A Halloween treat is coming – RidingEasy Records’ “Brown Acid: The Ninth Trip” is due on October 31st.

“So rare that diehard fuzz junkies say you’d have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment.” — Dangerous Minds

“Will do for hard rock, proto-metal and heavy psych what Nuggets did for garage rock, and bring it to a wider audience of collectors and music fans.” — The Guardian

“Mining the surprising rich reserves of heavy rock and proto-metal from the ’60s and ’70s, these collections have been crucial to understanding the history of a subgenre of rock that had far deeper roots than most fans realize.” — Paste Magazine

The forthcoming ninth edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Ninth Trip is set for release on Halloween 2019. The first track from the latest installment, the heavy psych groove “Pain” by Fiberglass Vegetables is available to hear and share via YouTube HERE and Bandcamp HERE.

Read an interview with the series curators via Paste Magazine HERE.

The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. About the Brown Acid series: Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century — particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins — often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid.

Lance Barresi, co-owner of L.A./Chicago retailer Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that’s hard to believe have remained unheard for so long. “I essentially go through hell and high water just to find these records,” Barresi says. “Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we’re using for Brown Acid is best for everyone involved,” rather than simply bootlegging the tracks. When all of the bands and labels haven’t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success. “There’s a long list of songs that we’d love to include,” Barresi says. “But we just can’t track the bands down. I like the idea that Brown Acid is getting so much attention, so people might reach out to us.”

Brown Acid: The Ninth Trip will be available everywhere on LP, CD and download on October 31st, 2019 via RidingEasy Records. Pre-orders are available for digital (with immediate download of the first single) at Bandcamp, physical pre-orders at RidingEasy Records.

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Lindstrom wades into “Really Deep Snow” with his new single.

Photo by Lin Strensrud

Norwegian artist Lindstrøm will release his sixth solo album, On A Clear Day I Can See You Forever, on October 11th via Smalltown Supersound. Today, he shares the lead single, “Really Deep Snow.”

In the autumn of 2018, Lindstrøm composed a commissioned piece for Norway’s premiere art centre, Henie Onstad Kunstsenter. Sketches from the three sold-out performances became the foundation for the four tracks that make up On A Clear Day I Can See You Forever (a title inspired by the 1970’s musical On A Clear Day You Can See Forever starring Barbra Streisand). All of the songs are based on long, one-take recordings. “I felt totally unrestrained making this album,” says Lindstrøm. “I’ve listened to Robert Wyatt’s solo albums and his Matching Mole’s debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this”

This is also the first time ever Lindstrøm has made an album entirely with hardware instead of computer plug-ins. He utilized 30+ synthesizers and drum machines during his performance at Henie Onstad Kunstsenter. The experience inspired him to embrace a similar set-up when making the album. The accessibility to his enviable collection of music gear – largely consisting of sought after synthesizers – allowed him to experiment freely with ideas and soundscapes. ​“The joy of making music on actual physical objects and devices makes a lot of sense to me now. After working on a computer for over 15 years, I don’t think I’ll ever look back,”​ he says.

Listen to “Really Deep Snow” – https://soundcloud.com/smalltownsupersound/really-deep-snow

Pre-order On A Clear Day I Can See You Forever – smarturl.it/sts346-preorder

On A Clear Day I Can See You Forever Tracklist: 1. On A Clear Day I Can See You Forever 2. Really Deep Snow 3. Swing Low Sweet LFO 4. As If No One Is Here

Lindstrøm Live: Wed. Oct. 23 – Bergen, NO @ Ekko Festival (Tickets)

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Twin Peaks’ new single, “Ferry Song,” is a great theme song to a great 70’s TV show that never existed.

Photo by Cooper Fox

LISTEN TO “FERRY SONG” – https://youtu.be/BNxYFZTg2EA

Chicago-based band Twin Peaks release “Ferry Song,” a new single from their forthcoming album, Lookout Low, due September 13th via Grand Jury. Following its “swaggering lead single” (Stereogum) “Dance Through It,” “Ferry Song” is a huge leap forward for band member Colin Croom. Croom wrote the track in Spring of 2018 in New Orleans. He stayed at Algiers Point, taking the ferry to the city each day. Throughout, the track waltzes with guitar and ramshackle brass. As it hits its boiling point, Croom accesses a part of his vocal range he’s only hinted at before.

Lookout Low feels like a total revolution. Their most deliberate and seamless record yet, the album is a collaborative triumph, propelled forward by Twin Peak’s near-decade-long bond. The five of them – guitarists Cadien Lake James and Clay Frankel, bassist Jack Dolan, multi-instrumentalist Colin Croom, and drummer Connor Brodner – committed to work countless hours in their studio and practice space. Already a well-oiled live unit, the band’s mission was to capture the exhilarating vibe of their shows. Lookout Low was recorded with legendary producer Ethan Johns at Monnow Valley, where they often thrived on the thrill of live recording, going with the magic of the original first take. The album features auxiliary percussion from drummer Kyle Davis and spectral harmonies from OHMME’s Macie Stewart and Sima Cunningham.

Each individual member of the band upped their songwriting for the LP. These tracks are their most impressive offering yet – confident, experimentative, and bursting with energy.

In support of Lookout Low, the band will tour across North America. They will play Chicago’s Riviera Theatre (their biggest hometown headline show to date), Los Angeles’ Teragram Ballroom, and New York’s Webster Hall, in addition to dual shows at Nashville’s Basement East, Boston’s The Sinclair, and more. Tickets are on sale now. All dates are below.

WATCH THE VIDEO FOR “DANCE THROUGH IT” – https://youtu.be/U12MYd1DtOs

PRE-ORDER LOOKOUT LOW – https://twinpeaks.lnk.to/lookout

TWIN PEAKS TOUR DATES: Thu. Sept. 12 – Detroit, MI @ Majestic Theatre * Fri. Sept. 13 – Cleveland, OH @ Beachland Ballroom * Sat. Sept. 14 – Columbus, OH @ Newport Music Hall * Thu. Sept. 19 – Milwaukee, WI @ Turner Hall Ballroom * Fri. Sept. 20 – Minneapolis, MN @ Fine Line Music Cafe * Sat. Sept. 21 – East Moline, IL @ The Rust Belt * Tue. Oct. 8 – Berlin, DE @ Musik und Frieden & Wed. Oct. 9 – Hamburg, DE @ Molotow Musikclub & Fri. Oct. 11 – Rotterdam, NL @ Rotown & Sat. Oct. 12 – Amsterdam, NL @ Paradiso Mon. Oct. 14 – Cologne, DE @ MTC & Tue. Oct. 15 – Paris, FR @ La Boule Noire & Wed. Oct. 16 – London, UK @ Dome Tufnell Park & (SOLD OUT) Fri. Oct. 18 – Leeds, UK @ Brudenell Social Club & Sat. Oct. 19 – Oxford, UK @ Ritual Union Sun. Oct. 20 – Cardiff, UK @ SWN Festival Wed. Oct. 30 – Louisville, KY @ Headliners Music Hall # Thu. Oct. 31 – St. Louis, MO @ The Ready Room # Fri. Nov. 1 – Omaha, NE @ The Waiting Room # Sat. Nov. 2 – Denver, CO @ Gothic Theatre # Tue. Nov. 5 – Salt Lake City, UT @ Metro Music Hall # Thu. Nov. 7 – Seattle, WA @ Neumos # Fri. Nov. 8 – Portland, OR @ Wonder Ballroom # Sat. Nov. 9 – Vancouver, BC @ VENUE # Wed. Nov. 13 – San Francisco, CA @ Great American Music Hall # Fri. Nov. 15 – Los Angeles, CA @ Teragram Ballroom @ Sat. Nov. 16 – Solana Beach, CA @ Belly Up Tavern # Mon. Nov. 18 – Phoenix, AZ @ The Crescent Ballroom # Thu. Nov. 21 – Dallas, TX @ Deep Ellum Art Co. # Fri. Nov. 22 – Houston, TX @ Satellite Bar # Sat. Nov. 23 – Austin, TX @ The Mohawk # Fri. Nov. 29 – Chicago, IL @ Riviera Theatre $ Wed. Dec. 4 – Burlington, VT @ Higher Ground Ballroom ^ Thu. Dec. 5 – Boston, MA @ The Sinclair (early) @ Thu. Dec. 5 – Boston, MA @ The Sinclair (late) ! Fri. Dec. 6 – New York, NY @ Webster Hall ^ Tue. Dec. 10 – Philadelphia, PA @ Union Transfer ^ Wed. Dec. 11 – Washington, DC @ Black Cat ^ Thu. Dec. 12 – Carrboro, NC @ Cat’s Cradle ^ Fri. Dec. 13 – Atlanta, GA @ Variety Playhouse ^ Sat. Dec. 14 – Nashville, TN @ The Basement East ^ Sun. Dec. 15 – Nashville, TN @ The Basement East ^ Wed. Feb. 26 – London, UK @ Electric Brixton * = w/ Slow Pulp and Dehd & = w/ Dehd # = w/ Post Animal & OHMME ^ = w/ Lala Lala & OHMME $ = The Nude Party & OHMME ! = w/ Lala Lala @ = w/ OHMME

Twin Peaks Online: http://pitchperfectpr.com/twin-peaks/ http://twinpeaksdudes.com/ https://www.facebook.com/twinpeaksdudes https://www.instagram.com/twinpeaksdudes/ https://twitter.com/TwinPeaksDudes https://open.spotify.com/artist/1xD85sp0kecIVuMwUHShxs

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BODEGA bring us a “Shiny New Model” with their latest single.

Photo by Kirsten Kay Thoen

Brooklyn-based BODEGA announces their new EP, Shiny New Model, out October 11th on What’s Your Rupture. Today, they share the title track, a buzzy, art-punk song that is set in an actual bodega, and an accompanying video. The video was directed by Brian Ngai and stars the band themselves. Following Endless Scroll, their “debut full of danceable, pop-smooth punk” (The AV Club), the Shiny New Model EP marks a lush new sonic direction for the group – widescreen multi-tracked guitars and a giant sounding rhythm section complement sharp songwriting and yearning vocal melodies. With wild minimalism and laughing wit, they revitalize the rock and roll vocabulary under the influence of post punk, hip-hop, kraut rock, and folk-derived narrative songwriting.

Last winter, Ben Hozie (conductor, vocals, guitar), Nikki Belfiglio (art director, vocals, samples, hi hat), Heather Elle (bass), Madison Velding Vandam (lead guitar, producer), and the new addition of Tai Lee (stand-up percussionist) headed up to Power Station in Connecticut to record. The EP is the band’s first recording done with Tai Lee, its first session at a proper studio, and the first BODEGA release produced within the group (production was handled by Vandam).

The EP covers various thematic ground: history alive in the present, the sadness of modern consumption, and adultery via sexting. In addition to the EP’s breezy hook-filled songs, the LP’s B-side features an extended improvised version of the group’s staple track “Truth is not Punishment” (an abbreviated “radio edit” of this track will be available on streaming services). The band has been using this song as a vehicle for extended live improvisation for a year and decided to use a day of the EP’s session to experiment with it in the studio.

BODEGA will tour across Europe before returning to the states later this year. They’ll appear at the O+ Festival in New York, Toronto’s Adelaide Hall, Brooklyn’s Elsewhere, and Philadelphia’s Kung Fu Necktie. All dates can be found below.

Watch the “Shiny New Model” Video – https://youtu.be/h7_A8fqHNBQ

Pre-order Shiny New Model EP – http://hyperurl.co/t1eo8p

Shiny New Model EP Tracklist: 1. Shiny New Model 2. Treasures 3. No Vanguard Revival 4. Knife On The Platter 5. Domesticated Animal 6. Realism 7. Truth Is Not Punishment (Long) 8. Truth Is Not Punishment (Short)

BODEGA Tour Dates:  Fri. Aug. 23 – Charleville Mezières, FR @ Cabaret Vert Festival Sat. Aug. 24 – Gueret, FR @ Festival Check In Party Tue. Aug. 27 – Brighton, UK @ Concorde 2 Wed. Aug. 28 – Birmingham, UK @ Hare and Hounds Thu. Aug. 29 – Bedford, UK @ Esquires Fri. Aug. 30 – Salisbury, UK @ End of the Road Festival Sun. Sept. 1 – Stradbally, IE @ Electric Picnic Fri. Oct. 11 – Kingston, NY @ O+ Festival Wed. Oct. 23 – Boston, MA @ Once (w/ Starcrawler) Sat. Oct. 26 – Philadelphia, PA @ Boot & Saddle (w/ Starcrawler) Sun. Oct. 27 – Washington, DC @ Pie Shop (w/ Starcrawler) Mon. Oct. 28 – Pittsburgh, PA @ Club Cafe (w/ Starcrawler) Fri. Nov. 1 – Atlanta, GA @ Aisle 5 (w/ Starcrawler) Sat. Nov. 2 @ New Orleans, LA @ Gasa Gasa (w/ Starcrawler) Tue. Nov. 5 – Austin, TX @ Barracuda (Inside) (w/ Starcrawler) Fri. Nov. 8 – Phoenix, AZ @ Valley Bar (w/ Starcrawler) Sat. Nov. 9 – Los Angeles, CA @ The Fonda Theatre (w/ Starcrawler) Mon. Dec. 2 – Toronto, ON @ Adelaide Hall Tue. Dec. 3 – Brooklyn, NY @ Elsewhere Thu. Dec. 5 – Philadelphia, PA @ Kung Fu Necktie

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Moon Duo find some “Lost Heads” on the newest single from their upcoming album – “Stars Are the Light.”

Photo by Jasmine Pasquill

Moon Duo shares the second single, “Lost Heads,” from their new album, Stars Are The Light, out September 27th on Sacred Bones. Following up previous single “Stars Are The Light” which featured “an alien disco groove filled with gossamer synth tones and left-field strings” [Paste], “Lost Heads” shimmers with an aura that hints at The Haçienda and makes for a laid-back, airy and distinctly Moon Duo take on 90s rave.

Stars Are The Light has a sonic physicality that is at once propulsive and undulating; it puts dance at the heart of an expansive nexus that connects the body to the stars. These are songs about embodied human experience rendered as a kind of dance of the self, both in relation to other selves and to the eternal dance of the cosmos. Johnson’s signature guitar sound is at its most languid and refined, while Yamada’s synths and oneiric vocals are foregrounded to create a spacious percussiveness that invites the body to move with its mesmeric rhythms.

“We have changed, the nature of our collaboration has changed, the world has changed, and we wanted the new music to reflect that,” says the band’s Sanae Yamada.

Stream “Lost Heads” – https://youtu.be/HlBMsnPi93M

Stream “Stars Are The Light” – https://youtu.be/bYXVk4cEbkY

Pre-order Stars Are The Light – https://www.sacredbonesrecords.com/products/sbr228-moon-duo-stars-are-the-light

Moon Duo Tour Dates: Thu. Oct. 17 – Ghent, BE @ Videodroom Fri. Oct. 18 – Krakow, PL @ Malopolski Garden Of The Arts Sun. Oct. 20 – Amsterdam, DK @ Paradiso Noord Mon. Oct. 21 – Berlin, DE @ Volksbuhne Wed. Oct. 23 – Zurich, CH @ Bogen F Thu. Oct. 24 – Vevey, CH @ Rocking Chair Sat. Oct. 26 – Angers, FR @ Le Chabada Mon. Oct. 28 – London, UK @ Earth Tue. Oct. 29 – Manchester, UK @ Dancehouse Wed. Oct. 30 – Liverpool, UK @ Invisible Wind Factory Thu. Oct. 31 – Glasgow, UK @ BAAD Fri. Nov. 1 – Birmingham, UK @ The Crossing Sat. Nov. 2 – Leeds, UK @ Brudenell Sun. Nov. 3 – Gateshead, UK @ The Sage Mon. Nov. 4 – Brighton, UK @ St. Bartholomew’s Church Tue. Nov. 5 – Paris, FR @ Petit Bain Wed. Nov. 6 – Charleroi, BE @ Rockerill Sat. Nov. 9 – Utrecht, NL @ Le Guess Who Tue. Nov. 12 – Brooklyn, NY @ Music Hall of Williamsburg Wed. Nov. 13 – Philadelphia, PA @ Underground Arts Thu. Nov. 14 – Washington, DC @ Rock & Roll Hotel Fri. Nov. 15 – Kingston, NY @ BSP Sat. Nov. 16 – Montreal, QC @ SAT Mon. Nov. 18 – Toronto, ON @ Longboat Hall Tue. Nov. 19 – Detroit, MI @ MOCAD Wed. Nov. 20 – Chicago, IL @ Thalia Hall Fri. Nov. 22 – Los Angeles, CA @ Lodge Room Sat. Nov. 23 – Oakland, CA @ The New Parish Mon. Nov. 25 – Portland, OR @ Wonder Ballroom Tue. Nov 26 – Seattle, WA @ Neumos Wed. Nov. 27 – Vancouver, BC @ Venue

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Elephant Stone announces November North American tour.

Canadian psych-rockers Elephant Stone have announced their first tour in a few years, hitting many west coast cities in the U.S. and their home country beginning November 5th.  The tour includes two festival stops – Levitation Austin (November 8th) and Seattle’s Freakout Festival (November 16th).  All tour dates are below.

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Blackwater Holylight take us on a “Motorcycle” ride ahead of their new album – “Veils of Winter.”

“An ambient blend of psychedelic vintage poppy hooks and crushingly heavy sludge.” — Metal Hammer

“This quartet has been burning up stages all around their hometown, fueled by their abrasive blend of doom metal, psych rock, goth and a tangy soupçon of pop music… They landed a spot on the 2018 Best New Band poll in alt-weekly Willamette Week, but could quickly take over the world.” — Paste Magazine

“They mesh elements of doom, Krautrock and atmospheric indie into one bewitching rock whole.” —Classic Rock Magazine

Portland, OR quintet Blackwater Holylight announce their forthcoming sophomore album Veils of Winter (RidingEasy Records) today, sharing the lead single. Hear and share the immediately classic hooks of “Motorcycle” via Bandcamp and YouTube.

Blackwater Holylight hit the road hard this Fall, supporting former RidingEasy label mates Monolord throughout the US in November, as well as Thou in September, plus a handful of hometown shows. Please see complete dates below.

Blackwater Holylight, as the name suggests, is all about contrasts. It’s a fluid convergence of sound that’s heavy, psychedelic, melodic, terrifying and beautiful all at once.

As a heavy band, their songs aren’t anchored to riffs, but rather riffs come and go in waves that surface throughout the band’s meditative, entrancing songs. It’s a hypnotic sound, with orchestral structures that often build tension and intrigue before turning the song on its head — not by simply getting louder or heavier, nor by just layering elements. They expertly subvert the implied heaviness of a part, dissecting it and splaying the song’s guts out to seep across the sonic spectrum.

Now, having toured extensively following the band’s wildly-successful breakout self-titled debut in 2018, Blackwater Holylight has honed their sound and identity to a powerfully captivating beast. Their live set is all about the slow build, seeming to combine the melodic tension of early Sonic Youth crossed with the laconic fever-dream blues of the first Black Sabbath album and wiry experimentation of post-punk and krautrock.

The lineup on this album is Allison (Sunny) Faris (bass/vocals), Laura Hopkins (guitar/vocals) and Sarah McKenna (synths), with new guitarist Mikayla Mayhew and drummer Eliese Dorsay fleshing out their sound in exciting ways.

“The process of this album was vastly different from our first record,” says Faris. “One, because we recorded it over the course of a few weeks, whereas the first record was over the course of about a year. And two, this album was a true collaboration between the five of us. Each of us had extremely equal parts in writing and producing, we all bounced ideas off each together, and we all had a say in what was going on during every part of the process.”

“One of our favorite things about this album is that because it was so collaborative, we didn’t compartmentalize ourselves into one vibe.” She continues. “It’s heavy, psychedelic, pop, shoegaze, doom, grunge, melodic and more. The whole process was extremely organic and natural for us, we were just being ourselves.”

Veils of Winter opens with fuzzed-drenched, drop-tuned bass and baritone guitar leading a dirge riff on “Seeping Secrets.” Faris’ lilting and funereal vocals drop in, adding to the mournful atmosphere until a short turnaround progression hints at changes to come, as Faris and Hopkins harmonize eerily and the tune suddenly turns into a krautrock charge. “Motorcycle” kicks off deceptively with a heavy grunge riff building up for about 40-seconds before the song abruptly shifts gears into a synth-led post-punk harmony, sounding something like Lush meets Syd Barrett era Pink Floyd. “Death Realms” is perhaps the poppiest track, based around soaring shoegaze guitars and interwoven light vocal harmonies. Soft piano notes, occasional woozy whammy bar dives and a driving tom-tom beat solidify its hooks. “Spiders” is a creepy-crawly guitar riff and counterpoint keys, while “Moonlit” explores prog-structures with a shredding guitar solo crescendo. The penultimate track, “Lullaby” is exactly that, a lulling, expansive tune exemplifying Blackwater Holylight’s genre smashing sound as it subtly moves across a vast sonic landscape atop a hypnotic 6/8 beat and repetitive 3-note motif. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace.

Veils of Winter will be available on LP, CD and download on October 11th, 2019 via RidingEasy Records. Pre-orders are available at www.ridingeasyrecs.com.

BLACKWATER HOLYLIGHT LIVE 2019: 08/24 Portland, OR @ Star Theater w/ Kadavar, Danava 09/23 Tallahassee, FL @ The Bark # 09/24 Tampa, FL @ The Blue Note # 09/26 Miami, FL @ Las Rosa’s # 09/27 Orlando, FL @ Will’s Pub # 09/28 Gainesville, FL @ The Atlantic # 09/29 Pensacola, FL @ Chizuco # 10/24 Portland, OR @ Star Theater – Album release show 11/05 San Diego, CA @ Brick By Brick * 11/06 Tucson, AZ @ Club Congress * 11/07 Albuquerque, NM @ Sister * 11/09 Austin, TX @ Barracuda – Levitation Fest – RidingEasy Stage 11/10 Lafayette, LA @ Freetown Boom Boom Room * 11/11 New Orleans, LA @ One Eyed Jacks * 11/12 Atlanta, GA @ 529 * 11/13 Asheville, NC @ Mothlight * 11/14 Richmond, VA @ Camel * 11/15 Baltimore, MD @ Metro Gallery * 11/16 Philadelphia, PA @ First Unitarian Church * 11/17 New York, NY @ Saint Vitus * 11/20 Chicago, IL @ Reggie’s * 11/21 Indianapolis, IN @ Black Circle Brewing * 11/22 St. Louis, MO @ Fubar * 11/23 Lawrence, KS @ The Bottleneck * 11/25 Denver, CO @ Marquis Theater * 11/27 Los Angeles, CA @ Teragram Ballroom * # w/ Thou * w/ Monolord

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Blanck Mass lets us know that “Love Is a Parasite” before the release of his new album due August 16th.

[‘No Dice’] sounds like heaven and hell locked in an arm wrestle, jockeying for attention.”
– Stereogum
Blanck Mass – the solo electronic project of Scotland-based musician Benjamin John Power – shares the final pre-release single / video, “Love Is a Parasite,” from his forthcoming album, Animated Violence Mild, out August 16th on Sacred Bones. The video, directed by Craig Murray, reflects the track’s chaotic energy, and depicts scenes of a commercial shoot that takes an absurd turn. “I wanted to speak to Craig Murray about making the ‘…Parasite’ video as his work definitely bridges that gap between the grotesque and the beautiful that I am so keen on,” says Power. “Presenting the darker theme of global mass consumerism whilst poking fun at the ’80s and starring a Drag Queen overseeing chaos wasn’t going to be an easy task but he nailed it.”

“It was great to be asked by Ben to work on this which instantly led us to bizarrely mirrored ideas… I decided to set the film in 1983 as a nod to Cronenberg and in order to do that everything from the costumes to the shooting and post production needed to fit,” says Murray. “I have a deep nostalgia with this time period and its video formats, so to honour it we shot on a transmission feed which we glitched by plugging and unplugging the cable.  I find emulated effects offensive.

Animated Violence Mild is Power’s fourth full-length as Blanck Mass, and his most emotionally direct statement yetThe album was written throughout 2018, at Power’s studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief – the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what Power has lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it.
Watch “Love Is a Parasite” Video – 
https://youtu.be/pmMY35HlTAo

Stream “No Dice” – 
https://youtu.be/Lsnb6GBrQP8

Stream “House vs. House” –
https://youtu.be/7DJ12asti2k

Pre-order Animated Violence Mild https://www.sacredbonesrecords.com/products/sbr220-blanck-mass-animated-violence-mild
Blanck Mass Tour Dates:
Fri. Sept. 20 – Boston, MA @ Great Scott (w/ Helm)Sat. Sept. 21 – Brooklyn, NY @ Elsewhere (w/ Helm)
Mon. Sept. 23 – Philadelphia, PA @ PhilaMOCA (w/ Helm)
Tue. Sept. 24 – Pittsburgh, PA @ Club Cafe (w/ Helm)
Wed. Sept. 25 – Cleveland, OH @ Mahall’s (w/ Helm)
Thu. Sept. 26 – Chicago, IL @ Empty Bottle (w/ Helm)
Fri. Sept. 27 – Detroit, MI @ UFO (w/ Helm)
Sat. Sept. 28 – Toronto, ON @ Velvet Underground (w/ Helm)
Sun. Sept. 29 – Montreal, QC @ Bar Le Ritz (w/ Helm)
Tue. Oct. 1 – Seattle, WA @ Chop Suey (w/ Helm)
Thu. Oct. 3 – Portland, OR @ Holocene (w/ Helm)
Fri. Oct. 4 – Oakland, CA @ Starline (w/ Helm)
Sat. Oct. 5 – Los Angeles, CA @ Zebulon (w/ Helm) 

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The title track from Angel Olsen’s upcoming album, “All Mirrors,” is all dreamy dark wave.

All Mirrors cover art / photo by Cameron McCool

“In every way — from the making of it, to the words, to how I feel moving forward, this record is about owning up to your darkest side, finding the capacity for new love and trusting change even when you feel
like a stranger.” 
— Angel Olsen


Angel Olsen will release her fourth full-length album,  All Mirrors, on October 4th via Jagjaguwar. Olsen’s bold and unexpected All Mirrors comes over three years after the release of MY WOMANa top 10 critically praised album of 2016. In conjunction with today’s announcement, Olsen unveils the title track and its video, directed by Ashley Connor and conceived by Olsen.

On her vulnerable new album, All Mirrors, Olsen takes an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. All Mirrors gets its claws into you on both micro and macro levels. Of course, there’s that singular vibrato, always so very close — seemingly simple, cooed phrases expand into massive ideas about the inability to love and universal loneliness. And then suddenly — huge string arrangements and bellowing synth swells emerge, propelling the apocalyptic tenor.

In creating All Mirrors, Olsen initially planned to work on a dual record release — a set of raw and real solo songs and a full band version of the same songs — both to be released at once. She recorded the solo version with producer Michael Harris in Anacortes, Washington. There, she was determined to keep it bare bones in order to contrast with the not yet recorded full band record. Soon after that was completed, she began work on the more ambitious, fleshed out version with producer John Congleton, with whom she collaborated on 2014’s breakout Burn Your Fire for No Witness, arranger Jherek Bischoff, multi-instrumentalist/arranger/pre-producer Ben Babbitt, and a 14-piece orchestra.

While remaking the album with full production and new collaborators, Olsen developed a new relationship with control, and as she got further into the process, she realized she “needed to separate these two records and release All Mirrors in its heaviest form. . . It was impossible for me to deny how powerful and surprising the songs had become. The truth is that I may have never allowed this much sonic change in the first place had I not already made an account of the same songs in their purest form.

Over heavy synth and oscillating percussion, lead single “All Mirrors” navigates between the perception of what one wants to see and reality. “I chose this one as the title because I liked the theme: the theme of how we are all mirrors to and for each other,” says Olsen. “Even if that is not all of it, there is always an element of projection in what we’d like to see in people and scenarios and in the way we see ourselves in those scenarios, with those people.

The Jagjaguwar limited and exclusive All Mirrors bundle includes the album on opaque aquamarine vinyl and the All Mirrors 7” on silver with black splatter vinyl. The 7” includes two versions of the album’s title track: “All Mirrors” album version and “We Are All Mirrors” solo version.

As previously announced, the All Mirrors tour kicks off on October 28th. A full European leg has been added. All dates are below.
Watch Angel Olsen’s “All Mirrors” Video – 
https://youtu.be/Jjt698Zv5jQ

All Mirrors Tracklist:
1. Lark
2. All Mirrors
3. Too Easy
4. New Love Cassette
5. Spring
6. What It Is
7. Impasse
8. Tonight
9. Summer
10. Endgame
11. Chance

Pre-order All Mirrors – 
https://angelolsen.ffm.to/allmirrors

Angel Olsen Tour Dates:
(new dates in bold)
Mon. Oct. 28 – Saxapahaw, NC @ Haw River Ballroom &
Wed. Oct. 30 – Asbury Park, NJ @ Asbury Lanes *
Thu. Oct. 31 – Philadelphia, PA @ Franklin Music Hall *
Fri. Nov. 1 – Washington, DC @ Lincoln Theatre *
Mon. Nov. 4 – Atlanta, GA @ Variety Playhouse *
Tue. Nov. 5 – New Orleans, LA @ Civic Theatre *
Thu. Nov. 7 – Austin, TX @ Stubb’s (Levitation) *
Fri. Nov. 8 – Dallas, TX @ Granada Theater *
Sat. Nov. 9 – Oklahoma City, OK @ The Criterion *
Sun. Nov. 10 – Lawrence, KS @ The Granada *
Tue. Nov. 12 – Minneapolis, MN @ First Avenue *
Wed. Nov. 13 – Madison, WI @ The Sylvee *
Thu. Nov. 14 – Chicago, IL @ The Riviera Theatre *
Fri. Nov. 15 – Detroit, MI @ Royal Oak Music Theatre *
Sat. Nov. 16 – Toronto, ON @ Queen Elizabeth Theatre *
Mon. Nov. 18 – Montreal, QC @ mTelus *
Tue. Nov. 19 – Boston, MA @ Royale *
Fri. Nov. 22 – Brooklyn, NY @ Brooklyn Steel *
Sat. Nov. 23 – Brooklyn, NY @ Brooklyn Steel ^
Mon. Dec. 2 – Phoenix, AZ @ The Van Buren *
Tue. Dec. 3 – San Diego, CA @ The Observatory North Park *
Thu. Dec. 5 – Los Angeles, CA @ Palace Theater *
Fri. Dec. 6 – Los Angeles, CA @ Palace Theater #
Sat. Dec. 7 – Oakland, CA @ Fox Theater *
Mon. Dec. 9 – Portland, OR @ Roseland *
Tue. Dec. 10 – Vancouver, BC @ The Orpheum Theatre *
Wed. Dec. 11 – Seattle, WA @ Moore Theatre *
Fri. Dec. 13 – Salt Lake City, UT @ The Depot *
Sat. Dec. 14 – Denver, CO @ The Gothic Theatre *
Sun. Dec. 15 – Denver, CO @ The Gothic Theatre *
Thu. Jan. 23 – Lisbon, PT @ Capitólio
Fri. Jan. 24 – Porto, PT @ Hard Club
Sat. Jan. 25 – Madrid, ES @ Sala BUT
Sat. Jan. 26 – Barcelona, ES @ Sala Razzmatazz
Tue. Jan. 28 – Geneva, CH @ Festival Antigel
Wed. Jan. 29 – Munich, DE @ Kammerspiele
Thu. Jan. 30 – Berlin, DE @ Huxleys Neue Welt
Fri. Jan. 31 – Copenhagen, DK @ Vega
Sat. Feb. 1 – Oslo, NO @ Rockefeller
Mon. Feb. 3 – Stockholm, SE @ Vasateatern
Tue. Feb. 4 – Gothenburg, SE @ Pustervik
Wed. Feb. 5 – Hamburg, DE  @ Gruenspan
Thu. Feb. 6 – Amsterdam, NL @ Paradiso
Fri. Feb. 7 – Antwerp, BE @ De Roma
Sat. Feb. 8 – Paris, FR @ La Cigale
Mon. Feb. 10 – Bristol, UK @ SWX
Tue. Feb. 11 – London, UK @ Eventim Apollo
Thu. Feb. 13 – Manchester, UK @ O2 Ritz
Fri. Feb. 14 – Glasgow, UK @ Barrowland Ballroom

* = w/ Vagabon
^ = w/ Madi Diaz
#= w/ Rodrigo Amarante
&= w/ Lean Year

Keep your mind open.

[Why not subscribe before you drift away?]

Jon Spencer announces Midwest summer tour.

Photo by Vivian Wang

Jon Spencer has announced a brief summer tour with his newest band, the HITmakers, of the Midwest United States to promote his solo album Spencer Sings the Hits!

Reviews of his earlier shows mention him playing not only new solo cuts, but also stuff from his massive catalog of other material from the Jon Spencer Blues Explosion, Boss Hog, and Pussy Galore.

Tour dates are as follows:

Wed 8/28 – Pyramid Scheme – Grand Rapids MI Thu 8/29 – HI-FI – Indianapolis IN Fri 8/30 – Schubas – Chicago IL Sat 8/31 – H.O.G. National Rally, Harley-Davidson Museum – Milwaukee WI Sun 9/1 – Turf Club – St. Paul MN Mon 9/2 – Vaudeville Mews – Des Moines IA Tues 9/3 – Ignition Music Garage – Goshen IN

Keep your mind open.

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