Melkbelly announces tour dates with the Breeders and Bully.

MELKBELLY ANNOUNCE MORE TOUR DATES, INCLUDING SUPPORT FOR THE BREEDERS & BULLY, IN SUPPORT OF DEBUT ALBUM, NOTHING VALLEY, OUT OCTOBER 13TH ON CARPARK’S WAX NINE

(photo credit – Lenny Gilmore )

Chicago’s Melkbelly are set to release their debut full-length album, Nothing Valley, on Oct. 13th on Carpark Records’ imprint Wax Nine. Next week, the four-piece — Miranda Winters (vocals/guitar), brothers Bart (guitar) and Liam Winters (bass), and James Wetzel (drums) — hit the road for a run of pre-release shows supporting Protomartyr. Today, they are announcing more headline shows, plus support tours with The Breeders and Bully. All dates are below.

Emerging from Chicago’s DIY spaces, Melkbelly recorded Nothing Valley fresh off a west coast tour. The resulting debut album is organized noise and thoughtful freneticism. Throughout, they fuse dreamy vocal lines and cantankerous guitar racket as their songs clang and bang in stripped-down production that highlights the band’s sharp edges. Multi-faceted slabs of sound serve harmonious, immediate songs.

Watch Melkbelly’s “Middle Of” Video –
https://www.youtube.com/watch?v=NdLUXUsBoQY “Kid Kreative” Video – https://www.youtube.com/watch?v=3mJoRmdYTo0Pre-order Nothing Valley:
Via Wax Nine – smarturl.it/nothingvalley_wax9
iTunes – smarturl.it/nothingvalley_itunes
Apple Music – smarturl.it/nothingvalley_appleMelkbelly Tour Dates:
(new shows in bold)
Wed. Sep 6 – Pittsburgh, PA @ Cattivo #
Thu. Sep. 7 – Baltimore, MD @ Metro Gallery #
Fri. Sep 8 – Raleigh, NC @ Hopscotch Festival
Sat. Sep. 9 – Asheville, NC @ Mothlight #
Sun. Sep. 10 – Cincinnati, OH @ Northside Yacht Club #
Fri. Oct. 13 – Chicago, IL @ The Hideout (Record Release Show)
Mon. Oct. 16 – Bloomington, IN @ Bishop Bar +
Tue. Oct. 17 – Columbus, OH @ Double Happiness
Wed. Oct. 18 – Washington DC @ Comet Ping Pong
Fri. Oct. 20 – Brooklyn, NY @ Alphaville
Tue. Oct 24 – Cleveland, OH @ Now That’s Class
Wed. Nov. 08 – Portland, OR @ Wonder Ballroom ^ — SOLD OUT
Thu. Nov. 09 – Seattle, WA @ Showbox ^
Sun. Nov. 12 – San Francisco, CA @ the Independent ^ — SOLD OUT
Mon. Nov. 13 – Los Angeles, CA @ El Rey Theater ^ — SOLD OUT
Tue. Nov. 14 – Phoenix, AZ @ LBX
Thu. Nov. 16 – Denver, CO @ Larimer Lounge
Fri. Feb. 16 – Norman, OK @ Opolis *
Sat. Feb. 17 – Santa Fe, NM @ Meow Wolf *
Sat. Feb. 24 – Eugene, OR @ Hi Fi Music Hall * 
Mon. Feb. 26 – Vancouver, BC @ Biltmore Cabaret *
Thu. March 1 – Spokane, WA @ The Bartlett *
Fri. March 2 – Boise, ID @ Neurolux *
Sat. March 3 – Salt Lake City @ Kilby Court *
Tue. March 6 – Kansas City @ The Record Bar *

# = with Protomartyr
+ = with Snail Mail
^ = with the Breeders
* = with Bully

Live: Depeche Mode and Warpaint – Toronto, ON – September 03, 2017

The calm before the storm at Air Canada Centre in Toronto, Ontario.

Somehow multiple decades have gone by without me catching electro legends Depeche Mode live.  The dates finally worked out, and my wife and I were able to see them and shoegaze / post-punk newcomers Warpaint at Toronto’s Air Canada Centre.

Warpaint impressing a lot of us.

Warpaint played a good set of crisp post-punk with snappy bass lines and even snappier drumming (which would be a theme for the entire night).  I’d heard a lot of good things about them, and they didn’t disappoint.  I need to find more of their material.

Looking down the “Barrel of a Gun” with Depeche Mode.

Out came Depeche Mode to the Beatles’ “Revolution,” a major theme for their new album – Spirit.  They rolled into “Going Backwards,” “So Much Love,” and “Barrel of a Gun” (which included a snippet of Grand Master Flash’s “The Message,” which cracked me up).

“World In My Eyes”

The crowd (which filled the stadium, apart from the unsold / unused seats behind the stage, by the way) jumped to its feet when they broke into “World In My Eyes.”  It was a reminder of not only their electro prowess, but how much influence they’ve had on Trent Reznor.  An acoustic version of “Question of Lust,” sung by Martin Gore, was a crowd favorite, and the follow-up of “Home” was excellent.

Depeche Mode never letting us down.

“Where’s the Revolution?” – the first single off Spirit – was another standout and essentially the band’s rallying cry for fans old and new to stand up against The Man. “Everything Counts” is also staggeringly relevant for these times, even though it’s decades old by now.  It preceded “Stripped,” “Enjoy the Silence” (which  was almost entirely sung by the now-bonkers crowd), and “Never Let Me Down Again” – which was better live than I even hoped it would be (and drummer Christian Eigner was absolutely slaying his kit by this point).

“Somebody”

The encore started with “Somebody,” included a nice cover of David Bowie’s “Heroes,” and finished with big hits “I Feel You” and “Personal Jesus,” which had everyone raising their hands to “reach out and touch faith.”

“Personal Jesus”

It was long overdue, but very welcome.  My wife immediately listened to their new album as soon as we got back from the show.  She woke up the next day with Depeche Mode songs in their head, and I’ve had “Never Let Me Down Again” stuck in my brain for days.

Thanks for the fun, DM and Warpaint.

Keep your mind open.

 

Kllo unveils North American fall tour dates.

Kllo Announce North American Headline Tour

Backwater Out October 20th On Ghostly International

Listen To Lead Singles:
“Virtue” – https://soundcloud.com/kllomusic/virtue
“Downfall” – https://soundcloud.com/kllomusic/01-downfall


Photo by Hayley Louise Brown

“’Virtue’ is a sterling new single… Ms. Kaul has an oozy, aspirated voice, and smears it tactfully atop Mr. Lam’s euphoric, quick-stepping production, which bridges fiery garage and joyous disco.” – The New York Times

“Once things get started on ‘Virtue’ it’s like a sonic boom. Heavy bass blasts find a home next to frantic dance beats and Kaul’s cooing, serene vocal delivery.” – Stereogum

“In its slow build and beauty, ‘Downfall’ feels like having ascended a ladder to a particularly gorgeous vantage point, and enjoying the journey on the way there, too.”
– Pitchfork

Kllo have announced their first ever North American headline tour this fall in support of their debut album, Backwater, coming out October 20th on Ghostly International. The tour marks Kllo’s first time performing material from Backwater live such as lead singles “Virtue” and “Downfall,” both of which have received early praise from The New York Times, Stereogum, Pitchfork and others.Kllo’s last North American dates were in Winter 2016 supporting RÜFÜS DU SOL with a pair of one-off headline shows including a packed house at Baby’s All Right in Brooklyn for their New York City debut. This time around they’ll headline multiple nights in NYC including brand new venue Elsewhere. A full list of dates is below.

Kllo – an electronic pop collaboration between Melbourne cousins Chloe Kaul and Simon Lam – waded in figurative backwater for much of 2016 amid an extensive world tour. These were exciting times; the duo’s Well Worn EP furthered the promise of 2014 EP Cusp, receiving millions of streams and landing Kllo on festival stages as well as Artists-to-Watch lists. Nonetheless, the stretch kept them far from home, isolated and vulnerable, treading through perpetual uncharted territory while yearning for the comforts of the familiar.

As a result, Kllo’s full-length debut depicts inner adjustment to outer change. Songs were written partially on the road and developed back at Lam’s bungalow, a haven that harbors creative spontaneity and catharsis.

“It’s the first time we hadn’t felt like kids anymore,” says Kaul. “We were really able to dive in deeper and bring out a lot more of us into the music.”

Kllo first emerged with a sound beyond their years; fully formed, fusing elements of R&B, UK garage, and 2-step. Well-versed students of artists like James Blake, Lauryn Hill, and The xx, the duo extend an amalgamation of established pop elements with modern sensibilities and wide-eyed sincerity. Backwaterarrives as a refined, coming-of-age account. The LP format finds Kllo with more room to breathe and sync their rhythms with emotions. Kaul’s smoky voice emanates with assurance and leisure. Lam’s production invents brooding, steely undercurrents hemmed with charming crescendos.

Kllo have officially come out the other end of the stilted estuary with twelve compositions cultivated to feel timeless and crafted, and equally current. The duo’s second release on Ghostly International — and their most realized work to date — Backwater celebrates the ephemeral and the enduring changes in emotion, the downfalls and the dissolves. It’s an album that parts course with its flow, and flourishes in a lowland.

Watch & Listen:
“Virtue” video – https://youtu.be/4vSVpoABRRU
“Virtue” audio – https://soundcloud.com/kllomusic/virtue
“Downfall” audio – https://soundcloud.com/kllomusic/01-downfall
Kllo Tour Dates (new dates in bold):
Oct. 18 – Chicago, IL @ Schubas (tickets)
Oct. 20 – Detroit, MI @ El Club (tickets)
Oct. 27 – Vancouver, BC @ Waldorf (tickets)
Oct. 28 – Seattle, WA @ VERA Project (tickets)
Nov. 1 – Los Angeles, CA @ The Resident (tickets)
Nov. 2 – San Francisco, CA @ Bottom of the Hill (tickets)
Nov. 4 – Brooklyn, NY @ Elsewhere (tickets)
Nov. 5 – New York, NY @ Berlin (tickets)
Nov. 12 – Madrid, ES @ Costello
Nov. 13 – San Sebastian, ES @ Dabadaba
Nov. 14 – Barcelona, ES @ Sidecar
Nov. 16 – Paris, FR @ Supersonic
Nov. 17 – Rotterdam, NL @ V11
Nov. 18 – Brussels, BE @ Les TransArdentes at Palais 12
Nov. 20 – Amsterdam, NL @ The Sugar Factory
Nov. 23 – London, UK @ XOYO
Nov. 24 – Bristol, UK @ The Louisiana
Nov. 25 – Manchester, UK @ The Soup Kitchen
Nov. 27 – Glasgow, UK @ Broadcast
Nov. 28 – Edinburgh, UK @ Sneaky Pete’s
Nov. 29 – Leeds, UK @ Headrow House
Nov. 30 – Nottingham, UK @ The Bodega
Dec. 3 – Berlin, DE @ Badehaus
Dec. 4 – Cologne, DE @ Yuca
Dec. 5 – Hamburg, DE @ Haekken
Dec. 8 – Sydney, AUS @ Oxford Arts Factory
Dec. 9 – Perth, AUS @ Jack Rabbit Slim’s
Dec. 14 – Brisbane, AUS @ Woolly Mammoth
Dec. 15 – Melbourne, AUS @ Corner Hotel
Dec. 16 – Adelaide, AUS @ Fat Controller

Backwater
artwork

Live: The New Pornographers and Ought – Kalamazoo, MI – August 17, 2017

The last time I saw the New Pornographers live was in 2007 at Chicago’s Metro.   Lead singer Carl Newman commented during the show about a strong thunderstorm happening outside during the gig, and you could hear thunder between songs now and then.  It was a great show, and my wife and got back to our hotel room still buzzing from it.  I noticed I had a voicemail from work, so I listened.  The storm that had rolled through Chicago during the show had become a tornado by the time it reached our hometown.  Nearly every home on the southeast side of town had either been destroyed or damaged.  A factory and a convenience store were wiped off the face of the Earth.  Amazingly, no one was injured.  Our house was fine, but we returned home early the next day to help with the rebuilding and cleaning efforts.

Thankfully, the only thing dire that happened during my second time seeing the New Pornographers was that the brewery in which they played, Bell’s in Kalamazoo, didn’t serve cider, radlers, or even their own root beer.

Ought

Unfortunately, I missed nearly all of opening band Ought‘s set.  I walked in during their last song (Thanks, Google Maps, for directions that were fine until the last two steps of the journey.), which sounded like some good shoegaze.  I need to check out their material.

The New Pornographers opening with “Moves.”

The New Pornographers came out sharp and quick with crowd favorites like “High Ticket Attractions,” “The Laws Have Changed,” and “Sing Me Spanish Techno.”  They sounded great.  They haven’t lost anything in ten years.  In fact, the additions of more electro touches from keyboardist Blaine Thurier and keyboardist / co-vocalist Kathryn Calder and violin and vocals from Simi Stone bring the band a new brightness.

Joe Seiders on drums and Simi Stone on violin and co-vocals.
John Collins on bass and Kathryn Calder on keyboards and co-vocals.
L-R: Blaine Thurier on keys, lead guitarist Todd Fancey, and lead vocalist and co-guitarist Carl Newman.

“Whiteout Conditions,” the title track of their new record, sounds even better live, and I was delighted to hear “Dancehall Domine” from Brill Bruisers live for the first time (They nailed it, by the way.).  The show cruised along well until a string broke on John Collins‘ bass and the band had a brief on-stage break while Mr. Collins worked some magic and had his axe swinging again in moments.  They were soon they were back to a fine rendition of “Adventures in Solitude.”

Broken bass string break.

The encore included “Challengers,” “Brill Bruisers,” “The Slow Descent in Alcoholism” (which I found funny considering they were playing in a brewery), and a rousing version of “The Bleeding Heart Show” that had us all cheering.

“Challengers”

It was a fun night, and much needed by all.  It’s no secret that depression and the 2016 presidential election fueled much of Newman’s songwriting for Whiteout Conditions, so the crisp sound, fun vibe, and power pop the New Pornographers brought were, for one night at least, an escape from the miasma of news, Tweets, rumors, and anger.

Keep your mind open.

 

New Pornographers release new video and N. American tour dates into October.

THE NEW PORNOGRAPHERS DEBUT NEW VIDEO FOR “WHITEOUT CONDITIONS”

NEW RECORD WHITEOUT CONDITIONS OUT NOW ON COLLECTED WORKS RECORDS

WORLD TOUR CONTINUES THROUGH FALL

Critically acclaimed supergroup The New Pornographers debut a new video for the track “Whiteout Conditions” from their critically acclaimed album of the same name; watch/share the video at https://youtu.be/v2XvW38UKEI. Of the video, director Kevan Funk explains, “I wanted to tell a set of stories featuring characters who could act as conduits to explore that tension, each of them repressing some sort of tormenting emotion (guilt, shame, self-loathing) that they haven’t been able to reconcile internally. The facade of the mall, with its surreal fantasy elements, provided an effective metaphorical backdrop.”

Earlier this summer the band performed the song on “The Late Show with Stephen Colbert.”

Whiteout Conditions— the first release on the band’s own Collected Works Records imprint in partnership with Concord Records— continues to receive critical praise:

“Pure, blissfully irresistible power pop…the band would be forgiven for receding into legacy-act status at some point. Instead, its catalog just gets more formidable: now seven albums strong, with as little patience for filler as ever.’” –
NPR Music

“The New Pornographers’ seventh album is a peppy team effort, rich with new wave synths and closely blended harmonies…this, plus a singularly bright and skipping tempo, creates an almost forcibly energetic mix.” –Pitchfork

“…uplifting three-to-four-minute indie-pop numbers, imbued with lush vocals.” –Rolling Stone

“A.C. Newman and Neko Case don’t miss a beat; Whiteout Conditions provides another dose of power-pop with quirky synth accents from a collective that hasn’t faltered yet this century.” –New York Magazine

“Expect flawless harmonies, precisely arranged power pop, and more Neko Case vocal wizardry than any mere human deserves to hear in one lifetime.” –Cosmopolitan

“A parade of hook-laden songs.”
“Whiteout Conditions [is] a characteristically punchy and catchy LP with more than a few jams set to become worthy contenders in the New Pornos’ canon.” –Stereogum

“loud, infectious, and energetic—classic New Pornographers” –Entertainment Weekly

“power-pop phenoms” –Vice Noisey

“Whiteout Conditions contains some of The New Pornographers’ most interesting musical ideas.” –The Onion’s A.V. Club

“It is Newman’s steady creative hand and brilliant understanding of pop music’s beating human heart that once again win the day on Whiteout Conditions…a typically neat package that sits comfortably and appropriately in one of rock’s greatest band catalogs. 9 (out of 10)” – Magnet

“More than ever before, the Pornos feel like a legitimate band rather than an all-star union.” –Relix

“Finest yet from Carl Newman, Neko Case et al. 4 stars (out of 5)” –MoJo

Whiteout Conditions made its Billboard debut at #2 on the Alternative Albums Chart, #13 on the Current Album Chart and #35 on the Top 200. Additionally, the album hit #6 on Billboard’s AAA Radio Chart. The band’s world tour in support of the new album continues this summer and fall, including shows with Born Ruffians in select cities. Tickets for all headlining U.S. shows include a free download of the new album; see below for a list of dates.

Of writing the new record, founder and frontman A.C. Newman notes that, “At the beginning of this record, there was some thinking that we wanted it to be like a Krautrock Fifth Dimension. Of course, our mutated idea of what Krautrock is probably doesn’t sound like Krautrock at all. But we were thinking: Let’s try and rock in a different way.” Newman recently discussed the new record and the band’s 18-year career in a pair of Salon Talks here, here and here.

Since their debut in 2000, The New Pornographers have released six studio albums including their most recent, Brill Bruisers, hailed as an “exuberant, synthpop-infused set” by Rolling Stone, “infectious” by Harper’s Bazaar and “the grand and purposeful hookfest that you would hope these guys would come back with” by Stereogum. Pitchfork went on to note that “with the futurist sound of Brill Bruisers, the whole band embraces a more electric version of itself—bulked-up in chrome-plated armor, firing on all cylinders, and ready to steamroll anything in its path.” The band celebrated the release with a special NPR Music “First Listen Live” concert at the legendary Brill Building, and performed songs from the album on both “Conan” and the “Late Show with David Letterman.”

For more information, please contact Joe Cohen, Krista Williams or Carla Sacks at Sacks & Co., 212.741.1000.

THE NEW PORNOGRAPHERS, WHITEOUT CONDITIONS
1. Play Money
2. Whiteout Conditions
3. High Ticket Attractions
4. This is the World of the Theater
5. Darling Shade
6. Second Sleep
7. Colosseums
8. We’ve Been Here Before
9. Juke
10. Clockwise
11. Avalanche Alley

THE NEW PORNOGRAPHERS LIVE
†with Born Ruffians


August 17 /// Kalamazoo, MI /// Bell’s Beer Garden
August 18 /// Madison, WI /// Majestic Theater
August 19 /// Omaha, NE /// MAHA Music Festival
August 25 /// Mexico City, MX /// Pabellon Cuervo
September 23 /// Cincinnati, OH /// Midpoint Music Festival
September 28 /// Victoria, BC /// Sugar Nightclub†
September 29 /// Vancouver, BC /// Commodore Ballroom†
September 30 /// Kelowna, BC /// Kelowna Community Theatre†
October 1 /// Nelson, BC /// Spiritbar at the Hume Hotel†
October 2 /// Calgary, AB /// MacEwan Hall†
October 4 /// Edmonton, AB /// Winspear Centre†
October 5 /// Saskatoon, SK /// O’Brians Event Centre†
October 6 /// Regina, SK /// The Exchange†
October 7 /// Winnipeg, MB /// Burton Cummings Theatre†
October 9 /// Detroit, MI /// Crofoot Ballroom†
October 10 /// Cleveland, OH /// Beachland Ballroom
October 11 /// London, ON /// London Music Hall†
October 12 /// Ottawa, ON /// Bronson Centre Theatre†
October 13 /// Montreal, QC /// Corona Theatre†
October 14 /// Toronto, ON /// Massey Hall†

www.thenewpornographers.com

Keep your mind open.

Elephant Stone announces Europe and North America tour dates.

Elephant Stone have been on tour for seemingly all of 2017, and now they’ve added more tour dates throughout Europe and North America that go into the winter.  They’re playing gigs with the likes of the Black Angels, A Place to Bury Strangers, and the Dream Syndicate.  Any of these shows would be well worth your time and money.  Here are the dates:

8/11 Quebec City, QC @ Le Cercle TICKETS | FB EVENT

8/12 Gaspe, QC @ Festival du Musique au Bout du Monde TICKETS | FB EVENT
8/13 Sainte-Anne-des-Monts, QC @ Sea Shack TICKETS | FB EVENT
9/1 Rouyn Noranda, QC @ Petit Theatre de Rouyn Noranda TICKETS | FB EVENT ^
9/7 Berlin, DE @ Bassy TICKETS | FB EVENT *
9/8 Cologne, DE @ Gebäude 9 TICKETS | FB EVENT *
9/9 Hamburg, DE @ Molotow TICKETS | FB EVENT *
9/12 Malmo, SWE @ Plan B FB EVENT
9/13 Copenhagen, DK @ Pumpehuset TICKETS | FB EVENT #
9/16 Angers, FR @ Theatre le Quai TICKETS | FB EVENT ~
9/18 Le Havre, FR @ McDaid’s Live FB EVENT
9/19 Leiden, NL @ Gebroeders Nobel TICKETS
9/20 Amsterdam, NL @ Paradiso TICKETS | FB EVENT @
9/22 London, UK @ O2 Forum TICKETS | FB EVENT #
9/23 Liverpool, UK @ Baltic Triangle TICKETS | FB EVENT &
9/27 Theossaliniki, GR @ Rover Bar 
9/28 Arta, GR @ Miles Bar 
9/29 Athens, GR @ Death Disco FB EVENT
12/3 Columbus, OH @ Ace of Cups TICKETS  +
12/4 Chicago, IL @ Thalia Hall TICKETS  +
12/5 Minneapolis, MN @ Fine Line TICKETS  +
12/6 St Louis, MO @ Off Broadway TICKETS +
12/7 Nashville, TN @ High Watt TICKETS +
12/8 Atlanta, GA @ The Earl TICKETS  +
12/9 Raleigh, NC @ Stag’s Head Music Hall TICKETS +
12/10 Richmond VA @ Capital Ale House TICKETS  +
^ w/ A Place to Bury Strangers
# w/ The Black Angels and A Place to Bury Strangers
@ Indiestadt Festival w/ The Black Angels,A Place to Bury Strangers, Beach Fossils
& Liverpool Psych Fest with sets by Elephant Stone and Acid House Ragas
+ w/ The Dream Syndicate

Rewind Review: Ty Segall – Live in San Francisco (2015)

Ty Segall is so prolific that I’m surprised it took him until 2015 to release a live album. He seems to put out a new record every month, so it feels like he should have three live albums by now.

The psych-fuzz whiz kid opens his live set with, oddly enough, “Wave Goodbye.” It starts out with low bass and then kicks into squealing high gear that has the small crowd cheering in joy. It sounds like something Tom Petty wishes he could release on his new record, but fears it would alienate his long-time fans. “Slaughterhouse” (from the album of the same name) is pure freak-out punk rock with a little Nirvana vocals sprinkled on top for good measure. “Death” mixes stoner rock with punk so fast it might give your ears friction burns. It’s one of the best cuts on the record.

“I Bought My Eyes” is one of Segall’s biggest hits, and he lets it rip on this live album. The guitars seem to come at you from all sides while Segall’s vocals are somehow gentle in the din. “Feel” borders on arena rock territory at first, but the sleeveless denim jacket riffs cut it off at the front door (which is a good thing).

“The Hill” follows the band’s friend, Julie, telling a joke, and next up is “Thank God for the Sinners,” which sounds like something Buzzcocks cooked up at their second jam session. Segall claims “Standing at the Station” “is about the cow trade.” I don’t know if that’s true, but I do know that it’s a swaggering, wild blues-influenced tidal wave coming out of your speakers.

The album ends with another of Segall’s hits – “What’s Inside Your Heart.” I’m sure the fans at this gig told him how their hearts were full of palpitations from being shaken by so much rock. It’s a strong ending to a strong record.

I know this entire review has essentially been me saying this record is non-stop blaring madness, but that’s the best way I describe it. You’ll understand once you hear it. Ty Segall is making crazy records, and we should all be grateful to him for doing it. The world needs more live records, and live performers, like this.

Keep your mind open.

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The Damned announce UK winter tour dates.

British punk legends the Damned have announced winter tour dates for the United Kingdom.  They put on a great live show, and catching them in their homeland would be outstanding.  Tickets are on sale now for the Evil Spirits tour, so don’t wait to snag some if you’re in the UK or planning a trip there this winter.

Keep your mind open.

Desert Daze 2017 announces a great lineup.

The 2017 Desert Daze music festival in Joshua Tree, California is boasting one of the best festival lineups of 2017.  This four-day festival of psychedelic and stoner rock is well worth the trip if you don’t live close to the west coast.

Just some of the stand-outs in my book are Eagles of Death Metal, King Gizzard and the Lizard Wizard, the Thurston Moore Group, Liars, Boris, Allah-Las, La Femme, the Budos Band, Deap Vally, Holy Wave, Froth, L.A. Witch, Death Valley Girls, Jjuujjuu, and Dahga Bloom.

Get your tickets now.  I’d be there if I could, but I’ll probably have used up most of my vacation time by the time October 12th arrives.

Keep your mind open.

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Pitchfork Music Festival 2017: Day Three recap

Day three of the Pitchfork Music Festival started out a bit chilly as the Windy City was living up to its nickname, but we soon got our sweaty groove on thanks to a great set by Chicago house music legend and pioneer Derrick Carter.

Derrick Carter dropping beats like an Olympic power lifter dropping a barbell.

For those of you who weren’t dancing during his set, please see a doctor because something is wrong with you.  He put on a house music clinic.  It was a great way to start the day.

We also heard a bit of Colin Stetson‘s set.  He plays this wild, droning, hypnotizing saxophone music that is difficult to describe but quite mesmerizing.  We had plenty of time before Ride‘s set, so we met up with my college pal and his husband again before heading off to do a little shopping and eating.

Ride put on a good set of shoegaze that was a great switch from all the hip hop, electro, and funk we heard during the festival.  Unfortunately, they had a shortened set due to some early technical difficulties, but they played new and old material and blasted all of us with the final song of their set.  It was a loud, distorted, fuzzed-out assault.  “I needed that,” said one man next to me by the time they were done.

Ride melting faces in a killer finale.

Ride did a signing at the record fair afterwards, and I scored a signed copy of their newest album, Weather Diaries (review coming soon).  They were happy to meet everybody, and I’m happy to report they had a long line of fans there.

Mandy caught Jamilla Woods‘ set, which she enjoyed very much, after she’d been moved from the Blue Stage to the Green Stage due to the Avalanches cancelling their performance.  According to their Twitter feed, a family member one of the band members had some sort of dire medical emergency.  My college pal came to the festival mainly to see them, so he was more than annoyed they weren’t playing.  He and his husband learned via a Google search that the Avalanches are about as finicky as Morrissey when it comes to performing.

Thankfully, Nicolas Jaar put on an excellent set of his experimental electro / trance music that was both psychedelic and dance-inspiring at the same time.  At about the halfway point of his set, a guy in front of me turned to his friends and said, “This is the best set I’ve seen all weekend.” and then left.

Chilean DJ Nicolas Jaar creating intricate beats on the fly.

We split after that, beating the crowds and stopping to meet artist Jay Ryan so we could get one of his posters.  He does really neat and cute art for a lot of bands and other projects.  We already had a Bob Mould tour poster of his hanging in our living room, and now Mandy has a “It’s Time to Read” poster that will go in her office featuring bears, cats, and a wooly mammoth reading books.

I walked out with a new pair of sunglasses and CD’s by Screaming Females, Vacation, Waxahatchee, Tycho, Priests, Slowdive, She-Devils, Ride, and Wavves, and even a cassette by a band called Diagonal.  I’ll have reviews of all this stuff in the coming months.

All in all, the Pitchfork Music Festival was a good time.  We’d go back if the lineup was good and we could stay close to the festival.  As it’s been for the last few festivals I’ve attended, VIP tickets don’t look worth the money.  It’s not as laid back as a Levitation festival, but still fun.  It also could’ve used a little more rock, in my opinion, but it was worth the trip.

Keep your mind open.

That’s my pal, Chris, on the far right and his husband, Darin, on the far left. Chris and I hadn’t seen each other since 1993.

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