The Flaming Lips release four years’ worth of early studio recordings and rarities.

The Flaming Lips have released an early Easter gift with Seeing the Unseeable: The Complete Studio Recordings of the Flaming Lips 1986 – 1990.  It’s available for pre-order through their PledgeMusic page.  It contains four albums and a lot of unreleased demos and B-sides.  This is the first time these tracks are available on CD.

They’re also offering Scratching the Door for pre-order on CD, which collects early tracks from the band’s original lineup.  This stuff is a gold mine for Flaming Lips fans.  I’m probably going to grab some of this, as it will be material they played when I saw them in the mid-1980’s in a tiny club outside Fort Wayne, Indiana.

Keep your mind open.

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Fat Hot – Self-titled

Garage rockers Jonathan Kahler and Gamble Scrantom make up the duo Fat Hot, and their self-titled album (currently only available on cassette or as a download, no less) is a fun, snarky, fuzzy treat. 

Opening with “Boatman Love Song,” the album gets a rough surf rock sound going before unleashing reverbed vocals about found and lost love.  “Ghost Drugs” is a fun little tune that seems to be about a spirit hoping to get some spirits from a young woman.  The catchy “Bad Drink” continues the theme of substances that alter one’s state of mind as they sing about searching for a bad drink while lamenting the loss of a shoe.

“Krakken Me Up” returns to the earlier nautical theme and continues the Flat Duo Jets-like wall of blues rock Fat Hot seems to have mastered early in their career.  “Sweet” is a slow burn about a one-night stand that might end up in danger, disaster, or both.  It unloads around the 2:15 mark with a surprising fury before going back to a simmer for a little while.  “Sour” is the longest track on the album, coming it at nearly six minutes, and it’s full of scorching guitar and drum fills that mix stoner metal with psychedelia.

“Harpy Woman” is the second reference to a mythological monster, and the seventh time Fat Hot unleashes blistering riffs and beats.  “Shudder” brings up a common theme in blues-garage-psych-psychobilly tracks – the Devil.  It’s a toe-tapper of a tune about impending death.  The album ends with another salute to being a sad drunk – “Rye Smile.”  The guitar work on it is deceptively tricky and the drum work switches on a dime at any given moment.

This is a fun record, and a pleasant discovery for me.  It will be for you, too.

Keep your mind open.

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All Them Witches – Lost and Found

In case you need some good news, Nashville psych / blues rockers All Them Witches have released a free EP available for download.

It’s four tracks of more haunting songs from the band.  The opener, “Hares on the Mountain,” is an old English love song that practically summons the ghosts of dead soldiers from their unmarked graves with Allan Van Cleave‘s slightly menacing organ and Ben McLeod‘s drones and Celtic ghost guitar work.  “Before the Beginning” is a slick Fleetwood Mac cover, and “Call Me Star” (from their excellent album Dying Surfer Meets His Maker) is a lovely display of Michael Parks‘ old soul / weary traveler vocals as his acoustic guitar and McLeod’s sparse psychedelic chords back him.

I love that the EP ends with a dub track (Yes, a dub track) – “Dub Passageways.”  It gives drummer Robby Staebler a chance to cut loose with some wicked chops.  It’s a dub version of “Open Passageways” (also from Dying Surfer Meets His Maker) and a nice look into another musical style that’s influenced All Them Witches.

Keep your mind open.

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A Place to Bury Strangers unleash second single, “There’s Only One of Us,” from upcoming album – “Pinned.”

A Place To Bury Strangers Share New Single “There’s Only One Of Us”
Watch The Video Here

Pinned Out April 13th On Dead Oceans

SXSW Scheduled Announced

[still from “There’s Only One Of Us” video]
A Place To Bury Strangers have revealed the next single from their forthcoming album, Pinned. “There’s Only One Of Us” is a haunting, harmonized response to the tensions of our current political climate. Guitarist/singer Oliver Ackermann says about the song, “I am a person. We are all animals. We are all on this planet. This planet is one of billions speeding through space. It is incredible to be alive.”

Accompanying today’s single release is a video directed by Elizabeth Skadden. “The inspiration comes from the foghorn bass line, military drum beat, and kamikaze guitars that intimate a war taking place,” says Skadden. “Talking to the band, I learned the ‘war’ was people under the siege of making a creative project. The work the band does to create the song is expressed in the ‘totem’ built over the course of the music video. Visually, I broke the song into its sonic elements and assigned each its own visual, such as the shifting red and blue lights. The lighting setups were inspired by a Fad Gadget performance from the 1980s, and films by Pedro Almodovar and Kathryn Bigelow.”

Watch A Place To Bury Strangers’ “There’s Only One Of Us” Video:
http://www.youtube.com/watch?v=ZkRebfgTLNc
For well over a decade now, A Place to Bury Strangers— Ackermann, Dion Lunadon, and, officially, drummer Lia Simone Braswell—have become well known for their unwavering commitment to unpredictable, often bewildering live shows, and total, some might say dangerous volume. They don’t write setlists. They frequently write new songs mid-set. They deliberately provoke and sabotage sound people in a variety of cruel yet innovative ways. They can and will always surprise you.

April 13th marks the release of Pinned, the band’s fifth full-length, via Dead Oceans. It finds A Place To Bury Strangers converting difficult moments into some of their most urgent work to date. It’s their first since the 2016 election, and their first since the 2014 closing of Death By Audio, the beloved Brooklyn DIY space where Ackerman lived, worked, and created with complete freedom. It’s a clear and honest statement of intent, not just for everything that follows, but for this band as a whole.

A Place To Bury Strangers will tour extensively in support of Pinned starting this spring. They’ll kick things off at SXSW this month before heading to Europe and eventually traversing the U.S. through June. A full list of dates is below.

Watch:
“There’s Only One Of Us” video – http://www.youtube.com/watch?v=ZkRebfgTLNc
“Never Coming Back” video – http://www.youtube.com/watch?v=rij8qYpT1S0
A Place To Bury Strangers Tour Dates:
3/15/18 Austin, TX – Side Bar (Outdoors) @ Fredricksburg All Ages Day Party (12:35PM)
3/15/18 Austin, TX – Waterloo Records (3:00PM)
3/15/18 Austin, TX – The Blackheart @ PledgeMusic/NoiseTrade/Current Day Party (5:00PM)
3/15/18 Austin, TX – Barracuda (Outdoor Stage) @ Secretly Group Official SXSW Showcase (9:00PM)
3/15/18 Austin, TX – Hotel Vegas Patio @ Levitation SXSW Official Showcase (12:30AM)
3/16/18 Austin, TX – Hotel Vegas Annex @ Northern Spy/Wharf Cat/11A Records Day Party (3:00PM)
3/16/18 Austin, TX – Lazarus Brewery @ Music For Listeners Day Party (5:00PM)
3/16/18 Austin, TX – Cheer Up Charlie’s @ Ad Hoc Official SXSW Showcase (1:00AM)
3/17/18 Austin, TX – Cheer Up Charlie’s @ Brooklyn Vegan Day Party (TBD)
3/17/18 Austin, TX – Whole Foods Market Rooftop @ Quantum Collective Southwest Invasion (1:25PM)
3/17/18 Austin, TX – Sidewinder (Outdoors) @ Pianos  Day Party (5PM)
3/18/18 Austin, TX – Empire Garage (Garage Stage) @ Chili Dog Fest (5:00PM)
3/18/18 Austin, TX – Hotel Vegas (Main Stage) @ Burgermania (7:15PM)
4/12/18 Brooklyn, NY – Elsewhere [Pinned Record Release] w/ Surfbort & Conduit (tickets)
4/18/18 Wiesbaden, Germany – Alter Schlachthof (tickets)
4/19/18 Bern, Switzerland – ISC (tickets)
4/20/18 Giavera Del Montello, Italy – Bemicio Live Gigs (tickets)
4/21/18 Bologna, Italy – Freakout Club (tickets)
4/22/18 Turin, Italy – Spazio 211 (tickets)
4/24/18 Winterthur, Switzerland 0 Salzhaus (tickets)
4/25/18 Lyon, France – Marche Gare (tickets)
4/26/18 Paris, France – Le Trabendo (tickets)
4/27/18 Amiens, France – La Lune Des Pirates (tickets)
4/28/18 Dortmund, Germany 0 FZW (tickets)
4/29/18 Antwerp, Belgium – Trix Bar (tickets)
5/01/18 Nijmegen, Netherlands – Doonroosje (tickets)
5/02/18 Amsterdam, Netherlands – Paradiso Noord (tickets)
5/04/18 Copenhagen, Denmark – Vega Small (tickets)
5/05/18 Oslo, Norway – BLAA (tickets)
5/07/18 Berlin, Germany – Bi Nuu (tickets)
5/08/18 Hamburg, Germany – Logo (tickets)
5/10/18 London, UK – The Garage (tickets)
5/24/18 Washington, DC – DC9 w/ Prettiest Eyes & Buck Gooter (tickets)
5/25/18 Baltimore, MD – Metro Gallery w/ Prettiest Eyes & Thrushes (tickets)
5/26/18 Raleigh, NC – Kings Barcade w/ Prettiest Eyes & Lacy Jags (tickets)
5/27/18 Asheville, NC – The Mothlight w/ Prettiest Eyes & Lacy Jags (tickets)
5/28/18 Atlanta, GA – The Earl w/ Prettiest Eyes & Nest Egg (tickets)
5/30/18 New Orleans, LA – Gasa Gasa w/ Prettiest Eyes & Trashlight (tickets)
5/31/18 Houston, TX – The Secret Group w/ Prettiest Eyes  & Narcons (tickets)
6/01/18 Austin, TX – Barracuda w/ Prettiest Eyes & Xetas (tickets)
6/02/18 Dallas, TX – Club Dada w/ Prettiest Eyes (tickets)
6/03/18 San Antonio, TX – Paper Tiger w/ Prettiest Eyes & My Education (tickets)
6/05/18 Santa Fe, NM – Meow Wolf w/ Prettiest Eyes (tickets)
6/06/18 Phoenix, AZ – Valley Bar w/ Sextile & Strange Lot (tickets)
6/07/18 San Diego, CA – The Casbah w/ Sextile & Keepers (tickets)
6/09/18 Los Angeles, CA – The Regent w/ Sextile & Prettiest Eyes (tickets)
6/10/18 San Francisco, CA – Great American Music Hall w/ Sextile & Prettiest Eyes (tickets)
6/12/18 Portland, OR – Mississippi Studios w/ Sextile & Tender Age (tickets)
6/13/18 Vancouver, BC – Fox Cabaret w/ Sextile Dopey’s Robe (tickets)
6/14/18 Seattle, WA – The Crocodile w/ Sextile & Haunted Horses (tickets)
Pinned artwork

Keep your mind open.
[There’s only one of me and one of you.  Subscribe so we can stay in touch.]

Shame releases new single, “Lampoon,” during spring tour.

SHAME SHARE VIDEO FOR “LAMPOON“; CATCH THEM ON TOUR NOW

SONGS OF PRAISE OUT NOW ON DEAD OCEANS

Today, youthful British misanthropes Shame share the video for their song “Lampoon,” one of the many highlights off their freshly released debut, Songs of Praise (Dead Oceans). The footage from the video comes from the band’s first North American tour back in November of 2017, surely a moment that remains burned into the memories of anyone lucky enough to have caught them perform.
WATCH “LAMPOON” VIDEO
http://www.youtube.com/watch?v=SYKMLbMfD_M

EMBED CODE
 <iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/SYKMLbMfD_M” frameborder=”0″ allow=”autoplay; encrypted-media” allowfullscreen></iframe>

live VEVO embed: <iframe id=”player” width=”640″ height=”390″ src=”https://embed.vevo.com?isrc=USJ5G1814422&partnerId=bb8a16ab-1279-4f17-969b-1dba5eb60eda&partnerAdCode=” allowfullscreen=”true”></iframe>

LISTEN TO SONGS OF PRAISE
https://shame.lnk.to/songsofpraise

The US is still playing catch up to the UK in terms of understanding the true electricity contained within these five young London lads. We’re talking massive features in The Guardian, Q, NME, DIY, and Clash, with glowing reviews from MOJO, UNCUT, and The Times, just to name a few. That said, people are catching on, and there’s truly no better way to understand the band’s allure than to see them live. Luckily, their current North American tour has just begun.
SHAME TOUR DATES (new US dates in bold):

Sat. Mar. 3 – Fayetteville, AR @ Smoke and Barrel w/ Protomartyr
Sun. Mar. 4 – Norman, OK @ Opolis w/ Protomartyr
Mon. Mar. 5 – Santa Fe, NM @ Meow Wolf w/ Protomartyr
Tue. Mar. 6 – Tucson, AZ @ Club Congress w/ Protomartyr
Thu. Mar. 8 – San Diego, CA @ Space Bar w/ Protomartyr
Fri. Mar. 9 – Visalia, CA @ The Cellar Door w/ Protomartyr
Sat. Mar. 10 – Los Angeles, CA @ The Teragram Ballroom w/ Protomartyr
Sun. Mar. 11 – Mesa, AZ @ Underground
Mon. Mar. 12 – Fri. Mar. 15 – Austin, TX @ SXSW
Sat. Mar. 16 – Houston, TX @ The Satellite w/ Snail Mail
Sun. Mar. 17 – New Orleans, LA @ Hi-Lo Lounge w/ Snail Mail
Mon. Mar. 18 – Atlanta, GA @ The Masquerade w/ Snail Mail
Tue. Mar. 19 – Asheville, NC @ The Mothlight w/ Snail Mail
Wed. Mar. 20 – Carrboro, NC @ Cat’s Cradle w/ Snail Mail
Thu. Mar. 21 – Baltimore, MD @ Ottobar w/ Snail Mail
Thu. Mar. 22 – Philadelphia PA @ First Unitarian Church
Fri. Mar. 23 – Brooklyn, NY @ Market Hotel
Wed. Apr. 4 – Cardiff, UK @ Club Ifor Bach
Thu. Apr. 5 – Bristol, UK @ Thekla
Fri. Apr. 6 – Liverpool, UK @ Magnet
Sat. Apr. 7 – Dublin, IE @ Whelans
Mon. Apr. 9 – Sheffield, UK @ The Leadmill
Tue. Apr. 10 – Leeds, UK @ Brudenell Social Club
Wed. Apr. 11 – Newcastle, UK @ Cluny
Thu. Apr. 12 – Glasgow, UK @ Stereo
Fri. Apr. 13 – Manchester, UK @ Gorilla
Sat. Apr. 14 – Nottingham, UK @ Rescue Rooms
Mon. Apr. 16 – Leicester, UK @ The Cookie
Tue. Apr. 17 – Birmingham, UK @ Hare & Hounds
Wed. Apr. 18 – London, UK @ Electric Ballroom
Thu. Apr. 19 – Oxford, UK @ The Bullingdon
Fri. Apr. 20 – Brighton, UK @ The Haunt
Sat. Apr. 21 – Tunbridge Wells, UK @ The Forum
Wed. Apr. 25 – Nijmegan, NL @ Doornroosje
Thu. Apr. 26 – Amsterdam, NL @ Melkweg
Fri. Apr. 27 – Rotterdam, NL @ Rotown
Mon. Apr. 30 – Oslo, NO @ John Dee
Wed. May 2 – Stockholm, SE @ Bar Brooklyn
Thu. May 3 – Copenhagen, DK @ Pumpehuset
Sun. May 6 – Warsaw, PL @ Bardzo Bardzo
Mon. May 7 – Prague, CZ @ Futurum
Tue. May 8 – Vienna, AT @ Chelsea
Fri. May 11 – Zurich, CH @ Dynamo Werk
Sat. May 12 – Bologna, IT @ Covo Club
Mon. May 14 – Barcelona, ES @ Side Car
Tue. May 15 – Madrid, ES @ La Boite
Thu. May 17 – Bordeaux, FR @ Rock School Barbery
Sun. May 20 – Lille, FR @ Aeronef
Tue. May 22 – Brussels, BE @ Rotonde
Sat. July 7 – Chicago, IL @ Empty Bottle
Sun. July 8 – Detroit, MI @ Marble Bar
Mon. July 9 – Toronto, ON @ Smiling Buddha
Tue. July 10 – Montreal, QC @ Bar Le “Ritz” PBD

PRAISE FOR SHAME

“On their debut album, the UK rock group separates themselves from their peers, imbuing their post-adolescent rage with wit and, crucially, a self-effacing awareness that they may never succeed.” – Pitchfork

“Punk may be for the kids, but Shame is for everyone.” – Bandcamp

“The UK’s most exhilarating new band” – Billboard

“Beneath the sneering vocals and warring guitars, there’s a finely attuned sense of songcraft to the post-punk of south London band Shame.” – The FADER

“Punk synthesis at its prettiest and its ugliest; bowing to forebears with gobs of spit, but confident enough to expose a nerve with certain grace and wide-eyed wonder.”
NPR Music

“The five-piece post-punk crew from South London are turning heads with their youthful anger and explosive energy mixed with charming, self-deprecating humor, orchestrated by charismatic frontman Charlie Steen.” – Paste Magazine

Keep your mind open.
[Shame on you if you don’t subscribe.  You’re missing out.]

BODEGA releases fun debut single, “How Did This Happen?”, ahead of forthcoming album.

What’s Your Rupture? Signs BODEGA
& Shares Debut Single “How Did This Happen ?!”
Watch The Video Here

[Photo by Mert Gafuroglu]
What’s Your Rupture? is pleased to announce the signing of Brooklyn art rock unit BODEGA. With wild minimalism and sharp wit, BODEGA revitalizes the rock and roll vocabulary under the influence of post punk, contemporary pop, hip-hop, kraut rock, and folk-derived narrative songwriting.

With the eyes of filmmakers, Ben Hozie (guitar, vocals) and Nikki Belfiglio (vocals) turn the documentary on themselves, finding the political in the personal. Formerly of prankster rock collective Bodega Bay, known for its outlandish critical stunts, their blend of essay and confession bears witness to the harsh poetry of being human in the digital age.

Joined by Montana Simone (drums), Madison Velding-Vandam (guitar) and Heather Elle (bass), BODEGA are unveiling their debut single, “How Did This Happen ?!,” a standout from their many live shows around New York City. Accompanying the single is a 360-degree interactive video showcasing the band’s unique live performance.

“How Did This Happen ?!” is the first song from BODEGA’s forthcoming debut album due out this summer. It was recorded and produced by Austin Brown (Parquet Courts) on the same Tascam 388 tape machine used for their LP Light Up Gold. It was mixed and mastered by Jonathan Schenke at Dr. Wu’s.

Watch BODEGA”s “How Did This Happen ?!” Video:
https://youtu.be/TKAzK41-YHM
BODEGA live shows:
March 10 – Brooklyn, NY @ Union Pool w/ Mind Spiders (tickets)
March 13-17 – Austin, TX @ SXSW
March 24 – Brooklyn, NY @ Baby’s All Right w/ High Waisted
April 7 – Brooklyn, NY @ Alphaville
May 15 – London, UK @ The Social
May 16 – London, UK @ The Lock Tavern
May 17 – Brighton, UK @ The Great Escape
May 19 – Leeds, UK @ The Brudenell Social Club (Gold Sounds Festival)
Keep your mind open.
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The Dunes release a new single about the cult of fear in the U.S.

Australian psych-rockers the Dunes are back with the first single from an upcoming album.  The song “(Just Because You’re Not Being Followed Doesn’t Mean You’re Not) Paranoid” is a stinging rebuke about the culture of fear that has swarmed over the United States since the 1950’s and only become worse in the last decade.

Watch for the full album later this year.

Keep your mind open.

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Screaming Females – All at Once

It’s been a little while since we’ve had a full album from power trio Screaming Females, and now they’re back with a double album no less – All at Once.  I’m intrigued by the title, as it seems to imply the world at large – especially in First World nations.  Everything is available to us any time we want it, yet most of us are dissatisfied with what we have.  Thanks to the internet, we can be everywhere all at once, yet many of us are lonely or limit human contact as much as possible.

Screaming Females explore this dichotomy right away on the opening track, “Glass House.”  Lead singer and guitarist Marissa Paternoster sings about her desire to break out of a controlling relationship that she willingly entered, but knowing that doing so will shatter both parties (“I’m locked in is this glass house, impossible to get out.”).

Bassist Mike Abbate and drummer Jarrett Dougherty put down a hard groove for Paternoster as she unloads Helmet-like guitar fuzz on “Black Moon.”  Another possible meaning to the album’s title is the raw energy of Screaming Females that comes at you all at once during their live shows.  The album adeptly catches their turn-on-a-dime precision and angry wolverine power.

“I’ll Make You Sorry” is not only scorching, but also catchy as Paternoster tries to warn a new lover.  “I was once in love before you,” she sings.  She’s been down a path that didn’t end well, and wants to give it another shot, but perhaps cutting loses now is easier for everyone.  Paternoster’s solo on it flies around like a frisky blue jay.

“Dirt” has a bit of a post-punk sound to it that I love, and I’m happy to say that they add this flavor to a couple other tracks, like the excellent, sharp-angled “Fantasy Lens” and the funky bass-laden “Drop by Drop.”  “Agnes Martin” could easily be a metal song if they doubled the speed, but they smartly keep it between garage rock and stoner metal as Paternoster sings about seeking companionship, but only away from others (“Take me under your wing, the sun destroys me.”).  Dougherty’s chops are slick as axel grease on this, and Paternoster unleashes some of her trademark shredding.  Her vocals get distorted (and backed by what sounds like a church organ) on “Deeply” as she sings about how hard she tends to fall in love when the opportunity arises.

I think Abbate and Paternoster might’ve rushed Dougherty to a Ready-Med clinic after they recorded “Soft Domination” because his groove on it is wickedly sick.  “Tell me you’ll lift me up, tell me you’ll take me out of this place,” Paternoster pleads, desperate to get away from…what?  A specific place?  Life in general?  “End of My Bloodline” has a bit of a dub feel to it with Abbate’s creeping bass, Dougherty’s nice high-hat work, and Paternoster’s slightly distorted vocals.

“Chamber of Sleep I” and “Chamber of Sleep II” walk into psychedelia, and the world is better for it.  In both parts, Paternoster unloads her guitar like a flame thrower on a stack of articles that still refer to her as a “female guitarist.”  “Bird in Space” is downright lovely, with Paternoster singing once more of taking flight from the moment / reality and putting on a guitar clinic.

“My Body” has Paternoster singing about disconnection from a lover and the world (“I’m sleeping in this chair, while you sleep in the hallway…When they come to find me, then please burn my body.”).  All at Once ends with the fuzzed-out, massive (and abrupt) “Step Outside.”  Screaming Females encourage us to get away from the internet, our comfort zones, or even prepare for a fight.  The whole band cooks with gas and definitely unleashes in the spirit of the album’s title.  All you can do it sit back and let it hit you.

All at Once is a great addition to Screaming Females‘ catalogue.  Paternoster writes biting lyrics about love, heartbreak, and the weird complexities of relationships like few others in the rock business.  She is like one of those plasma nebula balls, glowing and swirling with a hypnotizing calm until you get too close, and then she arcs lightning at you.  She’s the lightning, Abbate is the thunder, and Dougherty is the driving wind and rain.  All three come at you all at once, and you can’t stop them.

Keep your mind open.

[I promise not to make you sorry if you subscribe.]

Caroline Rose – Loner

 

I first heard Caroline Rose when I got sent a press release about her first single off her album Loner.  The song was “Money,” and it ended up being one of my favorite singles of 2017.

Loner, it turns out, is already one of the best releases of the winter.  Her deft use of organs, synths, and keyboards turns the record into a blend of psychedelia, power pop, and electro.  Plus, she’s one of the wittiest songwriters I’ve heard in a while.

“More of the Same” is a great opener about ennui and people wanting to be individuals just like everyone else.  She unleashes impressive vocal chops as she sings about all of her friends having “alternative haircuts,” school being a colossal bore and a haven for crushed dreams, and wanting to get away from the ruts the world at large has created for her.  “Cry!” reveals Rose’s love of Devo in the opening synth chords.

“Money” adds spaghetti western guitar and is one of the wildest cuts you’ve heard in a long while.  Rose flat-out admits, and calls us out on, how much of her / our day-to-day activity is for the pursuit of cash.  The roller rink keyboards of “Jeannie Becomes a Mom” perfectly sum up the fear, joy, and uncertainty of the song’s subject.  Plus, the electric beats are wicked.

“Getting to Me” includes what sounds like a plucked violin as Rose sings about the  life of a waitress who craves more out of life but yet is a master at her craft.  Rose gets a David Lynch-vibe going on “To Die Today” with its echoing guitar, subtle percussion, and her haunting vocals about the feeling and release of death.  It’s fitting that the follower is “Soul No. 5,” a song about embracing life (“I ain’t got a job, but I got a lot of time.).  The synths during the chorus are exuberant, and they’re laced with surf rock on “Bikini” (a song about the benefits of sex appeal and the objectification of women).

The stabbing synths of “Talk” push the desperate narrative of the lyrics, in which Rose sings of blissful, sexy silence with her lover.  The closer, “Animal,” with its synthesized handclaps and trippy keys, is a sexy song about two lovers in the throes of passion.

The whole album is a mix of sex, death, mishaps, and comedy.  In other words, it’s about real life.  Rose might consider herself a loner, but she’s really all of us.

Keep your mind open.

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Radiohead announces U.S. tour for summer 2018.

Just in time to celebrate the twenty-fifth anniversary of their debut album, Pablo HoneyRadiohead have announced a 2018 U.S. tour beginning in July and running through August.  The dates are as follows:

Sat-Jul-07 – Chicago – United Center

Tue-Jul-10 – New York – Madison Square Garden

Wed-Jul-11 – New York – Madison Square Garden

Fri-Jul-13 – New York – Madison Square Garden

Mon-Jul-16 – Montreal – Bell Centre

Tue-Jul-17 – Montreal – Bell Centre

Thu-Jul-19 – Toronto – Air Canada Centre

Fri-Jul-20 – Toronto – Air Canada Centre

Sun-Jul-22 – Detroit – Little Caesars Arena

Mon-Jul-23 – Columbus – Schottenstein Center 

Wed-Jul-25 – Cincinnati – US Bank Arena

Thu-Jul-26 – Pittsburgh- PPG Paints Arena

Sat-Jul-28 – Boston – TD Garden

Sun-Jul-29 – Boston – TD Garden

Tue-Jul-31 – Philadelphia- Wells Fargo Center

Wed-Aug-01 – Philadelphia – Wells Fargo Center

Tickets go on sale tomorrow.  Don’t wait to get them.  They will sell out, and resale prices will be high enough to enrage you and them (Radiohead have railed against ticket scalpers for years.).

Keep your mind open.

[Don’t wait to subscribe either.]