Alt rock – Page 36 – 7th Level Music

The Beths release new single, “Uptown Girl,” and lauch massive tour.

The Beths are back in North America for their largest headline tour in support of 2018’s breakout album, Future Me Hates Me (available now via Carpark Records). The band has already sold out shows in Toronto, New York City, Washington, DC, and Chicago. Today, they share the video for “Uptown Girl” compiled on their last North American tour in the fall. After this current run which includes a stop at SXSW, The Beths will continue onto Australia and Europe where they’ve started selling out shows and upgrading to bigger venues. Then, they’ll bookend the summer festival season at Primavera Sound, Pickathon and Pukkelpop. The band will also be releasing its debut EP, Warm Blood, on vinyl for the first time via Carpark Records. The official release date is April 26th with some copies being available to purchase on tour soon. Pre-order here.

Watch “Uptown Girl” Video – https://youtu.be/BmCZ-NxESOc

The Beths Tour Dates:

Sun. Mar. 10 – Tampa, FL @ Festival Gasparilla
Mon. Mar. 11-Fri. Mar. 15 – Austin, TX @ SXSW (w/ Bad Bad Hats)
Sat. Mar. 16 – Dallas, TX @ Not So Fun Wknd (w/ Bad Bad Hats)
Sun. Mar. 17 – Houston, TX @ Satellite Bar (w/ Bad Bad Hats)
Thu. Mar. 21 – Melbourne, AUS @ Forum
Fri. Mar. 22 – Melbourne, AUS @ Forum
Sun. Mar. 24 – Hobart, AUS @ Republic Bar & Café
Thu. Mar. 28 – Fortitude Valley, AUS @ The Foundry
Fri. Mar. 29 – Fortitude Valley @ The Tivoli
Sat. Mar. 30 – Newtown, AUS @ Enmore Theatre
Sun. Mar. 31 – Leichhardt, AUS @ Crowbar
Thu. Apr. 4 – Collingwood, AUS @ The Gasometer Hotel
Fri. Apr. 5 – Adelaide, AUS @ Thebarton Theatre
Sat. Apr. 6 – Adelaide, AUS @ Jive
Thu. Apr. 11 – Perth, AUS @ Badlands Bar
Sat. Apr. 13 – Perth, AUS @ Astor Theatre
Tue. May 7 – Birmingham, UK @ Hare & Hounds
Wed. May 8 – Oxford, UK @ The Wheatsheaf
Thu. May 9-Sat. May 11 @ Brighton, UK @ The Great Escape
Sun. May 12 – Leeds, UK @ Gold Sounds Festival
Mon. May 13 – Edinburgh, UK @ Sneaky Pete’s (SOLD OUT)
Tue. May 14 – Glasgow, UK @ G2 (MOVED DUE TO DEMAND)
Wed. May 15 – Manchester, UK @ Band on the Wall (MOVED DUE TO DEMAND)
Thur. May. 16 – London, UK @ The Dome, Tufnell Park (SOLD OUT)
Fri. May 17 – Bristol, UK @ Fleece (MOVED DUE TO DEMAND)
Sat. May 18 – Wrexham, UK @ Ty Pawb Arts Hub (Focus Wales)
Sun. May 19 – Ramsgate, UK @ Ramsgate Music Hall
Tue. May 21 – Paris, FR @ Supersonic
Wed. May 22 – Colmar, FR @ Le Grillen
Thu. May 23 – Lyon, FR @ Sonic
Sat. May 25 – Madrid, ES @ Tomavistas
Tue. May 28 – Dornbirn, AT @ Spielboden
Wed. May 29 – Munster, DE @ Gleis 22
Thu. May 30 – Groningen, NL @ VERA
Fri. May 31 – Nijmegen, NL @ Merleyn
Sat. June 1 – Hilvarenbeek, NL @ Best Kept Secret Festival
Sun. June 2 – Barcelona, ES @ Primavera Sound
Sat. Aug. 3 – Happy Valley, OR @ Pickathon
Thu. Aug. 15 – Trondheim, NO @ Pstereo
Sun. Aug. 18 – Haasselt, BE @ Pukkelpop
Wed. Aug. 28 – London, UK @ Heaven

Purchase Future Me Hates Me:
Carpark Shop – http://smarturl.it/fmhm_carpark
Streaming Services – http://smarturl.it/fmhm_dsps

The Beths online:
https://thebeths.com/
https://www.facebook.com/thebethsnz
https://thebethsnz.bandcamp.com/
https://soundcloud.com/thebethsnz
https://twitter.com/lizstokedstokes
https://www.instagram.com/lizstokedstokes/

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Live: Bob Mould and Airstream Futures – Metro – Chicago, IL – Feb. 22, 2019

I hadn’t seen the Bob Mould Band in concert since New Year’s Eve 2014 at the Metro in Chicago. That was a blast, and now one of my rock heroes was kicking off my year of live music in 2019. An added bonus was meeting Mr. Mould on Clark Street a few blocks south of the venue. I got to shake his hand and tell him thanks for everything, so the day was a win.

Opening for him were Chicago’s Airstream Futures. Unfortunately, none of the photographs I took of their set turned out well, but I can tell you that they played an energetic set of punk with pop riffs. Their drummer has impressive chops, and their lead singer had a lot of energy despite, as she mentioned, being fired from her full-time job earlier that day.

Mr. Mould and his pals, Jason Narducy on bass and Jon Wurster on drums, came out swinging with a triple threat of “The War,” “A Good Idea,” and “I Apologize.” There was barely time to catch your breath when they were tearing into “See a Little Light” and “Sunny Love Song” – a track of his new record, Sunshine Rock.

There were many moments when I thought a mosh pit would, and should, have broken out, but the crowd was mostly aging punks (like yours truly) who are afraid of twisting a knee or running out of breath in a pit (unlike yours truly). Such moments came with songs like the title track of the new album, “Hey Mr. Grey,” and “If I Can’t Change Your Mind.”

One thing Mr. Mould assured everyone of during the show was that he can still shred. He tore his guitar up during multiple songs and wowed many of us with the kinds of solos you rarely hear at punk rock shows anymore.

The encore of “Never Talking to You Again,” a cover of Sonny Curtis‘ “Love Is All Around,” and “Flip Your Wig” was another sonic assault that left everyone wanting more, as a good encore should. You can’t go wrong with a Bob Mould show. He’s still putting out great music and destroying stages. Don’t miss him.

Keep your mind open.

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Review: Pink Mexico – Dump

The cover for Pink Mexico‘s new album, Dump, shows a man who appears to be in his 60’s wearing black socks with sandals hitting a long-haired, tattooed young’un in red socks and combat boots with a shovel while standing in front of a locked, graffiti-covered storage shed or garage. I’m not sure what this image is supposed to convey, but I can’t help thinking it’s a tongue-in-cheek poke at Millennials, hipsters, and, yes, people older than them. It’s a mix of “Turn down that racket, you damn hippies!” and “Will you old folks stop bitching about everything?”

Starting with “Thumbsucker,” Pink Mexico (Robert Collum, Ian Everall, and Grady Walker) unload great hooks out of the gate and a wild guitar solo to let you know this is going to be a wild ride. “High Dive” brings to mind early Wavves cuts with its surf touches amidst the fuzz and buzz and lyrics about being so stoned you think you might die. Speaking of such subjects, “Prescription Overdose (P.O.D.)” confronts that subject head-on as the band pleads for friends of theirs to scale back on the pills.

“Dirty & Stupid” is an ode to screwing up a great relationship due to too much partying (“If you need me, I’ll be wasted…How did I get home? Why am I all wet?”). “Sex Happiness” is about a similar theme – trying to remember the afterglow of great sex. The vocal reverb is a great touch to the fuzz and squawks of the guitars. “Girlfriend” keeps the themes of sex and confusion with lyrics like, “Do you know what it means to be happy on your own?” battling with “I think I love you, but this is too new.” The brief fade-in and fade-out of “WSLY” is a bit of a fake jab to the near-doom metal right cross of “Shit River.” The squeaks and squeals of the guitars on “Rattlebrain” might leave you feeling that way.

“I’ve heard it all before.” the band yells on “Fuckhead” – which could be a verbal smackdown to political leaders, bosses, contemporary rock radio, or all of the above. The beats and riffs of “Liberty Kid” will get you jumping and remind of early Nirvana cuts. While we’re on the subject of Nirvana, one can’t help but think the brief “Psycho Juice” is a tribute to Kurt Cobain due to its lyrics about suicide by gunshot.

“Heartfist” begins with throbbing synth-bass and fuzzy vocals and then turns into a heavy psychedelic jam about heartbreak and anger (“She turned my heart into a fist.”). It’s a cool way to end the album – fuzzy psychedelia after so much heavy hitting.

The album’s title is as intriguing as the cover. Does the dump refer to how the lyricist feels inside after so much relationship trouble, the status of a relationship, an actual place, the state of the nation, or the need to dump / vent all of his anger? It’s probably all of them, and all of them get bludgeoned by the raucous energy of this record.

Keep your mind open.

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Drugdealer announces new album, “Raw Honey,” and U.S. tour.

Drugdealer, the project led by Los Angeles-based Michael Collins, is pleased
to announce their new album, Raw Honey, due for release April 19th on
Mexican Summer. Raw Honey continues where Drugdealer’s debut album,
The End of Comedy, left off, with Collins once again leading an ace crew of
collaborators to coalesce the spirit of Drugdealer’s classically modern pop.
Watch Video For Lead Single, “Fools” —
https://drugdealer.lnk.to/Fools

Built on the foundation of a creative partnership between Collins, Sasha Winn (vocals) and Shags Chamberlain (bass, production), Drugdealer is more a
collective than band. Raw Honeywas engineered by Mac DeMarco and
features contributions of Josh Da Costa (drums), Jackson MacIntosh (guitar), Danny Garcia (guitar), Michael Long (lead guitar), and Benjamin Schwab
(backing vocals, guitar, organ, piano, wurlitzer), as well as guest vocalists like
country balladeer Dougie Poole (“Wild Motion”), Harley Hill-Richmond
(“Lonely”), and frequent collaborator Natalie Mering (Weyes Blood) whose
dulcet tones sing low before soaring on “Honey,” a track as silky as the nectar
itself.

Throughout Raw Honey, Collins and crew display their influences as a new
tapestry, one woven with the recycled fibers from thousands of tapestries that have colored our collective listening histories. As evidenced throughout Raw
Honey, Collins has an ear for penning numbers that would sound as at home
on Classic Rock radio as they would at Zebulon in Los Angeles, where any of
the contributors to Raw Honey could, perhaps, be found on any night of the
week, on stage, or in the audience supporting another Angelino’s modern pop aspirations.

Rather than hiding behind a curtain or casually sidestepping AOR tropes, Raw Honey adheres to a modern kind of creation — one that cultivates influences
and espouses reverence. An honest totem, Raw Honey isn’t tangled up in social norms, with Collins preferring to air his self-doubt as a northern star to guide
like-minded people wherever they need to go.

After playing release shows in both LA and NYC in April, Drugdealer will
tour Europe this spring and North America this summer. All tour dates are on-sale this Friday, with tickets available here.
Raw Honey Tracklist:
01. You’ve Got To Be Kidding
02. Honey
03. Lonely
04. Lost In My Dream
05. Fools
06. If You Don’t Know Now, You Never Will
07. Wild Motion
08. London Nightmare
09. Ending On A Hi Note

Drugdealer Tour Dates:
Fri. April 12 – Los Angeles, CA @ Teragram Ballroom (Raw Honey Release
Show)
Fri. April 19 – Brooklyn, NY @ Market Hotel (Raw Honey Release Show)
Sun. May 12 – Manchester, UK @ YES
Mon. May 13 – Glasgow, UK @ The Hug and Pint
Tue. May 14 – Bristol, UK @ Louisiana
Wed. May 15 – London, UK @ The Dome Tufnell Park
Thu. May 16 – Paris, FR @ Point Ephemere
Fri. May 17 – Cologne, DE @ Gewölbe GmbH
Sun. May 19 – Copenhagen, DK @ Vega (Small Hall)
Mon. May 20 – Hamburg, DE @ Aalhaus
Thu. May 23 – Brussels, BE @ Witloof Bar
Sat. May 25 – Amsterdam, NL @ De Nieuwe Anita
Wed. July 10 – Santa Fe, NM @ Meow Wolf
Fri. July 12 – Austin, TX @ Barracuda Inside
Sat. July 13 – Houston, TX @ Satellite Bar
Sun. July 14 – New Orleans, LA @ Gasa Gasa
Mon. July 15 – Atlanta, GA @ The Earl
Tue. July 16 – Washington, DC @ Union Stage
Wed. July 17 – Philadelphia, PA @ Johnny Brenda’s
Sun. July 21 – Pittsburgh, PA @ Club Café
Mon. July 22 – Detroit, MI @ El Club
Tue. July 23 – Chicago, IL @ Sleeping Village
Wed. July 24 – Minneapolis, MN @ 7th Street Entry
Sat. July 27 – Calgary, AB @ Palomino Social Club
Mon. July 29 – Seattle, WA @ Sunset Tavern
Tue. July 30 – Vancouver, BC @ The Fox Cabaret
Wed. July 31 – Portland, OR @ Mississippi Studios
Fri. Aug. 2 – San Francisco, CA @ The Independent
Sun. Aug. 4 – Pioneertown, CA @ Pappy and Harriets

Pre-order Raw Honey —
https://drugdealer.lnk.to/HoneyGoldLP

Download album art & hi-res images of Drugdealer —
http://pitchperfectpr.com/drugdealer/

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Cass McComb’s “Tip of the Sphere” is out tomorrow, but you can stream it on NPR right now.

“Here McCombs reaches fully toward the idea of songwriting as myth-making. Pulling from a deeper heredity of mavericks (Guy Clark) and marginals (Bill Callahan); jesters (Warren Zevon), sweet-natured acerbics (Randy Newman) and loners (Elliott Smith), McCombs is an analogous anomaly — a statesman with a penchant for the long, spooling yarn. He revels in the album as cinema, as cosmos, as something that should be written and left for rumination.” — NPR Music’s “First Listen”

“McCombs is no cheap nostalgia merchant, and is rooted far more in earthy post-punk than jam-bandwagoning. But dude’s quite a guitarist, and here’s hoping he stretches things on tour behind his forthcoming LP – it’s a doozy.” — Rolling Stone

“Tip of the Sphere represents McCombs’ practised skills as a shaper of his own world, with pride in his craft, a deep respect for tradition and the drive to refresh it via his own idiosyncratic iteration. It’s a combination likely to seal those ‘finest songwriter of his generation’ nominations.”
— Uncut, 9/10 Album of the Month
Cass McCombs will release Tip of the Sphere, his ninth full-length album, on February 8th via ANTI-. Ahead of its release, the album is now available to stream via NPR Music’s “First Listen.” Additionally, McCombs shares “Absentee,” a track infused with waltzing organ and subtle saxophone. In “Absentee,” McCombs ruminates on ancestral memories of British, colonialist absentee landlords during the Irish Potato Famine, on longing, hunger and untended places in the heart. Cass plays multiple characters in a play created with cast shadows, masks, puppets and analog visual effects created by Lydia Greer and Caryl Kientz of Facing West Shadow Theatre.
Stream Tip of the Sphere via NPR Music –
https://n.pr/2RWfYPD

Watch “Absentee” Video –
https://youtu.be/4ujcP9S1Gmc
Tip of the Sphere presents an artist trying to make sense of it all through a relentless, ever searching creative process. Throughout, he floats through a suite of songs driven by a journeying mysticism and dark grace. While most of his albums have been pieced together in different studios over an extended period of time, Tip of the Sphere was recorded quickly and with a strong sense of purpose at Figure 8 Studios in Brooklyn. This new approach for McCombs brought his songs a raw immediacy and a special balance of compassion and experimentation with the intent of making a more consistent statement. On “Absentee,” he’s joined by Otto Hauser (drums), Dan Horne (bass), Dan Lead (pedal steel), Frank LoCrasto (hammond organ), and Sam Griffin Owens (saxophone).

As previously announced, the ‘Castillo de la Esfera,’ created by fellow Northern California artist and contemporary Tahiti Pehrson as an homage to Brion Gysin’s dream machine, is featured inside the vinyl edition of Tip of the Sphere. Watch the Tip of the Sphere Instructional Video & Castillo de la Esfera Assembly, narrated by Robyn Hitchock,here.
Watch/Listen/Share:
“Sleeping Volcanoes” Stream – https://youtu.be/aJd_bd9vBFc
“Estrella” Stream – https://youtu.be/sJTR-d8X2jk
“The Great Pixley Train Robbery” Video – https://youtu.be/tJweioHk6t0

Pre-order Tip of the Sphere –
https://ffm.to/cm_tipofthesphere

Cass McCombs Tour Dates:
Thu. Feb. 7 – Los Angeles, CA @ Amoeba Records
Mon. March 4 – Washington, DC @ Union Stage *
Tue. March 5 – Philadelphia, PA @ World Cafe Live *
Thu. March 7 – Brooklyn, NY @ Murmrr
Fri. March 8 – New York, NY @ Bowery Ballroom *
Sat. March 9 – Boston, MA @ The Sinclair *
Mon. March 11 – Toronto, ON @ Horsehoe Tavern *
Tue. March 12 – Cleveland, OH @ Beachland Ballroom*
Thu. March 14 – Nashville, TN @ EXIT/IN *
Fri. March 15 – Indianapolis, IN @ HiFi *
Sat. March 16 – Chicago, IL @ Lincoln Hall *
Sun. March 17 – Milwaukee, WI @ The BackRoom at Collectivo *
Mon. March 18 – St. Paul, MN @ Turf Club *
Wed. March 20 – Boulder, CO @ Fox Theatre *
Sat. March 23 – Salt Lake City, UT @ The State Room *
Mon. March 25 – Vancouver, BC @ St. James *
Tue. March 26 – Seattle, WA @ Chop Suey *
Wed. March 27 – Portland, OR @ Aladdin Theater *
Fri. March 29 – Sacramento, CA @ Harlow’s *
Sat. March 30 – Los Angeles, CA @ The Fonda Theatre *
Sun. March 31 – Las Vegas, NV@ The Beauty Bar*
Tue. April 2 – Santa Barbara, CA @ SOHo *
Thu. April 4 – Santa Cruz, CA @ Moe’s Alley *
Fri. April 5 – San Francisco, CA @ The Fillmore *
Thu. April 25 – Marfa, TX@ Marfa Myths
Sat. May 25 – Madrid, SP @ Tomavistas Festival
Tue. May 28 – Prague, CZ @ MeetFactory
Wed. May 29 – Berlin, DE @ Frannz-Club
Thur. May 30 – Copenhagen, DK @ Alice
Fri. May 31 – Hamburg, DE @ Nochtspeicher
Sat. June 1 – Gent, BE @ DOK Box
Mon. June 3 – Amsterdam, NE @ Paradiso Nord
Tue. June 4 – Paris, FR @ La Maroquinerie
Thur. June 6 – London, UK @ EartH
Fri. June 7 – Helsinki, FI @ Sideways Festival
Fri. Aug. 30 – Mon. Sep. 2 – Larmer Tree Gardens, UK @ End of the Road Festival

* = with Sam Evian

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Partner release first single, “Long and McQuade” from new album, “Saturday the 14th,” due this April.

Partner, the Canadian duo of Josée Caron and Lucy Niles, have announced their new release out April 5, 2019. Entitled Saturday the 14th, it follows their 2017 debut, In Search of Lost Time which landed on NPR, Stereogum, Noisey, Exclaim, and CBC Music year end lists. Pre-order Saturday the 14th HERE.

Today, Partner is sharing the video for “Long and McQuade,” an ode to the Canadian music store chain. Watch the video HERE. The “Long and McQuade” single is also available on streaming services.

“We wanted to make a song for the musicians, and what experience is more relatable to a Canadian musician than going to Long and McQuade? The song just came out one day while we were talking about Long and McQuade and we liked singing it like Pearl Jam, so it stuck.” – Partner

Partner kicks off a US West Coast tour next month including a show at Noise Pop Fest in San Francisco.

USA & Canadian Tour Dates
February 20 – Fox Cabaret, Vancouver BC*
February 21 – The Queens, Nanaimo BC
February 23 – Lucky Bar, Victoria BC
February 24 – The Vera Project, Seattle WA*
February 25 – Holocene, Portland OR*
February 28 – The Hi Hat, Los Angeles CA*
March 02 – The Crepe Place, Santa Cruz CA*
March 03 – Noise Pop Fest, San Francisco CA*
*co-headlining with Dude York

For any interview requests or phoners contact – mar@maronmusic.com

————————

RIYL – AC/DC, The Breeders, Ween, Melissa Etheridge, Aerosmith

Partner is funny, but not a joke. Gay, but not for each other.

Partner is the “mature” effort of two best friends named Josée Caron and Lucy Niles. Borne of their fortuitous friendship, Partner confidently harnesses the infinite power of Rock to explore a variety of niche yet strangely universal themes.

The two met while attending Mount Allison University in small town Sackville, New Brunswick, on Canada’s East Coast.

The duo played in numerous Sackville bands together over their University years. Around mid 2014 the idea of Partner came to fruition.

Influenced by acts as varied as Tegan and Sara, Melissa Etheridge, Ween, kd lang, and Aerosmith, Partner delivers a refreshing and vital twist on a classic, prompting you to re-think what you thought was possible in Rock.

They released their debut album In Search of Lost Time in September 2017. The album made NPR’s All Songs Considered, Stereogum, Noisey, Exclaim, CBC Music, Indie 88 and many more Best of 2017 lists. The album was shortlisted for the Polaris Prize, and Partner were the recipients of the SOCANsongwriting prize for their song “Play the Field.”

Despite the success of In Search of Lost Time, Partner is committed to exploring and breaking down the limits of their minds in the name of Rock. Saturday the 14th represents the first steps towards a bold new future: the listener will find the band questioning the rules and questioning themselves, and, if they listen closely, a few tantalizing hints for what lies in store next.

Saturday the 14th will be released April 5, 2019 via You’ve Changed Records (CAN) and Father/Daughter Records (US).

Track Listing
Partner – Saturday the 14th (April 5, 2019)
Father/Daughter Records (US), You’ve Changed Records (CA)
PRE-ORDER

1. Fun For Everyone (Minions)
2. Stoned Thought
3. Tell You Off
4. Long and McQuade
5. Les ailes d’un ange

Partner in the press:

“Listening to Partner is like hanging out with your best friends, assuming your best friends are queer Canadian stoners with hooks for days.”
– Stereogum

“The best Canadian rock record of the year wasn’t made by Arcade Fire, Broken Social Scene or Mac Demarco, but by two self-deprecating, 1990s-loving stoner best friends known as Partner. ”
– Playboy

“…two young women from Canada, Joseé Caron and Lucy Niles, who write and record as Partner, put out the year’s best guitar rock album.”
– NPR’s All Songs Considered

TOUR DATESFebruary 20 – Fox Cabaret, Vancouver BC*
February 21 – The Queens, Nanaimo BC
February 23 – Lucky Bar, Victoria BC
February 24 – The Vera Project, Seattle WA*^
February 25 – Holocene, Portland OR*^
February 28 – The Hi Hat, Los Angeles CA*^
March 02 – The Crepe Place, Santa Cruz CA*
March 03 – Noise Pop Fest, San Francisco CA*^
*w/ Dude York
^w/ Blushh

April 13 – The Danforth Music Hall, Toronto ON+
April 18 – The Capitol Music Club, Saskatoon SK+
April 19 – The Starlite Room, Edmonton AB+
April 20 – The Palace Theatre, Calgary AB+
April 22 – Spiritbar, Nelson BC+
April 23 – Sapphire Nightclub, Kelowna BC+
April 25 – Cactus Jacks, Kamloops BC+
April 30 – Bo’s Bar & Grill, Red Deer AB+
May 02 – The Exchange, Regina SK+
May 03 – The Garrick, Winnipeg MB+
+ supporting Wintersleep
Partner Links
Website: http://www.partnerband.com
Facebook: https://www.facebook.com/partner.music.band/
Bandcamp: https://partnerband.bandcamp.com/
Record Label: http://youvechangedrecords.com/portfolio/partner/
Twitter: http://twitter.com/partner_band
YouTube: https://www.youtube.com/partnerband

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Pink Mexico gets “Dirty & Stupid” with new single from upcoming album.

“Landing somewhere between My Bloody Valentine’s poppiest moments and Wavves least bratty missives, the result is something like if Nirvana had had a surf rock phase.” — Noisey

“The kind of fuzzy, driving garage punk that you can always trust Burger to put out.” — BrooklynVegan

Brooklyn, NY trio Pink Mexico share a new single from their forthcoming third album Dump via Big Takeover Magazine. Hear and share what Big Takeover calls a “grimy, gritty, chugging lump of treasure,” HERE.

Surf/skate culture outlet What Youth? recently premiered the garage-grunge surf-pop track “High Dive” HERE.

Dump will be released March 1st, 2019 on cassette and digital via Burger Records and vinyl via Little Dickman Records.

After playing drums for countless other bands, including Shilpa Ray, WALTZ and Lola Pistola, Robert Preston Collum went for a change and began his solo project, Pink Mexico. After moving from Brooklyn to Los Angeles, Preston self-released the first Pink Mexico LP, pnik mxeico in June of 2013, attracting the attention of Austin-based record label Fleeting Youth Records, who then re-released pnik mxeico the following December.

Preston relocated to Brooklyn in the fall of 2014 to begin recording his next album while continuing other releases: a split 7″ with Los Angeles-based band, SunLikeDrugs as well as a 12″ vinyl pressing of pnik mxeico by Bordeaux, France based label Big Tomato Records. The underground buzz surrounding the first LP led Preston into the Burger Records family. Following countless Brooklyn shows and making the rounds at this year’s SXSW, Pink Mexico has grown as a band comprised of Grady Walker & Ian Everall.

After the release of Fool via Burger Records Summer 2016, Pink Mexico toured as direct support for Honus Honus (aka Man Man) for his “Use Your Delusion” Tour in November 2016. Spending most of 2017 and 2018 dedicated to recording Dump, the 3rd studio album with Jeremy Scott (Vivian Girls, These Are Powers) at Civil Defense in Brooklyn, NY. The band relentlessly toured North America to support Fool, while Collum also played drums on the new Lola Pistola record Curfew and went out on tour in support of the album in early 2018.

Unlike previous records, where Collum manned all instruments, this release includes both Everall and Walker on bass and drums, respectively.

Keep your mind open.

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Ty Segall and Freedom Band to release live album March 29th.

In 2018, Ty Segall and the Freedom Band — Mikal Cronin, Charles Moothart, Emmett Kelly, and Ben Boye — stormed the world in support of Freedom’s Goblin, playing songs from Ty’s catalog in a series of ecstatic setlists. Each night, they sought freedom for themselves and the audience, even it if was just one night of emancipation from the world’s numbing chill. Then they went and did it again the next night! That blunt-force impact of The Freedom Band in full effect is being presented via Deforming Lobes, out March 29th via Drag City. Get a taste early with “Love Fuzz.”

Recorded live on stage at Los Angeles’ Teragram Ballroom via mobile unit onto two-inch tape and mixed at Electrical Audio with Steve Albini, Deforming Lobes updates (and upends) numbers from Melted, Emotional Mugger, Twins, Manipulator, $ingle$ 2 and Ty Segall. From the start, the “Warm Hands” suite shows the growth of the group since recording the original version for the 2017 Self-Titled album. The feeling between audience and band at those shows was its own special thing; here, the band is somehow even more front and center, exploring every song with an unrestrained curiosity and fervor, never forgetting the collective experience they’re sharing.

Following Freedom’s Goblin, the epic double-LP that took the heroic arc of Manipulator and wadded it up into a much more aerodynamic (and harder-hitting) ball, Deforming Lobes is the first original statement from The Freedom Band, bookending the Goblin experience with an exclamation point.

Listen to “Love Fuzz” – https://tysegall.bandcamp.com/album/deforming-lobes

Pre-order Deforming Lobes – http://lnk.to/deforminglobes

Deforming Lobes Tracklist: 1. Warm Hands 2. Squealer 3. Breakfast Eggs 4. The Crawler 5. Finger 6. They Told Me Too 7. Cherry Red 8. Love Fuzz

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Pink Mexico does a “High Dive” with new single from upcoming record.

“Landing somewhere between My Bloody Valentine’s poppiest moments and Wavves least bratty missives, the result is something like if Nirvana had had a surf rock phase.” — Noisey

“The kind of fuzzy, driving garage punk that you can always trust Burger to put out.” — BrooklynVegan

Brooklyn, NY trio Pink Mexico share the first track from their forthcoming third album Dump via surf/skate culture outlet What Youth? Hear and share the garage-grunge surf-pop track “High Dive.” (Soundcloud and Bandcamp)

Dump will be released March 1st, 2019 on cassette and digital via Burger Records and vinyl via Little Dickman Records. After playing drums for countless other bands, including Shilpa Ray, WALTZ and Lola Pistola, Robert Preston Collum went for a change and began his solo project, Pink Mexico. After moving from Brooklyn to Los Angeles, Preston self-released the first Pink Mexico LP, pnik mxeico, in June of 2013, attracting the attention of Austin-based record label Fleeting Youth Records, who then re-released pnik mxeico the following December.

Preston relocated to Brooklyn in the fall of 2014 to begin recording his next album while continuing other releases: a split 7″ with Los Angeles-based band SunLikeDrugs as well as a 12″ vinyl pressing of pnik mxeico by Bordeaux, France based label Big Tomato Records. The underground buzz surrounding the first LP led Preston into the Burger Records family. Following countless Brooklyn shows and making the rounds at this year’s SXSW, Pink Mexico has grown as a band comprised of Grady Walker & Ian Everall.

After the release of Fool via Burger Records Summer 2016, Pink Mexico toured as direct support for Honus Honus (aka Man Man) for his “Use Your Delusion” Tour in November 2016. Spending most of 2017 and 2018 dedicated to recording Dump, the 3rd studio album with Jeremy Scott (Vivian Girls, These Are Powers) at Civil Defense in Brooklyn, NY. The band relentlessly toured North America to support Fool, while Collum also played drums on the new Lola Pistola record Curfew and went out on tour in support of the album in early 2018. Unlike previous records, where Collum manned all instruments, this release includes both Everall and Walker on bass and drums, respectively.

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Ohmme releases rocking cover of B-52’s “Give Me Back My Man.”

“their harmonies – emerging both on and off kilter – run against the grain of the music in a way that ignites feelings all too familiar in a post 2016 world. Something insightful, something penetrating, and something leaving you feeling imbalanced. In this case, it’s a great thing.” — Aquarium Drunkard, 2018 Year In Review

“Ohmme play with the confidence and abandon of musicians who are scared of nothing and capable of almost anything.” — SPIN, The 51 Best Albums of 2018

“From vibrant art-pop and brooding, melodic rock to contorted, genre-less collages of lush pulses, guitar sketches and gleaming vocals, OHMME perfectly embody the city’s musical diversity and artistic spirit.” — Paste, 15 Chicago Bands You Need To Know in 2018

“one of the city’s best bands” — Chicago Reader

Ohmme, the Chicago duo of Sima Cunningham and Macie Stewart, are releasing ‘At Night b/w Give Me Back My Man’ 7″ February 1st via Joyful Noise. The 7” features a new original, “At Night” and a cover of the B-52’s’ “Give Me Back My Man.” Choosing the B-52s because “their love of all things retro and kraut-rock created this amazing aesthetic that still feels so unique,” Ohmme puts their own spin on the track, roughing up the edges by using distorted, electric guitars and a vivacious spirit. “We love ‘Give Me Back My Man’ in particular because it is one of their only tunes to really feature Cindy Wilson at the center and she kills it. The dynamic changes between her level voice in the verses and the explosion of rage in the choruses give such a strong statement of emotion.”

‘At Night b/w Give Me Back My Man’ follows the release of their debut full-length, Parts, on Joyful Noise Recordings in August 2018. The release found them adding drummer Matt Carroll and headlining a 6-week North American tour alongside critical acclaim from Pitchfork, SPIN, Aquarium Drunkard, Paste and The Chicago Reader. Ohmme continues to tour North America and Europe in support of Parts. All tour dates are below.

Pre-order Ohmme ‘At Night b/w Give Me Back My Man’ 7″ – https://www.joyfulnoiserecordings.com/products/at-night-b-w-give-me-back-my-man

Ohmme tour dates: Tue. Jan. 22 – Fort Wayne, IN @ The Brass Rail * Wed. Jan. 23 – Columbus, OH @ Rumba Cafe * Thu. Jan. 24 – Louisville, KY @ Zanzabar * Fri. Jan. 25 – Nashville, TN @ Drkmttr * Sat. Jan. 26 – Bloomington, IN @ The Bishop * Fri. Feb. 8 – Besançon, FR @ Festival Génériq Tue. Feb. 12 – Brussels, BE @ Botanique Witloofbar Wed. Feb. 13 – Amsterdam, NL @ CINETOL Fri. Feb. 15 – Leeds, UK @ Hyde Park Book Club Sat. Feb. 16 – Glasgow, UK @ The Hug and Pint Mon. Feb. 18 – Birmingham, UK @ The Hare and Hounds Tue. Feb. 19 – London, UK @ The Shacklewell Arms Wed. Feb. 20 – Bathurst Terrace, UK @ The Louisiana Sat. Feb. 23 – Brighton, UK @ Mutations Festival Fri. March 1 – West Columbia, SC @ New Brookland Tavern # Sun. March 3 – Miami, FL @ Gramps # Mon. March 4 – Orlando, FL @ Will’s Pub # Tue. March 5 – Atlanta, GA @ The Masquerade Wed. March 6 – Asheville, NC @ The Mothlight # Sat. April 27 – Chicago, IL @ Sleeping Village *= w/ The Ophelias #= w/ Speedy Ortiz

Keep your mind open.

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