One of my favorite parts of Levitation Austinis discovering new bands, especially ones in genres I wasn’t exposed to much before I started attending the festival. One of those genres is stoner metal, and Virginia’s Windhandis my new favorite bands of that ilk playing at this year’s festival. They’re playing a sold-out show on April 26th at Barracuda with Ruby the Hatchetand Dead Meadow. The place will be shaking.
Keep your mind open.
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Perennial rock workhorse Ty Segallis playing two shows at Levitation Austinthis year. The first is at the Stubb’s BBQ kick-off party on April 26th at 9:45pm and the second is the next night at Barracuda at 7pm. Both shows are sure to be loud and fun, as Mr. Segall is an energetic performer who can bounce around rock genres as easily as a kangaroo across the Australian outback. His new album, Freedom’s Goblin, is a great example of this as he blends fuzzed disco with songs about his dog.
Art punk Ron Gallowill be playing one of the first time slot at Levitation Austinthis year – 6pm at Stubb’s on April 26th. He’s also playing the next day at 5:30pm on Barracuda, both times in support of Ty Segall. I caught Mr. Gallo and his crew in Fort Wayne a couple years ago and was immediately impressed with his chops on guitar and witty lyrics wrapped in punk attitude. His debut album, Heavy Meta, was one of my top picks of 2017. Check him out while tickets for him are still reasonably priced.
In their thirteen years of existence, Atlanta’s tireless garage punks The Coathangers have cranked out five full-lengths and well over a dozen singles, splits, and EPs. Considering the band’s initial aspirations to merely hang out and play a few house parties, their relentless touring schedule is perhaps the greatest testament to the lasting power of their scrappy hook-laden records and the infectious energy radiating from their live shows. And while every Coathangers record has captured their buoyant turbulence and jagged euphoria, there is always some degree of magic that inevitably gets lost when bands go into the studio. Perhaps it’s the energy transference from the audience that’s missing or maybe it’s the push-and-pull of the musicians playing together in a volatile environment. Whatever the source of that inexplicable magic, The Coathangers have always wrangled a rowdy replication of that sweaty and sticky live feeling, but the time had come to properly document it.
Their quest for enchantment prompted The Coathangers: 2 Nights of Magic, a free two-night stand at Alex’s Bar in Long Beach, California replete with magicians, tarot card readings, burlesque dancers, palm readers, and a giant paper mache rabbit for photo-ops. And out of those shows came LIVE, the first Coathangers release to document the band in their natural habitat. “It’s kinda trippy, this record,” says guitarist/vocalist Julia Kugel. “It’s like our anthology… our entire career in 38 minutes.” Sure enough, LIVE spans everything from the slow-burn pop of “Captain’s Dead” off last year’s Parasite EP to the rabblerousing rocker “Tonya Harding” off their self-titled debut. The boisterous magic was captured by Dylan Ely and front-of-house engineer Eric Huff, with Kugel’s husband Scott Montoya handling the mixing in their new home studio. “I love the way it sounds,” Kugel says of the record. “It’s pumped me up for the next record! It sounds how we’ve never been able to sound on our studio albums… LIVE! Our live shows are who we really are so this is kind of our first record.”
Sure enough, LIVE captures the playful fervor of The Coathangers at their finest. “Gettin’ Mad and Pumpin’ Iron” sounds even more gloriously unhinged here than when it first appeared on Scramble back in 2009. Fan favorites like “Adderall” sound increasingly ragged and desperate as drummer Stephanie Luke belts out the verses and choruses on an adrenaline rush. Recent songs like bassist Meredith Franco’s Nosebleed Weekend highlight “Burn Me” feel injected with a manic urgency that pushes the tightly wound post-punk number into an unruly anthem. The Coathangers successfully captured the magic of their concerts, and now Suicide Squeeze is proud to offer LIVE to the world on June 1st 2018 via digital formats, cassette, and a limited first-edition pressing of 1500 copies on tri-color vinyl.
FRI APR 20 – Orlando FL, The Beacham Theatre* (TICKETS) SAT APR 21 – Atlanta GA, Center Stage* (TICKETS) SUN APR 22 – Charlotte NC, Neighborhood Theatre* (TICKETS) TUE APR 24 – Boston MA, Royale NightClub* (TICKETS) WED APR 25 – Asbury Park NJ, The Stone Pony* (TICKETS) THU APR 26 – Brooklyn NY, Warsaw* (TICKETS) FRI APR 27 – New York NY, Irving Plaza* (TICKETS) SAT APR 28 – Philadelphia PA, Electric Factory * (TICKETS) SUN APR 29 – Washington DC, Black Cat* (TICKETS) TUE MAY 1 – Buffalo NY, Town Ballroom* (TICKETS) WED MAY 2 – Cincinnati OH, Bogart’s* (TICKETS) THU MAY 3 – Pontiac MI, The Crofoot* (TICKETS) FRI MAY 4 – Chicago IL, House of Blues* (TICKETS) SAT MAY 5 – St. Louis MO, Ready Room* (TICKETS) TUE MAY 29 – New Brunswick GA, Tipsy McSway’s (TICKETS) WED MAY 30 – Jacksonville FL, Jack Rabbits (TICKETS)FRI JUN 1 – Tampa FL, Crowbar (TICKETS) SAT JUN 2 – Gainesville FL, High Dive (TICKETS) SUN JUN 3 – Pensacola FL, Vinyl Music Hall (TICKETS) TUE JUN 5 – New Orleans LA, Santos (TICKETS) WED JUN 6 – Houston TX, White Oak Music Hall (TICKETS) THU JUN 7 – Austin TX, Barracuda (TICKETS) FRI JUN 8 – San Antonio TX, Jack Rabbit SAT JUN 9 – Dallas TX, Club Dada (TICKETS) SUN JUN 10 – Oklahoma City OK, 89th Street (TICKETS) TUE JUN 12 – Kansas City MO, Record Bar (TICKETS) WED JUN 13 – Davenport IA, Raccoon Motel (TICKETS) THU JUN 14 – DeKalb IL, The House Cafe (TICKETS) FRI JUN 15 – Indianapolis IN, The Hi-Fi (TICKETS) SAT JUN 16 – Nashville TN, The Basement (TICKETS)
* with Minus the Bear
It’s a bit difficult for me to believe that it took me nearly three months to see some live music this year, but it’s true. January and February were filled with crazy work schedules that weren’t conducive to making a trip even an hour’s drive away to see any bands or performers.
That all changed with getting to see Shopping, Tyvek,and Ganser at Chicago’s Beat Kitchen two nights ago. I’d been keen on catching Shopping since hearing their newest album, The Official Body. I knew nothing about Tyvek and Ganser going in, apart from a few video clips and digital tracks here and there. Tyvek was loud and brash garage punk. Ganser was darker and local post-punk. This was also my first time at the Beat Kitchen. It’s a nice, small venue, and the food there looked pretty good.
One thing I’ve discovered about Chicago shows is that, for the most part, the set start times are rigid. Ganser kept up this tradition by starting at promptly 8:00pm. They played an impressive set to a hometown crowd that included multiple tracks from their upcoming album Odd Talk. Their stuff was sassy, jagged, and assertive. Odd Talk should be a fine record based on what I heard at the Beat Kitchen.
Chicago post-punks Ganser.
Up next were Detroit’s / Philadelphia’s Tyvek. They were as loud and hammering as I’d expected, and throwing saxophone riffs into the mix only made it better. Lead singer / guitarist Kevin Boyer‘s axe looked like it had been bounced off a few floors and used as a cutting board, and the blaring chords he drew out of it only seemed to confirm my suspicions.
Detroit’s Tyvek.
Shopping had a large crowd by the time they took the stage. I was glad to see so many people for the U.K. band that had spent most of the last couple months zig-zagging across the U.S. They had the crowd jumping almost from the first note, and encouraged dancing throughout their entire set. They sounded great. Rachel Aggs‘ gets notes of her guitar that jump like water across a hot griddle. Every song had a bouncing energy to it that was inescapable. Highlights from the set included “The Hype,” “Wild Child,” and “My Dad’s a Dancer.”
The best way I can sum up their set is by what a woman yelled out from the crowd between songs: “You guys are so fun!” Bassist Billy Easter said, “Thanks. It’s fun being up here, too.”
Shopping having a blast.
Shopping set the bar high for live bands to follow this year. Catch them if you can. You need to get in on the fun they’re delivering.
Keep your mind open.
Thanks to Andrew Milk, Rachel Abbs, and Billy Easter for singing this gig flyer for me.
[Thanks to Sam McAllister from Pitch Perfect PR for hooking me up with a press pass for the show.]
FLASHER SIGN TO DOMINO, SHARE NEW SONG AND VIDEO
“SKIM MILK“
DEBUT FULL-LENGTH FORTHCOMING SOON
(photo by Jen Dessinger)
Since they appeared with their self-titled, self-released EP back in 2016, Washington, DC trio Flasher has exuded both clarity of intent and radiant self-confidence. Critically applauded from the start, that initial release offered a clear blueprint. By turns razor sharp and woozy, skipping from shoegaze to punk and back again, it offered confirmation of a band whose wiry energy and melodic ease made them instantly arresting.
Today, Flasher announce their signing to Domino Recording Co., which will release their debut full-length later this year. They’ve also shared a new video and song today, the exhilarating “Skim Milk.” The band describes the song and video below:
The themes in “Skim Milk” and its video might be described as being haunted by your own desire for belonging. We’re not bemoaning “no future, no fate”, we’re advocating for it. From getting a mortgage, to going to college, to crafting public policy, folks are always telling you to think of your future, to make choices in the name of some future. But most folks don’t have the privilege to live outside the present. This kind of future tense, aspirational bullshit means being held hostage by a future that’s already abandoned you. We’d rather escape to something new and unknown than hold out for a good life that hates us and expects us to make lemonade out of miserableness. Instead of holding out and hanging on, we’re here to tell you (and ourselves) – “go.”
“The thrill is in the call-and-response, heard on past songs, but here weaponized like an ecstatic hall of mirrors in the final minute” – NPR Music
FLASHER TOUR DATES Thu. Mar. 29 – Winnipeg, MB @ The Good Will Social Club w/ Ought Fri. Mar. 30 – Minneapolis, MN @ 7th St. Entry w/ Ought Sat. Mar. 31 – Madison, WI @ High Noon Saloon w/ Ought Mon. Apr. 2 – Columbus, OH @ Ace of Cups w/ Ought Tue. Apr. 3 – Milvale, PA @ The Funhouse at Mr. Smalls w/ Ought Sun. Apr. 15 – Boise, ID @ Knitting Factory w/ The Breeders Mon. Apr. 16 – Salt Lake City, UT @ The Grand at The Complex w/ The Breeders Wed. Apr. 18 – Denver, CO @ Ogden Theatre w/ The Breeders Thu. Apr. 19 – Albuquerque, NM @ Sunshine Theater w/ The Breeders Wed. Apr. 25 – Birmingham, AL @ Iron City w/ The Breeders Mon. Apr. 30 – Brooklyn, NY @ Brooklyn Steel w/ The Breeders Fri. July 20 – Seattle, WA @ Capitol Hill Block Party
March 26th, 2018 – Clutch has now confirmed their second annual Earth Rocker Festival. The festival will take place on August 4th at Shiley Acres located in Inwood West Virginia. Joining Clutch on stage this year will be Black Label Society, Corrosion Of Conformity, EYEHATEGOD, and the Let There Be Rock School band. Tickets for the festival are $35 in advance and $45 at the gate the day of the show and are on sale now at this location: http://shileyacres.ticketleap.com
All “Earth Rocker Festival 18” ticket and general information is available at: http://earthrockerfest.com
Like last year’s inaugural offering, Shiley Acres and Clutch have worked together to make Earth Rocker Festival18 a fan and band-friendly event. Earth Rocker Festival is a day time event. The gates open at noon and music runs all day, ending right before the sun sets. The festival has a designated camping location and will offer free camping on site the day and night of the show. Other fan-friendly elements include free parking starting at 9 am the day of the event, free admission for accompanied children under 12, and allows lawn chairs and pop up tents in designated areas. As Greg Shiley, owner of Shiley Acres puts it “There will be plenty of good food, beer choices and all at reasonable prices, so come spend a summer afternoon enjoying the great bands and open air. We’ll make that real easy for ya”.
For more information on the directions, camping, on-site food and beverages available, hotel accommodations and all “Things You Should Know,” visit http://www.shileyacres.net
For more information, check out Earth Rocker Festival:
The annual Chicago lineup for Lollapaloozahas been announced. It features some heavyweights and, as usual, a lot of upcoming bands. Bruno Mars is definitely a big score for the festival, as are Jack White, the Arctic Monkeys, the National, Portugal, the Man, Franz Ferdinand, and Chvrches.
Tickets are on sale and will go much faster now that the lineup has been released. A four-day general admission pass will cost you $335.00 plus taxes and fees, and VIP and Platinum packages will run you thousands of dollars.
Keep your mind open.
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Jane’s Addiction front man and Lollapalooza founder Perry Ferrell has announced that he’s working with a virtual reality technology developer / film studio to create an immersive entertainment experience in Las Vegas called Kind Heaven. Accord to a Spinarticle, Ferrell was inspired to create this by a vivid dream of him in some sort of futuristic Southeast Asian city. The experience will include VR pickpockets, markets, and maybe even a holographic version of himself having sex in his apartment.
He’s already planning to have several bands play there, both in person and through virtual reality. One of the biggest announcements in that department is that he’s reuniting Porno for Pyros – the band he founded after Jane’s Addiction broke up in the 1990’s. Ferrell mentions Coldplay in the Spin article, but doesn’t necessarily say they’ll be playing at Kind Heaven in 2019.
Keep your mind open.
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Radioheadfront man Thom Yorke has announced solo tour dates for Europe and the United Kingdom. These dates are in May and June and land before Radiohead kicks off on a tour of North America. Tickets go on sale to the general public on March 23rd, so get them while you can. They were surely sell out.
May 2018
28th Teatro Verdi, Florence, Italy
29th Fabrique Milano, Milan, Italy
30th Halle 622, Zurich, Switzerland
June 2018
1st Tempodrom, Berlin, Germany
3rd Ancienne Belgique, Brussels, Belgium
4th Royal Theatre Carré, Amsterdam, Netherlands
7th Usher Hall, Edinburgh, United Kingdom
8th Roundhouse, London, United Kingdom
10th Palace Theatre, Manchester, United Kingdom
12th L’Olympia, Paris, France
13th Le Transbordeur, Lyon, France
16th Fira de Barcelona – Sonar Festival, Barcelona, Spain