Damaged Bug – Bunker Funk

Damaged Bug is another side project of Oh Sees founder John Dwyer. He’s put out a few solo albums (2014’s Hubba Bubba and 2015’s Cold Hot Plumbs) under this moniker by now, and his latest, Bunker Funk, is another solid effort.

The opening din of “Bog Dash” is like an alarm clock waking you up from a great dream in your fourth REM cycle of the night. The guitars sound like someone played them while drunk and stumbling up a stairway, and the drumbeat is crisp as fresh popcorn. The tune, as you can expect from Dwyer, heads straight into psychedelia and “The Cryptologist” follows this path. Dwyer’s lyrics are almost a whispered chant luring us into some dark tomb or hidden city.

“Slay the Priest” is full of throbbing synths mixed with clanging percussion while Dwyer sings about (I think) ritual combat between him and a druid. “Ugly Gamma” reminds me of Flaming Lips tracks with its weird synthesizer sounds and creepy vocals. It’s one of the coolest tracks on the record. I have no idea what a “jummy” is in “Rick’s Jummy.” I don’t even know if “jummy” is a noun or adjective. I do know that the song is a nice, trippy piece of psychedelia. “Our love keeps us alive, everyone else has died,” Dwyer sings. I suppose he’s right, in the grand scheme of things.

“Gimme Tamanthum” is another weird, chant-like track with soaring guitar chords throughout it. “No One Notice the Fly” has a great flute riff throughout it that makes it sound like a 1970’s action TV show theme. The album’s title track is equally funky, especially in the drumbeats and cymbal crashes. “Mood Slime” almost sounds like a warped record as Dwyer sings about a garden spider and a lovely woman who might be leaving him. “Liquid Desert” is appropriately weird for its title and blends rock drums with keyboards that sound like Gary Wilson played them while in a bad mood. “Unmanned Scanner” is the closest Dwyer comes to replicating his work with Thee Oh Sees, as it’s full of loud, jangly, almost chaotic guitars. “The Night Shopper” sends the album out on a mellow note, complete with a long fade out of silence.

This is an intriguing, weird, and trippy record, but you’d expect no less from Mr. Dwyer. I suppose you could funk out to it in a bunker, but I wouldn’t if you were locked in there for a long time. It might freak you out too much.

Keep your mind open.

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The Damned announce UK winter tour dates.

British punk legends the Damned have announced winter tour dates for the United Kingdom.  They put on a great live show, and catching them in their homeland would be outstanding.  Tickets are on sale now for the Evil Spirits tour, so don’t wait to snag some if you’re in the UK or planning a trip there this winter.

Keep your mind open.

Desert Daze 2017 announces a great lineup.

The 2017 Desert Daze music festival in Joshua Tree, California is boasting one of the best festival lineups of 2017.  This four-day festival of psychedelic and stoner rock is well worth the trip if you don’t live close to the west coast.

Just some of the stand-outs in my book are Eagles of Death Metal, King Gizzard and the Lizard Wizard, the Thurston Moore Group, Liars, Boris, Allah-Las, La Femme, the Budos Band, Deap Vally, Holy Wave, Froth, L.A. Witch, Death Valley Girls, Jjuujjuu, and Dahga Bloom.

Get your tickets now.  I’d be there if I could, but I’ll probably have used up most of my vacation time by the time October 12th arrives.

Keep your mind open.

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Oh Sees deliver new single, “Animated Violence,” from upcoming album.

OH SEES SHARE “ANIMATED VIOLENCE” OFF UPCOMING ALBUM ORC

CASTLE FACE AUCTIONS OFF HAND-PAINTED TEST PRESSINGS FOR DOWNTOWN WOMEN’S CENTER

ORC OUT AUGUST 25TH ON CASTLE FACE

Today, Oh Sees share one of their heaviest songs yet, the punishing “Animated Violence.” It comes to us off their forthcoming album (their 19th album is 20 years!), Orc, out 8/25 on Castle Face.

LISTEN TO “ANIMATED VIOLENCE”
http://bit.ly/2sMKAT7

Also, Castle Face has listed 14 Dwyer-hand-painted test pressings for auction on eBay, with all the proceeds going to the Downtown Women’s Center in Los Angeles. Castle Face’s co-captain Matt Jones:

We here at Castle Face are committed to making positive change in our community, and the homelessness epidemic in downtown Los Angeles is a tragic and complex issue. Homeless women in particular are an especially vulnerable population and we are happy to help out in any way that we can to assist in permanent solutions for them and our community. This auction features test pressings of the last smattering of John Dwyer’s projects with the label – Coachwhips, Oh Sees, and Damaged Bug are all represented – and feature one of a kind artwork on the jackets by the man himself, rendered in black and glow in the dark ink. 
BID ON HAND-PAINTED TEST PRESSINGS
http://ebay.to/2uOB6Ik 

Finally, the band has announced a second show at Warsaw in Brooklyn. Don’t miss to see the greatest live band of the decade as it enters its third decade of existence!
LYRICS TO “ANIMATED VIOLENCE”

OLD IS WARRIOR
DRINK THE POISON
I AM WARRIOR
CRUSH YOUR HEAD IN

WHO IS AT THE DOOR
BLASTING LIFE AWAY?
I AM WARRIOR
FEAST ON FAMILY

WHY IS WARRIOR
SWINGING BLUDGEON?
HOW DOES WARRIOR
SWALLOW DYNASTY?

AND WOE IS WARRIOR
CRACKING ARMOR
SWOLLEN BELLY UP
ON DISMAL VISTA

WHO IS THE WARRIOR?

LISTEN TO “THE STATIC GOD”
http://bit.ly/2s27Yix

OH SEES TOUR DATES
Sat. July 22 – Sun. July 23 – Los Angeles, CA @ FYF
Sun. Aug. 6 – Katowice, PL @ OFF Festival
Tue. Aug. 8 – Hamburg, DE @ Molotow
Thu. Aug. 10 – Oslo, NO @ Oya Festival
Fri. Aug. 11 – Gothenburg, DW @ Way Out West Festival
Sat. Aug. 12 – Copenhagen, DK @ Pumpehuset
Fri. Aug. 18 – Saint Malo, FR @ La Route du Rock
Sat. Aug. 19 – Brecon Beacons, UK @ Green Man Festival
Fri. Sept. 1 – Phoenix, AZ @ The Crescent Ballroom
Sat. Sept. 2 – Albuquerque, NM @ Sister Bar
Mon. Sept. 4 – Austin, TX @ Hotel Vegas Outside
Tue. Sept. 5 – New Orleans, LA @ One Eyed Jack’s
Wed. Sept. 6 – Atlanta, GA @ Variety Playhouse
Fri. Sept. 8 – Philadelphia, PA @ Trocadero Theater
Sa. Sept. 9 – Brooklyn, NY @ Warsaw
Sun. Sept. 10 – Brooklyn, NY @ Warsaw
Wed. Sept. 13 – Cambridge, MA @ The Sinclair
Thu. Sept. 14 – Montreal, QC @ La Tulipe I Le National
Fri. Sept. 15 – Toronto, ON @ Danforth Theater
Sat. Sept. 16 – Cleveland, OH @ Beachland Ballroom
Sun. Sept. 17 – Chicago, IL @ Thalia Hall
Tue. Sept. 19 – Milwaukee, WI @ Turner Hall
Fri. Sept. 22 – Missoula, MT @ Monk’s
Sat. Sept. 23 – Seattle, WA @ Neumo’s
Sun. Sept. 24 – Vancouver, BC @ Commodore Ballroom
Mon. Sept. 25 – Portland, OR @ Crystal Ballroom
Wed. Sept. 27 – San Francisco, CA @ Great American Music Hall
Thur. Sept. 28 – San Francisco, CA @ Great American Music Hall

Pre-order Orc – https://www.midheaven.com/item/orc-by-oh-sees
Hi-res photos/album art: http://pitchperfectpr.com/thee-oh-sees/

Melkbelly’s debut album due October 13th.

MELKBELLY ANNOUNCE DEBUT ALBUM, NOTHING VALLEY, OUT 10/13 ON WAX NINE/CARPARK

WATCH THE VIDEO FOR “KID KREATIVE”
https://www.youtube.com/watch?v=3mJoRmdYTo0

Noisy, subversively catchy and rhythmically sophisticated, Chicago quartet Melkbelly emerge from Chicago’s DIY spaces with their debut album, Nothing Valley, out Oct. 13th on Wax Nine Records, a sister label to Carpark Records headed by Sadie Dupuis of Speedy Ortiz.

Melkbelly’s members live and breathe Chicago’s art and music underground where their paths crossed and alliances were forged. Vocalist/guitarist Miranda Winters played solo in folk rock project reddelicious. Brothers Bart and Liam Winters (the tall fellas playing guitar and bass in Melkbelly) ran an influential show space in Chicago. Drawn together by their passion for East Coast noise, particularly the flavor originating from Miranda’s previous homebase of Providence, RI, Miranda and Bart of Coffin Ships recruited James Wetzel, who studied jazz drums in college, from improvisational free-drum/noise duo Ree-Yees. This new group of friends orbiting the loft and art scene, began collaborating on each other’s projects, formalizing in a more guitar-driven quartet Melkbelly in 2014.

Melkbelly’s debut EP Pennsylvania came out that same year. Engineered by Cooper Crain of Cave/Bitchin’ Bajas, the record came easily. The Chicago Reader enthused for single “Doomspringa” with its “noisy guitar freak-outs” and “beautifully melodic verses” and compared Melkbelly, accurately, to a hybrid of the Breeders and Lightning Bolt.

In 2016, the band tested the waters with new material. Inspired by the geography of a West Coast tour, shared band experiences, the van “as a magical place” and failed touristic detours at a meteor crater (it was closed) and Spiral Jetty (not van-friendly), the band gathered material written by Miranda and spawned from recorded jams for its next album. In early 2017, Melkbelly recorded with Dave Vettraino at Chicago’s Public House, writing about half the album in the studio and tracking it to 8-track analog tape. The result is Nothing Valley, organized noise and thoughtful freneticism, a fusion of dreamy vocal lines and cantankerous guitar racket. Today they share the video for “Kid Kreative.” “Kid Kreative is about creating a unique aesthetic in art or music only to have it hijacked and manhandled by someone else who reaps the rewards,” explains Miranda Winters. “It was inspired by existing as a woman in the predominantly male space of loud-music where it’s easy to be both looked over and ‘borrowed’ from.”

WATCH “KID KREATIVE” VIDEO
https://www.youtube.com/watch?v=3mJoRmdYTo0

PRE-ORDER NOTHING VALLEY
wax nine – smarturl.it/nothingvalley_wax9
itunes – smarturl.it/nothingvalley_itunes
apple music – smarturl.it/nothingvalley_apple

NOTHING VALLEY TRACKLISTING
1. Off The Lot
2. Kid Kreative
3. R.O.R.O.B.
4. Greedy Gull
5. Petrified
6. Middle Of
7. Twin Lookin Motherfucker
8. RUNXRN
9. R2PCM
10. Cawthra
11. Helloween

MELKBELLY TOUR DATES
Wed. Sep 6 – Pittsburgh, PA @ Cattivo w/ Protomartyr
Thu. Sep. 7 – Baltimore, MD @ Metro Gallery w/ Protomartyr
Fri. Sep 8 – Raleigh, NC @ Hopscotch Festival
Sat. Sep. 9 – Asheville, NC @ Mothlight w/ Protomartyr
Sun. Sep. 10 – Cincinnati, OH @ Northside Yacht Club w/ Protomartyr
Fri. Oct. 13 – Chicago, IL @ The Hideout (Record Release Show)
Melkbelly Online:
https://melkbelly.bandcamp.com
https://www.facebook.com/melkbelly/
https://www.instagram.com/melkbelly/
https://twitter.com/melkbelly
http://www.waxnine.com/artists/melkbelly/

DJ set list for July 20, 2017.

Thanks to everyone who tuned in for my latest WSND show last night.  I had some good requests and good response to my Pitchfork Music Festival recap segment.  Here’s my set list:

  1. The Smithereens – Afternoon Tea
  2. Led Zeppelin – You Shook Me (live)
  3. Tommy Bolin – Post Toastee (requested)
  4. Death from Above 1979 – Right On Frankenstein (live)
  5. “Final Dimension in Shock” triple bill radio ad for The Corpse GrindersThe Undertaker and His Pals, and The Embalmer.
  6. Bread – The Guitar Man (requested)
  7. The Coathangers – Make It Right
  8. Fishbone – Fight the Youth (requested)
  9. Deep Throats – Eyes
  10. She-Freak radio ad
  11. Treat Her Right – Rhythm and Booze
  12. Hanni El Khatib – You Rascal You
  13. The Moonlandingz – Lay Yer Head Down on the Road
  14. Chat Noir – Old Man McGraw
  15. The Cramps – Naked Girl Falling Down the Stairs
  16. Skyland Drive-In Theatre intermission spot
  17. Madame Gandhi – Her
  18. Priests – Design Within Reach
  19. Thurston Moore Group – Cease Fire
  20. Danny Brown – Dip
  21. LCD Soundsystem – Movement
  22. Funkadelic – Can You Get to That
  23. Madvillain – Do Not Fire!
  24. P.J. Harvey – Down By the Water
  25. A Tribe Called Quest – Electric Relaxation (requested)
  26. RIDE – All I Want
  27. Derrick Carter – Where You At?
  28. NE-HI – Stay Young
  29. Nicolas Jaar – Took Me Out of the Dark Rain

I’m back on air July 27th and will have the return of all my usual segments – Hit the Road, First & Foremost, the Mondo Moment, and Holiday Music.  See you then.

Keep your mind open.

Kllo announces debut album, “Backwater,” due October 20th.

Kllo Announce Debut Album, Backwater
Out October 20th On Ghostly International

Listen To Lead Single “Virtue”
https://soundcloud.com/kllomusic/virtue

Nov./Dec. European & Australian Tour Dates Announced

Photo by Hayley Louise Brown

Kllo are pleased to announce details of their debut LP Backwater, due for release on October 20th via Ghostly International. Today, Kllo reveal “Virtue,” the album’s slow-building and euphoric first single. “‘Virtue’ is about not knowing what you’ve got till it’s gone, whether that be a part of yourself or somebody else,” the pair say. “It’s the present moment of finally coming to that realization.”

Kllo – an electronic pop collaboration between Melbourne cousins Chloe Kaul and Simon Lam – waded in figurative backwater for much of 2016 amid an extensive world tour. These were exciting times; the duo’s Well Worn EP furthered the promise of 2014 EP Cusp, receiving millions of streams and landing Kllo on festival stages as well as Artists-to-Watch lists. Nonetheless, the stretch kept them far from home, isolated and vulnerable, treading through perpetual uncharted territory while yearning for the comforts of the familiar.

As a result, Kllo’s full-length debut depicts inner adjustment to outer change. Songs were written partially on the road and developed back at Lam’s bungalow, a haven that harbors creative spontaneity and catharsis.

“It’s the first time we hadn’t felt like kids anymore,” says Kaul. “We were really able to dive in deeper and bring out a lot more of us into the music.”

Kllo first emerged with a sound beyond their years; fully formed, fusing elements of R&B, UK garage, and 2-step. Well-versed students of artists like James Blake, Lauryn Hill, and The xx, the duo extend an amalgamation of established pop elements with modern sensibilities and wide-eyed sincerity. Backwater arrives as a refined, coming-of-age account. The LP format finds Kllo with more room to breathe and sync their rhythms with emotions. Kaul’s smoky voice emanates with assurance and leisure. Lam’s production invents brooding, steely undercurrents hemmed with charming crescendos.

Slow to arc, lead single “Virtue” hushes, stutters, and syncopates before locking into a club-ready groove in its second minute. The hook poses a question: “Can I count on you?” Drama is introduced, and heightened without resolution. Instead we’re lead to a stirring and euphoric epiphany.

Kllo have officially come out the other end of the stilted estuary with twelve compositions cultivated to feel timeless and crafted, and equally current. The duo’s second release on Ghostly International — and their most realized work to date — Backwater celebrates the ephemeral and the enduring changes in emotion, the downfalls and the dissolves. It’s an album that parts course with its flow, and flourishes in a lowland.

Listen To Kllo’s “Virtue”:
https://soundcloud.com/kllomusic/virtue

Pre-order Backwater:
The Ghostly Store / Physical –
https://www.theghostlystore.com/products/backwater
Digital – https://Kllo.lnk.to/backwater
 


Backwater
album art

Backwater Tracklist:
1. Downfall
2. Still Motion
3. Virtue
4. Predicament
5. Last Yearn
6. Backwater
7. Dissolve
8. By Your Side
9. Making Distractions
10. Too Fast
11. Nylon
12. Not Like Them

Kllo Tour Dates:
Nov. 12 – Madrid, ES @ Costello
Nov. 13 – San Sebastian, ES @ Dabadaba
Nov. 14 – Barcelona, ES @ Sidecar
Nov. 16 – Paris, FR @ Supersonic
Nov. 17 – Rotterdam, NL @ V11
Nov. 18  – Brussels, BE @ Les TransArdentes at Palais 12
Nov. 20 – Amsterdam, NL @ The Sugar Factory
Nov. 23 – London, UK @ XOYO
Nov. 24 – Bristol, UK @ The Louisiana
Nov. 25 – Manchester, UK @ The Soup Kitchen
Nov. 27 – Glasgow, UK @ Broadcast
Nov. 28 – Edinburgh, UK @ Sneaky Pete’s
Nov. 29 – Leeds, UK @ Headrow House
Nov. 30 – Nottingham, UK @ The Bodega
Dec. 3 – Berlin, DE @ Badehaus
Dec. 4 – Cologne, DE @ Yuca
Dec. 5 – Hamburg, DE @ Haekken
Dec. 8 – Sydney, AUS @ Oxford Arts Factory
Dec. 9 – Perth, AUS @ Jack Rabbit Slim’s
Dec. 14 – Brisbane, AUS @ Woolly Mammoth
Dec. 15 – Melbourne, AUS @ Corner Hotel
Dec. 16 – Adelaide, AUS @ Fat Controller

“Virtue” single artwork

Rewind Review: Big Audio Dynamite – Megatop Phoenix (1989)

Big Audio Dynamite (Dan Donovan – keyboards and vocals, Mick Jones – guitar and vocals, Don Letts – effects and vocals, Greg Roberts – drums and vocals, Leo “E-Zee Kill” Williams – bass and vocals) were a big part of my high school years, and their final album, Megatop Phoenix, was a great way to go out on top. I had it on a mix tape for years, so it was high time I bought a proper copy of it. Recorded not long after Mick Jones nearly died of pneumonia (special thanks are given to his doctors and nurses in the album’s liner notes), the album is a reflection on the band’s history and a look to the future.

“Rewind” is a battle cry to all of us to stay strong in the face of adversity and to never count out the underdog. The kick-in of Williams’ bass after the first verse still gives me chills. It’s a great blend of their raga / post-punk / new wave / electro mix that made them so innovative. “Union, Jack” is Jones, Letts, and Williams’ call to British people to get back up on their feet in the Reagan / Thatcher years that were grinding them down into complacency. It opens with a sample of the British national anthem and then kicks in some of the slickest beats by Roberts. Lyrics like “Now in the classroom I was told about the Empire, how you were bold. A pint of beer, life passes by, your spirit’s squashed just like a fly.” continue to resonate today.

“Contact” is a song about Jones’ inner struggle to express himself to perhaps a lovely lady or even his own band mates. This was B.A.D.’s last album, after all. His guitar has nice heaviness to it when it comes in during the chorus. “Dragon Town” has Jones expressing the band’s wonder at being lost in a Chinatown while looking for an exotic woman.

“Baby, Don’t Apologize” is, on its surface, about Jones telling a lover not to be sorry things didn’t work out because he can’t or won’t change. It’s probably a veiled reference to the end of the band, however. Jones had a life-changing experience with his pneumonia, Don Letts was becoming a producer and DJ, and the other band members were also involved in other projects. Jones was worried about how he might be perceived (“My head is in the stock. It rains refuse, some shout abuse, and others throwing rocks.”), but as he puts it, “What I am is loud and clear for all to see, for all to hear.”

“Around the Girl in 80 Ways” is a straight-up love song from Jones and Letts as they teach how to woo the lady of your choice. They suggest everything from “a bunch of flowers” to playing it cool. “James Brown” was written after the Godfather of Soul was involved in a domestic violence case and a police pursuit that landed him in jail. Jones and Letts tell the story from Brown’s perspective, paying tribute to him and calling him out on his bad behavior at the same time. The beats are wicked, as is the verbal takedown of American celebrity culture (which is just as bad in Britain nowadays).

“Everybody Needs a Holiday” sounds better than ever in this world that has only gotten smaller, busier, and less personal since 1989. “House Arrest” is a tale of partying on Saturday night until six in the morning when the cops show up. It’s a floor-bumper with heavy bass and kick ass drum licks. Letts gets to take lead vocals on it as he sings about “bouncers, bimbos, lager louts” and “cops and dogs in transit vans.”

“The Green Lady” is a clever and slightly bittersweet song (with great guitar work by Jones) about a man who falls in love with a Chinese woman in a mass-produced photograph hanging in his flat. “London Bridge” is about the Americanization of London, but Jones professes his love for his town with catchy hooks. “Stalag 123” is about Jones and crew being stuck in the studio working on a record while the building’s basement is flooded and they have to deal with “no windows, no air, and secondhand gear.”

B.A.D. didn’t sound like anything that came before them, and no one has really matched their mix of genres since. They had a successful reunion tour a few years ago, and we can always hope for another. If not, there’s always their excellent catalog and this fine end to it.

Keep your mind open.

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Computer Magic – Obscure but Visible

Computer Magic’s (otherwise known as Danielle Johnson) Obscure but Visible EP is a nice treat. Ms. Johnson puts the whole thing together via synths, computers, drum machines, and lovely vocals for a refreshing record in a world of so much damn noise.

The opening vibraphone-like beats of “Dimensions” instantly calm you, but the snappy beats get your toes tapping. “Lonely Like We Are” soars along free of gravity as the beats get you dancing even though they seem to be miles away from you. “New Generation” has a fun Caribbean beat to it. “Gone for the Weekend” has Johnson requesting, “Don’t bring me down. I’m gone for the weekend, so build me up.” She wants and needs someone to give her a boost because not even the weekend is enough to completely lift her out of her funk. “Been Waiting” sounds like a lost 1980’s synth-pop classic at times.

This is a good introduction to Computer Magic. I need to seek out more of Ms. Johnson’s work. You should, too.

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Omni’s new album due out Sept. 22nd, but you can hear the first single now.

 

OMNI ANNOUNCE NEW ALBUM, SHARE “EQUESTRIAN

MULTI-TASK OUT SEPTEMBER 22ND ON TROUBLE IN MIND

Atlanta, GA trio Omni charged out of the gate in 2016, stunning everyone within earshot with their debut long-player, Deluxe, a dizzyingly refreshing amalgam of wiry post-punk jitters & a dash of zen cool. Multi-task, being released September 22nd via Trouble in Mind, is their latest offering & all signs point to the coveted goal of “next level.” As with Deluxe, Multi-task was recorded with friend & engineer Nathaniel Higgins at his studio as well as a remote cabin in the woods near Vienna, Georgia. “It gave a true peace/piece of mind away from the city” Frobos says, “We could work with no distractions or limitations at our own pace.”

Multi-task is a more musically adventurous step forward for the band, keeping the frantic, fleet-fingered fingerpicking of Broyles’ guitar work & Frobos’ dead-cool delivery while expanding their musical palette & to include whispers of post-Roxy glam & Postcard Records pop. Multi-task balances the band’s trademark off-kilter & unconventional jams with an elegance not found with many of their contemporaries. Their underlying seductive sophistication creates an aura of romance that many post-punk bands dare not tread, and Omni pulls it off with grace & style.  Their minimalist funk-fused agit-pop whirrs while simultaneously creating an album that is awash in the excitement of new love, or fleeting attraction. Listen to the first single, “Equestrian,” which the band say is “a song for and about the privileged and self-loathing. It can be unknowingly fun and disgusting at the same time to live in the now. Despicable/Applicable.”

STREAM “EQUESTRIAN”
http://bit.ly/2uqHRQu

WATCH A TEASER FOR THE RECORD:
https://youtu.be/9ZXgJ-I234s

MULTI-TASK TRACKLISTING
1. Southbound Station
2. Equestrian
3. Choke
5. Tuxedo Blues
5. After Dinner
6. Supermoon
8. Date Night
9. Calling Direct
10. Heard My Name
11. Type

OMNI TOUR DATES:
Thu. July 20 – Atlanta, GA @ The Earl: Irrelevant Music Fest
Wed. July 26 – Nashville, TN @ 5 Spot
Thu. July 27 – Indianapolis, IN @ State Street Pub
Fri. July 28 – Madison, WI @ The Terrace: Univ. of Madison
Sun. July 29 – Chicago, IL @ The Hideout
Thu. Aug. 3 – Athens, GA @ Caledonia Lounge
Fri. Aug. 4 -Birmingham, AL @ Secret Stages
Mon. Aug. 7 – Asheville, NC @ The Mothlight
Tie. Aug. 8 – Bloomington, IN @ The Bishop Bar w/ Kevin Krauter / Peter Oren
Wed. Aug. 9 – Memphis, TN @ Growler’s
Thu. Aug. 31 – Amsterdam, NL @ OT301
Fri. Sep. 1 – Larmar Tree Gardens, UK @ End of the Road Festival
Sat. Sep. 2 – Manchester, UK @ Strange Waves Festival
Sun. Sep. 3 – Bristol, UK @ Louisiana
Mon. Sep. 4 – Paris, FR @ Point Ephemere
Tue. Sep. 5 – Toulouse, FR @ Pavilion Sauvage
Wed. Sep. 6 – Madrid, ES @ Sirocco
Thu. Sep. 7 – Santiago De Compostela, ES @ WOS
Fri. Sep. 8 – Barcelona, ES @ Altaveu
Sat. Sep. 9 – Marseille, FR @ L’Emeobineuse
Mon. Sep. 11 – Basle, CH @ Renee
Wed. Sep. 13 – Zurich, CH @ Katakombe @ Sender
Thu. Sep. 14 – Bologne, IT @ Freakout
Fri. Sep. 15 – Lyon, FR @ Le Sonic
Sat. Sep. 16 – Orleans, FR @ Hop Hop
Sun. Sep. 17 – Lille, FR @ DIY
Mon. Sep. 18 – London, UK @ Moth Club
Tue. Sep. 19 – Birmingham, UK @ Hare & Hounds
Wed. Sep. 20 – Dublin, IRE @ Whealan’s
Thu. Sep. 21– Glasgow, UK @ Hug & Pint
Fri. Sep. 22 – Liverpool, UK @ Liverpool Psychfest
Sat. Sep. 23 – Brighton, UK @ Sticky Mike’s Frog Bar

PRAISE FOR DELUXE

“Atlanta trio Omni is only on their first album, but they’ve already caught that essential combination of steely rigor and fiery energy, ripping out quick gems that exude control without sacrificing guts.” – Pitchfork

“On Atlanta trio Omni’s debut album, Deluxe, nothing was surplus. Every snare, every inquisitive, jagged little guitar line, every melody from Philip Frobos’s throat—it was all essential.” – Noisey

“A modern-day paragon of the infinite possibilities, and rewards, of the post-punk form.” – Aquarium Drunkard

“Channeling the likes of Devo and Pylon, their music is a blissful trip back in time to the arty, danceable rhythms of the new wave movement, but with a rough lo-fi flair.” – Stereogum

Hi-res images/album art – http://pitchperfectpr.com/omni/

Pre-order Physical – http://bit.ly/2u4th0D
Pre-order Digital – http://apple.co/2sWcrT6

Omni Online:
https://www.facebook.com/omniatl
https://www.instagram.com/omnideluxe/
https://soundcloud.com/omni-band
http://www.troubleinmindrecs.com/
http://pitchperfectpr.com/