If you’re unaware of the cultural significance of singer-songwriter Harry Nilsson’s 1972 masterpiece, Nilsson Schmilsson, it’s the album that produced “Without You” and “Coconut.” It also produced other tracks that should be remembered as much as those mega-hits.
“Gotta Get Up” is a funny, quirky pop song about waking up before dawn after a late night of partying and sex that skewers the 1970’s party culture. It’s still valid today. Listen to it and try not to think of club kids, Tinder hook-ups, and Las Vegas bachelor and bachelorette parties.
“Driving Along” continues the skewering, but this time the dying hippie subculture was the target (“They seem to say nothing, they seem to go farther, they seem to go nowhere.”). “Early in the Morning” is a wicked blues cut with simple, haunting organ and vocals by Nilsson. “The Moonbeam Song” could be a trippy song about getting high and watching the night sky, but it’s more about introspection (euphoric or not). The acoustic guitars and mellotron are a nice combination.
“Down” is another dip into the blues; with heavy R&B vocal influences and funky horns that only seem to exist in songs from the 1970’s. The brass section hits as hard as Nilsson’s soulful vocals on it.
No one can deny the power of “Without You.” It’s heartbreaking, especially when you consider the songwriters (Peter Ham and Tom Evans of Badfinger) both committed suicide. Nilsson goes for broke on the vocals, and legendary keyboardist Gary Wright plays one of the best and saddest piano pieces of the decade. This song won Nilsson a Grammy and was on the Billboard charts for a year after its release.
I’m glad he put the equally famous “Coconut” after it to make us smile again after our hearts have had a cigarette put out on them. Everyone from the Muppets to the Homer Simpson has covered it. What most people miss is that the main theme of the song is “the cause is the cure,” as Nilsson mentions in the liner notes to the reissue. The song’s a Mobius strip. “Let the Good Times Roll” is a fun version of the blues standard, and it’s a nice set-up for the jaw-dropping “Jump into the Fire” – a rocker so good it leaves you dumbfounded the first time you hear it. It’s a forgotten Top 40 hit from the early 70’s, which is a crying shame, and the reason many promotional spots for Nilsson Schmilsson proclaimed it to be a “rock record.”
“I’ll Never Leave You” is a dark, melancholy end to the album as Nilsson pleads for a lost love to return. It’s “Without You” without any of the hope. It’s a bleak Radiohead track before Radiohead were learning childhood rhymes.
The 2004 reissue also contains a Spanish language version of “Without You,” the quirky sort-of love song “How Can I Be Sure of You,” a demo version of “The Moonbeam Song,” the short and weird “Lamaze,” the war protest song “Old Forgotten Soldier,” and an alternate version of “Gotta Get Up.” There’s also a great vintage radio spot from the album that includes interviews clips with Nilsson and producer Richard Perry.
It’s a fine record and it’s surprising Nilsson isn’t given more credit from contemporary musicians. He’s sometimes referred to as “the missing Beatle,” for crying out loud.
Keep your mind open.
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