Diagonal – Tomorrow

Chicago’s Diagonal have released their newest record, Tomorrow, and it’s such a good shoegaze record that my wife said it might make her like shoegaze music (which she just doesn’t understand).

Starting with “Find the Sun” (and Chris Detlaff‘s wicked beats), the album shimmers right away.  Three different guitarists (Alex Brumley, Dan Jarvis, and Silas Mishler) merge together to form some sort of super-robot, and Dale Price‘s bass chugs along with the precision of a bricklayer.  Andy Ryan‘s vocals on the big, spaced out “Wide Eyed” are appropriately drenched in reverb, and the whole band unloads with walls of sound.  It’s one of my favorite tracks of the year so far.  It’s been in my head for days.

“Control” ups the psychedelic touches but keeps the fuzz.  “Jump Back” reminds me of Julian Cope tunes from the late 1980’s with its groovy bass licks and the crisp, yet distorted guitar riffs.  The guitars on “True” are crispier, but the bass picks up the fuzz.  It sounds like a Cosmonauts track.  “Descend” could be a Black Angels tune, especially with that slight hint of Middle Eastern influences and the subtle reverb on the vocals.

“All We Need” breaks open with shining riffs and more sick beats from Detlaff.  Jarvis add some cool keyboard flourishes that give it a space-rock feel.  Price’s love of the Cure comes through on his bass line for “Shattered Glass,” and I like how Ryan’s vocals on it sound like they’re coming at you from the end of a long hallway.  “Stay Awake” has a fun groove to it with more than a subtle hint of surf rock.  The fuzz on “Feels” hits a bit harder after the mellowness of the previous track.  It’s one of the loudest cuts on the record.  The title track closes the record, and it’s a wild trip into the cosmos with dual vocals from Ryan and Misher that are barely discernible, bass so fuzzy it resembles an angry bumble bee, enough guitar distortion to power an eighteen-wheeler, and drums that go for broke and beyond.

Don’t wait until tomorrow to get Tomorrow.  It’s one of the best shoegaze records I’ve heard in 2018.

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Live: Radiohead – United Center – Chicago, IL – July 07, 2018

I hadn’t seen Radiohead in concert since 2012.  They’d put out a couple albums since then, and I had been looking forward to this show for months.  It was a bonus show of sorts, as the original show the previous night sold out within minutes.  They added the second show to make up for those of us who couldn’t get tickets to that one, and even this show sold out in rapid time.  I had to refresh websites on my phone and laptop computer just to score tickets on the third level.

That being said, it was worth it.

They started with “Daydreaming” and “Desert Island Disk” to lull the crowd into a  nice trance before breaking out tracks like “Myxomatosis” and “Lucky” to get everyone moving.

A real treat was their first performance of “Spectre,” the rejected theme from the Bond movie of the same name.  It was great to hear “Idioteque” (which had the whole place jumping) and “My Iron Lung” (a personal favorite).  “Bodysnatchers” almost blasted the back wall off the United Center.

Their first encore consisted of “You and Whose Army?”, “Airbag” (which had a friend of ours dancing in the aisle), “The National Anthem” (another personal favorite), “2 + 2 = 5,” and “Street Spirit (Fade Out).”  Their second encore brought us “Everything in Its Right Place” (which was jaw-dropping), “Pyramid Song,” and “Karma Police” (which had the whole place singing).

It was great to see them again.  I didn’t realize how much I missed seeing them until that night.  They’re one of those must-see bands anytime they’re close.

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Desert Daze 2018 lineup released…and it’s almost more psychedelia than you can handle.

The annual Desert Daze music festival in Lake Perris, California has unveiled a whopper of a lineup for their October 12-14th event.  Tame Impala are headlining while promising new material in 2019.  Shoegaze legends My Bloody Valentine are also playing new material nowadays.  Unstoppable touring machines King Gizzard and the Lizard Wizard are continuing their roll across the United States.  Other must-see acts include Ty Segall, A Place to Bury Strangers, Earthless, Follakzoid, All Them Witches, True Widow, Imarhan, and Here Lies Man.

I don’t know if I can make it to this one, but you should if you can.  It might be a new annual destination for me.

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Fat Possum Records to remaster and re-release four classic X albums.

FAT POSSUM RECORDS TO RELEASE REMASTERED X ALBUMS IN 2018
‘LOS ANGELES’
‘WILD GIFT’
‘UNDER THE BIG BLACK SUN’
‘MORE FUN IN THE NEW WORLD’

Photo: Gary Leonard

Fat Possum Records and X are teaming up.  Effective immediately, Fat Possum Records will begin distributing for the world four classic X albums; ‘Los Angeles’ (1980), ‘Wild Gift’ (1981), ‘Under The Big Black Sun’ (1982), and ‘More Fun In The New World’ (1983). There are plans to release remastered versions of all four albums by the end of 2018. More details to come.
Formed in 1977, X quickly established themselves as one of the best bands in the first wave of LA’s flourishing punk scene;  becoming legendary leaders of a punk generation.  Featuring vocalist Exene Cervenka, vocalist/bassist John Doe, guitarist Billy Zoom, and drummer DJ Bonebrake, their debut 45 was released on the seminal Dangerhouse label in 1978, followed by seven studio albums released from 1980-1993. Over the years, the band has released several critically acclaimed albums, topped the musical charts with regularity and performed their iconic hits on top television shows such as Letterman and American Bandstand.  X’s first two studio albums, Los Angeles and Wild Gift are ranked by Rolling Stone among the top 500 greatest albums of all time.  The band continues to tour with the original line-up fully intact.  In 2017, the band celebrated their 40th year anniversary in music with a Grammy Museum exhibit opening, a Proclamation from the City of Los Angeles and being honored at a Los Angeles Dodgers game where Exene threw out the first pitch and John Doe sang the National Anthem. The band continues to tour with the original line-up and are currently on the road, including select dates with The Psychedelic Furs.
X Tour Itinerary:
July 25  SOMO Village Event Center – Rohnert Park, CA (w/The Psychedelic Furs)
July 27  Oregon Zoo Summer Concerts – Portland, OR (w/The Psychedelic Furs)
July 29  Woodland Park Zoo – Seattle, CA (w/The Psychedelic Furs)
July 31  The Rockwell/The Complex – Salt Lake City, UT (w/The Psychedelic Furs, The FIXX)
Aug 2 The Ogden – Denver, CO (w/The Psychedelic Furs)
Aug 17 The Cave – Big Bear, CA
Aug 18 Burton Chase Park – Marina Del Rey, CA
Aug 19 North Park – San Diego, CA
Aug 22 Marty’s -Tustin, CA
Aug 23 Marty’s – Tustin, CA
Aug 24 Weins Family Winery- Temecula, CA
Aug 31 Del Mar Hall – St. Louis, MO
Sept 2 Muddy Roots Music Festival – Cookeville, TN
Sept 3 The Masquerade – Atlanta, GA
Sept 4 The Cat’s Cradle –  Chapel Hill, NC
Sept 5 The Neighborhood Theatre – Charlotte, NC
Sept 7 Sidetracks – Huntsville, AL
More Dates To Be Announced!
Los Angeles (1980)
1. Your Phone’s Off the Hook, But You’re Not
2. Johnny Hit and Run Paulene
3. Soul Kitchen
4. Nausea
5. Sugarlight
6. Los Angeles
7. Sex and Dying in High Society
8. The Unheard Music
9. The World’s a Mess, It’s In My Kiss
Wild Gift (1981)
1. The Once Over Twice
2. We’re Desperate
3. Adult Books
4. Universal Corner
5. I’m Coming Over
6. It’s Who You Know
7. In This House That I Call Home
8. Some Other Time
9. White Girl
10. Beyond and Back
11. Back 2 the Base
12. When Our Love Passed Out On the Couch
13. Year 1
Under the Big Black Sun (1982)
1. The Hungry Wolf
2. Motel Room In My Bed
3. Riding With Mary
4. Come Back To Me
5. Under the Big Black Sun
6. Because I Do
7. Blue Spark
8. Dancing with Tears In My Eyes
9. Real Child of Hell
10. How I (Learned My Lesson)
11. The Have Nots
More Fun in the New World (1983)
1. The New World
2. We’re Having Much More Fun
3. True Love
4. Poor Girl
5. Make the Music Go Bang
6. Breathless
7. I Must Not Think Bad Thoughts
8. Devil Doll
9. Painting the Town Blue
10. Hot House
11. Drunk In My Past
12. I See Red
13. True Love Pt. #2
For more information on X live shows, please contact:
For Fat Possum/reissue press inquiries, please contact:
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Introducing one of your new favorite artists – Black Belt Eagle Scout

INTRODUCING BLACK BELT EAGLE SCOUT

DEBUT ALBUM, MOTHER OF MY CHILDREN,
OUT SEPTEMBER 14TH ON SADDLE CREEK

LISTEN TO LEAD SINGLE, “SOFT STUD”
https://youtu.be/LXsfiYigeg4

photo credit – Jason Quigley

Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.” Katherine Paul (aka KP) is Black Belt Eagle Scout, and Mother of My Children is her debut album, out September 14th on Saddle Creek. Recorded in the middle of winter near her hometown in Northwest Washington, Paul’s connection to the landscape’s eerie beauty are palpable throughout as the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like. Paul reflects, “I wrote this album in the fall of 2016 after two pretty big losses in my life. My mentor, Geneviève Castrée, had just died from pancreatic cancer and the relationship I had with the first woman I loved had drastically lessened and changed.” Heavy and heartbroken, Paul found respite from the weight of such loss in the creation of these songs that “are about grief and love for people, but also about being a native person in what is the United States today.”

On Mother of My Children, the songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the lyrics don’t adhere to any format other than what feels right in the moment. Mother of My Children begins with lead single  “Soft Stud,” which Paul describes as her “queer anthem.” It’s “about the hardships of queer desire within an open relationship.” “It’s a sprawling six minutes that feels surprisingly compact, tight nerves and circuitous guitars and muddy drums building and breaking” (Stereogum). “Indians Never Die,” a call out to colonizers and those who don’t respect the Earth, follows. As Standing Rock was happening, many people in Paul’s life were coming together to fight for the most basic necessity to sustain human life: water. “Our treaty rights weren’t being honored. Imagine hearing on the news that the government doesn’t support you as a human being and never has. They don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous people are the protectors of this land. Indians never die because this is our land that we will forever protect in the present and the afterlife.”

Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.” With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, she moved to Portland, Oregon to attend college and get involved with the Rock’n’Roll Camp for Girls eventually diving deep into the city’s music scene playing guitar and drums in bands while evolving her artistry into what would later become Black Belt Eagle Scout.

Mother of My Children is a life chapter gently preserved. The access listeners have to such vulnerability feels special and generous.

Listen To Black Belt Eagle Scout’s “Soft Stud”
https://youtu.be/LXsfiYigeg4
Mother of My Children Tracklist:
1. Soft Stud
2. Indians Never Die
3. Keyboard
4. Mother of My Children
5. Yard
6. I Don’t Have You In My Life
7. Just Lie Down
8. Sam, A Dream
Pre-order Mother of My Children
Black Belt Eagle Scout Tour Dates:
July 23 – Portland, OR @ Mississippi Studios
July 24 – Seattle, WA @ Barboza

Mother of My Children cover art
Keep your mind open.
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Pitchfork Music Festival artist spotlight: Tame Impala

Australian psych-rockers Tame Impala have a huge following.  They’ve been together since 2007 and have produced quite a bit of material in the last 11 years.  I missed them in Austin a few years ago when they played the Levitation festival there, but they’re closing the Pitchfork Music Festival on Friday.  I’m sure it will be a packed set and a big freak-out for a crowd dehydrated, sunburned, and fuzzy from alcohol, fried chicken, and other odd substances.

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Pitchfork Music Festival Artist Spotlight: Melkbelly

Chicago noise-punk outfit Melkbelly are playing one of the earliest sets (1:45pm on Friday) at this year’s Pitchfork Music Festival in their hometown, and it would be well worth leaving work early to see them.  Their fierce rock has an edge to it that will slap you out of your doldrums and fire you up for the rest of the festival.  Their 2017 album Nothing Valley was one of the best of the year, and I’ve heard their live performances are game-changing.  Don’t miss them.

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Howard release “Oh Dear Brother” from album due this September.

Howard Share “Oh Dear Brother” From New Album, Together Alone, Out September 14th On Fashion People
https://soundcloud.com/listentohoward/oh-dear-brother/

(photo credit: Sonya Kitchell)

As the song starts out, Howard mixes a folksy riff with a choppy syncopated beat. When the horn section comes in, the song transforms into a rounded out, funk groove. This is the first album from Howard to be recorded with a full band, and the extra instrumentation adds full-bodied warmth, helping the song blossom.” — Stereogum, on “Oh Dear Brother”

“The video’s kitschy collage-style animation, as well as the zany, exaggerated expressions of the band’s characters, elevate the classic outsider-falls-for-girl narrative into something refreshing and whimsical.” — NPR Music, on “Your Honor” video
Today, Howard are thrilled to share, “Oh Dear Brother,” the newest single from their forthcoming album Together Alone, out September 14th on Fashion People. “The song started more personally and gradually became more about the political state of affairs when things were coming to a climax around the election,” says guitarist/vocalist Howard Feibusch. “It is about our growing inability to listen to each other and the sense of turmoil that happens when our dialogue becomes a screaming match. It is not a topic I’m entirely comfortable writing about because I fear that it’s just polluting the atmosphere with more noise on a topic too many people have an opinion about.”

 

Stream Howard’s “Oh Dear Brother” — 
https://soundcloud.com/listentohoward/oh-dear-brother/
Watch a Behind-The-Scenes Video On The Making Of “Oh Dear Brother” — 
https://youtu.be/YrdJa6mTpVU

 

Together Alone follows Howard’s debut album, 2015’s Religion, and it’s companion EP, Please Recycle. It’s the first album from 30-year-old multifaceted bandleader Howard Feibusch’s project to be recorded with the full band — composed of Feibusch (guitar, vocals), Alex Chakour (guitar, synth, backup vocals), Myles Heffernan (bass), and Chris Holdridge (drums) — that so capably toured behind Religion. It’s also an aching, restless, and altogether lovely document of the paradoxical sensation in which we feel more isolated than ever in the face of increasing togetherness and connectivity—a modern sentiment wrapped in music that’s timeless in its timbre.

Listen/Share:
“Your Honor” video — https://youtu.be/JXRHCs5ZZms
“Mother’s Wedding” stream — https://spoti.fi/2xJ1Wab



Pre-order Together Alone https://howard.pmstores.co/

Download hi-res images & album art — http://pitchperfectpr.com/howard/

(Together Alone Cover Art)

 

Website | Facebook | Twitter | Instagram | Soundcloud

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Blackwater Holylight release new single and announce west coast tour dates.

BlackWater HolyLight share first video from RidingEasy debut album, announce West Coast tour dates
 Rewiring “heavy music” w/ hints of Sonic Youth, Chelsea Wolfe, Raincoats, Stooges, Beefheart, et al.
  Watch “Wave of Conscience” video (YouTube)
Hear & share Blackwater Holylight album (Bandcamp) (Brooklyn Vegan)
“Flat out it’s one of the best heavy psych debut albums you’ll hear in 2018.” — The Obelisk
“This quartet has been burning up stages all around their hometown, fueled by their abrasive blend of doom metal, psych rock, goth and a tangy soupçon of pop music… They landed a spot on the 2018 Best New Band poll in alt-weekly Willamette Week, but could quickly take over the world.” — Paste Magazine
“They mesh elements of doom, Krautrock and atmospheric indie into one bewitching rock whole.” –Classic Rock Magazine
Portland, OR quartet BlackWater HolyLight share the first video from their breakout debut album today. Watch and share “Wave of Conscience” via YouTube.
BlackWater HolyLight also announce West Coast tour dates starting August 3rd. Please see current dates below.
 
Their self-titled RidingEasy Records debut has received unanimous press praise and continues to grow. Brooklyn Vegan recently streamed the entire album HERE. (Direct YouTube.)
The notion of “heavy music” is continuing to expand of late, with many intrepid artists finding new ways to incorporate the power of traditional metal into new music, but without all of its trappings. Enter Portland, OR quartet BlackWater HolyLight to further swirl musical elements into a captivating hybrid of emotional intensity. Heavy psych riffs, gothic drama, folk-rock vibes, garage-sludge and soaring melodies all collide into a satisfying whole with as much contrast as the band’s name itself.
“I wanted to experiment with my own version of what felt ‘heavy’ both sonically and emotionally,” says founder and vocalist/bassist Allison (Sunny) Faris. “I also wanted a band in which vulnerability of any form could be celebrated.” BlackWater HolyLight — Faris, guitarist/vocalist Laura Hopkins, drummer Cat Hoch and synth player Sarah Mckenna — formed upon the breakup of Faris’ longtime band and she sought a fresh start. “In my last band I was the only female in a group of 6, so I wanted to see how my song writing and vulnerability could glow taking the drivers seat and working with women.”
The band’s self-titled debut begins with a simple, almost grunge-like riff as a chorus of voices introduce a melodic line in call-and-response until the band kicks in, slowly building into crescendo like a lost outtake from Led Zeppelin‘s Houses of the Holy. Elsewhere, “Sunrise” begins with a chorus-drenched post-punk groove until a sonic boom of heavily distorted guitar skree erupts out of nowhere. Nearly as suddenly, the song returns to its lulling core, subtly building the tension until it ruptures completely in a blast of noise. Likewise, “Carry Her” establishes a dark, sparse melody and distinctly thin sounding drums not far removed from early work of The Cure. However, BlackWater HolyLight’s penchant for surprise attack finds a sudden shift into a doom-like dirge, colored with eerie synth notes and pounding shards of fuzz. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace. The band expertly, yet subconsciously, incorporates hints of Chelsea Wolfe, Celebration, Captain Beefheart, The Raincoats, The Stooges, Pink Floyd, Jane’s Addiction and more to form their unique brand of dark’n’heavy transcendence..
BlackWater HolyLight was recorded by Cameron Spies at Gold Brick Studios and The Greenhouse, and with Eric Crespo at Touch Tourcher Recording in Portland. The album is available on LP, CD and download, released April 6th, 2018 via RidingEasy Records on LP & CD at www.ridingeasyrecs.com and digital at blackwaterholylight.bandcamp.com.
BLACKWATER HOLYLIGHT LIVE:
08/03 Nevada City, CA @ Cooper’s
08/04 Oakland, CA @ Elbo Jack London
08/07 Las Vegas, NV @ Bunkhouse
08/08 Los Angeles, CA @ Zebulon w/ Zig Zags
08/09 Oceanside, CA @ Pourhouse w/ Red Wizard
08/10 Fresno, CA @ Full Circle

08/11 Arcata, CA @ Alibi

Artist: BlackWater HolyLight
Album: BlackWater HolyLight
Label: RidingEasy Records
Release Date: April 6th, 2018
01. Willow
02. Wave of Conscience
03. Babies
04. Paranoia
05. Sunrise
06. Slow Hole
07. Carry Her
08. Jizz Witch

On The Web:

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Rewind Review: The Duke Spirit – Bruiser (2011)

Full of wonderful fuzz and lovely vocals, the Duke Spirit‘s Bruiser begins with the rock solid “Cherry Tree,” a song about regret following a break-up.  All the guitars on it surge with power as lead singer Liela Moss claims she doesn’t look back on the past with hope, but we all know otherwise.  “Procession” flips the story a bit, with the former subject of Moss’ affections acting like he’s cool with everything, but her knowing that he’s on the verge of cracking at any moment.    “Villain” has lovely piano and vocals by Moss while Oliver Betts puts down beats that are harder than you realize at first.  The song’s about two people who know they’re probably bad for each other, but will most likely hook up regardless of that fact.

In case you haven’t guessed by now, the name of the album hints to the many songs on the record about the dangerous side of love, lust, and attraction.  “Don’t Wait,” about the struggle to let go of someone after they’ve left (“Oh such a heavy love rolls out like a blanket.  Why must it fold up on me?”) has that great mix of rock, shoegaze, and soul that the Duke Spirit do so well.  Marc Sallis struts his bass stuff on “Surrender,” in which Moss sings that she just wants to surrender to a lover.  Moss’ voice is already seductive enough, but it’s borderline devilish when she sings lyrics like “Oh the weather got worse , so you’ll have to stay here.”

“Bodies” has another slick Sallis groove that paves the way for shoegaze riffs from Luke Ford and Toby Butler.  There’s a short piano breakdown in the middle that catches you off-guard before Betts and the rest wallop you upside the head.  “Delux” has organ and glockenspiel that ticks like a music box and warnings from Moss to a lover to keep his eyes and hands on her instead of someone else.

“Sweet Bitter Sweet” seems to be about sex with lyrics like “I’m coming with you, for there’s nobody else,” but you can never be sure with Moss’ writing.  She can be deceptive and her use of metaphor is top-notch.  It’s sexy even if it isn’t about sex.  I’d be a gibbering idiot if she sang this to me in a smoky bar.  Well, I’d be a gibbering idiot if she just walked into a room with me, but that’s beside the point.  In “Running Fire,” Moss tells a lover that he can chase a future he can never fully grasp or he can return to the moment (and her) and be much happier.  Ford and Butler shred on “Everybody’s Under Your Spell” (which has a great burn-out / fade-out at the end.

“Northbound” has some of Betts’ best beats on the record while Moss sings about a bad day becoming a better day as she realizes she’s going to end it by seeing her lover.  “Homecoming” has a similar theme, but Moss can’t help but wonder if her happiness is an illusion.

Love can be bruising, but bruises and scars are sometimes the remains of a hard-fought but worthy battle.  Bruiser and the Duke Spirit show us that love is worth it.  Love is the thing for which we should all fight.  What else is there?

By the way, certain versions of this album have bonus remixes of “Procession” (by Gary Numan, no less), “Cherry Tree” (by SONOIO), “Bodies” (by Black Onassis), and “Don’t Wait” (by Loose Meat).

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