Review: Acid King – Live at Roadburn 2011

Recorded at the famous metal / stoner rock festival in The Netherlands. Live at Roadburn 2011 is a heavy recording of Acid King‘s performance there. The band is legendary among stoner metal enthusiasts, and any release from them is a cause for celebration. They haven’t released a lot of material (although a new album is due in 2023), but what they have released is almost held sacred by their fans.

“All right,” says lead singer and guitarist Lori S. at the beginning of the set, sounding like she’s about to start working on an old motorcycle she’s had in the back of the garage for a couple years. What follows is Peter Lucas‘ growling bass introducing the title track of their famous album, Busse Woods. It’s not unlike a monster awakening from a long slumber, and Lori S.’s guitar is the chant of a high priestess calling the beast forth. You know you’re in for danger once Joey Osbourne‘s drums pound down the walls.

This rolls into “2 Wheel Nation,” a salute to outlaw biker gangs and the idea, at least, of living free on the road. It roars like a 1970s Harley-Davidson ridden by a orc leaving Mordor. “Silent Circle” is anything but silent. It’s heaviness is almost crushing. “On to Everafter” gets all cosmic with Lori S.’s swirling riffs and Osbourne’s desert rock drumming.

Once you’re in orbit, “Coming Down from Outer Space” brings you back to the surface with the full pull of Earth’s gravity (and the re-entry roar of Lucas’ bass). Somehow, “Electric Machine” hits even harder than that. Lori S.’s vocals echo back from the outer rim of the galaxy, bringing untold legions of alien warriors with it. The set ends with the colossal “Sunshine and Sorrow.”

It’s a good capture of some stoner metal giants playing to an appreciative crowd, and a nice warm-up for Acid King’s next record.

Keep your mind open.

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Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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