News – Page 111 – 7th Level Music

The Shrine release “Dance on a Razor’s Edge” ahead of upcoming “Cruel World” EP due May 3rd

“Equal parts Black Flag and Thin Lizzy.” — Rolling Stone

“Combines elements of hard rock, punk, metal, psychedelic, garage rock and more for a powerful sound that’s both heavy and catchy.” — Consequence of Sound

Los Angeles skate-rock trio The Shrine share the first track from their forthcoming Cruel World EP via Consequence of Sound’s Heavy Consequence. Hear and share “Dance On a Razor’s Edge” HERE.

The band also announces a huge EP release and tour kickoff party in downtown L.A. on April 19th at House of Machines. The release party also features the Paranoyds and DJ sets by artist Shepard Fairey, Tony Accosta and Judith Priest. The Shrine then play shows in Toronto and New York City before heading to Europe for shows surrounding their performances at DesertFest London and DesertFest Berlin. Please see all dates below.

The Shrine return in May with Cruel World, a filthy groove that sends a nod to both ZZ & Sabbath while attacking the atrocities of the modern age. On this 4 song EP the Venice, California rockers have grown heavier & simpler in a primitive yet defiant way. The Shrine come across more aware and in control of their power, mixing their favorite 70’s & 80’s in a fresh way that you don’t quite hear in today’s digital landscape. Cruel World was mixed at Henson Studios by Tom Syrowski (who won a Grammy in 2018 for his work with Mastodon).

From their warehouse skate parties and guitar shop beginnings in Venice, California to their Ozzfest appearances, Slayer/Ghost/Dinosaur Jr. support slots and repeat headline Japanese and Australian tours, The Shrine have thrived in the cemetery that is the music industry. On top of an official Dogtown Skateboard and a signature Converse shoe, and their debut TV performance on Norman Reedus’ Ride show on AMC; their last album cover was illustrated by Shepard Fairey. The world renowned street artist is a Shrine fan who hand-picked the band to headline his Damaged art show in Los Angeles to 8000 people.

Shepard Fairey on The Shrine: “The things that attracted me to skateboarding, punk, and metal in the 80s were their complete rejection of mainstream conformity and their embrace of aggression, rebellion, and do-it-yourselfing ripped to shreds danced on the razor’s edge. As subcultures became accepted and co-opted over the years, I craved music and a scene with the raw intensity of Black Flag, Black Sabbath, Suicidal Tendencies, Motorhead, the Circle Jerks, etc.. When I discovered The Shrine I realized that the kind of feral, sleazy, high-octane, fun as hell band and scene that I was looking for was out there, not in their 50s, but in their 20s. The warehouse record release party for The Shrine’s Rare Breed was the most awesome steaming pile of sweaty, surly, rock gods and goddesses in denim and leather I’ve been to in years! There were more kick-ass rock and skate t-shirts in that room than I’d seen in the last five years in Echo Park and Silver Lake combined. I’ve seen a lot of great shows in my life, but to have that particular crowd pogoing and stage diving to The Shrine with Nik Turner from Hawkwind on stage improvising psychedelic punk saxophone was pretty surreal. Someone dove on my head and sprained my neck at one point but I was so hopped up on adrenaline that I didn’t feel it much until the next day. So yeah, I guess I could say the Shrine shred and I think they’re OK.”

The Shrine recently added their new bass player Corey Parks (Nashville Pussy, Chelsea Girls). “We had jammed with Corey before on a Motorhead cover, and she actually took me to hang out with Lemmy in the studio during their final album,” says frontman Josh Landau. “There isn’t anyone else we could imagine doing The Shrine with other than Corey now. She brings a touch of class, charisma, and fire to the stage that pushes our chemistry into a whole new epic realm.”

Cruel World will be available on vinyl and download, released on May 3rd, 2019 via Eliminator Records. Pre-orders are available.

THE SHRINE TOUR 2019: 04/19 Los Angeles, CA @ House of Machines – EP release party & tour kickoff 04/23 Toronto, ON @ Baby G 04/24 NYC, NY @ Baby’s All Right 04/26 Munich, DE @ Backstage 04/27 Kaprun, AT @ Castle 04/30 Zurich, CH @ Z7 05/01 Savigliano, IT @ ARCI Mezcal 05/02 Marseille, FR @ Cabaret Aleatoire 05/03 London, UK @ Electric Ballroom – DesertFest UK 05/04 Berlin, DE @ Arena – DesertFest Berlin 05/05 Karlsruhe, DE @ Alte Hackerei 05/09 Bilbao, ES @ Kafe Antzokia 05/10 Madrid, ES @ White Lab 05/11 Barcellona, ES @ Rocksound

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Claude Fontaine releases another lovely single, “Hot Tears,” from her album due April 26th.

‘Claude Fontaine’ promises 10 tracks of artful reverence and tasteful reimagining of globetrotting sounds.” — Noisey

Los Angeles-based singer and songwriter Claude Fontaine shares a new single, “Hot Tears,” from her forthcoming debut, self-titled album, out April 26th on Innovative Leisure. Following the “hypnotic and romantic” (Noisey) “Pretending He Was You” and lead single “Cry For Another”, which the Los Angeles Times described as “a straight-up rocksteady song that conjures the essence of Kingston, Jamaica, in the late 1960s,” “Hot Tears” is another standout nod to the early 1970s Studio One, Trojan, and Treasure Isle records of Jamaica. Over muted percussion and flutters of trumpet, Fontaine tells a story of unrequited love.

Listen to “Hot Tears” –
https://youtu.be/5oYzwUyy_LE

Claude Fontaine was tracked in two potent sessions with guitarist Tony Chin, whose playing with Althea and Donna, King Tubby, Dennis Brown and so many more very arguably defined a significant part of the classic reggae sound, and Airto Moreira, the Brazilian drummer whose work both solo and in collaboration—with Miles Davis, Astrud Gilberto, Chick Corea, Annette Peacock—make him an actual living legend. They also enlisted a murderer’s row of additional session players—bassist RonnieMcQueen of Steel Pulse and Ziggy Marley drummer Rock Deadrick, Now Again Records guitarist Fabiano Do Nascimento, Sergio Mendes percussionist Gibi Dos Santos and Flora Purim bassist Andre De Santanna. The ten tracks that comprise Claude Fontaine were tracked at both KingsizeSound Labs in Northeast Los Angeles and Sage and Sound, Chet Baker’s legendary old studio in Hollywood.

Fontaine will celebrate the album’s release with a show at Zebulon in Los Angeles on Fri. April 26th. Tickets are available here.

Listen to “Pretending He Was You” —
https://bit.ly/2J0aCi4

Watch “Cry For Another” Video —
https://youtu.be/ztHTOL_EJWM

Pre-order Claude Fontaine —
https://claudefontaine.bandcamp.com/album/claude-fontaine

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Flat Worms release live version of title track from their new EP, “Into the Iris.”

“[‘Into The Iris’ EP is] equal parts protest, post-impressionist imagery, even reactionary as it responds to the world around it—it’s a culmination and a dismantling at once.” – LA Record

“Into the Iris is a Wire-like collision of angular chords and shards of noise that are occasionally topped with compelling shout-along choruses.” – LA Weekly

“With a wave of twitchy, heavily distorted guitars, lead vocalist Will Ivy exudes a stark, smirking calmness amongst the electrifying storm.” – Paste on “Shouting At The Wall”

Flat Worms – the Los Angeles-based trio of bassist/vocalist Tim Hellman (Thee Oh Sees), drummer Justin Sullivan (Night Shop), and guitarist/ vocalist Will Ivy (Dream Boys) – share a video for “Into The Iris,” the title track from their recently released EP, out now via Drag City imprint, GOD? Records. “Into The Iris” is a frenzied, high-energy track about channeling inspiration. The video was recorded at their record release show at Zebulon in Los Angeles, and presents the band’s frenetic live performance. Directed by Joshua Erkman, the video also features lighting tricks by Ty Segall.

The “Into The Iris” EP was recorded by Ty Segall in his home. The six tracks comprising the EP are a persistent, determined response to an apocalyptic era, one that sees deserted strip malls and surreal headlines. The EP follows their self-titled album, released via Castle Face in 2017.

Flat Worms will tour the west coast in support of the “Into The Iris” EP. They will play dates in Europe later this summer. All dates are below.

Watch “Into The Iris” Video – https://youtu.be/nHtDMkrH8OM

Listen to “Shouting At The Wall” – https://youtu.be/6dEDRwJwT7U

Purchase “Into the Iris” EP – http://www.dragcity.com/products/into-the-iris

Flat Worms Tour Dates: Tue. April 23 – Seattle, WA @ Screw Driver Wed. April 24 – Portland, OR @ Mississippi Studios Fri. April 26 – Chicago, CA @ Valley Fever Festival Sat. April 27 – San Francisco, CA @ The Knockout Sun. April 28 – Ventura, CA @ The Tavern Mon. April 29 – Los Angeles, CA @ Non Plus Ultra Sat. June 22 – Paris, FR @ La Maroquinerie Sun. June 23 – Brighton, UK @ TBD Mon. June 24 – Manchester, UK @ Yes (Pink Room) Thu. June 27 – Glasgow, UK @ Broadcast Fri. June 28 – Newcastle, UK @ The Cluny Sat. June 29 – Leeds, UK @ Brudenell Social Club Sun. June 30 – Nottingham, UK @ Rescue Rooms Mon. July 1 – Bristol, UK @ Fleece 2P Tue. July 2 – London, UK @ Dingwalls

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Flat Worms will tour the west coast in support of the “Into The Iris” EP. They will play dates in Europe later this summer. All dates are below. Watch “Into The Iris” Video – https://youtu.be/nHtDMkrH8OM

Listen to “Shouting At The Wall” – https://youtu.be/6dEDRwJwT7U

Purchase “Into the Iris” EP – http://www.dragcity.com/products/into-the-iris

Flat Worms Tour Dates: Tue. April 23 – Seattle, WA @ Screw Driver Wed. April 24 – Portland, OR @ Mississippi Studios Fri. April 26 – Chicago, CA @ Valley Fever Festival Sat. April 27 – San Francisco, CA @ The Knockout Sun. April 28 – Ventura, CA @ The Tavern Mon. April 29 – Los Angeles, CA @ Non Plus Ultra Sat. June 22 – Paris, FR @ La Maroquinerie Sun. June 23 – Brighton, UK @ TBD Mon. June 24 – Manchester, UK @ Yes (Pink Room) Thu. June 27 – Glasgow, UK @ Broadcast Fri. June 28 – Newcastle, UK @ The Cluny Sat. June 29 – Leeds, UK @ Brudenell Social Club Sun. June 30 – Nottingham, UK @ Rescue Rooms Mon. July 1 – Bristol, UK @ Fleece 2P Tue. July 2 – London, UK @ Dingwalls

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Haelos proposes an “End of World Party” with their latest single.

“End of World Party” is the newest single by London-based electronic quartet HÆLOS off their sophomore album, Any Random Kindness, out May 10th via Infectious. Following a string of previously released tracks including the “anxious and melancholic” (Stereogum) “Boy / Girl,” “Kyoto,” and “Buried in The Sand,” “End of World Party” is a satirical look at disregarding the apocalyptic aspects of humanity and focusing on the now.

“‘End of World Party’ went through a few different versions, and then we took things from other songs and these new melodies materialized that we ran with. There’s a lot of fun production in it,” Arthur Delaney explains regarding the song’s unique sonic spin. Lotti Benardout elaborates on its themes, “It’s a bit more tongue-in-cheek than some of the other tracks on the record. We’re all humans in the end—you often need to turn yourself off from the news and enjoy the moment.”

STREAM “END OF WORLD PARTY” — https://haelos.lnk.to/EndPartyVidPR

The follow up to 2016’s Full Circle, Any Random Kindness is an astoundingly textured record and a huge leap forward for HÆLOS’ band members Lotti Benardout, Arthur Delaney, Dom Goldsmith, and Daniel Vildósola. The shivering, gorgeous atmospheres conjured on Full Circle are more warm-blooded and varied than ever, the result of a new approach to live instrumentation the band took in-studio. It was recorded in a variety of locations—from Benardout’s basement and Delaney’s house to a studio in the English countryside, miles away from their city digs. Throughout, the album touches on themes ranging from the permanent destruction caused by climate change to the ephemeral emotions projected onto social media.

HÆLOS is in the midst of their pre-release tour. All dates are below.

Stream/Watch/Share: “Buried In The Sand” Video – https://Haelos.lnk.to/BITSVidPR “Kyoto” Video – https://Haelos.lnk.to/KyotoVideoPR “Boy / Girl” – https://youtu.be/aFOhIKJf4GM

Pre-order Any Random Kindness – https://haelos.lnk.to/BITSVidPR

HÆLOS Tour Dates: Thu. May 9 – Sat. May 11 – Brighton, UK @ The Great Escape Thu. May 16 – London, UK @ EartH (Hackney Arts Centre) Fri. June 7 – Sat. June 8 – London, UK @ Field Day

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Jake Xerxes Fussell’s new album, “Out of Sight,” due June 7th. The first single, “The River St. Johns,” however, is available now.

“North Carolina-based folk and blues guitarist Jake Xerxes Fussell creates music that resides at the seams of Appalachia and the cosmos.” — NPR Music

“Jake Xerxes Fussell is a national treasure.” — Aquarium Drunkard

“Achingly beautiful. He has an uncanny ability to illuminate the present by propping up a window against the past.” — Uncut

Jake Xerxes Fussell is pleased to announce his third album, Out of Sight, out June 7th on Paradise of Bachelors, alongside the album’s first single, “The River St. Johns.” Of the track, Jake writes: ‘The River St. Johns’ comes straight from one of Stetson Kennedy’s Florida WPA recordings of a gentleman named Harden Stuckey doing his interpretation of a fishmonger’s cry, which he recalls from a childhood memory. What compelling imagery there: “I’ve got fresh fish this morning, ladies / They are gilded with gold, and you may find a diamond in their mouths.” I can’t help but believe him.

Listen “The River St. Johns” — https://youtu.be/RaJCnhbVM64

On his third and most finely wrought album yet, guitarist, singer, and master interpreter Fussell is joined for the first time by a full band featuring Nathan Bowles (drums), Casey Toll (bass), Nathan Golub (pedal steel), Libby Rodenbough (violin, vocals), and James Anthony Wallace (piano, organ). An utterly transporting selection of traditional narrative folksongs addressing the troubles and delights of love, work, and wine (i.e., the things that matter), collected from a myriad of obscure sources and deftly metamorphosed, Out of Sight contains, among other moving curiosities, a fishmonger’s cry that sounds like an astral lament (“The River St. Johns”); a cotton mill tune that humorously explores the unknown terrain of death and memory (“Winnsboro Cotton Mill Blues”); and a fishermen’s shanty/gospel song equally concerned with terrestrial boozing and heavenly transcendence (“Drinking of the Wine”).

Read Bonnie “Prince” Billy’s essay on Fussell below.

“In our house we’ve listened to more Jake Fussell than any other individual artist over the past year, with the possible exception of Laurie Spiegel. We’ve had the opportunity to witness several intimate performances of Fussell’s (to my mind, he creates a new standard for the value of up-close musical experience) here in Louisville. As long as Jake Fussell is making records and playing shows, there is ample cause for optimism in this world. Fussell’s repertoire, and the manner in which he creates, constructs and presents it, displays such a beautiful and complex relationship to time and currency. He’s able to listen to and understand the presence of an old recording, of crusty dusty written-out pieces of music and memories of musical encounters. And then he overlays his own now-ness on those pre-existing presences so that the lives of older musical forces, in effect, link arms with Fussell’s in-progress trajectory and skip down the brick road, picking up desperate and willing compatriots along the way. Meaning: Jake lives in music as a true time-artist, using the qualities of time itself as irreplaceable elements of content.

“When Jake sings a sad song, he presents it in such a way that makes me want to say “Hey, but everything’s okay because you’re Jake Xerxes Fussell!” Hopefully it’s okay by him that I wouldn’t accept full-fledged nihilism from him even if he were standing naked on the ledge of a tall building with “this World is Shit” written on his shaved chest in, well, shit. His deal with his songs is too strong and blatantly valuable.” — Bonnie “Prince” Billy

Out of Sight Tracklist: 01. The River St. Johns 02. Michael Was Hearty 03. Oh Captain 04. Three Ravens 05. Jubilee 06. Winnsboro Cotton Mill Blues 07. The Rainbow Willow 08. 16-20 09. Drinking of the Wine

Pre-order Out of Sight: From PoB (LP/CD): http://www.paradiseofbachelors.com/pob-042

Elsewhere (LP/CD/DL/stream): http://smarturl.it/PoB42

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Priests’ new single, “Jesus’ Son,” is a great appetizer for the main course of “The Seduction of Kansas” due out tomorrow.

WATCH “JESUS’ SON” https://youtu.be/Zk99zK9Kxw0

WATCH “GOOD TIME CHARLIE” https://youtu.be/nEN_GTab-ro

WATCH “THE SEDUCTION OF KANSAS” https://youtu.be/coR59SSPWv8

Priests, the Washington, D.C. rock trio consisting of drummer Daniele Daniele, vocalist Katie Alice Greer, and guitarist G.L. Jaguar (and joined live by bassist Alexandra Tyson) share “Jesus’ Son” from their forthcoming album, The Seduction of Kansas, out April 5th via Sister Polygon Records. They also share an accompanying a new music video, presenting the band giving a dramatic staged-performance with a filter of muted colors. Following the tightly wound “Good Time Charlie” and their purest pop song to date, “The Seduction of Kansas,” “Jesus’ Son” is a grand-scale rock statement.

“The mythology of a rock band relies heavily on building a captivating arsenal of visual signifiers, one of which is often a ‘live performance’ music video. I put quotations around live performance because usually these are theatrically staged pantomimes of what the band would like the viewer to believe the actual live experience of their work to be like. We decided to try our hand at this as an expression of our identity— we are, in fact, a rock band— and so, we pay homage to those who have come before us (Blink 182, the Stone Roses, the Smiths, and perhaps most explicitly here, Nine Inch Nails). So now you know, in case you didn’t before: we are a rock band. Hope you enjoy the song and video. As for the song itself, we are of course nodding to Lou Reed’s declaration that he felt ‘just like Jesus’ Son’ way back when, a statement that launched a thousand others who perhaps too have felt like the son of god at one point or another. Many inquiring minds have already said they’d like to know who the song is about, it is certainly an apocalyptic sci-fi tale of epic proportions… perhaps it is about more than just a person? We hope you enjoy it.”

The Seduction of Kansas probes the realities and mythologies of America in 2019. For The Seduction of Kansas, the band took a decidedly less hermetic approach – collaborating with someone outside of their DC-based community for the first time. Finding a kindred spirit in producer John Congleton (Angel Olsen, St. Vincent), the band spent two weeks recording at his Elmwood Studio in Dallas. They also enlisted help from primary bassist and fourth songwriting collaborator, multi-instrumentalist Janel Leppin, who played on the band’s previous album, Nothing Feels Natural. The songwriting process found the group once again analyzing the textures and scopes of albums as aggressive as they are introspective, like Massive Attack’s Mezzanine, Portishead’s Third, and Nine Inch Nails’ Downward Spiral.

Priests will soon embark on a North American tour. Later, they will tour extensively in Europe before returning stateside.

PRIESTS 2019 TOUR DATES Mon. April 15 – Philadelphia, PA @ Union Transfer Tue. April 16 – Brooklyn, NY @ Elsewhere Thu. April 18 – Cambridge, MA @ The Sinclair Fri. April 19 – Montreal, QC @ Casa Del Popolo Sat. April 20 – Toronto, ON @ The Garrison Sun. April 21 – Detroit, MI @ El Club Mon. April 22 – Chicago, IL @ Lincoln Hall Thu. April 25 – Madison, WI @ High Noon Saloon Fri. April 26 – Minneapolis, MN @ 7th Street Entry Sat. April 27 – Omaha, NE @ Reverb Sun. April 28 – Des Moines, IA @ Vaudeville Mews Tue. April 30 – Bloomington, IN @ The Bishop Wed. May 1 – Columbus, OH @ Ace of Cups Sat. May 11 – Brighton, UK @ The Great Escape Sun. May 12 – Bristol, UK @ Rough Trade Mon. May 13 – Manchester, UK @ YES (Pink Room) Tues. May 14 – Glasgow, UK @ The Hug and Pint Wed. May 15 – Leeds, UK @ Brudenell Social Club Thu. May 16 – London, UK @ 100 Club Fri. 17 May – Lille, FR @ Aeronef Sat. 18 May – Paris, FR @ Supersonic Mon. 20 May – Brussels, BE @ Botanique (Witloof Bar) Tue. 21 May – Cologne, DE @ Bumann & Sohn Wed. 22 May – Munich, DE @ Import/Export Thu. 23 May – Zurich, CH @ Rote Fabrik Fri. 24 May – Heidelberg, DE @ Queer Festival (Karlstorbahnhof) Sat, 25 May – Amsterdam, NL @ London Calling Mon. 27 May – Aarhus DK @ Tape Tue. 28 May – Copenhagen, DK @ Loppen Wed. 29 May – Berlin, DE @ Kantine am Berghain Thu. 30 May – Hamburg, DE @ Hafenklag (Goldener Salon) Fri. 31 May – Hilvarenbeek, NL @ Best Kept Secret Festival Sat. 1 June – Neustrelitz, DE @ Immergut Festival Sat. June 15 – Washington, DC @ 9:30 Club Sun. June 16 – Durham, NC @ The Pinhook Mon. June 17 – Atlanta, GA @ Drunken Unicorn Tue. June 18 – New Orleans, LA @ Gasa Gasa Thu. June 20 – Houston, TX @ White Oak Music Hall Fri. June 21 – Austin, TX @ Barracuda Sat. June 22 – Dallas, TX @ Club Dada Mon. June 24 – Albuquerque, NM @ Sister Tue. June 25 – Phoenix, AZ @ Valley Bar Wed. June 26 – San Diego, CA @ Soda Bar Thu. June 27 – Los Angeles, CA @ Teragram Ballroom Sat. June 29 – Oakland, CA @ Starline Social Club Mon. July 1 – Portland, OR @ Polaris Hall Tue. July 2 – Vancouver, BC @ The Bitmore Wed. July 3 – Seattle, WA @ Neumos Sat. July 6 – Salt Lake City, UT @ Kilby Court Sun. July 7 – Denver, CO @ Lost Lake Tue. July 9 – Kansas City, MO @ The Record Bar Wed. July 10 – St. Louis, MO @ Off Broadway

PRAISE FOR “GOOD TIME CHARLIE” “The group’s unique twist on rock music has always resisted easy categorization, and these new singles find them continuing to stretch themselves in exciting ways.” – Stereogum

“It’s a heavy topic delivered with a heavy sound, yet Priests still manage to make the song a rollicking good time for all of us, not just Charlie.” – Paste

“‘Good Time Charlie’ sounds like a spaghetti western in a neon hellscape, in the absolute best way possible.” – The FADER

PRE-ORDER THE SEDUCTION OF KANSAS Sister Polygon pre-order – http://sisterpolygonrecords.bigcartel.com iTunes Pre-order – https://apple.co/2TvJs3c

Priests Online:

website: http://www.666priests666.com/

spr website: http://sisterpolygon.com/

bandcamp: https://priests.bandcamp.com/

twitter: @PRIESTS_TWEET

facebook: @priestsband

instagram: @insta_priests

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Partner’s new French single, “Les Ailes d’un Ange,” is the power ballad you’ve been craving.

SATURDAY THE 14TH OUT APRIL 05 2019

As Partner puts it, “‘Les ailes d’un ange’ (or ‘Angel’s Wings’ in English) is a song based on a poem by Cedric Sims. It is a collaboration in the style of Elton John and Bernie Taupin. It was also inspired by the grand themes and powerful performances found in Céline Dion songs, so we made a French version too.

“This song is about going down to “hell” to face your greatest fears. The song explores how, by having the courage to face your fears head on, you find you possess a strength you never knew. In order to craft this song, we had to face our greatest fears as artists. So form imitates content. Facing our fears is never easy, but there is life on the other side of fear. It’s so important to remind ourselves of this. We hope our listeners can be reminded of this fundamental truth and enjoy the ride!”

Paste Magazine says “it’s a power ballad complete with triumphant strings, an electric guitar solo and some serious glam. But don’t mistake the bells and whistles for overzealousness—Partner never take themselves too seriously.” Listen to “Les ailes d’un ange” HERE

Earlier, Partner shared the video for “Long and McQuade,” an ode to the Canadian music store chain (Watch the video HERE), and the country-bumpkin “Tell You Off” (which you can listen to HERE).

Saturday the 14th, out April 5th, follows Partner’s 2017 debut, In Search of Lost Time ,which landed on NPR, Stereogum, Noisey, Exclaim, and CBC Music year end lists. Pre-order Saturday the 14th HERE.

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Bibio’s new single, “Old Graffiti,” is a nice piece of psych-pop.

Bibio, the project of Stephen Wilkinson, shares the second single, “Old Graffiti,” from his upcoming album, Ribbons, which will be released on April 12th via Warp Records.

Wilkinson’s writing process typically starts with a guitar; “There’s at least one in nearly every room of my house,” he discloses. However, on “Old Graffiti” he opted for percussion as the starting point, later adding bass guitar, clavinet and vocals to the shuffling rhythm to build a slice of warm, hazy pop. Each instrument is tempered by Bibio’s imagination; take the clavinet, when Bibio recorded it, he imagined some undiscovered ‘60s French pop track, or the Brazilian-esque shuffling groove created by the brushwork on the snare drum, which was inspired by listening to old Batucada and Capoeira recordings. Adept at pairing these influences, Wilkinson explains: “Like many of my tracks, the influences are mixed and come from quite unrelated sources, but I think that’s true of a lot of modern music, on the surface it might seem like it’s referencing a specific era, but it’s actually referencing several, and doing so from a more distant perspective, a perspective that might not have been as wide several decades ago. Rather than relying on sampling old records to get ‘that sound,’ I like to get to the bare bones and create the parts from scratch, there’s more freedom in doing that, also the challenge of getting the instruments to take on the appropriate timbre and quality is satisfying to get right. I use a mixture of new and vintage gear and instruments to achieve this and processes that I’ve developed myself since my bedroom studio days.” Tracks like “Old Graffiti” are the work of decades of listening and contemplation, and serve as a welcome homecoming of the polymorphic songcraft that Bibio is known for.

Ribbons is Stephen Wilkinson’s ninth album to date and follows the release of his ambient atmospheric project, Phantom Brickworks. Wilkinson’s sound in his latest work can be seen as an extension of the structured songwriting he explored last on 2016’s A Mineral Love, yielding folkloric charm and a mostly acoustic-led approach that looks to ‘60s and ‘70s psychedelia, soul, ambient, electronic and his own field recordings for inspiration.

A self-taught musician, singer and producer, Wilkinson plays nearly all of the instrumental parts on the album and unveils new instruments to his palette, bringing in mandolins, fiddle and other stringed instruments which give a new flavor to his music.

Stream “Old Graffiti” – https://bibio.ffm.to/oldgraffiti

Watch “Curls” Video – https://Bibio.lnk.to/CurlsVid

Pre-order Ribbons – https://Bibio.lnk.to/Ribbons

Bibio online: https://www.facebook.com/mrBibio/ https://twitter.com/Bibio https://warp.net/artists/91421-bibio

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black midi releases new single, “Crow’s Perch,” ahead of spring and summer tour.

“Almost every song Black Midi performs unfolds in surprising ways, one riff quickly switching to another, one mellow passage blooming into caustic screams and dissonant guitars, songs constantly collapsing in on themselves and being born again.” – Stereogum, “Band To Watch”

“Black Midi are less interested in proving themselves the future of indie rock than in imagining indie rock from the future” – Pitchfork

“They were one of the most talked about groups at SXSW this year, and for good reason—Black Midi laid waste to every stage they stepped onto and damn near burned the city to the ground.” – Paste, “The 20 Best Acts We Saw at SXSW 2019”

“[black midi]’s twisted, slow-burn arrangements, noisy spasms of guitar and panicked vocals conjured visions straight out of a horror movie…” – Chicago Tribune, “12 best up-and-coming bands and artists at SXSW”

Enigmatic London-based black midi shares a caustic new single, “Crow’s Perch,” via Rough Trade Records. The accompanying video, directed and edited by Vilhjálmur Yngvi Hjálmarsson, also known as susan_creamcheese, reflects the track’s frenetic energy, juxtaposing saturated graphics and peculiar scenes with mundane images.

Since forming just over a year ago, black midi — Geordie Greep (vocals/guitar), Cameron Picton (bass/vocals), Matt Kelvin (guitar/vocals) and Morgan Simpson (drums) — have quickly cemented their reputation as one of the hottest new underground bands, following a string of sold-out UK live dates and surprise shows punctuated by constantly shifting sets and blistering musicianship. Recently, the band played their first North American live shows, were named a standout act at SXSW and sold out their first two shows in New York.

Available digitally and as a CD-R single, “Crow’s Perch” is the follow-up to black midi’s “eerily precise and austere” (Pitchfork) “Speedway” single. The “Speedway” single was accompanied by an EP of remixes by Proc Fiskal, Kwake Bass, and Blanck Mass. The 300 copies of their first-ever single, “bmbmbm,” released on Dan Carey’s label, Speedy Wunderground, sold out instantly and had to be re-pressed within the first week.

black midi will return stateside this July to play the Bowery Ballroom in New York, Pitchfork Music Festival in Chicago, and Minneapolis. All upcoming tour dates are below.

Watch black midi’s “Crow’s Perch” Video — https://youtu.be/A-6hI2Mnb3s

black midi Tour Dates: Sat. April 6 – Brussels, BE @ BRDCST Sat. April 20 – Rotterdam, NL @ Motel Mozaique Sun. May 5 – Manchester, UK @ Sounds From The Other City Thu. May 9 – Sat. May 11 – Brighton, UK @ The Great Escape Festival Sat. May 25 – Totnes, UK @ Sea Change Thu. May 30 – Nimes, FR @ This Is Not A Love Song Festival Fri. May 31 – Düdingen, CH @ Bad Bonn Kilbi Sat. June 1 – Neustrelitz, DE @ Immergut Festival Wed. June 5 – Thu. June 6 – Gothenburg, SE @ Garden Festival Sat. June 8 – Sun. June 9 – Paris, FR @ Villette Sonique Mon. June 10 – Moers, DE @ Moers Festival Sat. June 15 – Bergen, NO @ Bergenfest Tue. June 18 – London, UK @ EartH (Concert Hall) Thu. June 20 – Bristol, UK @ Fiddlers Fri. June 21 – Liverpool, UK @ Phase One Sat. June 22 – Glasgow, UK @ Mono Sun. June 23 – Nottingham, UK @ Contemporary Space Fri. July 5 – Roskilde, DK @ Roskilde Festival Fri. July 5 – Sun. July 7 – Moscow, RU @ Bolь Festival Fri. July 12 – Madrid, ES @ Mad Cool Festival Sun. July 14 – Nijmegen, NL @ Valkhof Festival Thu. July 18 – New York, NY @ Bowery Ballroom Sun. July 21 – Chicago, IL @ Pitchfork Music Festival Mon. July 22 – Minneapolis, MN @ 7th Street Entry Tue. July 23 – Madison, WI @ The Terrace at University of Wisconsin Fri. July 26 – Hyéres, FR @ Midi Festival Fri. Aug. 2 – Sun. Aug. 4 – Katowice, PL @ Off Festival Sun. Aug. 4 – Waterford, IE @ All Together Now Thu. Aug. 8 – Sat. Aug. 10 – Rees Haldern, DE @ Haldern Pop Sat. Aug. 10 – Oslo, NO @ Øya Festival Fri. Aug. 16 – Viana do Castelo, PT @ Paredes de Coura Fri. Aug. 16 – Sun. Aug. 18 – Biddinghuizen, NL @ Lowlands Festival Sat. Aug. 24 – Gueret, DR @ Check In Party Fri. Aug. 29 – Sun. Sept. 1 – Dorset, UK @ End of the Road Festival Thu. Sept. 19 – Paris, FR @ La Boule Noire Mon. Oct. 7 – Berlin, DE @ Lido Tue. Oct. 8 – Hamburg, DE @ Kampnagel Wed. Oct. 9 – Cologne, DE @ Bumann & Sohn

Keep your mind open.

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The Beths announce North American summer tour.

“That sense of kinetic energy cancels out whatever retro inclinations they have: like the best rock & roll, they gain power from living in the moment.” – Rolling Stone, “30 Best Artists We Saw in Austin”

“On Future Me Hates Me, singer Elizabeth Stokes presides over a string of pop-rock songs too clever, too charming and too endlessly disarming to miss.” – NPR Music, The Austin 100

“Beyond the catchy songs the Beths packed into their 2018 debut album, there was a standout feature: the intricate vocal harmonies that gave each of the melodies a richness several cuts above the typical indie-rock recording. Live, the band demonstrated that those harmonies are the real deal…” – Chicago Tribune, “12 best up-and-coming bands”

The Beths have announced a summer North American tour in support of their breakthrough release Future Me Hates Me, out now via Carpark Records. Tickets are on sale. The band recently brought their harmonious and energetic live show stateside, playing sold out venues in New York, Chicago, Boston, Washington DC, Toronto, and more. Additionally, the band returned to SXSW to much fanfare, being named a standout act by Rolling Stone, NPR Music, Chicago Tribune, Austin American Statesman, and others. Ahead of their next North American run, the Beths will tour Europe, where many of the dates have already sold out or have been upgraded to bigger venues due to demand. Then, they’ll bookend the summer festival season with appearances at Primavera Sound, Pickathon, and Pukkelpop, as well as several Australian shows. The band will also be releasing its debut EP, Warm Blood, on vinyl for the first time via Carpark Records. The official release date is April 26th with some copies being available to purchase on tour soon.

The Beths Tour Dates: Tue. May 7 – Birmingham, UK @ Hare & Hounds Wed. May 8 – Oxford, UK @ The Bullingdon (MOVED DUE TO DEMAND) Thu. May 9 – Sat. May 11 – Brighton, UK @ The Great Escape Sun. May 12 – Leeds, UK @ Gold Sounds Festival Mon. May 13 – Edinburgh, UK @ Sneaky Pete’s (SOLD OUT) Tue. May 14 – Glasgow, UK @ G2 (MOVED DUE TO DEMAND) Wed. May 15 – Manchester, UK @ Band on the Wall (MOVED DUE TO DEMAND) Thur. May. 16 – London, UK @ The Dome, Tufnell Park (SOLD OUT) Fri. May 17 – Bristol, UK @ The Fleece (SOLD OUT) Sat. May 18 – Wrexham, UK @ Ty Pawb Arts Hub (Focus Wales) Sun. May 19 – Ramsgate, UK @ Ramsgate Music Hall Tue. May 21 – Paris, FR @ Supersonic Wed. May 22 – Colmar, FR @ Le Grillen Thu. May 23 – Lyon, FR @ Sonic Sat. May 25 – Madrid, ES @ Tomavistas Tue. May 28 – Dornbirn, AT @ Spielboden Wed. May 29 – Munster, DE @ Gleis 22 Thu. May 30 – Groningen, NL @ VERA Fri. May 31 – Nijmegen, NL @ Merleyn Sat. June 1 – Hilvarenbeek, NL @ Best Kept Secret Festival Sun. June 2 – Barcelona, ES @ Primavera Sound Thu. June 27 – Spring Green, WI @ The Shitty Barn (TICKETS) Fri June 28 – Sun. June 30 – Chicago, IL @ Logan Square Arts Festival (TICKETS) Tue. July 2 – Grand Rapids, MI @ The Pyramid Scheme (TICKETS) Wed. July 3 – Detroit, MI @ El Club (TICKETS) Fri. July 5 – Toronto, ON @ The Horseshoe Tavern (TICKETS) Sat. July 6 – Ottawa, ON @ Bluesfest (TICKETS) Sun. July 7 – Buffalo, NY @ The 9th Ward at Babeville (TICKETS) Mon. July 8 – Akron, OH @ Musica (TICKETS) Tue. July 9 – Columbus, OH @ Rumba Café (TICKETS) Thu. July 11 – Indianapolis, IN @ The Hi-Fi (TICKETS) Fri. July 12 – St. Louis, MO @ The Ready Room (TICKETS) Sun. July 14 – Kansas City, MO @ The Record Bar (TICKETS) Wed. July 17 – Denver, CO @ Globe Hall (TICKETS) Tue. July 23 – San Diego, CA @ Soda Bar (TICKETS) Wed. July 24 – Los Angeles, CA @ Bootleg Bar (TICKETS) Thu. July 25 – Santa Barbara, CA @ SOhO Music Club (TICKETS) Fri. July 26 – San Francisco, CA @ The Independent (TICKETS) Sun. July 28 – Sacramento, CA @ Harlow’s (TICKETS) Tue. July 30 – Bend, OR @ Volcanic Theatre Pub (TICKETS) Wed. July 31 – Vancouver, BC @ The Biltmore Cabaret (TICKETS) Thu. Aug. 1 – Seattle, WA @ Chop Suey (TICKETS) Fri. Aug. 2 – Sat. Aug. 3 – Happy Valley, OR @ Pickathon (TICKETS) Thu. Aug. 15 – Trondheim, NO @ Pstereo Fri. Aug. 16 – Brecon Beacons, UK @ Green Man Festival Sun. Aug. 18 – Haasselt, BE @ Pukkelpop Wed. Aug. 28 – London, UK @ Heaven Fri. Oct. 4 – Collingwood, AU @ The Gasometer Hotel (SOLD OUT) Sat. Oct. 5 – Leichhardt, AU @ Crowbar Sydney Thu. Oct. 10 – Brisbane, AU @ The Brightside Brisbane Fri. Oct. 11 – Adelaide, AU @ Jive Sat. Oct. 12 – Perth, AU @ Badlands Bar

Purchase Future Me Hates Me: Carpark Shop – http://smarturl.it/fmhm_carpark

Streaming Services – http://smarturl.it/fmhm_dsps

The Beths online: https://thebeths.com/ https://www.facebook.com/thebethsnz https://thebethsnz.bandcamp.com/ https://soundcloud.com/thebethsnz https://twitter.com/lizstokedstokes https://www.instagram.com/lizstokedstokes/

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