The Bogie Band featuring Joe Russo has released a new single, “The Witnesses” (listen/share).
The 10-piece ensemble founded by saxophonist Stuart Bogie and drummer Joe Russo is comprised by musicians who hail from a long list of groups, including Antibalas, The Dap Kings, Red Barat, Arcade Fire, Joe Russo’s Almost Dead, David Byrne’s American Utopia, St. Vincent, The Budos Band and Superhuman Happiness. A collaboration between old friends, Bogie’s horn arrangements meet Russo’s propulsive drumming in an explosive combination of woodwind and brass instruments that reimagine wind music in bold and dynamic new ways.
“‘The Witnesses’ speaks to urgency of the times in a musical language that laid the ground work for the Bogie Band featuring Joe Russo,” says Stuart Bogie. “The brass knocks you right and left, the saxophones scream, and the drums keeping you running for your life.”
The Bogie Band featuring Joe Russo will release their debut album in early 2022 via Royal Potato Family.
In June, Hubert Lenoir returned to announce his second album, with a track called “SECRET” that featured drums from Mac DeMarco and contributions from Kirin J Callinan, and arrived alongside a feature on the exciting Quebecois artist in The FADER. Today, Lenoir is sharing a second preview from the album in the form of the single “DIMANCHE SOIR,” which involves Future producer High Klassified, and coincides with the formal announce of the album’s September 15th release date and a new change to its title, which is now PICTURA DE IPSE : Musique directe.
WATCH: the video for Hubert Lenoir’s “DIMANCHE SOIR” video on YouTube
“Coming from a conservative background and going to school in the countryside of Quebec, a lot of my parents’ friends or partners thought I was this weirdo queer artsy no good loser and once I achieved success with my art in the last 2-3 years the whole vibe started to change,” says Lenoir of the track. “I remember being so confused by it. The song talks about social pressure coming from your family circle and materialism. How weirdly your social status and wealth can switch the opinion people have on you.”
Formed in 2018, Brooklyn’s Gustaf have built a kind of buzz that feels like it comes from a different era. The art punk 5 piece rapidly established a reputation as one of New York’s “hardest working…and most reliably fun bands” (BrooklynVegan), and early excitement about their danceable, ESG-inspired post punk expanded outside of their city with remarkable effect despite having released no recorded music and barely having an online presence. As a result of their magnetic live show the band found unlikely early champions, catching the attention of luminaries like Beck – who had the band open for him at a secret loft party he played around the release of his latest album – the New York no wave legend James Chance, and shared stages with buzzing indie acts like Omni, Tropical Fuck Storm, Dehd and Bodega, while word of mouth led to sell out shows when they played their first LA headline dates in late 2019. They finally released recorded music in the form of their debut 7 inch at the end of 2020, which only furthered the growth of their reputation, earning them comparisons to acts like Television, Talking Heads, The B-52s and LCD Soundsystem from NPR (who made them a Slingshot artist for 2021), Paste, DIY, Under The Radar, BrooklynVegan and NME among many others.
Today, the band are announcing their debut LP, the magnificently titled Audio Drag For Ego Slobs, which will be out on October 1st on Toronto’s Royal Mountain Records (Wild Pink, Alvvays, Mac DeMarco), and sharing their new single “Book.”
“‘Book’ is a song about the fallacy and fight of getting ahead vs being a head. It is seeking validation in the wrong places and from the wrong people,” singer Lydia Gammil explains. “The hook, “I got ahead, I got a head” is a fun little taunt that we find either being thrown in our face or coming out our mouth. Everyone gets their moment up on the pedestal and everyone gets their turn falling off of it. Whether it’s up or down, ‘Book’ is about accepting whatever level you’re on.“
To coincide with the announce Gustaf are announcing an extensive itinerary of touring in the US, UK and Europe that will see them playing with IDLES and Pillow Queens. Full details can be found below.
Gustaf’s Audio Drag for Ego Slobs will be released on October 1st on Royal Mountain Records. It is available for preorder here.
Tour Dates 10/1 – Charlotte, NC – Snug Harbor 10/2 – Knoxville, TN – Mill and Mine 10/3 – Cincinatti, OH – MOTR Pub 10/4 – Cleveland, OH – Beachland Tavern 10/6 – Milwaukee, WI – Cactus Club 10/7 – Saint Paul, MN – Palace Theatre # 10/8 – Chicago, IL – Riviera Theatre # 10/9 – Detroit, MI – Saint Andrew’s Hall # 10/10 – Columbus, OH – Newport Music Hall # 10/12 – Boston, MA – House of Blues # 10/13 – Philadelphia, PA – The Fillmore # 10/15 – New York, NY – Terminal 5 # 10/16 – New York, NY – Terminal 5 # 10/17 – Washington, DC – 9:30 Club # 10/18 – Washington, DC – 9:30 Club # 10/20 – Asheville, NC – The Orange Peel # 10/21 – Nashville, TN – Cannery Ballroom # 10/22 – Atlanta, GA – Masquerade – Heaven Stage # 10/25 – Austin, TX – Stubb’s # 10/26 – Dallas, TX – Granada Theater # 10/27 – San Antonio, TX – Paper Tiger # 11/2 – Birmingham, UK – The Sunflower Lounge $ 11/3 – Bristol, UK – Rough Trade Bristol $ 11/4 – London, UK – The Dome $ 11/6 – Brighton, UK – Mutations Festival @ The Green Door Store 11/8 – Leeds, UK – Hyde Park Book Club $ 11/9 – Manchester, UK – YES (Pink Room) $ 11/10 – Liverpool, UK – Arts Club Loft $ 11/11 – London, UK – The Windmill, Brixton 11/13 – Utrecht, NL – Le Guess Who Festival 11/14 – Kortrijk, BE – Sonic City Festival 11/14 – Brussels, BE – Witloof Bar 11/16 – Berlin, DE – Cassiopeia 11/17 – Haldern, DE – Haldern Pop Bar 11/18 – Paris, FR – Les Femmes S’en Melent @ Petit Bain 11/19 – Lille, FR – The Black Lab 11/20 – Luxembourg City, LU – Rotondes Klub 12/09 – Portland, OR – Bunk Bar (headline)
Dry Cleaningis “one of the most exciting bands in rock” (Rolling Stone). Earlier this spring, they released their debut album New Long Leg via 4AD, which has already become one of the best records of 2021 thus far. Following praise from The New York Times, Pitchfork, Entertainment Weekly, The FADER, Esquire, and more, and preceding their completely sold out fall US tour, they today present a special one-off double A-side single, “Bug Eggs” b/w “Tony Speaks!” Recorded at Rockfield Studios in July and August 2020 during the same session for New Long Leg, “Bug Eggs” and “Tony Speaks!” were previously only available in an expanded Japanese edition of the album. Explaining the two tracks Florence Shaw says, “’Bug Eggs’ is about the confidence that comes with age, fragility and sexual desire. The lyrics to ‘Tony Speaks!’ were written days after the Conservative party won the December 2019 UK election. I was thinking about climate change, environmental catastrophes and political campaigning.”
Born from the combined creative talents of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals), Dry Cleaning’s debut album New Long Leg was produced by John Parish at Rockfield Studios and features the singles “Scratchcard Lanyard,” “Strong Feelings” and “Unsmart Lady.” Intertwining Shaw’s spoken vocals tightly with the band’s restless instrumentals they extract the meaning from the most trivial things; little witty asides about supermarkets, cupboards, beauty products and body parts add up to sonic landscapes that teem with the strange magic of ordinary life.
The 2021 LevitationFrance full lineup has been announced, and it’s a great one.
The show will be at an outdoor venue this year to be a bit safer during the tail end of the pandemic. The Friday night shows include sets by The Limiñanas and Mars Red Sky, while Saturday night has sets by Shame, SLIFT, Zombie Zombie, Anika, and Wild Fox.
I’d be at this festival were it not for a nephew’s wedding that same weekend, but you should go in my stead.
Photo by Enno Kaptiz / digitally altered by Kosuke Kawamura
Japanese art-rock pioneers Buffalo Daughter have announced We Are The Times, their first new album in seven years, out on September 17th, 2021, alongside the first single from the record “ET (Densha)” available on all digital streaming services now.
Since their 1996 debut on the legendary Beastie Boys-run label Grand Royal, Buffalo Daughter has been recognized as an original and energetic standout in the modern Japanese music scene. Over their decades long career, The band has pushed their unique post-rock, new wave, and techno influenced sound to global success, from numerous world tours to collaborations with many prominent acts including Air, Blonde Redhead, Cibbo Matto, and Shonen Knife.
The music video for their new single “ET (Densha)” was created by Berlin based artist Ryoichi Kurokawa, illustrating the worldbuilding sensation of the track with a sense of delicate power. “ET (Densha) is our soundscape for the world we currently live in,” the band wrote in a statement. “Darkness and light, chaos and harmony, intensity and ease – they seem to be black and white, but are they really? Where are we going? Take the ET (electric train) and let the journey begin.”
We Are The Times started from an improvisation session with Masaya Nakahara as part of a tribute program for Takahiro Muramatsu(Smurf Otokogumi). The album took quite some time to record, growing and changing with the band members’ shifting lives and world views as they navigated the covid-19 pandemic. Though the record was created during a tumultuous period, it starts with the phrase “Music is the vitamin,” indicating Buffalo Daughter’s hope for positivity in the world of 2021; the band sought to create an energetic and optimistic project to combat our anxious times. The vibrancy of their sound on the album is perhaps best summed up in this quote from collaborator Masaya Nakahara:
“A bright fruit of electronic sound! Buffalo Daughter’s new sound shows the light for where we should head to in this chaotic world.”
“We Are The Times” will be released digitally and physical CD (only available in Japan) on September 17th with vinyl to follow on October 15th.
Keep your mind open.
[Take the short trip to the subscription box while you’re here.]
The career of the Toronto band Little Kid, the long-running project of songwriter Kenny Boothby, has taken a path as unlikely and idiosyncratic as their gorgeous, and intricately arranged songs. Formed in 2011, the band spent most of a decade accruing a cult audience as a DIY band, self-releasing 5 albums and numerous unusual releases (perhaps most memorably a run of made to order cassettes on which Boothby recorded songs chosen by the purchaser), before signing to Solitaire Recordings for their 2020 album Transfiguration Highway. The album was a massive success for the band, precipitating an explosion of critical appreciation that included earning comparisons to Damien Jurardo, Sufjan Stevens, Neil Young, Alex G, and Bon Iver in a Stereogum Album of The Week piece and high praise from outlets like NPR, The AV Club, Paste, DIY, Secret Meeting, Exclaim, World Cafe, Loud & Quiet, No Depression, and The Line of Best Fit among many others. Today the band are sharing their first new music since the LP, a single entitled “John Arnott” to celebrate ten years as a band and to mark the release of the Solitaire Recordings reissue the band’s fan favorite 2017 LP Sun Milk.
LISTEN: to Little Kid’s “John Arnott” on YouTube (Lyrics can be found here)
In keeping with the Christian themes that are often central to Boothby’s songs, “John Arnott” is a song about Pastor John Arnott, a central figure in a ’90s charismatic Christian revival centered around the Toronto Airport Vineyard Church known as the Toronto Blessing, as Boothby explains.
“The song is inspired by Pastor John Arnott, who started the Toronto Airport Christian Fellowship in Toronto, the site of the so-called Toronto Blessing – a charismatic Christian revival in the 90s and early 00s,” says Boothby. “I actually traveled up from Petrolia with my family to attend a service there, and later learned my partner was attending at the same time (though we didn’t meet until about 15 years later). Most of the churches I attended in my teens and early adulthood were led by pastors inspired by the movement that started at TACF: focused on performing miracles, receiving the Gifts of the Spirit, having direct spiritual experiences with God – frankly, they were all a bit ‘out there.‘”
Formed in 2019, LA-based Cuffed Up were born out of a search for “self acceptance and self-realization”, drawing lines from across the globe to the burgeoning post-punk scene in the UK, while leaning into ‘90s indie rock and grunge, creating a loud and rhythmic rainbow of post-punk that is fluid and versatile. Today, the band are sharing their crushing and vital new single “Canaries,” a rip-roaring track about reckoning with one’s shame, alongside the news that they have signed with Toronto-based record label Royal Mountain Records, home to Alvvays, Wild Pink, METZ and more. WATCH: Cuffed Up’s “Canaries” on YouTube The band explains that ““Canaries'” is about going down a path that you know is wrong, yet you keep going because some form of shame is driving you. Sometimes, we become numb to the burdens we carry. “Carrying the weight of stones/with pins to his bones” reflects that and the need to be vulnerable with yourself and not accept fate as is.”“
Pairing up with producer Brad Wood (Touché Amoré, Smashing Pumpkins, Liz Phair), “Canaries” is soaring yet direct, a visceral statement of intent from the band that expands on their refreshing self-titled debut that saw love from the likes of KEXP, NME, DIY, Bandcamp, and The Line Of Best Fit, as well as radio play on BBC 6Music and BBCRadio 1 and a supporting run with Silversun Pickups.
With support already from KCRW in Los Angeles and Double J in Australia, “Canaries” sees Cuffed Up embarking on a full US tour as main support for The Joy Formidable, beginning in Seattle on 11/26 and making stops in Portland, San Francisco, Los Angeles, Chicago, Boston, New York, Philadelphia along the way and ending in Burlington on 12/18.
“Canaries” is out now on Royal Mountain Records. It is available here.
Tour Dates 11/26 – The Crocodile – Seattle, WA 11/27 – Doug Fir Lounge – Portland, OR 11/29 – The Independent – San Francisco, CA 11/30 – The Roxy Theatre – Los Angeles, CA 12/02 – Crescent Ballroom – Phoenix, AZ 12/04 – Bluebird Theater – Denver, CO 12/05 – The Riot Room – Kansas City, MO 12/07 – Turf Club – Minneapolis, MN 12/09 – Lincoln Hall – Chicago, IL 12/10 – A&R Music Hall – Columbus, OH 12/11 – Thunderbird Music Hall – Pittsburgh, PA 12/12 – 9:30 Club – Washington, DC 12/13 – The Sinclair – Boston, MA 12/14 – Bowery Ballroom – New York, NY 12/16 – Underground Arts – Philadelphia, PA 12/17 – Empire Underground – Albany, NY 12/18 – Higher Ground Showcase Lounge – Burlington, VT
MOTÖRHEAD…a life force, an energy, an attitude and the loudest, meanest, dirtiest music to smash the 20th and 21st centuries. With a bastard sound comprising an unholy synergy of rock, punk and heavy metal, MOTÖRHEAD comes coated in relentless, ear-curdling power. They were life-changing for millions, carrying a spirit and approach to life and music which proudly said, “Honey, we’re hoo-oome and don’t bother cleaning because we’re here to enjoy ourselves!” The ‘off’ switch was never employed in the MOTÖRHEAD lust for life, and they became legends as a result.
Leading the charge for their entire 40 year career was the cultural icon Ian ‘Lemmy’ Kilmister, who swashbuckled around stages, streets and overseas like a glorious Mad Max pirate truthsayer, roaring for the good and screaming at the wankers. With his propulsive sound and lyrical might leading the charge, MOTÖRHEAD released 22 studio albums over those four decades, amassing chart topping records worldwide, a Grammy award and racking up around 20 million sales. Their hit song “Ace Of Spades” became MOTÖRHEAD’s anthem, perfectly capturing their attitude for millions, and punching giant holes in stereos worldwide to this day. Nothing was harder, nothing was faster, nothing packed more raw attitude and certainly nothing was louder, making MOTÖRHEAD a cultural elixir that was regularly imbibed across all genre lines. Don’t take our word for it, look around any heavy metal, punk or alternative gig, and you’ll see the indomitable warpig logo and MOTÖRHEAD gothic script on a t-shirt, a jacket, even an arm or leg or back (MOTÖRHEAD tattoos are everywhere), all sitting on the bodies of rockers, metalheads, punks, bikers, rebels, outcasts, freethinkers and even athletes all around the world. Yeah, that’s right, MOTÖRHEAD’s cultural reach remains virtually peerless to this very day (the one you’re living right now as you read this), and it continues to span fans young and old, igniting their adrenaline and giving them both entertainment and identity.
This collection is the definitive assembly of MOTÖRHEAD songs which have created this cultural phenomenon, and represents the first time all eras of the band’s recorded history have been represented in one place. And we feel that if in this mad, mad world we’re living in, some aliens decide to drop by your house for tea and demand an explanation as to, “what the fuck is this ‘MOTÖRHEAD’ that we keep hearing and feeling bits of in our extra-terrestrial houses millions of miles away,” you could happily play Everything Louder Forever and know that the question will be thoroughly answered. Buy two copies though, because you know they won’t leave without taking one themselves! Or something like that anyway… Everything Louder Forever will be released October 29 via BMG Records. See below for full details of the Everything Louder Forever and be sure to visit www.iMotorhead.com for news and updates!
2CD & 4LP track listing:
Overkill We Are Motörhead Snaggletooth Rock It Orgasmatron Brotherhood Of Man In The Name Of Tragedy Bomber Sacrifice The Thousand Names Of God Love For Sale Killed By Death I’m So Bad (Baby I Don’t Care) Smiling Like A Killer Sharpshooter Queen Of The Damned Keys To The Kingdom Cradle To The Grave Lost Johnny The Game
Ace Of Spades Burner Stone Dead Forever Bad Woman Just Cos You Got The Power Stay Out Of Jail No Class I Am The Sword The Chase Is Better Than The Catch God Save The Queen R.A.M.O.N.E.S. Iron Fist Rock Out Dirty Love Shine Overnight Sensation On Your Feet Or On Your Knees I Ain’t No Nice Guy Sucker 1916 Choking On Your Screams Motörhead
Also available as 2CD, 2LP, 4LP, digital download, streaming and 360 Reality Audio.
Playing a home show still feels special for The Beths, who began playing shows in 2015 and quickly won over local audiences with a low-key approach that disguised their drive for excellence. Today, the band announces its first live recording and film, Auckland, New Zealand, 2020, out September 17th on Carpark Records. The announcement also comes on the three-year anniversary of the release of their debut album, Future Me Hates Me. Auckland, New Zealand, 2020 showcases the infectious energy The Beths bring to every performance. Native birds, wonkily crafted by the band from tissue paper and wire, festoon the venue’s cavernous ceiling while house plants soften and disguise the imposing pipes of an organ. The presence of the film crew isn’t disguised: much of the camerawork is handheld; full of fast zooms and pans. “Watching the film for the first time brought back all the emotions of 2020 for us. Sports Team have done such an amazing job of capturing the mix of anxiety and simple joy that was touring music in NZ at the time. We are so grateful that it happened and grateful to have it documented with so much love and care,” says lead vocalist/guitarist Elizabeth Stokes.
“Future Me Hates Me” is a fan favorite, as both band and audience feed off the mutual energy in the room.
After building a loyal following through live performances and their 2016 EP Warm Blood, The Beths signed to Carpark Records and released the debut album, Future Me Hates Me, in 2018. Jump Rope Gazers, released in July 2020, was a slower, yearning follow-up that still fizzes and sparks with pop-punk sensibilities. Immediately seized on by both fans and music critics as a bright spot during an otherwise dark year, Jump Rope Gazers was named Album of the Year at New Zealand’s national Aotearoa Music Awards in 2020, and secured the band awards for Best Group and Best Alternative Artist for the second year running. The releases catapulted the band straight into lengthy international tours that saw them support legends like The Pixies and Death Cab For Cutie as well as headlining increasingly large shows of their own.
Auckland, New Zealand, 2020 has its genesis in an urge to share the now-rare experience of a live show as widely as possible. The accompanying film makes the deep bond Stokes, lead guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck clearer than ever: capturing the in-jokes they share with audiences during on-stage banter, and foregrounding their mutual preoccupations with the game of cricket and New Zealand’s native birds. It’s a collective exhalation, in one of the few countries where live music is still possible. They deliberately include the date and location, because “That’s the sensational part of what we actually did,” says Pearce. In a mid-pandemic world, playing to a heaving, enraptured home crowd feels miraculous.
The band will follow up the release of Auckland, New Zealand, 2020 with a North American headline tour in 2022. “Our last North American tour was in summer of 2019, which feels like a century ago. There is no way to describe how much we have wanted to be over there playing music. Finally it is happening?! See you soon. xo,” says Liz. An artist pre-sale will begin on Wednesday, August 11 at 10am local time, with a Brooklyn Vegan pre-sale running on Thursday, August 12 at 10am local time. Tickets go on sale to the general public on Friday, August 13 at 10am local time. Tickets are available at thebeths.com. Fans can join the band’s new Patreon in the meantime.
Live Album Tracklist: 1. I’m Not Getting Excited 2. Great No One 3. Whatever 4. Mars, the God of War 5. Future Me Hates Me 6. introduction 7. Jump Rope Gazers 8. Uptown Girl
9. bird talk 10. Happy Unhappy 11. Out of Sight 12. thank you 13. Don’t Go Away 14. Little Death 15. Dying to Believe 16. River Run
Film Setlist: 1. I’m Not Getting Excited 2. Great No One 3. Whatever 4. Mars, the God of War
5. Future Me Hates Me 6. Jump Rope Gazers 7. Uptown Girl 8. Happy Unhappy 9. Out of Sight 10. Little Death 11. Dying To Believe 12. You Wouldn’t Like Me 13. River Run
Tour Dates: Fri. Sept. 17, 2021 – Auckland, NZ @ The Others Way Tue. Sept. 28, 2021 – Auckland, NZ @ Whammy Bar Wed. Sept. 29, 2021 – Auckland, NZ @ Whammy Bar Thu. Sept. 30, 2021 – Auckland, NZ @ Whammy Bar Fri. Oct. 1, 2021 – Auckland, NZ @ Whammy Bar Sat. Oct. 2, 2021 – Auckland, NZ @ Whammy Bar Fri. Oct. 22, 2021 – Tauranga, NZ @ Tauranga Arts Festival Sat. Oct. 23, 2021 – Hawke’s Bay, NZ @ Labour of Love Fri. Oct. 29, 2021 – Wellington, NZ @ San Fran Sat. Oct. 30, 2021 – Wellington, NZ @ College of Creative Arts, Massey University (AA show) Sun. Oct. 31, 2021 – Nelson, NZ @ Nelson Arts Festival Thu. Nov. 4 – Sydney, NSW @ Factory Theatre Fri. Nov. 5 – Brisbane, QLD @ The Zoo Sat. Nov. 6 – Melbourne, VIC @ The Night Cat Sat. Dec. 4 – Auckland, NZ @ The Outerfields
Thu. Jan. 20, 2022 – Washington, D.C. @ Black Cat Fri. Jan. 21, 2022 – Philadelphia, PA @ Underground Arts Sat. Jan. 22, 2022 – New York, NY @ Rough Trade (in-store signing) Sat. Jan. 22, 2022 – New York, NY @ Webster Hall Sun. Jan. 23, 2022 – Boston, MA @ The Sinclair Tue. Jan. 25, 2022 – Montreal, QC @ Bar Le Ritz Wed. Jan. 26, 2022 – Toronto, ON @ Lee’s Palace Fri. Jan. 28, 2022 – Chicago, IL @ Metro Wed. Feb. 2, 2022 – Calgary, AB @ Commonwealth Fri. Feb. 4, 2022 – Vancouver, BC @ Biltmore Cabaret Sat. Feb. 5, 2022 – Seattle, WA @ NeumosSun. Feb. 6, 2022 – Portland, OR @ Wonder Ballroom Tue. Feb. 8, 2022 – San Francisco, CA @ The Independent Thu. Feb. 10, 2022 – Los Angeles, CA @ Regent Theater Sat. Feb. 12, 2022 – Phoenix, AZ @ Valley Bar Tue. Feb. 15, 2022 – Austin, TX @ Parish Wed. Feb. 16, 2022 – Dallas, TX @ Club Dada Fri. Feb. 18, 2022 – Atlanta, GA @ Masquerade (Hall) Sat. Feb. 19, 2022 – Nashville, TN @ Mercy Lounge Sun. Mar. 27, 2022 – Southampton, UK @ The Loft Mon. Mar. 28, 2022 – Leeds, UK @ Brudenell Social Club Tue. Mar. 29, 2022 – Glasgow, UK @ St Luke’s Thu. Mar. 31, 2022 – Manchester, UK @ Club Academy Fri. Apr. 1, 2022 – Bristol, UK @ SWX Sat. Apr. 2, 2022 – Birmingham, UK @ The Castle and Falcon Mon. Apr. 4, 2022 – London, UK @ O2 Forum Kentish TownTue. Apr. 5, 2022 – Brighton, UK @ Concorde II Thu. Apr. 7, 2022 – Paris, FR @ Point Ephémère Fri. Apr. 8, 2022 – Lyon, FR @ Le Marché Gare Sat. Apr. 9, 2022 – Dudingen, CH @ Bad Bonn Sun. Apr. 10, 2022 – Lausanne, CH @ Le Romandie Tue. Apr. 12, 2022 – Milan, IT @ Biko Wed. Apr. 13, 2022 – Munich, DE @ Feierwerk Fri. Apr. 15, 2022 – Vienna, AT @ B72 Sat. Apr. 16, 2022 – Prague, CZ @ Underdogs’ Mon. Apr. 18, 2022 – Berlin, DE @ LidoTue. Apr. 19, 2022 – Copenhagen, DK @ VEGA Ideal Bar Wed. Apr. 20, 2022 – Hamburg, DE @ Molotow Thu. Apr. 21, 2022 – Cologne, DE @ Bumann & Sohn Fri. Apr. 22, 2022 – Brussels, BE @ Ancienne Belgique Sat. Apr. 23, 2022 – Amsterdam, NL @ Paradiso Sun. Apr. 24, 2022 – Esch-sur-Alzette, LU @ Kulturfabrik
