Live: The Eagles – June 20, 2018 – New Orleans, LA

Seeing the Eagles for the first time was a night of many firsts.  It was my first time not only seeing the classic rock band, but also my first time seeing a live music show in New Orleans (a city known for live music), my first time seeing Vince Gill (who is playing with the Eagles on this tour as a supporting guitarist and vocalist), and my first time seeing a show in a stadium suite.

This was a long-awaited dream come true for my wife, who is a big fan of the Eagles.  Unfortunately, she never got to see them with Glenn Frey, but his son, Deacon Frey, is playing his father’s guitar parts and singing his father’s lyrics quite well.

The suite had the nice view of the stage as seen above, but we quickly learned that ordering from the “suite menu” isn’t sweet for your wallet, as shown in the example below.

That bowl of chips and dip costs $32.00 at the Smoothie King Center suites.

Luckily, there were a large number of us in the suite and people with better paying jobs than I who could afford such things (not to mention booze), and the Eagles soon made us forget about overpriced snacks.

Opening with “Seven Bridges Road” (which made my wife nearly leap out of her chair in joy), they played a night of greatest hits that tore through (among many others) “Take It Easy” (with Deacon Frey on lead vocal), “One of These Nights,” “Take It to the Limit,” “Tequila Sunrise,” and “Witchy Woman” before Joe Walsh took front and center with “In the City.”

I was happy to hear bassist Timothy Schmit sing “I Can’t Tell You Why” (one of the Eagles’ most underrated hits, if you ask me) and Vince Gill did a great lead vocal on “New Kid in Town.”  I didn’t know until the crowd went nuts for him and Don Henley reminded all of us non-locals that Gill is a New Orleans native.  As a result, his vocals on their cover of Fats Domino‘s “Walkin’ to New Orleans” were a big hit.  Another surprise cover was of Tom Waits‘ “Ol’ ’55.”

My favorite Eagles songs are the rockers with blues influences, and “Those Shoes” is at the top of the list.  I was happy to hear an almost sludgy version of it with Don Henley having fun with the vocals.

They did two encores.  The first, of course, was “Hotel California,” which had a neat trumpet intro.  The second included Joe Walsh’s “Rocky Mountain Way” and “Desperado.”  In case you didn’t know, Walsh still shreds.  He hadn’t lost a thing since we’d seen him open for Tom Petty in St. Louis.

It was a fun night.  They didn’t disappoint.  My wife said it was the best concert she’d ever attended.  That alone made it worth the trip.

Keep your mind open.

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Rewind Review: Captain Beefheart and His Magic Band – The Mirror Man Sessions (1999)

Recorded sometime between 1965 and 1967 and originally released in 1971, Captain Beefheart and His Magic Band‘s Mirror Man album was a bit of a hot mess when it was released.  It was compiled of four tracks taken from a recording session that was supposed to be for a double album called It Comes to You in a Plain Brown Wrapper that was never finished or released due to them being dropped by their label (Buddha Records).  According to John Platt’s liner notes for this 1999 re-release, “In 1971 someone at Buddha reviewed all the extant tapes, and a decision was made to issue a single album’s worth of material under the title Mirror Man.  What they chose were the three live-studio cuts plus ‘Kandy Korn.'”  The Mirror Man Sessions includes those four tracks as well as five more previously unissued cuts by the good Captain and his lads.  The four original tracks were also placed in an alternate order than the original album “for aesthetic reasons” that Buddha Records claims “for the time being at least…is as close as we can reasonably get to the Captain’s original intentions.”

The four original tracks are (in this album’s order) “Tarotplane,” “25th Century Quaker,” “Mirror Man,” and “Kandy Korn.”  I’m not sure anything I can write would do justice to “Tarotplane.”  It’s a nearly twenty-minute psychedelic freak-out masterpiece with the Captain’s harmonica, shinei, and vocals sounding like a warped, scratched 78rpm record you found in the back of an old blues honkytonk.  “25th Century Quaker” is so freaky that its beats from John French sound like a bag of oranges rolling down the stairs.

“Mirror Man” starts out with some of Captain Beefheart’s signature grungy harmonica work before Jeff Cotton and Alex St. Clair Snouffer‘s guitars let loose with warped chords that sound like they’ve been left out in the sun all day.  The Captain’s vocals are either distant and funky or sound like they’re coming through a damaged megaphone.  “Kandy Korn” is, on its face at least, about the waxy, sugary Halloween snack (“They look so good, I wanna eat ’em.”).  I’m willing to bet it’s about something else, but I’ll let you make the call.  It melts like candy on the roof of a VW van, and it practically sends you into a trance around the three-minute mark.

“Trust Us (Take 6)” has the Captain encouraging all of us to trust not only him and the Magic Band, but also people outside our comfort zones.  The rhythm of it is more urgent than you realize at first.  It becomes a toe-tapper and lingers a bit in jam band land.  It also has a neat fake fade out and fade in that I’m sure has fooled many DJs in its time.  It gets more warped the longer it goes.  “Safe As Milk (Take 12)” is one of the Magic Band’s biggest hits.  It has a cool, weird groove to it that’s hard to describe and the right amount of fuzz without being overwhelming.  The Captain’s vocals are playful and you can tell that his singing style influenced everyone from Tom Waits to Mike Patton and Les Claypool.

“Beatle Bones N’ Smokin’ Stones” is an obvious poke at the Beatles and the Rolling Stones.  The Captain has fun with “Strawberry Fields Forever” lyrics (reverbed and stuttering) and Keith Richards’ blues riffs (turning them into almost calliope music).  “Moody Liz (Take 8)” has near-country guitar licks that transform into psychedelic oddities.  The lyrics are barely recognizable, but that’s okay because the track is more a showcase for Cotton and Snouffer’s bizarre yet fascinating guitar work.  The album ends with “Gimme Dat Harp Boy,” and the Captain getting to strut his stuff on harmonica while the Magic Band drives the funk bus.

This might not be the best place to start your Captain Beefheart musical journey, but it’s essential listening if you’re a fan of his work and psychedelic blues.

Keep your mind open.

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Bodega – Endless Scroll

BODEGA‘s Endless Scroll is probably my favorite post-punk record of 2018 so far.  Consisting of Nikki Belfiglio (vocals), Heather Elle (bass), Ben Hozie (guitar and vocals), Montana Simone (drums), and Madison Velding-Vandam (guitar), the quintet offering a sharp commentary on hipsters, the digital age, sex, masculinity, femininity, and politics.

No track better sums up their thoughts on the world of 2018 than the opener – “How Did This Happen!?”  Aren’t we all asking that every day here in the U.S.?  “It’s the world now, don’t discriminate.  Everyone is equally a master and a slave,” Hozie sings.  Preach it, brother.  He name checks failing bookstores, people curating their playlists more than their relationships, and people angry for no damn reason.  “Bodega Birth” shows off more of Elle’s slick bass lines as Hozie and Belfiglio sing about how the internet, which should be the greatest educational tool of all time, is now a colossally boring shopping mall.

Elle’s bass takes the lead on “Name Escape” as Hozie sings about how he can’t remember names of people he sees all the time, even though he can notice things like someone wearing different pants than the last time he saw him.  Also, he doesn’t often care (“Have I heard the latest something ’bout so-and-so? / No, I have not, my son.  Now I don’t want to know.”).  Again, preach it, brother.  “Boxes for the Move” is a story of heartbreak following a break-up as Hozie leaves his lover’s place with “fifteen soggy boxes” of stuff and wishing he had the booze that used to be in the boxes he got from the liquor store.  “I Am Not a Cinephile” is a collective middle finger to movie snobs and other ultra-hipsters.

Hozie and Velding-Vandam’s squeaky guitars on “Can’t Knock the Hustle” sound like alarm klaxons or steel being hammered by a blacksmith.  Belfiglio invites us all to love ourselves (if you get the drift) on “Gyrate” – even if you want to do it “in the middle of a party, in the middle of the floor.”  “Jack in Titanic” is Hozie’s commentary about modern expectations of masculinity.  It’s wonderfully catchy, and is currently tearing up airwaves in England.  I’ve heard it on BBC 6 Music every time I listened to the station for the last three weeks.  “Margot” is a tale of internet lust (ending with a computerized voice saying, “I touch myself while staring at your chat text box.”).

Elle and Simone are in perfect synch on “Bookmarks” while Hozie and Belfiglio sing about how easy it is to get distracted from work when the endless internet is in front of you.  “Warhol” has the band proclaiming “Form against everything” and making fun of people thinking their fifteen minutes of fame is still in effect.  “Charlie” is their latest single and a touching tribute to a friend of Hozie’s who drowned on New Year’s Eve 2007.  “Williamsburg Bridge” sounds like a Velvet Underground track with Elle’s bass groove, Simone’s tribal drumming, and Hozie and Velding-Vandam’s guitars squawk in the background.  “Truth Is Not Punishment” has Hozie singing about worrying about his mother and trying to convince a friend that honesty is the best policy (even when he’s not sure he believes that).  The guitars in it build to near-manic levels, reflecting Hozie’s angst.

This is one of the best and catchiest albums of 2018 so far.  I’m glad that post-punk is having a great revival, and bands like BODEGA are leading the charge.

Keep your mind open.

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Japanese post-punkers CHAI to reissue debut album on Burger Records.

INTRODUCING: CHAI

JAPANESE SENSATIONS TO PHYSICALLY REISSUE
DEBUT ALBUM PINK VIA BURGER RECORDS

NEW YORK & LOS ANGELES SHOWS IN SEPTEMBER;
WATCH VIDEOS FOR “N.E.O.” AND MORE

Today marks a very special day. It is the day that a larger American audience is introduced to Japanese sensations CHAI. Fusing sonic elements of artists like Basement Jaxx, Gorillaz, CSS, and Tom Tom Club, with lyrics focused on self-empowerment and re-defining the definition of “kawaii,” or cute in Japanese, CHAI have amassed a devoted following in their home country. Those lucky enough to catch them on their all-too-brief visits to the US around SXSW understand what those on the other side of the globe already know: CHAI are incredibly special and should probably be the biggest band in the world.

On September 7th, Burger Records is pleased to physically reissue CHAI’s debut album, PINK, appearing in the US on vinyl, CD, and cassette for the first time. Additionally CHAI (identical twins Mana and Kana and former school classmate Yuna and Yuuki) will come to the US for their first-ever headlining show in New York and will return to Los Angeles later this year. Dates and venues are listed below; tickets go on sale Friday, June 22nd, at 10AM EST.

To give you an idea of what is in store, check out the amazing video for “N.E.O.” (which is well on its way to 2 million views), as well as an incredible live performance for a YouTube Music Session. Additionally, watch the videos for “Boyz Seco Men” and “I’m Me,” but be warned, this might spur a CHAI Youtube hole from which you may never extricate yourself.

WATCH “N.E.O.” OFFICIAL VIDEO
https://www.youtube.com/watch?v=YMGf3zyhG94

WATCH “N.E.O.” YOUTUBE MUSIC SESSION
https://www.youtube.com/watch?v=KFSspQc2Tzw

WATCH “BOYZ SECO MEN” VIDEO
https://www.youtube.com/watch?v=psHh6OsA-mU

WATCH “I’M ME” VIDEO
https://www.youtube.com/watch?v=z-aKOc5nN2c

STREAM PINK
Spotify: https://spoti.fi/2t3dNKV | Apple Music: https://apple.co/2t0s0YV
CHAI TOUR DATES (US dates in bold)
Mon. Sept. 10 – Los Angeles, CA @ The Echo [tickets]
Wed. Sept. 12 – Brooklyn, NY @ Rough Trade [tickets]
Mon. Oct. 15 – Bristol, UK @ SWX w/ Superorganism
Tue. Oct. 16 – Liverpool, UK @ Arts Club w/ Superorganism
Wed. Oct. 17 – Belfast, NIR @ Limelight 1 w/ Superorganism
Thu. Oct. 18 – Dublin, IE @ The Academy w/ Superorganism
Sat. Oct. 20 – Glasgow, UK @ SWG3 w/ Superorganism
Sun. Oct. 21 – Sheffield, UK @ The Leadmill w/ Superorganism
Mon. Oct. 22 – Leeds, UK @ Stylus w/ Superorganism
Wed. Oct. 24 – London, UK @ 02 Shepherd’s Bush Empire w/ Superorganism
Thu. Oct. 25 – Manchester, UK @ 02 Ritz w/ Superorganism
Fri. Oct. 26 – Cambridge, UK @ Cambridge Junction w/ Superorganism
Sat. Oct. 27 – Portsmouth, UK @ Pyramids Centre w/ Superorganism
Sun. Oct. 28 – Brighton, UK @ Concorde 2 w/ Superorganism
Tue. Oct. 30 – Oxford, UK @ 02 Academy w/ Superorganism

PINK Album Art

PINK TRACKLISTING
1. Hi Hi Baby
2. N.E.O.
3. Boyz Seco Men
4. Horechatta
5. Fried
6. She Is Kitty
7. Gyaranboo
8. Kawaii Hito
9. Walking Star
10. Sayonara Complex
11. Flat Girl

PRE-ORDER PINK ON VINYL: http://burgerrecords.11spot.com/chai-pink.html

CHAI Online:
http://chai-band.com/
https://www.instagram.com/chai_official/
https://twitter.com/2525_chai
https://www.facebook.com/CHAIJAPAN/

Keep your mind open.

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A Place to Bury Strangers to release “Re-Pinned” – a remix of their newest record – this October.

A Place To Bury Strangers Announce Remix Album, Re-Pinned,
Out October 5th Via Dead Oceans

Listen To Slowdive’s “Frustrated Operator” Remix
https://youtu.be/vCyRkpLYTVg

Fall North American Tour Dates Added

[Re-Pinned artwork]

A Place To Bury Strangers released their new album, Pinned, earlier this year via Dead Oceans. Today, they announce Re-Pinned, a remix record coming out October 5th via Dead Oceans. Re-Pinned features remixes from Slowdive, Trentemøller, No Age, METZ, Eric Copeland, Roly Porter, Davy Drones, and TBO. “We’re so thrilled to be able to curate this remix record,” explains Oliver Ackermann. “Re-Pinned has such a cool mix of bands we’re friends and fans of and musicians we’ve loved for years. It really helps paint a picture of where Pinned descended from and is a nice combination of our peers and influences.

It is also such a dream come true and an honor to have our label mates Slowdive remix ‘Frustrated Operator,” which is being shared today. “Slowdive was such an influence on A Place To Bury Strangers as there really is no artist that does epic, scary and beautiful soundscapes like them. In fact, this band started when my friends Tim and Dave were asking if I wanted to play drums in a band that sounds like Slowdive. So, there it is set in stone as it has come full circle! I can die now,” continues Ackermann.

The vinyl version of Re-Pinned will be available for purchase at A Place To Bury Strangers’ live dates leading up to its release, including next month’s performance in New York City with Os Mutantes and the subsequent European tour. Upon the release of Re-Pinned, A Place To Bury Strangers will tour North America starting October 6th. A full list of dates is below.

Listen To Slowdive’s “Frustrated Operator” Remix:
https://youtu.be/vCyRkpLYTVg
Re-Pinned Tracklist:
1.  Never Coming Back (Trentemøller Remix)
2.  Frustrated Operator (Slowdive Remix)
3.  Situations Changes (Davy Drones Remix)
4.  I Know I’ve Done Bad Things (No Age Remix)
5.  Never Coming Back (Eric Copeland Remix)
6.  Execution (METZ Remix)
7.  Was It Electric (TBO Remix)
8.  Never Coming Back (Roly Porter Remix)
A Place To Bury Strangers Tour Dates:
Sunday, July 15 – New York, NY @ Le Poisson Rouge (Festival En Orbita w/ Os Mutantes, Martin Rev, Lee Ranaldo & Yonatan Gat)
Saturday, August 18 – Philadelphia, PA @ The Sound Hole
Friday, August 24 – Eindhoven, NE @ Effenaar (Fuzz Club Festival)
Saturday, August 25 – Utrecht, NE @ Ekko
Tuesday, August 28 – Paris, FR @ Le Petit Bain
Wednesday, August 29 – Bordeaux, FR @ Salle Des Fetes Du Grand Parc
Thursday, August 30 – Madrid, ES @ Moby Dick Club
Friday, August 31 – Porto, PT @ Hard Club
Saturday, September 1 – Lisbon, PT @ RCA Club
Sunday, September 2 – Barcelona, ES @ Sala Sidecar
Tuesday, September 4 – Zurich, CH @ Bogen F
Wednesday, September 5 – Acquaviva, IT @ Live Rock Festival
Thursday, September 6 – Milan, IT @ Circolo Magnolia
Friday, September 7 – Bologna, IT @ Freakout Club
Saturday, September 8 – Zagreb, HR @ Culture Factory
Monday, September 10 – Budapest, HU @ Durer Kert
Tuesday, September 11 – Vienna, AT @ Chelsea
Thursday, September 13 – Cologne, DE @ Gebaude 9
Friday, September 14 – Ostend, BE @ Leffingeleuren Festival
Saturday, September 15 – Rouen, FR @ Le 106
Monday, September 17 – London, UK @ Hoxton Square Bar & Kitchen
Saturday, October 6 – Seattle, WA @ Clock-Out Lounge (w/ Kraus)
Sunday, October 7 – Portland, OR @ Holocene (w/ Kraus)
Tuesday, October 9 – Oakland, CA @ Starline Social Club (w/ Kraus)
Friday, October 12 – Moreno Valley, CA @ Desert Daze
Monday, October 15 – Salt Lake City, UT @ Urban Lounge (w/ Kraus)
Tuesday, October 16 – Denver, CO @ Globe Hall (w/ Kraus)
Thursday, October 18 – St. Louis, MO @ Off Broadway (w/ Kraus)
Friday, October 19 – Chicago, IL @ Empty Bottle
Saturday, October 20 – Indianapolis, IN @ HI-FI Indianapolis (w/ Kraus)
Monday, October 22 – Nashville, TN @ The Basement East (w/ Kraus)
Tuesday, October 23 – Louisville, KY @ Zanzabar (w/ Kraus)
Thursday, October 25 – Columbus, OH @ Ace of Cups (w/ Kraus)
Friday, October 26 – Detroit, MI @ El Club
Sunday, October 28 – Toronto, ON @ Horseshoe Tavern
Monday, October 29 – Montreal, QC @ Theatre Fairmount
                                                                                                                        
Pre-order Re-Pinnedhttps://aptbs.ffm.to/re-pinned

A Place To Bury Strangers online:
http://www.aplacetoburystrangers.com/
https://www.facebook.com/aplacetoburystrangers/
https://twitter.com/aptbs
https://aplacetoburystrangers.bandcamp.com/
http://deadoceans.com/artists/aptbs/

Keep your mind open.
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The Rungs release fun dream-pop single – “Trees”

The Rungs premiere “Trees” video, announce forthcoming EP
Brooklyn, NY indie pop trio a la The Cardigans, The Bird and The Bee, Blondie, Chvrches
Watch & share “Trees” video (YouTube) (PopMatters)  

“Delightfully askance pop music which calls to mind the easy, innocent pop of the Bird & The Bee (and by extension Inara George) and the grin-inducing sounds of the Cardigans. ‘Trees’ flits by in the blink of an eye, leaving behind an infectious melody that is as inspiring as it is memorable.” — PopMatters
“Indie/dream-poppy, bouncy, high-tempo and unafraid to playfully change up its own sound every few seconds. This song is so fun.” — Little Indie Blogs
Brooklyn, NY trio The Rungs premiere the charming video for the lead single off of their forthcoming Everyday Visions EP today via PopMatters. Watch and share “Trees” HERE. (Direct YouTube.)
After recording what was going to be their second EP in 2015, indie-pop band The Rungs scrapped it, created a home studio, and started over from scratch. Now set to release later this summer, the 5-song EP Everyday Visions contains vibrant synth melodies, imaginative vocals, inventive guitar riffs, and a healthy dose of experimentation.
The band, which started as a music therapy project for Mandy Gurung, (vocals, songwriting, guitar, production) by husband Diwas Gurung, (guitar, production, songwriting) grew from a duo to a trio over the course of recording the EP, adding their neighborhood friend Steven Bartashev on drums. In addition to playing in The Rungs, all three members actively collaborate with other artists, frequently producing and recording them in their home studio. With Everyday Visions, the band offers a collection of playful and moody songs inspired by the sounds and stories that surround them in Brooklyn NY.
Everyday Visions will be available for download on August 17th, 2018. Pre-orders are available HERE.
Artist: The Rungs
Album: Everyday Visions 
Record Label: self-released
Release Date: August 17th, 2018
01. Trees
02. King of Books
03. Grindstone
04. Balcony
05. Want You To Know

On The Web:

Clutch releases “How to Shake Hands” from upcoming album.

CLUTCH RELEASE SECOND SINGLE TRACK
FROM THE NEW ALBUM “BOOK OF BAD DECISIONS”
Maryland rockers CLUTCH have released the second single from their upcoming album Book of Bad Decisions as an instant gratification track at iTunes (https://itunes.apple.com/us/album/book-of-bad-decisions/1376829212&app=itunes) and Amazon (https://www.amazon.com/dp/B07CNYD1R7).  Spotify has it here (http://open.spotify.com/album/0uWlwy6wHD7tGV3FfiVBF0)
In addition, a very limited 7” Picture Disc in a transparent PVC pocket hit stores on June 22nd. “How To Shake Hands” is on the blue side and “Gimme The Keys” on the reverse, green side.
Clutch’s song “How to Shake Hands” traces its lineage back to Ry Cooder and John Lee Hooker via the song “John Lee Hooker for President”.  In that song Ry Cooder impersonates JLH giving a stump speech on what will happen when he becomes President.  Clutch’s original idea of covering the Ry Cooder song was soon abandoned as vocalist Neil Fallon said he couldn’t do the song justice.  Instead, Neil put his own lyrics in the style of Ry Cooder/JLH to a new Clutch song which ended up becoming the fast-paced “How to Shake Hands”.
Each of the single releases from Book of Bad Decisions is accompanied by a Spotify playlist put together by one of the band members.  In this instance guitarist Tim Sult is responsible for surrounding “How To Shake Hands” with other songs to his liking:  “Since Neil mentioned Jimi Hendrix and Bill Hicks in ‘How To Shake Hands’, I decided to make a playlist including both.  Classic guitar playing meets classic comedy.  What could go wrong?”
CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion
For more  information, check out the band’s website:
Official: www.pro-rock.com
Keep your mind open.
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Live – King Gizzard and the Lizard Wizard – Chicago, IL – June 10, 2018

“Intense,” “hot,” and “fucked up” were all phrases I heard used to describe the sold-out King Gizzard and the Lizard Wizard show in Chicago on June 10th.  Fans were lined up down the block in hopes to get early access to the Riviera Theatre’s general admission area for the best spots to watch the show or be in the mosh pit.

It was a cool yet humid afternoon and evening.  Fog was high and thick in the city.  You couldn’t see the tops of most buildings.  It was a bit of a surreal image perfect for a psychedelic rock show.  I felt bad for a group of four guys who were asking one of the bouncers for any unclaimed tickets.  They’d driven all the way from Ohio and didn’t know the show was sold out until they arrived.

Unfortunately, I missed Amyl and the Sniffers, as my friend attending with the show with me had a late appointment, but we got in after she went through a near TSA-level search at the door.  We immediately noticed the heat in the place.  A lot of bodies were in there, and the humidity crept in from the streets and into the theatre.  Security was already hauling a sweat-soaked woman who could barely walk out of the stage area as we walked down the foyer.

King Gizzard and the Lizard Wizard didn’t seem to feel the heat, however.  They only increased it.

The mosh pit started quick.  I didn’t get into this one.  There were so many people there that moving from our spot (between the downstairs bar and the sound booth) to the main floor and pit was nearly impossible.  My friend told me that a lot of the people already looked dehydrated and / or drunk and / or high, and she then remembered that the Spring Awakening electronic music festival had been happening in the city all weekend.  Many had decided to wrap up their weekend with Australian psychedelia after going crazy with dubstep and trance for three days.

King Gizzard ripped through “Lord of Lightning” and got a big reaction for “Rattlesnake”.  One of the high spots of the night for me was hearing a slightly aggressive version of “Sleep Drifter.”  It had an edge to it that you won’t hear on Flying Microtonal Banana.

“Rattlesnake” gets everyone jumping.

The three tracks from Nonagon Infinity got a great response from the crowd, of course.  My friend was describing the show as “intense” by now.  She went to the restroom at one point and came back to tell me, “The real show’s out there (in the foyer).  Some girl is fucked up out there and they’re dragging her and other people outside.”  I made a break for the restroom at one point and discovered the humidity had turned the foyer floor and stairs down to the restroom into a Slip and Slide. I made it there and back without falling, but I’m not sure others were so lucky.

Nonagon infinity opens the door.

I was happy to see the four Ohio guys walk by me with drinks in their hands.  I clapped one on the shoulder and told him I was happy they made it into the show.  The whole crowd was buzzing, both naturally and through chemical means.  My friend was a bit freaked out by part of King Gizzard‘s projections that included a cartoon crocodile flying a biplane.  King Gizzard shows are always wild, and this one was no exception.

Catch them if you can while they’re in the U.S.

Keep your mind open.

[Don’t forget to subscribe before you split.]

Flasher releases new video and single – “Who’s Got Time?”

FLASHER SHARE VIDEO FOR “WHO’S GOT TIME?”; ON TOUR NOW

CONSTANT IMAGE OUT NOW ON DOMINO RECORDING CO.

(Photo: Amy Breesman)
Washington, DC trio Flasher released their debut album, Constant Image (Domino), less than 2 weeks ago to stunning praise across the board. Today, the band shares a new video for their single “Who’s Got Time?,” a song about the souring of a relationship. The surreal video, directed by Adinah Dancyger, sees the three band members bound through the woods in hazmat suits, ultimately finding themselves. They’re currently on tour in support of Constant Image with Chicago friends Dehd.
WATCH VIDEO FOR “WHO’S GOT TIME?”
http://smarturl.it/WhosGotTimeYT
LISTEN TO CONSTANT IMAGE
FLASHER TOUR DATES

Fri. June 22 – Durham, NC @ The Pinhook w/ Dehd
Sat. June 23 – Washington, DC @ Black Cat w/ Dehd
Thu. July 12 – Phoenix, AZ @ Valley Bar
Mon. July 16 – Los Angeles, CA @ The Echo
Tue. July 17 – San Francisco, CA @Rickshaw Stop
Thu. July 19 – Portland, OR @ Bunk Bar
Fri. July 20 – Seattle, WA @ Capitol Hill Block Party
Sat. July 21 – Vancouver, BC @ Fox Cabaret
Mon. July 23 – Boise, ID @ Neurolux
Tue. July 24 – Salt Lake City, UT @ Kilby Court
Wed. July 25 – Denver, CO @ Larimer Lounge
Fri. Aug. 10 – Athens, GA @ Georgia Theatre (Athens Popfest)
Mon. Oct. 29 – Berlin, DE @ Cassiopeia
Tue. Oct. 30 – Tue. Hamburg, DE @ Hafenklang
Thu. Nov. 1 – Brussels, BE @ Botanique Witloofbar
Fri. Nov. 2 – Rotterdam, NL @ V11
Sun. Nov. 4 – Amsterdam, NL @ Paradiso (upstairs)
Tue. Nov. 6 – Cardiff, UK @ Clwb Ifor Bach
Wed. Nov. 7 – Sheffield, UK @ Picture House Social
Thu. Nov. 8 – Leeds, UK @ Brudenell Social Club
Fri. Nov. 9 – Glasgow, UK @ The Glad Cafe
Sat. Nov. 10 – Manchester, UK @ Now Wave Venue
Sun. Nov. 11 – Brighton, UK @ The Hope & Ruin
Tue. Nov. 13 – London, UK @ The Lexington
Wed. Nov. 14 – Paris, FR @ L’Olympic Café
Fri. Nov. 16 – Madrid, ES @ La Castanya X at Teatro Barceló
Sat. Nov. 17 – Barcelona, ES @ La Castanya X at Sala Apolo

PRAISE FOR CONSTANT IMAGE

“Only one of this week’s albums feels like it alters my entire brain chemistry every time the next chorus hits, and that’s Constant Image.” – Stereogum, Album of the Week

“What’s surprising—and thrilling—about their debut full-length, Constant Image, is that its social commentary would have felt just as timely at any point in the past 30 years.”
Pitchfork (7.9)

“This D.C.-based trio’s debut has the muscle and melodicism of modern rock’s brainy, brooding pre-grunge era” – Rolling Stone

“The thrill is in the call-and-response, heard on past songs, but here weaponized like an ecstatic hall of mirrors in the final minute of ‘Skim Milk.'” – NPR Music

“The band masterfully produce politically charged tracks situated in tales of the everyday struggle of people living in America’s political seat.” – Exclaim! (8/10)

“They play hook-filled rock songs, influenced by everything from post-punk to new wave via shoegaze and indie dream pop that’ll inspire the kind of exhilaration and joy that only comes from a group of people who fully understand what your day was like.”
PopMatters (8/10)

“The band’s gentle, impressionistic lyrics contain careful considerations of
how one might survive as an individual enmeshed in late capitalism, but the stakes of
the songs don’t reveal themselves until you’re already immersed in their bright, optimistic energy.” – Bandcamp

Head here to pre-order the deluxe edition LP available exclusively through the Domino Mart. The deluxe features the album on 150g starburst pink and yellow vinyl. Constant Image is also available as a standard LP, CD, and digitally

PRE-ORDER PHYSICAL || PRE-ORDER THE DIGITAL

Download hi-res images and bio here: http://pitchperfectpr.com/flasher/

Flasher Online:
https://flasherdc.bandcamp.com
https://www.facebook.com/flasherdc/
http://www.dominorecordco.us/artists/flasher/

Keep your mind open.

[Who’s got time to subscribe?  You do.]

Iceage announces new fall U.S. tour dates with Black Lips.

Iceage Announce North American Co-Headline Tour With Black Lips In Support Of Beyondless, Out Now On Matador Records
 (photo credit: Christian Friedländer)

“On their astonishing fourth album, the Danish punk band reach for pop-gothic grandeur with more tenacity and abandon than ever.” — Pitchfork, [Best New Music]

“‘Beyondless’’s achievement is that it preserves what made Iceage powerful and unique while allowing that character to mature into a sound that feels older, wiser, and more emotionally expansive.” — Vulture

“ …Iceage are the greatest rock and roll band in the world.” — Noisey

“A rush of a record, Iceage’s fourth is Iceage’s best.” — Billboard

“Iceage are going places that aren’t reminiscent of anything else right now. And as a result, they’ve given us their best album yet.” — Stereogum [Album of the Week]
Nearing the homestretch of a massive seven-week tour of North America in support of their new album Beyondless (out now on Matador Records), Iceage – composed of Elias Bender Rønnenfelt (vocals, lyrics), Jakob Tvilling Pless (bass), Dan Kjær Nielsen (drums), and JohanWieth (guitar) – are thrilled to announce they’ll return stateside this fall for a co-headline tour with Black Lips. The tour kicks off Mon. Nov. 5th in Vancouver at the Rickshaw Theatre and wraps with what are sure to be two triumphant shows in the Lips’ hometown of Atlanta on Fri. Nov. 23rd and Sat. Nov. 24th at The Earl. A full list of dates are below, with the newly announced shows on-sale this Friday.

Tonight, Iceage perform in Omaha before making their way towards the east coast. They’ll cap off their current tour with a sold out show in Brooklyn at Market Hotel on Thu. June 28th.

Watch/Listen/Share:
“The Day The Music Dies” Video – http://mat-r.co/TheDayTheMusicDies
“Catch It” Video –  http://mat-r.co/CatchIt
“Pain Killer” feat. Sky Ferreira – http://mat-r.co/PainKiller
“Take It All” –  http://mat-r.co/TakeItAll

Iceage Tour Dates (new dates in bold):
Mon. June 18 – Omaha, NE @ Waiting Room *
Tue. June 19 – Minneapolis, MN @ 7th St Entry *
Wed June 20 – Milwaukee, WI @ Cactus Club *
Fri. June 22 – Detroit, MI @ El Club *
Sat. June 23 – Toronto, ON @ Lee’s Palace *
Sun. June 24 – Ottawa, ON @ The 27 Club *
Mon. June 25 – Montreal, QC @ La Sala Rossa *
Tue. June 26 – Portsmouth, NH @ 3S Artspace *
Wed. June 27 – Boston, MA @ The Sinclair *
Thu. June. 28 – New York, NY @ Market Hotel *
Fri. July 6 – Valle D’tria, IT @ Viva Festival
Sat. July 7 – Kutna Hora CZ @ Creepy Teepee Festival
Thu. July 12 – Lake Bank, HU @ Bankito Festival
Sat. July 14 – Anykščiai, LT @ Devilstone Festival
Fri. July 20 – Tisvilde-fiskerleje, DK @ Musik i Lejet Festival
Thu. Aug. 30 – Gdansk, PL @ Sounddrive Festival
Fri. Aug. 31 – Hamburg, DE @ Off The Radar Festival
Thu. Aug. 30 – Sun. Sep. 2 – Tollard Royal, UK @ End of the Road Festival
Mon. Sep. 3 – Birmingham, UK @ Hare And Hounds
Tue. Sep. 4 – Leeds, UK @ Brudenell Social Club
Thu. Sep. 6 – Glasgow, UK @ The Great Eastern
Fri. Sep. 7 – Dublin, IE @ Workmans Club
Sat. Sep. 8 – Cardiff, UK @ Clwb iFor Bach
Sun. Sep. 9 – Manchester, UK @ Gorilla
Mon. Sep. 10 – Brighton, UK @ The Haunt
Tue. Sep. 11 – Rotterdamn, NL @ Rotown
Wed. Sep. 12 – Cologne, DE @ Blue Shell
Thu. Sep. 13 – Heidelberg, DE @ Karlstorbahnhof
Fri. Sep. 14 – Leffinge, BE @ Leffingeleuren Festival
Thu. Sep. 20 – Århus, DK @ Tape
Fri. Sep. 21 – Ålborg, DK @ Studenterhuset
Sat. Sep. 22 – Århus, DK @ Tape
Mon. Sep. 24 – Helsinki, FI @ Tavastia
Tue. Sep. 25 – Oslo, NO @ John Dee
Wed. Sep. 26 – Stockholm, SE @ Debaser
Thu. Sep. 27 – Göteborg, SE @ Pustervik
Fri. Sep. 28 – Odense, DK @ Kansas City
Sat. Sep. 29 – Copenhagen, DK @ Journey Festival
Fri. Oct. 26 – Porto, PT @ Hard Club
Sat. Oct. 27 – Lisbon, PT @ Jameson Urban Routes Festival
Sun. Oct. 28 – Sevilla, ES @ Sala X
Mon. Oct. 29 – Madrid, ES @ El Sol
Tue. Oct. 30 – Barcelona, ES @ Le [2]
Thu. Nov. 1 – Lyon, FR @ Le Sonic
Thu. Nov. 1 – Sun. Nov. 4 – Torino, IT @ club to club festival
Fri. Nov. 3 – Zurich, CH @ Rote Fabrik
Mon. Nov. 5 – Vancouver, BC @ Rickshaw Theatre # ^
Tue. Nov. 6 – Seattle, WA @ The Showbox # ^
Wed. Nov. 7 – Portland, OR @ Wonder Ballroom # ^
Fri. Nov. 9 – San Francisco, CA @ Great American Music Hall # ^
Sat. Nov. 10 – Pomona, CA @ The Glass House # ^
Sun. Nov. 11 – Tustin, CA @ Marty’s On Newport # ^
Mon. Nov. 12 – Los Angeles, CA @ The Regent Theater # ^
Tue. Nov. 13 – San Diego, CA @ House of Blues # ^
Wed. Nov. 14 – Phoenix, AZ @ The Crescent Ballroom # ^
Fri. Nov. 16 – Dallas, TX @ Granada Theater # ^
Sat. Nov. 17 – Austin, TX @ The Mohawk # ^
Sun. Nov. 18 – Houston, TX @ White Oak Music Hall Downstairs # ^
Mon. Nov. 19 – New Orleans, LA @ One Eyed Jacks # ^
Tue. Nov. 20 – Birmingham, AL @ Saturn # ^
Fri. Nov. 23 – Atlanta, GA @ The Earl # ^
Sat. Nov. 24 – Atlanta, GA @ The Earl # ^
Sun. Nov. 25 – New York, NY @ Music Hall of Williamsburg
Tue. Nov. 27 – New York, NY @ Elsewhere

* = with Mary Lattimore
# = with Black Lips
^ = with Surfbort

Purchase Beyondless http://smarturl.it/Beyondless

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