Desert Daze 2018 lineup released…and it’s almost more psychedelia than you can handle.

The annual Desert Daze music festival in Lake Perris, California has unveiled a whopper of a lineup for their October 12-14th event.  Tame Impala are headlining while promising new material in 2019.  Shoegaze legends My Bloody Valentine are also playing new material nowadays.  Unstoppable touring machines King Gizzard and the Lizard Wizard are continuing their roll across the United States.  Other must-see acts include Ty Segall, A Place to Bury Strangers, Earthless, Follakzoid, All Them Witches, True Widow, Imarhan, and Here Lies Man.

I don’t know if I can make it to this one, but you should if you can.  It might be a new annual destination for me.

Keep your mind open.

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Pitchfork Music Festival artist spotlight: Zola Jesus

Singer, songwriter, and electro / goth musician Zola Jesus will be playing an early set on Saturday at Chicago’s Pitchfork Music Festival.  Her voice is something to behold, and her near-darkwave music will be jarring under the afternoon sun.  There is a chance of rain, however, and that would be perfect for her somber songs.  Don’t miss this one.

Keep your mind open.

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Pitchfork Music Festival artist spotlight: Tame Impala

Australian psych-rockers Tame Impala have a huge following.  They’ve been together since 2007 and have produced quite a bit of material in the last 11 years.  I missed them in Austin a few years ago when they played the Levitation festival there, but they’re closing the Pitchfork Music Festival on Friday.  I’m sure it will be a packed set and a big freak-out for a crowd dehydrated, sunburned, and fuzzy from alcohol, fried chicken, and other odd substances.

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Pitchfork Music Festival artist spotlight: Tierra Whack

Replacing Earl SweatshirtPitchfork Music Festival , who has cancelled his upcoming performance at Chicago’s (possibly due to recent depression issues over the death of his father, some sources say), Tierra Whack is a welcome addition with her experimental hip hop and visual artistry.  She has a lovely voice, fine mic skills, and a neat aesthetic that combines hip hop culture with 80’s retro, glam, and soul.

Keep your mind open.

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Pitchfork Music Festival artist spotlight: Mount Kimbie

The British electro duo Mount Kimbie make neat music that combines synthetic beats with dream-pop vocals, guitar, and some live percussion.  They’re another band that’s new on my radar.  I love discovering new bands through festivals, and their performance at the Pitchfork Music Festival might be a nice surprise.

Keep your mind open.

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Pitchfork Music Festival artist spotlight: Open Mike Eagle

Hometown artist Open Mike Eagle will be working the Blue Stage on July 20th at this year’s Pitchfork Music Festival in Chicago.  Mr. Eagle has a good blend of electronic beats and a smooth flow that discusses issues serious to him, his hometown, and the world in general.  I haven’t heard much of his material, but I do like the few things I have heard.  It should be an interesting set.

Keep your mind open.

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Pitchfork Music Festival artist spotlight: Joshua Abrams and the Natural Information Society

It’s a bit hard to describe Joshua Abrams and the Natural Information Society, but the best word is probably “minimalist.”  They play an interesting form of minimalist jazz and low rock that’s centered around Abrams’ love and mastery of a three-stringed African guimbri lute.  Their stuff can be both meditative and danceable.  I first caught them at Levitation Chicago a while back, and they put on a good show then.  It will be interesting to catch them in an outdoor venue this year at the Pitchfork Music Festival.

Keep your mind open.

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Pitchfork Music Festival Artist Spotlight: Melkbelly

Chicago noise-punk outfit Melkbelly are playing one of the earliest sets (1:45pm on Friday) at this year’s Pitchfork Music Festival in their hometown, and it would be well worth leaving work early to see them.  Their fierce rock has an edge to it that will slap you out of your doldrums and fire you up for the rest of the festival.  Their 2017 album Nothing Valley was one of the best of the year, and I’ve heard their live performances are game-changing.  Don’t miss them.

Keep your mind open.

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Kalamazoo, Michigan’s Audiotree Music Festival releases lineups for 2018.

AUDIOTREE MUSIC FESTIVAL ANNOUNCES WIDR STAGE LINEUP

CO-BOOKED BY WMU’S STUDENT RADIO STATION, WIDR-FM

SEPTEMBER 22-23 IN KALAMAZOO, MI

TICKETS AVAILABLE NOW

 

Audiotree Music Festival is returning to Kalamazoo’s Arcadia Creek Festival Place on Saturday, September 22nd and Sunday, September 23rd for the 6th year in a row. The main stage lineup was announced last month, featuring Father John Misty, Local Natives, Real Estate, Khruangbin, and more. Now, the festival has shared its WIDR Stage lineup, featuring Slow Mass, Michigander, Pool Holograph, McKinley Dixon, and Miranda Winters amongst others.

Booked in collaboration with Western Michigan University’s student radio station, WIDR-FM, The WIDR Stage will present a dozen up-and-coming artists that are predominantly from Kalamazoo, Grand Rapids, and Chicago. ATMF has worked with WIDR-FM for the last 5 years, but this is the first time that the station has participated in the festival’s booking process.

Audiotree Music Festival and its namesake company, Audiotree, were founded by Kalamazoo natives Michael Johnston and Adam Thurston. The duo have always  made an effort to ensure that the company and the fest share a unifying goal: to provide a platform for artists and fans to discover one another through live performances. With the addition of the WIDR Stage, ATMF attendees now have an opportunity to see new artists from their hometown and neighboring cities.

In addition to music, the festival will offer a variety of craft beer, food trucks, and specialty vendors from the Kalamazoo area. The fest is all ages and children under the age of 10 get free admission with an adult.

PURCHASE TICKETS
Single Day General Admission – $45
Two Day General Admission – $80
Single Day VIP – $75
Two Day VIP – $135

WATCH AUDIOTREE MUSIC FESTIVAL TRAILER

LEARN MORE ABOUT AUDIOTREE

WIDR  STAGE LINEUP
Michigander – Grand Rapids
Slow Mass – Chicago
Miranda Winters – Chicago
Pool Holograph – Chicago
McKinley Dixon – Richmond
REZN – Chicago
Maybe April – Nashville
Moss Jaw – Kalamazoo
Lume – Michigan & Chicago
Jake Simmons & The Little Ghosts – Kalamazoo
Lushh – Kalamazoo
V.V. Lightbody – Chicago

MAIN STAGE LINEUP
Father John Misty
Local Natives
Khruangbin
Real Estate
Blitzen Trapper
Chicano Batman
Diet Cig
The Regrettes
Stuyedeyed
Flaural
Basement
Palm
Caamp
Common Holly
Major Murphy
NE-HI
Melkbelly
Post Animal

LINEUP BY DAY

SATURDAY, SEPTEMBER 22
Local Natives
Khruangbin
Basement
Diet Cig
The Regrettes
NE-HI
Melkbelly
Stuyedeyed
Flaural
Michigander
Miranda Winters
Maybe April
McKinley Dixon
V.V. Lightbody
Moss Jaw

SUNDAY, SEPTEMBER 23
Father John Misty
Real Estate
Chicano Batman
Blitzen Trapper
Post Animal
Palm
Caamp
Major Murphy
Common Holly
Jake Simmons
Lume
REZN
Pool Holograph
Slow Mass
Lushh

Audiotree Music Festival FAQ

Audiotree Music Festival Socials
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Keep your mind open.
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Live: The Eagles – June 20, 2018 – New Orleans, LA

Seeing the Eagles for the first time was a night of many firsts.  It was my first time not only seeing the classic rock band, but also my first time seeing a live music show in New Orleans (a city known for live music), my first time seeing Vince Gill (who is playing with the Eagles on this tour as a supporting guitarist and vocalist), and my first time seeing a show in a stadium suite.

This was a long-awaited dream come true for my wife, who is a big fan of the Eagles.  Unfortunately, she never got to see them with Glenn Frey, but his son, Deacon Frey, is playing his father’s guitar parts and singing his father’s lyrics quite well.

The suite had the nice view of the stage as seen above, but we quickly learned that ordering from the “suite menu” isn’t sweet for your wallet, as shown in the example below.

That bowl of chips and dip costs $32.00 at the Smoothie King Center suites.

Luckily, there were a large number of us in the suite and people with better paying jobs than I who could afford such things (not to mention booze), and the Eagles soon made us forget about overpriced snacks.

Opening with “Seven Bridges Road” (which made my wife nearly leap out of her chair in joy), they played a night of greatest hits that tore through (among many others) “Take It Easy” (with Deacon Frey on lead vocal), “One of These Nights,” “Take It to the Limit,” “Tequila Sunrise,” and “Witchy Woman” before Joe Walsh took front and center with “In the City.”

I was happy to hear bassist Timothy Schmit sing “I Can’t Tell You Why” (one of the Eagles’ most underrated hits, if you ask me) and Vince Gill did a great lead vocal on “New Kid in Town.”  I didn’t know until the crowd went nuts for him and Don Henley reminded all of us non-locals that Gill is a New Orleans native.  As a result, his vocals on their cover of Fats Domino‘s “Walkin’ to New Orleans” were a big hit.  Another surprise cover was of Tom Waits‘ “Ol’ ’55.”

My favorite Eagles songs are the rockers with blues influences, and “Those Shoes” is at the top of the list.  I was happy to hear an almost sludgy version of it with Don Henley having fun with the vocals.

They did two encores.  The first, of course, was “Hotel California,” which had a neat trumpet intro.  The second included Joe Walsh’s “Rocky Mountain Way” and “Desperado.”  In case you didn’t know, Walsh still shreds.  He hadn’t lost a thing since we’d seen him open for Tom Petty in St. Louis.

It was a fun night.  They didn’t disappoint.  My wife said it was the best concert she’d ever attended.  That alone made it worth the trip.

Keep your mind open.

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