn’t want it to be depressing, even though that’s where it came from. It came from giving up but I wanted to keep going. I wanted it to mean something moving on from the negative and I came up with a ridiculously positive chorus. Don’t give up now you know there’s another day, just know you’re going to get to a better place, a better place meaning a better place in life, or “heaven,” just nothingness where all your worries are gone.”

GIZMO will be released on Company Records on March 3rd. It is available for preorder/presave here

Keep your mind open.

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[Thanks to Tom at Hive Mind PR.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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