Black Belt Eagle Scout releases new video in celebration of U.S. tour this spring.

Black Belt Eagle Scout (aka Portland-based Katherine Paul) has shared a new video for the song “Soft Stud” off her debut album, Mother of My Children, which came out last year via Saddle Creek. In the coming months, Paul will embark on a North American tour with opening slots for Julia Jacklin, The Beths, and Bad Hats. Here’s what Paul had to say about the video:

“Demien DinéYazhí and I created this video on the traditional lands of the Chinook people along the Columbia River, where most indigenous people of the PNW travel to this day. We played with symbolism a lot within the work. Our relationship to water is prevalent in this video as well as the joy of being an indigenous woman. Release of feelings with birds flying away as well as connection to land play a part in the video.”

After Mother of My Children was released to glowing endorsements from outlets like Bandcamp, FADER, Paste, and NPR’s All Songs Considered, Paul and her debut album landed on multiple “Best Of The Year” lists, including Pitchfork’s “Best Rock Albums of 2018,” Stereogum’s “40 Best New Bands of 2018,” Under The Radar’s “Top 25 Debut Albums of 2018,” and more. All tour dates and their tribal territories are below.

Watch “Soft Stud” video https://youtu.be/di2rv4gmHlo

Watch/Listen/Share: Mothers of My Children stream – https://bbes.lnk.to/MOMC

“Indians Never Die” video – https://youtu.be/aInrLRdBJuU

“Just Lie Down” stream – https://youtu.be/MfWHZSS6ZLg

Black Belt Eagle Scout Tour Dates: Sat. Mar. 16 – Wichita (Dallas, TX) @ Not So Fun Wknd Thu. April 18 – Očeti Šakówin (Sioux Falls, SD) @ Total Drag Tue. April 23 – Osage (Pittsburgh, PA) @ Mr. Roboto Project Wed. April 24 – Lenape (New York, NY) @ Bowery Ballroom Thu. April 25 – Lenape (Philadelphia, PA) @ Johnny Brenda’s Fri. April 26 – Wampanoag/Massachusett (Allston, MA) @ Great Scott Sat. April 27 – Iroquois/Mohawk (Montreal, QC) @ Bar Le Ritz PDB Sun. April 28 – Anishinabewaki/Huron-Wendat (Toronto, ON) @ Horseshoe Tavern Tue. April 30 – Pamunkey/Piscataway (Washington, DC) @ DC9 Wed. May 1 – Powhatan Confederacy (Richmond, VA) @ The Camel Thu. May 2 – Catawba (Carrboro, NC) @ Cat’s Cradle – Back Room Sat. May 4 – Muscogee/ Creek (Atlanta, GA) @ 529 Club Mon. May 6 – Cherokee/ Shawnee (Nashville, TN) @ Third Man Records Tue. May 7 – Miami (Columbus, OH) @ Ace of Cups Wed. May 8 – Peoria/Potawatomi/Miami (Chicago, IL) @ Schuba’s Thu. May 9 – Anishinabewaki/Očeti Šakówin (Minneapolis, MN) @ 7th Street Entry Fri. May 10 – Omaha/Očeti Šakówin (Omaha, NE) @ Reverb Lounge Sat. May 11 – Osage/Kaw/Očeti Šakówin (Kansas City, MO) @ recordBar Mon. May 13 – arapaho/Cheyenne/Ute/Sioux (Denver, CO) @ Larimer Lounge Tue. May 14 – Eastern Shoshone/Goshute (Salt Lake City, UT) @ Urban Lounge Fri. May 17 – Tsleil-Waututh/Skwxwú7mesh Úxwumixw/ S’ohl Téméxw/Stziuminus (Vancouver, BC) @ The Fox Cabaret Sat. May 18 – Duwamish/Puget Sound Salish (Seattle, WA) @ Tractor Tavern Sun. May 19 – Cinook (Portland, OR) @ Mississippi Studios Tue. May 21 – Ramaytush/Ohlone (San Francisco, CA) @ Swedish American Hall Thu. May 23 -Tongva ( Los Angeles, CA) @ Teragram Ballroom Tue. June 4 – Tonkawa/Comanche (Austin, TX) @ Barracuda Wed. June 5 – Sana (Houston, TX) @ White Oak Music Hall Thu. June 6 – Chahta Yakni/Chitimacha (New Orleans, LA) @ Gasa Gasa

Keep your mind open.

[Why not subscribe before you leave?]

Cass McCombs’ releases a dark new single about the wild west – “The Great Pixley Train Robbery” – from new album due February 8th.

Photo by Sylvia Grav

“2016’s Mangy Love vaulted [Cass McCombs] to a deservedly bigger audience. Happily, on Tip of the Sphere, his idiosyncratic folk-rock seems unaffected by the extra attention, with his same core band indulging occasional jazz and Latin flourishes.” — Pitchfork, Albums We’re Most Excited for in 2019

“[Cass McCombs’] spellbinding and truly quixotic tunes break past the shackles that a cult following typically entails.” — Vulture, Winter Music Preview

“Much of Tip of the Sphere evokes the Grateful Dead at their most mellow and agreeable, but just as the listener is starting to get comfortable, something like the bizarre electro-spoken-word of ‘American Canyon Sutra’ pops up to remind you that McCombs plays by no one’s rules but his own.” — Boston Globe, 15 Artists We Can’t Wait to Hear in 2019

Today, Cass McCombs shares “The Great Pixley Train Robbery”, a new single off of his forthcoming album, Tip of the Sphere, out February 8th via ANTI- Records. Following two previously released singles, “Sleeping Volcanoes” and “Estrella”, “The Great Pixley Train Robbery” kicks it up a notch, acting as an Old West-tinged tale that describes scenes of a violent train robbery, the greed for gold, and claims of insanity. Based on a newspaper article McCombs uncovered from the 1800s, the track shows off McCombs’ pure creativity and apt for vivid storytelling.

Recorded at Shahzad Ismaily’s Figure 8 studios in Brooklyn, Tip of the Sphere was engineered by Sam Owens (aka Sam Evian) and features the core band of McCombs (guitar, vocals), Dan Horne (co-producer, bass), Otto Hauser (drums), and Frank LoCrasto (piano, organ, and more), plus a range of guests including Jason Quever (A and Not The Way) on drums and additional engineering in “The Great Pixley Train Robbery.” Tip of the Sphere sees McCombs’ with a newfound confidence, resulting in rock songs that have more fervor, ballads that are more beautiful, and an overall heightened sound.

Watch “The Great Pixley Train Robbery” Video – https://youtu.be/tJweioHk6t0

Listen To “Sleeping Volcanoes” – https://youtu.be/aJd_bd9vBFc

Listen to “Estrella” – https://youtu.be/sJTR-d8X2jk

Pre-order Tip of the Sphere – https://ffm.to/cm_tipofthesphere

Cass McCombs Tour Dates: Mon. March 4 – Washington, DC @ Union Stage * Tue. March 5 – Philadelphia, PA @ World Cafe Live * Thu. March 7 – Brooklyn, NY @ Murrmr Fri. March 8 – New York, NY @ Bowery Ballroom * Sat. March 9 – Boston, MA @ The Sinclair * Mon. March 11 – Toronto, ON @ The Horsehoe * Tue. March 12 – Cleveland, OH @ The Beachland * Thu. March 14 – Nashville, TN @ The Exit-In * Fri. March 15 – Indianapolis, IN @ HiFi * Sat. March 16 – Chicago, IL @ Lincoln Hall * Sun. March 17 – Milwaukee, WI @ The BackRoom at Collectivo * Mon. March 18 – St. Paul, MN @ Turf Club * Wed. March 20 – Boulder, CO @ Fox Theatre * Sat. March 23 – Salt Lake City, UT @ The State Room * Mon. March 25 – Vancouver, BC @ St. James * Tue. March 26 – Seattle, WA @ Chop Suey * Wed. March 27 – Portland, OR @ Aladdin Theater * Fri. March 29 – Sacramento, CA @ Harlow’s * Sat. March 30 – Los Angeles, CA @ The Fonda Theatre * Thu. April 4 – Santa Cruz, CA @ Moe’s * Fri. April 5 – San Francisco, CA @ The Fillmore * Fri. April 26 – Marfa, TX @ Marfa Myths Sat. May 25 – Madrid, ES @ Tomavistas Tue. May 28 – Prague, CZ @ MeetFactory Wed. May 29 – Berlin, DE @ Franzz Club Thu. May 30 – Copenhagen, DK @ ALICE Fri. May 31 – Hamburg, DE @ Nochtspeicher Sat. June 1 – Gent, BE @ DOKBox Mon. June 3 – Amsterdam, NL @ Paradiso Noord Tue. June 4 – Paris, FR @ La Maroquinerie Thu. June 6 – London, UK @ Hackney Arts Centre * = with Sam Evian

Keep your mind open.

[Don’t forget to subscribe before you run off.]

Top 30 Albums of 2018: #’s 15 – 11

We’re halfway there!

#15: MIEN – (self-tited) – This psychedelic supergroup (featuring members of the Black Angels, Elephant Stone, the Earlies, and the Horrors) had a fine debut indeed with this record that dabbles in some of the darker sides of psychedelia.

#14: Slaves – Acts of Fear and Love – How can two lads make so much punk noise?  Easy, they’re powered by anger, satire, ferocious beats, and shredding guitar.  These cats are probably the Next Big Thing, but I doubt they give a damn about that.

#13: Hprizm – Magnetic Memory – This rap record has more layers than an onion, wicked beats, philosophy, and calls for the disenfranchised of all colors, sexes, and creeds to band together.

#12: D-Tension – The Violence of Zen – Fierce hip-hop.  That’s the best way I can describe this solid record from Boston MC D-Tension.  He’s one of the wittiest rhymers out there and deserves to be heard more across the world.

#11: Caroline Rose – Loner – This pop-punk record is full of witty lyrics, sex, and snark.  Rose is like a ninja – jumping out of the shadows to wallop you and then retreating back into the rock and roll shadows to plan her next attack.

We’re into the top 10 next!

Keep your mind open.

[Subscribe and your e-mail inbox will never be alone.]

Top 30 Albums of 2018: #’s 25 – 21

#25: Protomartyr – Consolation – This EP from these garage punks is solid and intriguing. Sporting two tracks with the Breeders’ Kim Deal as well, the record hits hard but knows when to be soft.

#24: Steve Hauschildt – Dissolvi – I hadn’t heard of Steve Hauschildt until this album somewhat fell into my lap. It’s intriguing electro that reveals more layers with each listen.

#23: Bev Rage and the Drinks – Cockeyed – Besides having the naughtiest album name on this list, Cockeyed is also one of the best punk records I’ve heard in a long while. Queercore punk is back in business, bitches!

#22: Public Practice – Distance Is a Mirror – This post-punk EP from prior members of WALL was a welcome addition to my collection of post-punk records. It’s full of razor sharp lyrics and equally sharp guitars, bass, and beats.

#21: All Them Witches – ATW – These Nashville psychedelic blues rockers upped the volume and fuzz and became a three-piece to get back to basics and melt faces.

The top 20 is up next!

Keep your mind open.

[How about a subscription before you split?]

Top 30 Albums of 2018: #’s 30 – 26

Here’s the list you’ve all been waiting for. As always, there are so many good albums out every year that it’s impossible to keep track of them all. Here are my top thirty.

#30: The Dunes (self-titled) – A great return for the Dunes, this album of Australian psychedelic rock is full of reverb, fuzz, and even surf touches.

#29: Underworld and Iggy Pop – Teatime Dub Encounters – This EP was made during lunch meetings at a hotel and blends great stories from Pop with Underworld’s masterful beats.

#28: Avis: Sova – Shampoo You – This Chicago’s three-piece’s newest garage rock-psych record gets better with each listen.

#27: Windhand – Eternal Return – This doom metal album became one of my favorites of the year as soon as I heard it. I immediately began recommending them to anyone and even bought it as a birthday gift for a pal.

#26: Makeness – Loud Patterns – This electro album wasn’t on my radar until Makeness’ label sent it to me for review. It turned out to be a solid record with interesting structures to it.

We’re into the top 25 tomorrow. Come back for more!

Keep your mind open.

[Make your way over to the subscription box before you go.]


Top 20 Singles of 2018: #’s 5 – 1

Here we go!

#5: “Limp Wrist” by Bev Rage and the Drinks – This queercore punk delivers a wallop in under two minutes. This song floored me when I heard it, and I started telling everyone I knew about Ms. Rage and her band.

#4: “How Did This Happen!? by BODEGA – The return of post-punk continues with this great NYC band and this single that trashes hipsters. I couldn’t stop listening to this once I heard it.

#3: “Blinded by the LEDs” by Lindstrom – If you need an amazing EDM track, floor-filler, workout playlist topper, or just something to be stunned by, look no further.

#2: “Make Me Feel” by Janelle Monae Easily the sexiest song of the year. I can’t describe it any better than that.

#1: “Always Elsewhere” by Ron Gallo This Zen-punk jam became my mantra after hearing it. It was a much-needed crack with a Zen master’s stick during months of chaos both local and domestic. Gallo‘s suggestion that we embrace presence instead of the willful scattering of our attention is a battle call.

Thanks for reading. Up next, the top 30 live acts I saw in 2018.

Keep your mind open.

[Don’t go elsewhere without subscribing.]

Top 20 singles of 2018: #’s 20 – 16

2018 was the first year I started keeping track of my favorite singles of the year. It’s probably because there were so many good ones, including some that were just released as singles and others that stuck in my head for days. Who made the top 20? Read on and find out.

#20: “Sleepers” by Exploded View – This dreamy psych / synth track is a trippy mix of Velvet Underground and 80’s synthwave. It’s the kind of track that makes you wonder, “Who is this?” as soon as you hear it.

#19: “Nocturnal” by Magic Wands – Easily one of the best synthwave tracks of the year, this lush song is great for make-out sessions and has just enough of a dark edge to keep it dangerous.

#18: “You Are Dinner” by Constant Lovers – Good grief, does this thing have power. It’s a wild rock track with punk guitars and spat lyrics that the lead singer almost screws up but uses the moment to push his vocals even further.

#17: “Wheel of Fortune” by Protomartyr – The video of this shows one of the band members punching himself in the face. That’s apt, because this songs hits you just like that (especially when the chorus kicks in).

#16: “Singularity” by Jon Hopkins – The build of this electronic track is stunning to behold. It almost takes you by surprise like a big wave you didn’t see coming while standing hip-deep in the ocean. It’s over far too soon.

Who made the top 15? Come back tomorrow to find out.

Keep your mind open.

[Don’t forget to subscribe before you go.]

The Beths release their version of “Have Yourself a Merry Little Christmas” just in time for the holidays.

The Beths Release “Have Yourself A Merry Little Christmas” 7-Inch
Via Carpark Records
Listen Here

February/March North American Tour On Sale Now


[Photo by Mason Fairey]
The Beths’ Future Me Hates Me is “one of the most impressive indie-rock debuts of the year” (Pitchfork). Its first 3 pressings sold out only 2 months after release and have tallied over 1.5 million Spotify streams. Stereogum recently named The Beths one of the “40 Best New Bands Of 2018” and Rolling Stone is currently featuring them in their Hot Issue. While Paste has designated Future Me Hates Me one ofThe 50 Best Albums of 2018.”

To celebrate a banner year, The Beths are releasing a 7-inch featuring a moving rendition of Have Yourself A Merry Little Christmas via Carpark Records. Recorded in three separate continents on their first proper world headline tour, The Beths ditch the usual uptempo, guitar-driven numbers, for a slow-building serenade propelled by strings. The B-side, only available on the physical 7-inch, features a special demo version of Future Me Hates Me favorite “Happy Unhappy.” All profits from the 7-inch go toGirls Rock Camp Foundation.

Having recently completed a North American tour this fall selling out Seattle, Chicago, Boston, New York City (x2), Philadelphia and Washington, DC, The Beths will return in February and March to headline their biggest shows yet including Music Hall of Williamsburg in Brooklyn, First Unitarian Church in Philadelphia and Lincoln Hall in Chicago.  A full list of dates is below and tickets are on sale now.

Stream “Have Yourself A Merry Little Christmas”:
http://smarturl.it/thebeths_christmas
The Beths Tour Dates:
Fri. Dec. 14 – Wellington, NZ @ Meow (tickets)
Sat. Dec. 15 – Warkworth Town District, NZ @ Leigh Sawmill Café (tickets)
Wed. Dec. 19 – Sydney, AUS @ Lansdowne Hotel (tickets)
Thu. Dec. 20 – Northcote, AUS @ Northcote Social Club (tickets)
Sat. Dec. 22 – Fortitude Valley, AUS @ Black Bear Lodge (tickets)
Wed. Jan. 23 – Dublin, IE @ The Grand Social (tickets)
Thu. Jan. 24 – Dublin, IE @ Olympia Theatre (w/ Death Cab for Cutie) (tickets)
Fri. Jan. 25 – Manchester, UK @ Albert Hall (w/ Death Cab for Cutie) (SOLD OUT)
Sat. Jan. 26 – Glasgow, UK @ O2 Academy Glasgow (w/ Death Cab for Cutie) (tickets)
Mon. Jan. 28 – Nottingham, UK @ Rock City (w/ Death Cab for Cutie) (tickets)
Tue. Jan. 29 – Leeds, UK @ O2 Academy Leeds (w/ Death Cab for Cutie) (tickets)
Wed. Jan. 30 – Bristol, UK @ O2 Academy Bristol (w/ Death Cab for Cutie) (tickets)
Thu. Jan. 31 – London, UK @ Hoxton Square Bar & Kitchen (tickets)
Fri. Feb. 1 – London, UK @ Eventim Apollo (w/ Death Cab for Cutie) (tickets)
Sat. Feb. 2 – Paris, FR @ Le Trianon (w/ Death Cab for Cutie) (tickets)
Sun. Feb. 3 – Antwerp, BE @ De Roma (w/ Death Cab for Cutie) (tickets)
Tue. Feb. 5 – Utrecht, NL @ TivoliVrendenburg, Grote Zaal (w/ Death Cab for Cutie) (tickets)
Wed. Feb. 6 – Cologne, DE @ Live Music Hall (w/ Death Cab for Cutie) (tickets)
Thu. Feb. 7 – Berlin, DE @ Astra Kulturhaus (w/ Death Cab for Cutie) (tickets)
Sat. Feb. 9 – Hamburg, DE @ Große Freiheit 36 (w/ Death Cab for Cutie) (SOLD OUT)
Sun. Feb. 10 – Copenhagen, DK @ VEGA Musikkens Hus – Store Vega (Main Hall) (tickets)
Mon. Feb. 11 – Stockholm, SE @ Cirkus (w/ Death Cab for Cutie) (tickets)
Tue. Feb. 12 – Oslo, NO @ Sentrum Scene (w/ Death Cab for Cutie) (tickets)
Thu. Feb. 21-Sun. Feb. 24 – Orere Point, NZ @ Splore 2019 (tickets)
Tue. Feb. 26 – Toronto, ON @ The Garrison (w/ Bad Bad Hats) (tickets)
Wed. Feb. 27 – Montreal, QC @ Casa Del Popolo (w/ Bad Bad Hats) (tickets)
Thu. Feb. 28 – Boston, MA @ Brighton Music Hall (w/ Bad Bad Hats) (tickets)
Fri. Mar. 1 – Brooklyn, NY @ Music Hall of Williamsburg (w/ Bad Bad Hats) (tickets)
Sat. Mar. 2 – Washington, DC @ Union Stage (w/ Bad Bad Hats) (tickets)
Sun. Mar. 3 – Philadelphia, PA @ First Unitarian Church (w/ Bad Bad Hats) (tickets)
Tue. Mar. 5 – Cleveland, OH @ Beachland Ballroom (w/ Bad Bad Hats) (tickets)
Wed. Mar. 6 – Chicago, IL @ Lincoln Hall (w/ Bad Bad Hats) (tickets)
Thu. Mar. 7 – Nashville, TN @ The Basement (w/ Bad Bad Hats) (tickets)
Fri. Mar. 8 – Atlanta, GA @ The Earl (w/ Bad Bad Hats) (tickets)
Sat. Mar. 9 – Savannah, GA @ Savannah Stopover (w/ Bad Bad Hats) (tickets)
Mon. Mar. 11-Fri. Mar. 15 – Austin, TX @ SXSW (w/ Bad Bad Hats)
Sat. Mar. 16 – Dallas, TX @ Not So Fun Wknd (w/ Bad Bad Hats)  
Sun. Mar. 17 – Houston, TX @ Satellite Bar (w/ Bad Bad Hats) (tickets)
Thur. May. 16London, UK @ The Dome (tickets)

[“Have Yourself A Merry Little Christmas” 7-inch]
Keep your mind open.
[You can make my Christmas merry by subscribing.]

Partner release new shredding single and early 2019 U.S. tour dates.

PARTNER (Canadian Queer Post Classic Rock)
– Touring the West Coast USA & Canada 2019
– New song “Lost My Pick, Can I Borrow One?” 
– Debut album In Search of Lost Time out now

PARTNER WEST COAST TOUR WINTER 2019

Share new track “Lost My Pick, Can I Borrow One?” via YouTube

USA & Canadian Tour Dates
January 24 – Big Fun Festival, Winnipeg MB
February 20 – Fox Cabaret, Vancouver BC*
February 23 – Lucky Bar, Victoria BC
February 24 – The Vera Project, Seattle WA*
February 25 – Holocene, Portland OR*
February 28 – The Hi Hat, Los Angeles CA*
March 03 – Noise Pop Fest, San Francisco CA*
*co-headlining with Dude York

————————
Partner is the “mature” effort of two best friends named Josée Caron and Lucy Niles. Borne of their bizarre and fortuitous friendship, Partner confidently harnesses the infinite power of Rock to explore a variety of niche yet strangely universal themes. Self described as post-classic-rock.

The two met while attending Mount Allison University in Sackville NB. The duo played in numerous Sackville bands together over their University years (Yellowteeth and The Mouthbreathers). Around late 2014 the idea of Partner came to fruition.

Partner released their debut full length In Search Of Lost Time in September 2017 on You’ve Changed Records and received incredible critical acclaim including making the year end best of lists at NPR’s All Songs Considered, Stereogum, Playboy, Noisey, Exclaim, CBC Music, Indie 88 and many more. In Search Of Lost Time was also short listed for the Polaris Prize 2018 and Partner’s single “Play The Field” won the SOCAN Songwriting Prize 2018 ($10,000 prize!).

Partner have been named the “best new band in Canada” in the Globe and Mail. And taken their enthusiastic live show all over North America, touring in the USA with Shamir and PUP; and playing practically every Canadian festival (Field Trip, Hillside, Sled Island, Sappy Fest, Halifax Pop Explosion, Pop Montreal, Beau’s Oktoberfest, CMW, Folk On The Rocks and many more).

Influenced by acts as varied as Melissa Etheridge, Ween, kd lang and Prince, Partner is genre-defying, part musical act, part teenage diary and 100% queer

Partner in the press:

“Listening to Partner is like hanging out with your best friends, assuming your best friends are queer Canadian stoners with hooks for days.” 
Stereogum

“The best Canadian rock record of the year wasn’t made by Arcade Fire, Broken Social Scene or Mac Demarco, but by two self-deprecating, 1990s-loving stoner best friends known as Partner. ” 
Playboy

“…two young women from Canada, Joseé Caron and Lucy Niles, who write and record as Partner, put out the year’s best guitar rock album.”
– NPR’s All Songs Considered

Partner Links
Website: http://www.partnerband.com
Facebook: https://www.facebook.com/partner.music.band/
Bandcamp: https://partnerband.bandcamp.com/
Record Label: http://youvechangedrecords.com/portfolio/partner/
Twitter: http://twitter.com/partner_band
YouTube: https://www.youtube.com/partnerband

Iceage release “Broken Hours” from latest record.

Iceage Unveil New Single, “Broken Hours”
http://mat-r.co/brokenhours
(Photo credit – Christian Freidlander)
“[Beyondless] seeks release in letting loose, in the pleasure music can give from creating wild, anarchic spaces within the framework of pop music song structures. There’s an art to summoning up chaos and an equal reward in keeping that chaos under control.” — Fresh Air

“On their astonishing fourth album, [Iceage] reach for pop-gothic grandeur with more tenacity and abandon than ever.” — Pitchfork [Best New Music]

Beyondless’s achievement is that it preserves what made Iceage powerful and unique while allowing that character to mature into a sound that feels older, wiser, and more emotionally expansive.” 
Vulture

“[Beyondless] feels like the long-awaited delivery on the promise this band has always possessed, the moment when they could rise to the next echelon of today’s indie landscape.”
Stereogum [Album of the Week]

Following “Balm Of Gilead” released earlier in the month, “as snarling and clobbering as anything you could hope for from the band” (The Fader), Iceage today unveil a second new single with Broken Hours.” A five minute epic of doom-laden swing and crashing, spidery riffs that backdrop Elias Bender Rønnenfelt’s howling incantation: “Dying figures, they settle in / Broken hours / It lingers on” – it’s another heart-racing transmission from a band at the peak of their craft.

Iceage cap off their 2018 North American touring tomorrow night in Brooklyn with a show at Elsewhere; their biggest ever UK headline show follows in London on December 7th.

Beyondless, released this past June via Matador, is the culmination of Iceage’s output so far. It boasts an earthy and hypnotic sound that pays tribute to American music, from country honk brawls to sleazy soul revues to cocaine blues. Echoes of The Waterboys to Exile-period Stones to John Cale are laced with a ubiquitous air of ecstatic abandon and channelled via masterful songwriting. Throughout their career, the band’s charm has rested in their running ahead of themselves with blind confidence; on Beyondless, Iceage are treading with a disarming assurance, but no loss of charm.
Listen to Iceage’s “Broken Hours”  –
http://mat-r.co/brokenhours

Watch/Listen/Share:
Beyondless album stream – http://smarturl.it/Beyondless
“Balm of Gilead” – http://mat-r.co/balmofgilead
“Catch It” Video –  http://mat-r.co/CatchIt
“Pain Killer” feat. Sky Ferreirahttp://mat-r.co/PainKiller
“The Day The Music Dies” Video – http://mat-r.co/TheDayTheMusicDies
“Take It All” – http://mat-r.co/TakeItAll
“Under The Sun” Video – https://youtu.be/P-nOdShPN-g

Iceage Tour Dates:

Wed. Dec. 5 – Berlin, DE @ Bi Nuu
Thu. Dec. 6 – Kortrijik, BE @ De Kreun
Fri. Dec. 7 – London, UK @ Hackney Arts Centre ∞
Wed. Jan. 30 – Ljubliana, SI @ Ment Festival
Fri. March 1 – Copenhagen, DK @ Store Vega

∞ = with Astrid Sonne, Helm and Warmduscher

Download hi-res images & album art — www.pitchperfectpr.com/iceage/

(“Broken Hours” cover art)

Official Website | Instagram | Facebook | Iceage Blog

Keep your mind open.
[It only takes seconds, not hours, to subscribe.]