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Los Angeles’ Crystales, named after a glass cathedral in Orange County, California, play a skillful style of shoegaze dream rock on their debut self-titled album. The tight connections of the band mates (brothers Nick and Billy Gil on guitar and vocals, neighbor Jason Hanakeawe on drums, and cousin Tony Infante on bass) only help amplify their skill set. It’s always good to hear new, good shoegaze, and Crystales fit the bill.
The album opens with a daring song titled “Boring.” Trust me, the album isn’t. The song’s about a boring wanna-be lover and how draining it can be to socialize with someone who can’t take the hint. The sunny guitars on it seem to give the song’s subject a chance at romance, however. “Séance” is just as bright, and I love the way the fuzz kicks in during the chorus like an unexpected wave knocking you over on a beach.
I also love that there’s a song called “Kate Blanchett” on this album, and that it’s one of the hardest rockers on the record. Who doesn’t have a crush on her? “Lie Awake at Night” takes a stroll into a psychedelic park on a sunny day and is about someone missing their lover. It’s secretly melancholy, but the wall of dream pop sound hides it well. Countering its love lyrics is the heavier “Shoggoth,” which refers to a Lovecraftian monster that can drive people mad just by looking at it. Is it any coincidence that Infante’s bass is prominent throughout the track and thuds like a fearful heartbeat? “When It’s Over” is brash and bold but it still keeps that shoegaze fuzzy edge that runs throughout the album.
“Ariel” is the sound of southern California road trips with the top down and the front passenger trying to make out with you while you’re driving. That shimmering sound continues on “Donkey” and “I Don’t Care.” “I Don’t Care” isn’t as apathetic as its title would have you believe, but it is about cutting ties with a lover who holds you back from your potential. “Agrias” lures you into a bit of a trance, and the closer, “Honora,” brings back some hard-edged crunch to the guitars to send you off feeling like a bad ass.
This is a solid debut. I’m loving the resurgence of shoegaze in the last few years, and bands like Crystales are giving us fans of the genre a lot to love.
Keep your mind open.
Otherwise known as Thee Oh Sees and OCS, Oh Sees are a wild psych-rock band whose lineup goes through changes seemingly with every record but the hard, driving energy of their music never alters. Both of their Levitation Austin shows at Barracuda on April 28th and 29th are sold-out, but you still might be able to get tickets for their show at Austin’s Hotel Vegas on April 30th (which is a charity benefit show, no less). These shows are sure to be nuts, so get to one if you can.
Keep your mind open.
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Synth-punk weirdos POW! are playing Levitation Austin at Barracuda on April 29th at 10:50pm. It’s a sold-out show at with them opening for Oh Sees. They pay a quirky, catchy brand of electro-rock that I think will be a treat live. I hope you can make it.
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Austin’s own Black Angels not only play Levitation Austin again this year, they also help curate the festival every year. The psych-rock heavyweights will close Stubb’s BBQ on April 29th. I will see them at any opportunity, and it’s rare I get to see them in front of a hometown crowd. Their set will be one of my favorite moments of the festival, I’m sure.
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The psychedelic rock collective known as the Brian Jonestown Massacre hail from San Francisco and have had numerous lineups throughout the years. Front man Anton Newcombe has always been the steady figurehead of the group, and their fans are legion. The stories of their rock and roll lifestyle are wild and border on legendary. Their Levitation Austin set at Stubb’s BBQ on April 29th will be packed to the gills, I’m sure.
Keep your mind open.
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Primarily known for being the front man in Elephant Stone, Rishi Dhir is also now with the psych-rock outfit MIEN and has played bass and sitar for the Black Angels in the past. Dhir will be performing a solo set (probably all sitar) at Stubb’s BBQ on April 29th at 6:00pm at Levitation Austin. Don’t miss it. He’s a good joe and a heck of a sitar player.
Keep your mind open.
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Electronic musician / DJ / avant-garde artist Dan Deacon will be closing one of the Empire garage sets at Levitation Austin (April 28th at midnight) this year. His shows are apparently wild affairs with audience participation. His videos are weird enough, so a live set from him should be a good time if it’s as odd as they are.
Keep your mind open.
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