Always one to follow their creative whims, Partner (multi-instrumentalists Josee Caron and Lucy Niles) released Saturday the 14th earlier this year. It’s a five-song EP that lets them stretch their creative muscles and embrace multiple influences.
“Fun for Everyone (Minions)” is an electro-laced dance tune that has Caron and Niles telling everyone to “dance like a Minion and not give a care about anyone’s opinion.” It’s a shame if this hasn’t been remixed by multiple DJs by now, and it will be an even bigger shame if the next Despicable Me film doesn’t feature it on the soundtrack.
Partner having a song called “Stoned Thought” shouldn’t be a surprise to anyone who’s a fan of the band, since they have openly sang of their love of the herb (i.e., “Hot Knives,” “Everybody Knows You’re High”). It’s a witty song about cool things they thought of (song ideas, high philosophy, etc.) while high and now can’t remember.
“Tell You Off” is a tongue-in-cheek country tune complete with dobro and Niles rocking a harmonica solo in-between lyrics about chewing out a neighbor over their bad behavior. “Long & McQuade” is a salute to the band’s favorite music equipment store in Canada. Caron’s solo on it is outstanding.
The album ends with the downright beautiful “Les Ailes d’un Ange” (“The Wings of an Angel”) – a French vocal ballad that Partner have admitted is their attempt to write a song that fellow Canadian Celine Dion might sing.
It’s a fun EP that is a welcome appetizer for their next full-length album (which they have claimed will be a rocker. I have no doubt of this.).If you’re feeling down and need your luck to change, try Saturday the 14th.
Keep your mind open.
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Clutch announce the release of “Electric Worry.” The single is the third in a series of new studio recordings that comprise the newly launched Weathermaker Vault Series and the first new official music Clutch is making available since the release of their critically acclaimed album, Book Of Bad Decisions.
The new live video uses footage from various 2019 European Summer festivals and can be seen at https://youtu.be/mtuVGOnX868
When “Electric Worry” was released in 2007 on the album From Beale Street to Oblivion nobody knew that this track would turn into one of Clutch’s most recognizable songs. It is a fan favorite and a staple at live shows. Over the course of time, the song went through changes. What you are listening to here is a brand new studio recording of the 2019 live version of the song without the keyboards and harmonica that are on the 2007 rendition. This is “Electric Worry” in its purest form.
“Electric Worry” was mixed by 6X Grammy Award winner and Clutch collaborator, Vance Powell (Wolfmother, The Raconteurs, Arctic Monkeys).
“All in all it’s just a leaner, meaner song” states vocalist Neil Fallon. “We wanted to put something out there that was representative of what we do these days since it happens to be one of our most popular songs.”
Clutch has curated their own Spotify playlist “Clutch’s Heavy Rotation”: https://open.spotify.com/playlist/3NlZsjNNOoCvwjCv58mcNR
On Friday, September 20th, Clutch will embark on a Fall tour of the US with Dropkick Murphys along with metalcore veterans Hatebreed as direct support.
Clutch Fall Tour with Dropkick Murphys: Tickets available here. (headline** and festival* dates) = no Dropkick Murphys Fri/Sep-20 Springfield, MA MassMutual @ Center Arena Sat/Sep-21 Erie, PA Erie @ Insurance Arena **Sun/Sep-22 Wilmington, DE @ The Queen (support: Lionize, Kingsnake) Tue/Sep-24 Raleigh, NC @ Red Hat Amphitheatre Wed/Sep-25 Charlotte, NC Charlotte @ Metro Credit Union Amphitheatre Thu/Sep-26 Birmingham, AL @ Avondale Brewery **Fri/Sep-27 Clarksville, TN O’Connors Outdoor Stage (support: Hatebreed, Cane Hill) Sun/Sep-29 Detroit, MI @ Masonic Temple Theatre Mon/Sep-30 Chicago, IL @ Aragon Tue/Oct-01 Minneapolis, MN @ The Myth Thu/Oct-03 Moorhead, MN @ Bluestem Center For The Arts Fri/Oct-04 Council Bluffs, IA @ Westfair Amphitheatre Sat/Oct-05 Broomfield, CO @ FirstBank Center Sun/Oct-06 Salt Lake City, UT @ The Union Tue/Oct-08 Los Angeles, CA @ The Palladium Wed/Oct-09 San Diego, CA @ Park at the Park *Fri/Oct-11 Sacramento, CA @ Aftershock Festival **Sat/Oct-12 Bend, OR @ Midtown Theater (support: Red Fang, Mos Generator) **Sun/Oct-13 Eugene, OR @ McDonald Theater (support: Red Fang, Mos Generator) Mon/Oct-14 Boise, ID @ Outlaw Field at Idaho Botanic Gardens Tue/Oct-15 Seattle, WA @ WAMU Theatre ** = HEADLINE SHOW * = FESTIVAL
“Don’t You Think You’ve Had Enough? is one of the year’s best rock albums, and far more than a survival tale.” – Billboard
“The evolution from raw to polished is a common one for rock bands, but on Bleached, it sounds positively inspired.” – AV Club
“the grit and grime has been wiped off in favor of a style that, while still giving off the same dangerous edge, often has the glittering sheen of some femme fatale’s soundtrack” – Paste
“Don’t You Think You’ve Had Enough? reveals the sophisticated songwriting Bleached has matured into. The songs seem familiar…but they contain unrestrained personality, which froths and ferments as it resolves into intimate portraits of living.” – LA Record
Bleached – the Los Angeles-based duo of sisters Jessie and Jennifer Clavin – present a video for “Daydream,” off Don’t You Think You’ve Had Enough?, released earlier this year via Dead Oceans. Propelled by Clavin’s defiant vocals, anthemic drums, and a refined version of their distorted guitar sound, “Daydream” is about realizing that living in the past, daydreaming of what could have been, is just a waste of time. The video, once again directed by Giraffe Studios, the sister team Bleached has worked with for all facets of Don’t You Think… visuals, presents the sisters and their band performing in the middle of a vast, hilly setting in Santa Clarita, CA.
“‘Daydream’ was born from a premonition about driving to the desert to write a song. It is my favorite song on the record,” says Jennifer. “While it can be interpreted as a love song at its core, it’s about how our minds are our masters. We tend to dwell on the past, live in regret with ‘what ifs’ but what’s the point? It’s a waste of our time and takes us out of the present. Letting go can be challenging but it’s worth it when the weight lifts and you finally feel free.”
Bleached have just kicked off their North American tour in support of Don’t You Think You’ve Had Enough? All tour dates can be found below.
Watch Bleached’s “Daydream” video – https://www.youtube.com/watch?v=Pc9b35XulJQ
Watch: “Hard To Kill” video – https://youtu.be/bQYgcc02m5c
“Kiss You Goodbye” video – https://youtu.be/InvEKijp7WM
“Shitty Ballet” video – https://youtu.be/v8pGMcSylH4
PurchaseDon’t You Think You’ve Had Enough? – bleached.ffm.to/dontyouthink
Bleached tour dates: Sun. Sept. 15 – Raleigh, NC @ Motorco ^ Tue. Sept. 17 – Washington, DC @ U Street Music Hall ^ Thu. Sept. 19 – Brooklyn, NY @ Elsewhere ^ Fri. Sept. 20 – Philadelphia, PA @ PhilaMOCA ^ Sat. Sept. 21 – Boston, MA @ Brighton Music Hall ^ Mon. Sept. 23 – Toronto, ON @ Horseshoe Tavern ^ Tue. Sept. 24 – Columbus, OH @ The Basement ^ Wed. Sept. 25 – Nashville, TN @ Exit In ^ Fri. Sept. 27 – Urbana, IL @ Pygmalion Festival Sat. Sept. 28 – Minneapolis, MN @ 7th Street Entry ^ Sun. Sept. 29 – Chicago, IL @ Lincoln Hall ^ Mon. Sept. 30 – St. Louis, MO @ Firebird ^ Tue. Oct. 1 – Kansas City, MO @ Riot Room (Outdoors)* Thu. Oct. 3 – Denver, CO @ Globe Hall* Fri. Oct. 4 – Salt Lake City, UT @ The State Room* Sat. Oct. 5 – Boise, ID @ The Olympic* Mon. Oct. 7 – Seattle, WA @ Crocodile* Tue. Oct. 8 – Vancouver, BC @ Biltmore Cabaret* Wed. Oct. 9 – Portland, OR @ Star Theater Fri. Oct. 11 – Oakland, CA @ New Parish* Sat. Oct. 12 – Los Angeles, Ca @ The Lodge Room* ^ = w/ The Paranoyds *= w/ Dude York
Mikal Cronin releases a new single, “Shelter,” from his forthcoming album, Seeker, out October 25th via Merge. Following the lead single/video, “Show Me,” “Shelter” features buzzy guitar and blooming string arrangements. “This is a song about searching for answers in an uncertain world,” says Cronin. “It’s about the observer reluctantly stepping out of their comfort zone and looking around, while trying to keep their head straight. Musically, it’s dense and polyrhythmic. The string line weaves it all together for me. When writing a song with a lot of additive looping rhythmic parts, I think of Brian Eno.”
Following a period of heartbreak and writer’s block, Cronin packed up and retreated to Idyllwild, a small town in the mountains of southern California, where he spent a month in the cabin, alone. The bulk of Seeker was written during this time period. After a series of fires sparked by an arsonist forced Cronin to evacuate, he returned a few days early to LA and began the recording process at Palmetto Studios. There, engineer Jason Quever and a crew of close friends helped bring the album together. The record was backed by Ty Segall’s Freedom Band. Nature fresh on his mind, he was driven to use organic sounds. “I wanted to bring you into the room. Jason and I talked about the Beatles’ White Album a lot when placing mics,” says Cronin. “I brought a charred pine cone from the woods to the studio, just in case it would help. Fire—specifically its cycle of purging and reseeding the landscape—is a central theme to the record. Death and rebirth.”
This fall, Cronin will bring his live show across North America in support of Seeker. Then, he will tour Europe. All tour dates are on sale and can be found below. Additionally, Mikal has launched the Mikal Cronin Fan Club. Fans who sign up will receive tour updates and access to exclusive tracks for fan club members only. Mikal has recently shared some amazing covers, including Neil Young’s “Heart of Gold” and Sharon Van Etten’s “All I Can.” Only fans signed up for the fan club receive these, so sign up here.
Listen to “Shelter” – https://youtu.be/IEk9UL19GS4
Watch the video for “Show Me” – https://youtu.be/GAC9bZjGv-U
Pre-orderSeeker – https://smarturl.it/MC-Seeker
Seekertracklist: 1. Shelter 2. Show Me 3. Feel It All 4. Fire 5. Sold 6. I’ve Got Reason 7. Caravan 8. Guardian Well 9. Lost a Year 10. On the Shelf
MIKAL CRONIN TOUR DATES Fri. Oct. 25 – Los Angeles, CA @ Teragram Ballroom Wed. Nov. 6 – San Francisco, CA @ The Independent Fri. Nov. 8 – Portland, OR @ Mississippi Studios Sat. Nov. 9 – Vancouver, BC @ Fox Cabaret Sun. Nov. 10 – Seattle, WA @ Tractor Tavern Mon. Nov. 11 – Missoula, MT @ The Badlander Thu. Nov. 14 – Saint Paul, MN @ Turf Club Fri. Nov. 15 – Chicago, IL @ Lincoln Hall Sat. Nov. 16 – Detroit, MI @ Deluxx Fluxx Sun. Nov. 17 – Toronto, ON @ Horseshoe Tavern Mon. Nov. 18 – Montreal, QC @ Bar Le Ritz Tue. Nov. 19 – Boston, MA @ Great Scott Wed. Nov. 20 – New York, NY @ Bowery Ballroom Fri. Nov. 22 – Philadelphia, PA @ Underground Arts Sat. Nov. 23 – Washington, DC @ U Street Music Hall Sun. Nov. 24 – Durham, NC @ Motorco Music Hall Mon. Nov. 25 – Atlanta, GA @ The Earl Tue. Nov. 26 – New Orleans, LA @ One Eyed Jacks Wed. Nov. 27 – Austin, TX @ Barracuda Sat. Nov. 30 – Tucson, AZ @ 191 Toole Sun. Dec. 1 – San Diego, CA @ Casbah Mon. Feb. 10 – Munich, DE @ Milla Tue. Feb. 11 – Cologne, DE @ Bumann & SOHN Wed. Feb. 12 – Berlin, DE @ Kantine am Berghain Thu. Feb. 13 – Aarhus, DK @ TAPE Fri. Feb. 14 – Copenhagen, DK @ Loppen Sat. Feb. 15 – Stockholm, SE @ Nalen Mon. Feb. 17 – Oslo, NO @ Ingensteds Tue. Feb. 18 – Gothenburg, SE @ Oceanen Wed. Feb. 19 – Hamburg, DE @ Molotow (SkyBar) Thu. Feb. 20 – Amsterdam, NL @ Bitterzoet Fri. Feb. 21 – Brussels, NE @ Botanique Sat. Feb. 22 – Paris, FR @ Petit Bain Mon. Feb. 24 – Bristol, UK @ The Louisiana Tue. Feb. 25 – London, UK @ Moth Club Wed. Feb. 26 – Manchester, UK @ Soup Kitchen Thu. Feb. 27 – Glasgow, UK @ The Hug & Pint Fri. Feb. 28 – Leeds, UK @ Brudenell Social Club Sat. Feb. 29 – Brighton, UK @ The Hope & Ruin
Hailing from northern California, Beehive is one of the most appropriately named bands I’ve heard so far this year. Bassist Bud Amentia and vocalist / guitarist Jake Sprecher (and a drum machine, which they apparently don’t turn off between songs during their live sets) make music that buzzes with energy and danger. Listening to their debut EP Depressed + Distressed is like standing near a beehive. You’re on the edge of danger all the time.
The instrumental into of “Tick Tock” delivers this message right away. It’s just over a minute of menace with poppy drum machine beats that belie something heavy about to land in your lap. That heavy thing is the song “Get Off My Back,” which has Sprecher’s guitars howling like a chainsaw in a thunderstorm and Amentia’s bass coming at you like an unrelenting rain.
“You’re So Fascinating” is a funny track about the fake images we create in hopes that people will like us. Sprecher’s vocal delivery brings Glenn Danzig to mind, but with more post-punk attitude instead of goth rage. The funniest track on the EP is “90’s Trash,” in which Sprecher talks about buying a CD of the songs that form the “graveyard of his youth” that make him both nostalgic and depressed. He and Amentia play a riff that sounds exactly like every 1990’s rock song you’ve heard as Sprecher name checks the Smoking Popes, Spacehog, Soundgarden, third wave ska, Save Ferris,Flaming Lips, and (the one that most makes Sprecher ill) Ugly Kid Joe.
“When Can I See You Again?” is a punk rager expressing the panic, rush, and angst all of us have felt in a new relationship. “Don’t Try” is almost a rallying cry to do just the opposite. Beehive are pissed about everyone telling them (and all of us, if you watch enough news) not to bother, so they’re responding with a sonic boot stomp to the chest. The EP closes with “Wasting Our Time.” Beehive have no time for people who drain their energy with drama (“You’re wasting my time, I’m wasting my time with you.”). Amentia’s bass on this track is particularly heavy and is a great mix with Sprecher’s Jon Spencer-like riffs.
The EP’s title sums up not only Beehive’s feelings about Millennial life, but also the lives of practically everyone else. Everyone’s depressed or distressed about something – usually things that don’t matter (as evidenced in the last track of the EP). If Beehive have to sting us to wake us up from our doldrums, they will. You can’t escape a swarm, and you won’t be able to escape this record once you hear it.
Keep your mind open.
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“Black Belt Eagle Scout…is one of my favorite indiepop songwriters of late, in the vein of Palehound or Jay Som—tight, soft vocals placed high in the mix, competing with and complimenting an anxious guitar riff.” – Jezebel
“[At The Party With My Brown Friends] highlight Paul’s vocals more than they do her guitar work—she still knows how to shred, but there’s a pronounced confidence in vocal-forward tracks” – The AV Club
“[‘My Heart Dreams’] features Paul’s signature delicate vocals, fervent guitar playing and romantic, poignant lyricism.” – Paste
Black Belt Eagle Scout – the recording project of multi-instrumentalist Katherine Paul – presents a video for “Run It to Ya,” the final pre-release single from her new album, At the Party With My Brown Friends. Following “My Heart Dreams” and “At the Party,” “Run It to Ya” is about the gentleness of love and how wondrous it can feel at times from the point of view of a queer Indigenous womxn. The video was directed by Evan James Benally Atwood.
“It felt natural for the ‘Run It to Ya’ music video to star queer indigenous womxn and show their love story unfold. The setting is a queer Indigenous prom, a space where we can truly be ourselves without the ridicules of white settler colonialism. It’s a realm where we can reimagine what our lives look like as queer Indigenous people; what is normally a heteronormative space turns into a magical place where people have the freedom to safely love how they choose.
“Throughout my work, I intend to show the thriving lives of Indigenous people, and how we are often excluded from mainstream rock music and the media. This exclusion is detrimental to our health and our existence. I am trying to show what my life is like so that other people can see how we have the right to thrive in this world and have the ability to decolonize.”
Where her 2018 debut, Mother of My Children, was a snapshot of loss and landscape and of Paul’s standing as a radical Indigenous queer feminist, this new chapter finds its power in love, desire and friendship. At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. The end result presents a captivating about-face that redefines Paul’s beautifully singular artistic vision.
Black Belt Eagle Scout was named a favorite new artist of 2018 by NPR Music, Stereogum, Paste and Under The Radar, and Pitchfork named her debut a Best Rock Album of 2018. She will continue to tour extensively, playing headline dates this fall before supporting Devendra Banhart later this year.
Watch Black Belt Eagle Scout’s “Run It to Ya” video – https://bbes.ffm.to/atpwmbf
Listen to “At the Party” – https://youtu.be/gk3FLRe4tAM
Watch “My Heart Dreams” video https://youtu.be/cmGP7WZO4Pw
Pre-orderAt the Party With My Brown Friends https://bbes.ffm.to/atpwmbf
Black Belt Eagle Scout tour dates: Sat. Sept. 7 – Sun. Sept. 8 – Portland, OR @ XOXO Fest Mon. Oct. 21 – Portland, OR @ Mississippi Studios Thu. Oct. 24 – Seattle, WA @ Tractor Tavern Wed. Oct. 30 – Boulder, CO @ Boulder Theater * Fri. Nov. 1 – Omaha, NE @ Slowdown * Sat. Nov. 2 – Minneapolis, MN @ Varsity Theater * Sun. Nov. 3 – Chicago, IL @ Thalia Hall * Tue. Nov. 5 – Memphis, TN @ The Hi-Tone * Wed. Nov. 6 – St. Louis, MO @ Foam Thu. Nov. 7 – Lawrence, KS @ White Schoolhouse Fri. Nov. 8 – Fort Collins, CO @ Surfside 7 Sat. Nov. 9 – Salt Lake City, UT @ Diabolical Records Sun. Nov. 10 – Boise, ID @ Neurolux Thu. Nov. 12 – Reno, NV @ Holland Project Wed. Nov. 13 – San Francisco, CA @ Cafe Du Nord Thu. Nov. 14 – Los Angeles, CA @ Bootleg Bar Fri. Nov. 15 – San Diego, CA @ Ché Café Sat. Nov. 16 – Tucson, AZ @ Club Congress Sun. Nov. 17 – Las Vegas, NV @ The Bunkhouse Saloon Tue. Nov. 19 – Mesa, AZ @ The Nile Wed. Nov. 20 – Albuquerque, NM @ Sister Fri. Nov. 22 – Austin, TX @ Barracuda Sat. Nov. 23 – Dallas, TX @ The Foundry Sun. Nov. 24 – Houston, TX @ Satellite Tue. Nov. 26 – Fayetteville, AR @ George’s Majestic Lounge Wed. Nov. 27 – Nashville, TN @ DRKMTTR Sat. Nov. 30 – Detroit, MI @ Museum of Contemporary Art Detroit * Sun. Dec. 1 – Toronto, ON @ Danforth Music Hall * Tue. Dec. 3 – Montreal, QC @ L’Olympia * Wed. Dec. 4 – Boston, MA @ Wilbur Theatre * Thu. Dec. 5 – Brooklyn, NY @ Brooklyn Steel * Sat. Dec. 7 – Washington, DC @ 9:30 Club * Sun. Dec. 8 – Philadelphia, PA @ Union Transfer * *= w/ Devendra Banhart
Keep your mind open.
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“…the music shares some of the ache and inscrutability of Fairport Convention and Incredible String Band. Everything—from the swirling cello of ‘Criminals’ to the pulsing motorik throbs of ‘Footsteps’ and ‘Seance’—is held together by Cooper’s quiet voice and his sweet yearning for a different plane.” – Pitchfork
Modern Nature presents the video for “Nature” taken from their debut album, How To Live, out now on Bella Union and announces their first-ever North America tour in early 2020.
“‘Nature’ plays a part in the album and has a point of view that isn’t necessarily what I believe (not all the time), but is generally a sort of fatalistic version of what I think about modern nature (behavior),” says Jack Cooper. “The outlook is really to provide some shade to the light and optimism of the last song ‘Devotee’. It’s hard watching the news or navigating life in a city not to get awfully despondent but often when your despair is at its peak, people can amaze you… I think it’s a sort of romantic nihilism.”
“I’d been out filming Brighton Day of Dance earlier in the year, where Morris Teams from all over the country come and spend the day dancing and drinking outside various pubs in Brighton,” says the director Conan Roberts. “It was more out of curiosity of this slightly bizzare British tradition than anything else. Jack saw some of the footage and thought it could be a great accompaniment to one of the tracks from the album. I cut the Morris footage and then independently cut the landscape footage before compositing the two. It was more an experiment in how the two images may or may not work together, exploring the synergy of the dancers movements alongside the shapes of nature.”
Watch “Nature” Video – https://youtu.be/h7Hc5hakErY
Modern Nature tour dates: Fri. Sept. 13 – Leeds, UK @ Brudenell Social Club Sat. Sept. 14 – Flintshire, UK @ Good Life Experience Sun. Sept. 15 – Glasgow, UK @ Freakender Festival Tue. Sept. 17 – Manchester, UK @ YES Wed. Sept. 18 – Liverpool, UK @ The Shipping Forecast Thu. Sept. 19 – London, UK @ The Courtyard Theatre Fri. Sept. 20 – Margate, UK @ Elsewhere Sat. Sept. 21 – Bristol, UK @ Louisiana Thu. Jan. 9 – Washington, DC @ Comet Ping Pong Fri. Jan. 10 – Philadelphia, PA @ Boot & Saddle Sat. Jan. 11 – Brooklyn, NY @ Rough Trade Sun. Jan. 12 – Boston, MA @ The Lilypad Mon. Jan. 13 – Burlington, VT @ The Monkey House Tue. Jan. 14 – Montreal, QC @ Bar Le ‘Ritz’ P.D.B. Wed. Jan. 15 – Toronto, ON @ The Monarch Thu. Jan. 16 – Detroit, MI @ Deluxx Fluxx Sat. Jan. 18 – Minneapolis, MN @ 7th St. Entry Mon. Jan. 20 – Columbus, OH @ Ace of Cups
Canadian rock duo Partner have announced a huge tour for this autumn spanning the globe from their home country to Czechoslovakia. The U.S. tour even teams them with Titus Andronicus. All the shows are sure to be a good time. Partner alone are killer live.
As if a new tour isn’t enough, Partner released their cover of Rush‘s “Limelight.” It’s great.
“We watched a documentary about RUSH and we fell in love with the band. They seem like such nice guys. It caused us to hear the music in a new way, with a much deeper appreciation. By doing the cover, we hoped to pay tribute to our newfound appreciation and to expand our horizons as musicians by learning these unique and complex arrangements.” – Partner
Partner’s cover of “Limelight” is available to watch on YouTube and stream on SoundCloud.
LISTEN TO “FERRY SONG” – https://youtu.be/BNxYFZTg2EA
Chicago-based band Twin Peaks release “Ferry Song,” a new single from their forthcoming album, Lookout Low, due September 13th via Grand Jury. Following its “swaggering lead single” (Stereogum) “Dance Through It,” “Ferry Song” is a huge leap forward for band member Colin Croom. Croom wrote the track in Spring of 2018 in New Orleans. He stayed at Algiers Point, taking the ferry to the city each day. Throughout, the track waltzes with guitar and ramshackle brass. As it hits its boiling point, Croom accesses a part of his vocal range he’s only hinted at before.
Lookout Low feels like a total revolution. Their most deliberate and seamless record yet, the album is a collaborative triumph, propelled forward by Twin Peak’s near-decade-long bond. The five of them – guitarists Cadien Lake James and Clay Frankel, bassist Jack Dolan, multi-instrumentalist Colin Croom, and drummer Connor Brodner – committed to work countless hours in their studio and practice space. Already a well-oiled live unit, the band’s mission was to capture the exhilarating vibe of their shows. Lookout Low was recorded with legendary producer Ethan Johns at Monnow Valley, where they often thrived on the thrill of live recording, going with the magic of the original first take. The album features auxiliary percussion from drummer Kyle Davis and spectral harmonies from OHMME’s Macie Stewart and Sima Cunningham.
Each individual member of the band upped their songwriting for the LP. These tracks are their most impressive offering yet – confident, experimentative, and bursting with energy.
In support of Lookout Low, the band will tour across North America. They will play Chicago’s Riviera Theatre (their biggest hometown headline show to date), Los Angeles’ Teragram Ballroom, and New York’s Webster Hall, in addition to dual shows at Nashville’s Basement East, Boston’s The Sinclair, and more. Tickets are on sale now. All dates are below.
WATCH THE VIDEO FOR “DANCE THROUGH IT” – https://youtu.be/U12MYd1DtOs
Originally released in 2003, Clutch‘s Slow Hole to China was a collection of obscure singles, unreleased material, and cover tunes. They re-released it in 2009 as Slow Hole to China: Rare and Re-released and included three more previously unreleased tracks.
One of those tracks is the first one on this album – “King of Arizona.” It’s a solid blues rocker with harmonica by guest Eric Oblander and vocalist Neil Fallon making allusions to either an Arizona gold mine, a cemetery in Arizona, James Reavis (a con man who was nearly given ownership of most of Arizona and a good chunk of New Mexico), or, quite likely, all three.
The title track has some of Dan Maines’ heaviest bass lines. “Nickel Dime” almost has a fiery gospel feel to it. “Sea of Destruction” hits as hard, if not harder, than a lot of current metal tracks thanks to Jean-Paul Gaster‘s furious drumming and Tim Sult’s fuzzed-to-the-max guitar. Blues swagger comes in heavy on “Oregon,” “Easy Breeze,” “Hale Bopp Blues” (which is sung from the perspective of dinosaurs fearing the arrival of the Hale Bopp comet and the end of their lives on Earth), and “Four Lords.”
“Rising Son” scorches and has one of my favorite lyrics on the album – “Gravity is such a drag, and we will not obey.” I can’t help but wonder if “Guild of Muted Assassins” was inspired by one of Fallon’s old Dungeons and Dragons campaigns, because that title needs to be the name of a D&D game module. “Willie Nelson” is about Fallon’s home being raided by jackbooted figures searching for drugs, secrets, or both. It might be the former when you consider the chorus is, “I don’t know if I’m coming or going, if it’s them or me. But the one thing’s for certain, Willie Nelson only smokes killer weed.”
“Equinox” is an instrumental that has wild Santana-like percussion. “Hoodoo Operator” is a floor-stomper with Maines’ bass taking on angry bee-like quality. “Day of the Jackalope” has Fallon’s vocals distorted as if through a fault megaphone, making him sound like a madman yelling on a street corner. “Ship of Gold (West Virginia)” is an alternate version of the song of the same name that would end up on Clutch’s Elephant Riders album. It’s a bit darker and heavier than that one, and has more extended jams as well.
This is a solid collection and can stand alone as its own album instead of a collection of singles and miscellaneous tracks. It’s worth seeking out if you’re a fan of Clutch, or even if you’re not.
Keep your mind open.
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