Carlos Niño encourages us to “Pleasewakeupalittlefaster, please…” with his new single.

Photo by Azul Niño

International Anthem announces a new Carlos Niño & Friends album, More Energy Fields, Current (out on digital music platforms May 7th, in stores on LP/CD June 25th), and share the lead single “Pleasewakeupalittlefaster, please…” (featuring Jamael Dean)More Energy Fields, Current is a definitive new peak in the recorded continuum of Niño, a prolific producer, percussionist, and self-identified “Communicator.” Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño has been a central force for over two decades) including Dean, Nate MercereauSam Gendel, and Jamire Williams, the album collects ten pristine gems of collaborative communication helmed by Niño, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.
 
Lead single (and album opener) “Pleasewakeupalittlefaster, please…” articulates an Earth-loving, universalist ethos that imbues the entire 44-minute program, and comes accompanied by liner notes from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.” The track also features a gorgeously-keyed canonic infinity by pianist Jamael Dean. “I first met Carlos when I was in high school,” says Dean. “I was playing at The Del Monte Speakeasy in Venice around that time. Carlos invited me to play every month with my own band. It gave me an opportunity to try out a lot of new music with my homies. ‘Pleasewakeupalittlefaster, please’ came from an idea Carlos asked me to play, at one of his concerts. I played it again over the track he sent me, when I went back to New York because of College. I remember talking to Carlos about all the misconceptions about the history of music and the importance of proper education.”
 

Listen to “Pleasewakeupalittlefaster, please…”

 
More Energy Fields, Current is ripe with ambient passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experiences from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on More Energy Fields, Current than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: “Real Time Interactive Imagination, Flow Texturization.”

 
Pre-order More Energy Fields, Current
 
More Energy Fields, Current Tracklist:
01. Pleasewakeupalittlefaster, please… (with Jamael Dean)
02. The World Stage, 4321 Degnan Boulevard, Los Angeles California 90008 (with Sam Gendel, Jamael Dean and Randy Gloss)
03. Nightswimming (with Dntel, Jamael Dean and Jira ><)
04. Now the background is the foreground. (with Adam Rudolph, Aaron Shaw and Jamael Dean)
05. Thanking The Earth (with Sam Gendel and Nate Mercereau)
06. Salon Winds (with Jamire Williams, Nate Mercereau, Jamael Dean and Aaron Shaw)
07. Ripples, Reflection, Loop (with Laraaji, Jamael Dean and Sharada)
08. Togetherness (with Devin Daniels and Jamael Dean)
09. Iasos 79 ‘til Infinity
10. Please, wake up.

Keep your mind open.

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[Thanks to Sam at Pitch Perfect PR.]

Review: Nick Schofield – Glass Gallery

There are many albums that convey a sense of place. Sometimes the place is an entire town or nation, other times it’s a small bedroom. Nick Schofield‘s excellent new ambient music album, Glass Gallery, conveys the energy of part of Ottawa’s National Gallery of Canada. The gallery is full of high ceilings and massive windows, creating a space full of light, air, and meditative quiet.

“Central Atrium” immediately puts you into the right headspace for the record with its warm synths and simple, relaxing chords. Listening to “Mirror Image” is like listening to a prism with light shining through it. I’m not sure I can describe it better than that. “Getty Garden” blips and bleeps like a happy robotic cat. “Water Court” seemingly drifts along without effort, and “Molinarism” sounds like the theme to a Blade Runner spin-off TV show.

“Travertine Museum” and “Snow Blue Square” are luxurious meditations. “Ambient Architect” is a good way to describe Schofield himself, as the song weaves intricate yet relaxing patterns of synth chords over and through each other. “Garden Court is a nice compliment to “Water Court.” “Kissing Wall” is as intriguing as its namesake and a perfect song for androids who want to make out, with humans or other synthetic beings. The album ends with the subtle, but no less hypnotizing, “Key of Klee.”

What makes this album even more impressive is when you consider it was made with just one synthesizer – a Sequential Circuits Prophet-600. I couldn’t make this with ten synthesizers if he, Gary Numan, and Giorgio Moroder were coaching me. It’s a lovely piece of work.

Keep your mind open.

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[Thanks to Gabriel at Clandestine Label Services.]