Rayon’s “Running” away with their new single.

Portland alt-rock / post-punk outfit Rayon present their latest single ‘Running’, a propulsive exploration of the anxiety that comes with watching loved ones struggle with cycles of addiction that they can’t shake – and the sound of a tape echo that’s about to stop working. Intentionally preserving the noise of pausing, rewinding, and fast-forwarding to heighten the song’s frantic pace, its sound can be considered a study in tension and tape, the video conveying a sense of lo-fi capers involving a Citroen Wagon.

Found on the flip side of the single ‘Shopping / Running’ (also available on 7″ vinyl via Little Cloud Records), ‘Running’ is perhaps even more stunning than the whacky A-side ‘Shopping’, a tongue-in-cheek ode to consumerism and travel, written by someone who happens to travel and consume a bit.

Founded by long-time North Portland resident and Detroit-area native Eric Sabatino, Rayon now also involves members of other notable Portland bands – Sun Atoms, Yuvees, Pastilla and Martha Stax – namely Anna Sabatino, Riley McLaughlin, Eric Rubalcava and Derek Longoria-Gomez.

‘Running’ is based on a relentless bass and drum groove that lived in Sabatino’s head for months before finally taking shape in the studio. To capture the song’s unsettled emotional landscape, the band leaned into the mechanical unpredictability of a dying Dynacord tape echo. By funneling guitars and vocals through the aging machine, they achieved a haunting, warped soundscape where the pitch and speed constantly bend and shift. Feeling as though it is physically straining under its own weight, this song mirrors the very themes of instability it describes.

“‘Running’ was built around a bass and drum groove I was kicking around in my head for months. The guitars and vocals are the sound of a tape echo called “dynacord” that’s barely working, bending and moving the speed and pitch of everything we run through it. Those parts wouldn’t have come out like that if I wasn’t trying to write a guitar part while plugged into that machine.” says Eric Sabatino.

The video for ‘Running’ offers a gritty, nostalgic look at the band’s world, captured entirely on a vintage Handycam, following the band in their meticulously restored Citroen wagon. Embracing the track’s jerky energy, their journey concludes with a grainy, evocative sequence of freeway signs leading into Seattle—a slow-burn outro that grounds the video’s high-energy antics in a sense of place and movement.

“The video was shot on an old handycam camcorder we found in the back of a closet. The battery miraculously held a charge. It came with a tape of someone’s school play, which we taped over (sorry to whoever’s family that was). It features the Citroen wagon from the ‘Shopping’ video. I worked on that car for months. So glad it didn’t break down during these two long video shoots,” says Eric Sabatino.

“We drove around all day picking everyone up at their home, work, local bar, favorite little shop, and went to band practice. We filmed the antics and capers along the way. Sometimes we let friends and strangers hold the camera and film us. I transferred and edited it over 2 late nights, trying to capture as much pause, rewind, and fast-forward noise as I could, timing the cuts to capture the jerky energy of the song. I love the outro and the slow noisy shots of the freeway signs leading to Seattle.”

In contrast, the video for ‘Shopping’ – filmed with their awesomely nostalgic Super 8 video – was born of near-burnout and a revitalizing trip south of the border, showcasing antics in several grocery stores there before eventually being kicked out.

Sabatino broke tradition with this release, deciding to mix the album together with famed recording engineer Larry Crane (Cat Power, Sleater-Kinney, The Decemberists, The Go-Betweens, Elliott Smith, Death Cab for Cutie) at Jackpot Recording and Timothy Stollenwerk (Yo La Tengo, Grouper, Morphine) at Stereophonic Mastering.

Rayon spent last winter honing these and other songs through a series of live shows, including an epic trip to Guadalajara, which served as creative fodder for the band’s latest inspiration and re-invigoration. Recording on rainy weekends in a garage studio packed with old reel-to-reel tape machines, partially-functional tube amps, and leaky British motorcycles, these songs were recorded onto 16 tracks of 1/2” tape, while running the tracks through a slightly-wonky sounding tape echo.

Before forming Rayon, Eric Sabatino spent years playing with bands in Southern Michigan and Portland, sometimes with as many as six projects on the go at the same time. Self-described as “a guy who grew up on 80’s/90’s post punk and grunge trying to reconcile their love of R&B, Soul and 60’s British Pop”, Sabatino is now fully focused on this one project, built on the experience of years of writing, collaborating, studio work and touring with some of the Pacific Northwest’s hardest working bands.

The ‘Shopping / Running’ single is out now, available both digitally and as a limited pressing of 150 blue transparent 7″ record and 150 black 7″ vinyl. It can be ordered in all formats via Bandcamp, with this snazzy vinyl also available via Little Cloud Records. This is the first in an exciting new series of similar records in the works for Rayon.

Keep your mind open.

[Run over to the subscription box!]

[Thanks to Shauna at Shameless Promotion PR.]

Gran Moreno release third single from upcoming album due January 16, 2026.

Austin duo Gran Moreno share the final single, “Aztlan” from their forthcoming debut studio album El Sol today on all platforms. The song launched earlier via New Noise Magazine HERE. Hear and share “Aztlan” + 3 previous singles on all DSPs HERE

The duo play a special hometown album release party in Austin on January 18th at The 13th Floor. Tickets are available HERE

Gran Moreno emerges as one of the most captivating voices in the new wave of psychedelic rock. With a sound rooted in analog warmth and expansive textures, the Austin-based band crafts songs that feel like sonic mirages — equal parts groove, grit, and atmosphere. Their music lives at the intersection of distortion and introspection, where hypnotic riffs, heavy rhythms, and emotionally charged melodies build immersive landscapes that demand to be felt as much as heard.

At the core of Gran Moreno is a deep commitment to storytelling through sound. Their upcoming album is a conceptual two-part release: Side A: El Sol and Side B: La Luna. Each side represents a different emotional plane — El Sol radiates urgency, energy, and clarity, while La Luna leans into shadow, mystery, and reflection. The first release, El Sol, captures the band at full intensity, delivering a vivid, unfiltered introduction to their evolving identity.

On stage, Gran Moreno transforms their sound into a full-body experience. Their live shows blend sonic power with visual depth, pulling audiences into a shared trance that feels both personal and communal. As they continue to shape their universe with bold creativity and a fierce independent spirit, Gran Moreno isn’t just making music — they’re building a world of their own.

El Sol will be available on LP and download on January 16th, 2026. Pre-orders are available HERE

GRAN MORENO – LIVE 2026

01/18 Austin, TX – The 13th Floor – album release party

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Dave at US / THEM Group.]

Daniel Avery announces new remix album and tour.

Photo Credit: Kalpesh Lathigra

Revered producer and composer Daniel Avery announces his new album, Tremor (Midnight Versions) — a reimagining of his acclaimed sixth studio album Tremor — out March 6th via Domino with lead single “Haze w/ Ellie (Midnight Version).” Remixing the entirety of the record himself, Avery presents a nocturnal counterpart to last year’s Tremor with a collection of darker, club-focused reworkings, drawing the record firmly into the late-night hours. Today’s announcement lands alongside news of a spring North American DJ tour.

Tremor (Midnight Versions) continues the world Avery created on Tremor, reframing its material through a techno lens and speaking directly to the dancefloor. Stripped back, intensified and retooled for the strobe light, these tracks channel Avery’s long-standing relationship with club culture while maintaining the emotional weight and textural depth that defines his work.

Two Midnight Versions have already surfaced, “Rapture In Blue w/ Cecile Believe” and “Greasy Off The Racing Line w/ Alison Mosshart,” offering a first glimpse of this shadowed universe. The full project expands on that energy, positioning itself as a vital bridge between Tremor’s expansive, collaborative spirit and Avery’s enduring techno lineage. Avery comments: “For every tremor, there’s a reaction. These are the Midnight Versions. Songs reimagined and sent directly into the night.”

On Tremor, Avery welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmmJulie Dawson(NewDad), yeuleEllieArt School Girlfriendyunè pinku, and Cecile Believe. Each artist left their indelible mark, yet the record’s true power lies in the communal spirit at its core. Marking his debut on Domino, the album was mixed by Alan Moulder (Smashing Pumpkins, Nine Inch Nails) and David Wrench (FKA twigs, Frank Ocean), and mastered by Heba Kadry—each vital to the creative fabric of the record.

Stream “Haze w/ Ellie (Midnight Version)”

Pre-order Tremor (Midnight Versions)

Stream / Purchase Tremor

Daniel Avery Tour Dates
Sat. Jan. 31 – Brighton, UK @ Patterns ^
Sat. Feb. 21 – Brussels, BE @ Fuse ^
Fri. Feb. 27 – Birmingham, UK @ Hare & Hounds ^
Sat. Feb. 28 – Geneva, CH @ Audio ^
Fri. March 6 – London, UK @ Phonox Residency ^
Sat. March 7 – Bognor Regis, UK @ Bugged Out Weekender ^
Fri. March 13 – London, UK @ Phonox Residency ^
Fri. March 20 – London, UK @ Phonox Residency ^
Sat. March 21 – Manchester, UK @ Victoria Baths ^
Fri. March 27 – London, UK @ Phonox Residency ^
Thu. April  2 – Glasgow, UK @ Queen Margaret Union *
Fri. April  3 – Dublin, IE @ Opium *
Sat. April 4 – Belfast, UK @ Ulster Sports Club (b2b Richard Fearless) ^
Fri. April  24 – Toronto, CA @ Standard Time ^
Sat. April  25 – New York, NY @ Public Records ^
Thu. April 30 – Washington, DC @ Tigres de la Noche ^
Fri. May 1 – Chicago, IL @ Smoke & Mirrors ^
Sat. May 2 – Miami, FL @ The Ground ^
Thu. May 7 – Portland, OR @ Process ^
Fri. May 8 – Los Angeles, CA @ Into the Woods ^
Sat. May 9 – San Francisco, CA @ SquishFest ^
Sat. May 30 – Edinburgh, UK @ Dark Days (b2b Helena Hauff) ^

^ = DJ Set
* = Live Set

Keep your mind open.

[I’ll have tremors until you subscribe.]

[Thanks to Ahmad at Pitch Perfect PR.]

Mosswood Meltdown returns July 18 – 19, 2026, but you can start your weekend a day earlier with Pavement.

Illustration by Dirty Clouds / Lortz

Mosswood Meltdown returns to Oakland’s Mosswood Park on July 18th and 19th. And while the beloved festival “is known to traffic in legends, popular punk and punk-adjacent groups, and highly anticipated reunions,” (KQED), this year they’ll be kicking off with an indie-rock driven pre-party at the park on July 17th. The evening will feature the endlessly inspirational rock legendsPavementWednesday, “one of the best indie rock bands around” (Pitchfork), and reverb-loving and cool as hell punks Vivian Girls. And, it wouldn’t be a proper Mosswood Meltdown without its fearless and subversive host, John Waters.

Mosswood Meltdown is an eccentric, one of a kind weekend. As SF Gate kindly sums it up, “at Mosswood Meltdown, the concept of a beautiful world looks quite different from other festivals, and it’s better for it.” Tickets for the pre-party are separate from the regular festival tickets and go on sale today (Tuesday, January 6th) at 10am PST. The full festival lineup will be unveiled in the coming weeks and won’t disappoint.

PURCHASE TICKETS HERE

FRIDAY, JULY 17TH PRE-PARTY LINEUP
Pavement
Wednesday
Vivian Girls

PRE-PARTY TICKET PRICES
GA – $99
VIP – $165
(VIP tickets come with ins and outs privileges,
and access to VIP viewing areas)

Keep your mind open.

[Don’t forget to subscribe before you go!]

[Thanks to Jaycee at Pitch Perfect PR.]

King Gizzard and The Lizard Wizard return in 2026 for Fields of Vision II and their only U.S. tour dates of the year.

Photo by Maclay Heriot

King Gizzard & The Lizard Wizard announce the return of their festival, Field of Vision II which will take place once again at Meadow Creek in Buena Vista, Colorado on August 14-16.  The band will also perform at a three night residency at Forest Hills Stadium in New York on August 20-22. These are the only dates the band are announcing in the US for 2026.

Earlier this year was Field of Vision’s inaugural event (aka Field of Vision I).

“Field of Vision I was so special. Anyone who was there would tell you there was some magic in the air. Or maybe the creek water… So grateful to party with you all again. Love, The Gizzards”

Field of Vision II welcomes Blood Incantation, Die Spitz, DJ Crenshaw, Earth Tongue, Etran de L’Aïr, Folk Bitch Trio, Lisa Bella Donna, Pattie Gonia, and Upchuck. King Gizzard will perform each day.  More announcements to come in 2026. Tickets are available here.

Immediately following Field of Vision II, the band will return to their New York stomping ground, aka Forest Hills Stadium, for a three-night residency featuring two full ROCK sets comprised of songs from their impressive 27 album catalogue and a RAVE set on the third night. Tickets for those shows are available here.
 

KING GIZZARD & THE LIZARD WIZARD 2026 TOUR DATES

Friday, August 14 – Sunday, August 16, 2026  – Buena Vista, CO @ Field of Vision II, Meadow Creek (w/ Blood Incantation, Die Spitz, DJ Crenshaw, Earth Tongue, Etran de L’Aïr, Folk Bitch Trio, King Gizzard (every day), Lisa Bella Donna, Pattie Gonia, Upchuck)

Thursday, August 20, 2026 Forest Hills, NY @ Forest Hills Stadium
Friday, August 21, 2026 Forest Hills, NY @ Forest Hills Stadium
Saturday, August 22, 2026 Forest Hills, NY @ Forest Hills Stadium (RAVE)

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Jacob at Pitch Perfect PR.]

Sunset Images releases new single from upcoming album with Dedstrange Records.

DEDSTRANGE’S NEWEST ADDITION TO THE DEDSTRANGE FAMILY, MEXICO’S NOISE ROCK TRIO, SUNSET IMAGES

RELEASES THEIR SECOND SINGLE, “EL TIEMPO OSCILA Y MUERE AL INCIO (TOMMY)”, OFF OF THEIR UPCOMING ALBUM ‘OSCILADOR’ AND IT’S OUT NOW EVERYWHERE!!!

Sunset Images‘ “El Tiempo Oscila y Muere Al Inicio (Tommy)” is a sprawling, motorik dirge that explores humanity’s self-destruction. A bruised and distorted bassline throbs like a wounded soul, as hypnotic guitars swirl & feedback in the distance, conjuring visions of a world ravaged by toxic masculinity and patriarchy. This is a song about the abyss that awaits, how we cannot escape the passage of time & how it will ultimately consume us.

Out Now On Dedstrange.

PURCHASE THE SINGLE HERE

STREAM THE SINGLE HERE 

SUNSET IMAGES’ 

UPCOMING ALBUM

‘OSCILADOR’

OUT JANUARY 23RD, 2026

Noise-rock dissonant ferocity meets industrial mechanical precision.

‘Oscilador’ is a sound reflection of the perpetual cycle that rules our world’s history: birth, decay, chaos and resolution. Fueled by the collision of fractured synths, pulsating vocals, primitive drum beats and feedback-drenched guitars, creating an aural landscape that’s both disorienting and irresistible. Get ready to be consumed by Mexico City’s Sunset Images’ latest pursuit of sonic resistance. An album that’s brutal, raw and honest, yet accessible, chaotic and beautiful, like the world itself.

“Oscilador” will be out January 23rd 2026 on Dedstrange, record label owned by the visionary mind of the band “A Place to Bury Strangers” and FX pedal company “Death By Audio”

Pre-Order the Limited Edition Pink Vinyl now at your favorite local record store.

or

PRE ORDER ONLINE HERE

*** UPCOMING TOUR DATES ***

Sunset Images 2026 – New Colossus Festival

March – New York City, NY – United States

03.05 – Dedstrange Party

03.07 – Dedstrange Party

Sunset Images 2026 European & United Kingdom Tour

April

04.02 – St Leonard’s @ The Piper

04.03 – Leicester @ The International

04.04 – Cardiff @ Cardiff Psych & Noise Fest

04.09 – Todmorten @ TBD

04.10 – London @ Strongroom Bar

04.11 – Bristol @ The Crofters Rights

04.14 – Rouen @ Le 3 Pieces

04.15 – Rennes @ TBD

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Steven at Dedstrange.]

Blackwater Holylight surround you with “Involuntary Haze” on their newest single.

Credit: Magdalena Wosinska

Blackwater Holylight have forged a heavy presence in the Los Angeles underground, following a move from Portland, Oregon. On January 30, 2026, the dreamy hard rock trio will share the full-length Not Here Not Gone via Suicide Squeeze Records. On the second single, “Involuntary Haze,” menacing riffs provide the bedrock to beguiling melodies; dense walls of shoegaze guitars pair with lighter-than-air synths; and heavy subject matter is delivered by siren song vocals.

On the track, lead-guitarist Mikayla Mayhew shares: “This song holds up a mirror to empty promises. Pretending there’s room for someone when your heart’s already full. It’s the moment you realize you’ve been fooled, not by anyone else, but by your own excuses.”

When the women of Blackwater Holylight left their hometown of Portland, OR three years ago, their mission was to escape the gloom of the Pacific Northwest and the placating comfort of familiarity. Aiming for the sunnier climes of LA, the band found themselves not only in a warmer environment, but in a blank slate landscape—one without jobs, longtime friend groups, and the easy retreat of old habits. And it was here, unencumbered by the contentment of security, that Blackwater Holylight began diligently working on their fourth full-length album,Not Here Not Gone.

As with their previous work, Not Here Not Gone explores the duality of light and dark—menacing riffs provide the bedrock to beguiling melodies; dense walls of shoegaze guitars pair with lighter-than-air synths; and heavy subject matter is delivered by siren song vocals. Across their work, the listener gets a sense of empowerment at one turn, vulnerability the next. As drummer Eliese Dorsay describes it, “some songs we’re the predator, and some songs we’re the prey.” The juxtaposition of confidence and uncertainty is never in as such stark relief as when one makes a life changing decision, which may explain how the band’s relocation intensified their study in contrasts to intoxicating new heights on Not Here Not Gone.

The title is the perfect description of the band’s adjustment. “It’s one foot in, one foot out,” vocalist and guitarist/bassist Sunny Faris explains. “It’s about how you can lose people in your life but still have their presence and energy around you.” And indeed, listening to Not Here Not Gone, you get the distinct sense that Blackwater Holylight dragged some of the Northwest gloom down into Southern California. The opening chords of “How Will You Feel” are drenched in the muddy weight of perpetually overcast skies. But a Jacob’s Ladder of light shines through the scuzzy guitars in the form of Faris’ lilting vocals and Sarah McKenna’s blissed-out ambient synth work, guiding the listener out of the mire and into the garden.

Even in their heaviest moments, like the sludgy psychedelia of “Bodies” and “Spades,” Blackwater Holylight masterfully sculpt the thunder and grime into something that feels transcendental. Lead single “Heavy, Why?” is perhaps the apex of the band’s masterful duality and an appropriately titled examination of the ensemble’s methods. Mikayla Mayhew’s low, dirge-like riff and Dorsay’s propulsive drums could easily find a home in the catalog of an amp-worshipping Roadburn act, but Faris’ fragile vocals transform the composition into a question, a pointed and probing examination that uses beauty and grace to offset the threatening instrumentation.

In one of the biggest stylistic shifts of the album, the instrumental track “Giraffe” churns out a hallucinatory blend of woozy keyboards and pulsating bass over a beat provided by David Andrew Sitek (TV on the Radio, Run the Jewels, Solange). The song serves as a dividing line of sorts, as Not Here Not Gone shifts gears into even more nuanced territories. The band asserts that the primary change to their music has been the addition of time. On previous albums, youthful urgency yielded material that felt immediate and direct. But on Not Here Not Gone, Blackwater Holylight deliberately slowed their creative pace. “If there were to be a theme to the album, it would be patience,” says Faris. “Some of these songs we’ve been working on for three years, just giving the songs time to breath and develop while we were exploring a new place and new lives.” It’s especially evident on the latter half of the album, where tracks like “Void to Be,” “Fade,” and “Mourning After” deliberately eschew the big riff in favor of fever dream melodies and layered instrumentation. But forever savoring the paradox, the album’s final track was composed just days before the band entered the studio. “Poppyfields” is a harrowing account of a friend losing their home in an LA wildfire, set against a backdrop of blast beats, double kick drum, symphonic synths, and black metal-inspired guitars. In what feels like a counterweight to the album’s general tilt towards less tormented territories, “Poppyfields” serves as a stark reminder that no paradise is permanent, and everything will be reborn through ashes.

Not Here Not Gone was recorded at Sonic Ranch outside of El Paso TX by Sonny Diperri (Narrow Head, DIIV, Emma Ruth Rundle), allowing the band to once again step outside of their comfort zone and isolate themselves in a place where they could focus exclusively on their art. The result is the crown jewel of Blackwater Holylight’s catalog—a rich and immersive study in tonal chiaroscuro, where light finds its way out of the shadows. Suicide Squeeze Records is proud to release Blackwater Holylight’s Not Here Not Gone to the world on Limited Edition Deluxe LP, standard LP, and CD on January 30, 2026.

UPCOMING 2026 LIVE DATES

2/13 – San Diego, CA @ Casbah
2/14 – Phoenix, AZ @ Last Exit
2/15 – Albuquerque, NM @ Sister
2/17- Austin, TX @ Radio/East
2/18 – Houston, TX @ White Oak
2/19- New Orleans, LA @ No Dice
2/20 – Pensacola, FL @ Handlebar
2/21 – Atlanta, GA @ Siberia
2/22 – Asheville, NC @ Eulogy
2/24- Charlottesville, VA @ Southern Cafe
2/25 – Baltimore, MD @ Metro
2/26 – Philadelphia, PA @ Johnny Brenda’s
2/27 – Brooklyn, NY @ Meadows
2/28 – Braintree, MA @ Widowmaker Brewing
3/02 – Youngstown, OH @ Westside Bowl
3/03 – Indianapolis, IN @ Black Circle
3/04 – Chicago, IL @ Sleeping Village
3/06- Denver, CO @ Hi-Dive
3/07 – Denver, CO @ Hi-Dive
3/08 – Salt Lake City, UT @ Aces High
3/10 – Seattle, WA @ Neumos
3/11 – Portland, OR @ Aladdin Theater
3/12 – Sacremento, CA @ Starlet
3/13 – San Francisco, CA @ The Chapel
3/14 – Santa Cruz, CA @ Moe’s Alley
3/21 – Los Angeles, CA @ Pacific Electric
4/18 – Tilburg, NL @ Roadburn Fest
5/06 – Brussels, BE @ Ancienne Belgique
5/07 – Hamburdg, DE @ MS Stubnitz
5/08 – Copenhagen, DK @ A Colossal Weekend Fest
5/09 – Oslo, NO @ Desertfest
5/10 – Gothenburg, SE @ Monument
5/12 – Poznań, PL @ Pod Minoga
5/13 – Leipzig, DE @ UT Connewitz
5/14 – Berlin, DE @ Desertfest
5/15 – Nuenkirchen, DE @ Stummsche Reithalle
5/16 – Brussel, BE @ Obsidian Dust Fest
5/17 – London, UK @ Desertfest
5/18 – Newcastle, UK @ The Cluny
5/19 – Glasgow, UK @ Stereo
5/20 – Manchester, UK @ The Deaf Institute
5/22 – Helsinki, FIN @ Sonic Rites Fest

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to David at Suicide Squeeze Records.]

Winged Wheel release gritty new single – “I See Poseurs Every Day” – and European tour dates.

Photography by Katy McElroy

oday, Winged Wheel share “I See Poseurs Every Day,” the third track released in advance of their forthcoming album, Desert So Green, due January 9 on 12XU. The song’s greasy steel guitar riffing evokes a truck stop showdown between ZZ Top and the Silver Apples, offering another glimpse into the band’s quickly evolving sound as they move toward the release of their third full-length in just four years.

In its premiere at Magnet, Winged Wheel’s Fred Thomas explains: “The working title was ‘Truck Stop’ because of how dirty and gruff the riff was—like something you’d hear in a nearly abandoned, potentially dangerous truck stop in the middle of nowhere. It’s way more choogling and crunchy than the kraut-inspired improv of our previous album, Big Hotel, or the more textural air that makes up the rest of Desert So Green. The official title was also pulled out of the ether, from a breakfast conversation on tour that turned into a running inside joke—though it’s not without a shred of truth. We do see poseurs every day, and we need to let them know we’re watching.”

An “experimental super-band” comprised by Whitney Johnson (Matchess, Circuit des Yeux), Cory Plump (Spray Paint, co-owner of the dream venue Tubby’s), Matthew J. Rolin (solo guitar wizard and half of the Powers/Rolin Duo), Steve Shelley (Sonic Youth), Lonnie Slack (Water Damage), and Fred Thomas (Idle Ray, Tyvek), Winged Wheel is a creatively and geographically scattered collective, with each player living in a different city and bringing their own unique element to the group’s interpersonal alchemy.

Early long-distance file trading between a few members yielded 2022’s debut album, No Island. As awareness and buzz grew around the band, they expanded their membership and met in person for the sessions that became 2024’s Big Hotel, a surgically assembled murk of high-energy kosmische rock with jammed-out tendencies. Fast forward, and the band that started out as a passing idea has completed multiple tours, become a taper’s dream with sets that drift through structure and improvisation, and ridden the momentum to places unforeseen on their third album, Desert So Green. The nine-track collection takes them into a space of sharpened dynamism and more nuanced expression. Things move a little slower, and the aftershock hits harder than the initial adrenaline rush. The energy that arrived all at once in loud explosions on earlier albums is refracted here, and ultimately all the more transcendent.

In January 2026, Winged Wheel will tour Europe for the first time. The band is also set to perform at Big Ears Festival in March 2026, while additional North American tour dates will be announced shortly. 

Winged Wheel
2026 Tour Dates

​9 Jan – Amsterdam, NL – OCCII
10 Jan – Groningen, NL – Vera
11 Jan – Hamburg, DE – Hafenklang
12 Jan – Leipzig, DE – Noch Besser Leben
13 Jan – Berlin, DE – Neue Zukunft
14 Jan – Prague, CZ – MeetFactory
15 Jan – Jena, DE – Trafo
16 Jan – Kusel, DE – Kinett
17 Jan – Düdingen, CH – Bad Bonn
18 Jan – Strasbourg, FR – La Grenze
19 Jan – Dijon, FR – Consortium
20 Jan – Paris, FR – La Station – Gare des Mines
21 Jan – Les Roches-l’Évêque, FR – Zero Degre Est
22 Jan – Rennes, FR – L’Antipode
23 Jan – Lorient, FR – Hydrophone
24 Jan – Rouen, FR – Le Kalif
26-29 Mar – Knoxville, TN – Big Ears Festival

Winged Wheel Desert So Green is available January 9, 2026 via 12XLU on Vinyl and Digital Formats // Pre-Order Available Here

Keep your mind open.

[I see you subscribing today.]

[Thanks to Kevin at Calabro Music Media.]

Mandy, Indiana sign to new label and announce new album.

Photo Credit: Charles Gall

Mandy, Indiana sign to Sacred Bones and announce their new album, URGH, out February 6th, with lead single “Magazine.” On URGH, Mandy, Indiana is a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Following their acclaimed 2023 debut, i’ve seen a wayURGH finds the band expanding their far-reaching sound with each member — vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall — actively taking part in the songwriting process. Across ten tracks, Mandy, Indiana interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.

Co-produced and co-mixed by Fair and Daniel Fox of Gilla Band, much of URGH was written during an intense residency at an eerie studio house in the outskirts of Leeds and recorded across Berlin and Greater Manchester. The process was shaped by adversity with both Caulfield and Macdougall undergoing multiple rounds of surgeries in the same time frame as the album was being written and recorded. The harrowing experience and the exhaustion of their respective recoveries bleed into the surreality of Caufield’s writing, blurring the line between inner turmoil and external chaos.

URGH is deeply personal, yet also reflects the violent, fractured state of the wider world as Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain. While most of the lyrics are in her native French, the emotional clarity cuts through regardless of language. Caulfield still uses her voice as a distorted instrument and a weapon, oscillating between equal parts playful and eviscerating, showcased on today’s single, “Magazine.” The throbbing siren-sound of the song finds the band garnering drama from the juxtaposition of quiet moments and explosive commotion as Caufield sings in French: “Abandon / All hope / Because tonight / I’m coming for you.” The accompanying visualizer was directed by Stephen Agnew.

Commenting on the song, Caulfield explains: “‘Magazine’ is the expression of the frustration and deep-seated violence I felt while attempting to recover from being raped. Just like most victims of sexual assault, I will never get justice, and just like most perpetrators, my attacker will never be punished. My therapist encouraged me to channel my anger into something productive, so here it is: my primal, screaming call for retribution. It is the only way I will ever get to say to my rapist: you hurt me, so I’m going to hurt you.”
 

Watch the Visualizer for Mandy, Indiana’s “Magazine”

Although there are still undeniable “bangers” across the album, from the bristling techno of “Cursive” to the frazzled rap of “Sicko!” featuring billy woodsURGH feels hewn with precise cinema. Fair and Macdougall explain that “a lot of the record is a remix of itself,” a cohesion of the band’s aptitude for collaging sounds and ideas that could operate as a film score or an industrial club night. Where i’ve seen a way drew from escapism, URGH (even from the reactive nature of the title alone) belongs in the physical world, and the artwork by the artist Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits.

For Mandy, Indiana, the truth is the only way through. In 2025, the ability to make art that is seen and heard is its own form of protest, and directly addressing these issues is its own reclamation of power and strength in solidarity. URGH is a cathartic first step toward healing and a refusal to let the conversation die.

Mandy, Indiana will tour across Europe next year with shows in London, Paris, Berlin and more. All dates are listed below.

Stream “Magazine”

Pre-Order URGH

Mandy, Indiana Tour Dates
Wed. March 25 –  London, UK @ Heaven
Fri. March 27 – Leeds, UK @ Brudenell Social Club
Sat. March 28  – Glasgow, UK @ Room 2
Wed. April 8 – Dunkirk, FR @ Les 4 Ecluses
Thu. April 9 – Paris, FR @ Petit Bain
Sun. April 12 – Cologne, DE @ Bumann & Sohn
Tue. April 14 – Copenhagen, DK @ Huset
Wed. April 15 – Berlin, DE @ Urban Spree
Thu. April 16 – Hamburg, DE @ MS Stubnitz
Fri. April 17 – Tilburg, NL @ Roadburn
Sat. April 18 – Rotterdam, NL @ Motel Mozaique

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Ahmad at Pitch Perfect PR.]

Just Mustard announce big tour for 2026.

Just Mustard is Katie BallDavid NoonanMete KalyoncuoğluRob Clarke, and Shane MaguireWE WERE JUST HERE signals a pivotal moment for the band. While Just Mustard’s signature elements are still intact —warped guitars, twisted sound design drawing from the luminary world of Aphex Twin, and cavernous low ends—this time, it’s all been channeled into a warmer and more anthemic path. The strange and distinct universe the band creates on WE WERE JUST HERE is reinforced with haunting interludes of speech and noise, snippets of voice memos, and elements from various demos. Whereas Heart Under explored themes of grief and longing, the songs here draw from a wide spectrum of emotion and feeling, with characters searching for ecstasy, holding onto love, and grasping for the rush of feeling alive.

 
Pre-order WE WERE JUST HERE
 
Watch the Video for “ENDLESS DEATHLESS”
 
Watch the Video for “WE WERE JUST HERE”
 
Watch the Video for “POLLYANNA”
 
Just Mustard Tour Dates

Wed. Apr. 8 – Stockholm, SE @ Debaser
Thu. Apr. 9 – Oslo, NO @ John Dee
Sat. Apr. 11 – Copenhagen, DK @ Loppen
Sun. Apr. 12 – Hamburg, DE @ Nochtspeicher
Mon. Apr. 13 – Cologne, DE @ Helios 37
Wed. Apr. 15 – Amsterdam, NL @ Paradiso
Thu. Apr. 16 – Brussels, BE @ Botanique
Fri. Apr. 17 – Paris, FR @ Le Trabendo
Sun. Apr. 19 – Norwich, GB @ The Waterfront
Mon. Apr. 20 – Birmingham, GB @ The Castle & Falcon
Tue. Apr. 21 – Newcastle, GB @ The Grove
Thu. Apr. 23 – Glasgow, GB @ Glasgow School of Art
Fri. Apr. 24 – Leeds, GB @ Brudenell Social Club
Sat. Apr. 25 – Manchester, GB @ Gorilla
Mon. Apr. 27 – Bristol, GB @ Thekla
Tue. Apr. 28 – Brighton, GB @ CHALK
Wed. Apr. 29 – London, GB @ Electric Brixton
Fri. May 1 – Dublin, IE @ Olympia Theatre
Fri. May 8 – Seattle, WA @ Tractor Tavern
Sat. May 9 – Vancouver, BC @ Fox Cabaret
Sun. May 10 – Portland, OR @ Polaris Hall
Tue. May 12 – San Francisco, CA @ Cafe Du Nord
Thu. May 14 – Santa Ana, CA @ Constellation Room
Sat. May 16 – West Hollywood , CA @ Troubadour
Sun. May 17 – Phoenix, AZ @ Valley Bar – Music Hall
Tue. May 19 – Denver, CO @ Larimer Lounge
Thu. May 21 – Chicago, IL @ Empty Bottle
Sat. May 23 – Toronto, ON @ The Garrison
Sun. May 24 – Montréal, QC @ Bar Le Ritz PDB
Tue. May 26 – New York, NY @ Bowery Ballroom
Fri. May 29 – Philadelphia, PA @ Johnny Brenda’s
Sat. May 30 – Washington, DC @ Songbyrd Music House
Fri. June 26 – Dublin, IE @ Marlay Park *
Sun. June 28 – Belfast, IE @ Belsonic ^
Sun. Aug. 23 – Edinburgh, SF @ Royal Highland Showgrounds, Edinburgh Summer Sessions #

 
* with The Cure & Stella and the Dreaming
^ with The Cure & The Twilight Sad
# with The Cure, Slowdive, & Mogwai

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Jaycee at Pitch Perfect PR.]