Tim Heidecker announces new album due October 18th and releases its first single – “Well’s Running Dry.”

Photo Credit: Chantal Anderson

Tim Heidecker announces his new albumSlipping Away, out October 18th via Bloodshot Records, and releases its lead single/video Well’s Running Dry.” After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.
 
While on his first combined comedy and music tour in 2022, and his first time performing his own material with a full band every night, Heidecker noticed a recurring response to his lyrics among his devoted fanbase. “Especially people my age, maybe a little younger,” he recalls, “They would come up to me and say, ‘That is how I feel. And it’s nice to know you feel that way, too.’” Where his celebrated work in film and television is often an act of complex, surrealist worldbuilding, the increasingly tender and expertly crafted singer-songwriter material Heidecker releases under his own name is built to encourage these person-to-person connections.
 
Working with The Very Good Band — Eliana Athayde on bass, vocals and additional production; Josh Adams on drums; Vic Berger on keys; and Connor “Catfish” Gallaher on guitar and pedal steel; alongside a contribution from Tim’s daughter Amelia — Heidecker wrote a series of songs that tap into universal anxieties, familiar settings, and, occasionally, a blast of apocalyptic unease. If he were to perform them solo acoustic, they might sound like folk songs, with their instantly hummable melodies, singalong choruses, and unexpected ability to zoom out far beyond their initial premises. Even the simple act of making music, as portrayed in the cleverly constructed writer’s block anthem “Well’s Running Dry,” can lead to an earnest reflection on insecurity and aging. “As soon as I wrote that, I worried that it’s not cool to talk about,” Heidecker says. “But a second later, I thought—well that’s challenging and exciting. Let’s push past that.”

 
Watch the Video for “Well’s Running Dry”
 

Slipping Away is crafted like a killer live set, building in emotional impact and intensity. Heidecker refers to the album as a true group project, a euphoric experience that helped turn his songs into living, breathing things. “My favorite records are the ones that were just recorded in a room with a band playing,” he says, citing classic-rock landmarks from Bob Dylan, The Beatles, and The Band. “And that’s what we did.” Across the album, Heidecker and Athayde often take the roles of duet partners, occasionally assuming a Gram-and-Emmylou dynamic with her quavering, empathetic harmony.
 
Heidecker describes working with the band on Slipping Away as a personal breakthrough in his career. “Having been doing quote-unquote ‘entertainment’ for 20 years now in different forms, it was a revitalizing experience to be out of my comfort zone a little bit. It was a learning opportunity.” After working with indie luminaries like Mac DeMarco, Weyes Blood, and Father John Misty, Heidecker is in a rarefied field of artists who refuse to grow complacent, and creative leaps like Slipping Away exemplify his devotion to the craft. Quoting Paul McCartney, Heidecker ascribes to the idea that “work begets inspiration” and each new project helps lead to the one just beyond it. “People ask me a lot about the difference between making music and comedy,” he says. “I finally got to a point where I was like, ‘Let’s stop thinking about these things as genres.’ It comes out in different formats but hopefully it all becomes one big thing that I’m making. I think it’s fairly united.”
 
This August and September, Tim Heidecker & The Very Good Band will support Waxahatchee with Snail Mail on a run of east coast dates, including a co-headlining show with Snail Mail at SummerStage in New York. A full list of shows can be found below, and tickets can be purchased here.

 
Pre-order Slipping Away
 
Slipping Away Tracklist
1. Well’s Running Dry
2. Trippin’ (Slippin’)
3. Like I Do
4. Dad Of The Year
5. Bottom of the 8th
6. Something Somewhere
7. Bows and Arrows
8. Hey, Would You Call My Mom For Me?
9. I Went Into Town
10. Bells Are Ringing
 
Tim Heidecker & The Very Good Band Tour Dates
Sun. Aug. 11 – Carnation, WA @ THING
Tue. Aug. 27 – New York, NY @ Central Park Summerstage ∞
Thu. Aug. 29 – South Deerfield, MA @ Tree House Summer Stage %
Fri. Aug. 30 – Portland, ME @ State Theater %
Sat. Aug. 31 – Accord, NY @ Arrowood Farms %
Sun. Sept. 1 – Asbury Park, NJ @ Stone Pony Summerstage %
Wed. Sept. 4 – Charlottesville, VA @ Ting Pavillion %
Thu. Sept. 5 – Raleigh, NC @ Hopscotch Music Festival
Fri. Sept. 6 – Vienna, VA @ Filene Center – Wolf Trap %
Sat. Sept 7 – Philadelphia, PA @ The Fillmore ^
 
∞ w/ Snail Mail & Fenne Lily
% w/ Waxahatchee & Snail Mail
^ w/ Waxahatchee & Gladie

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[Thanks to Jessica at Pitch Perfect PR.]

King Gizzard and the Lizard Wizard have a “Hog Calling Contest” on their newest single.

Photo Credit: Maclay Heriot

Earlier this month, the ever restless King Gizzard & The Lizard Wizard announced their 26th album, Flight b741, out August 9th via their own p(doom) records. Today the group share their new single, “Hog Calling Contest,” and announce a mini-documentary about the making of the album,“Oink Oink Flight b741: The Making of…”

Directed by Guy Tyzack, the mini-documentary captures the band’s creative process on 16mm film, which restricted Tyzack to shooting about five minutes of film per day, waiting for the right moment while sitting discreetly in the corner. “We were tasked with capturing the band make an album from scratch in two weeks, they purposefully didn’t prepare much for the recordings so it was very difficult for me to plan what to film,” Tyzack says. “I just knew they’d be in one room and three of them might drop out at any moment because they were expecting babies. The room looked brown and boring so I painted it like the sky to match the theme of the album in one 17hr stretch with three friends and a slab of mids.”

On the inspiration for “Hog Calling Contest,” the band explains: “While recording Flight b741, we occasionally had these ultra inspired tune-up/warm-up jams. Of course, we were never actually recording during these moments though. Lost to time. Except one time; This time. We learnt to record these moments; ‘Daily Blues’ came together this way too. But ‘Hog Calling Contest’ retains a unique unhinged-ness that only comes when you’re fooling around with your mates and you don’t think you’re being recorded. Happy in mud!”

LISTEN TO “HOG CALLING CONTEST”

WATCH “OINK OINK FLIGHT b741: THE MAKING OF…” MINI-DOC

As the band’s first release on their own newly minted p(doom) records imprint, Flight b741 showcases a remarkable change-of-pace, swapping the big picture ambition for the intimacy of six good friends enjoying each other’s company and collaborating on perhaps the warmest, most bonhomie-laden set the group have yet committed to wax.

With a recent run of expansive and conceptual albums behind them, which have spanned from a thrash-metal epic dealing with the current climate crisis to a Moroder-esque pre-digital synth album of proto-Kraftwerk bangers, Flight b741 sees King Gizzard ditch all the high-falutin’ scheming in favor of irresistible country-fried rock’n’roll and the kind of effortless songwriting that comes as second language when you’ve been playing music together 24/7 for almost a decade-and-a-half. The concept this time is ‘no concept’.

All hopped-up on early Steve Miller Band and the infinite wonderfulness of The Band, King Gizzard laid down the riffs, the grooves, the choogle. Once it was time for the vocals, however, they took a brand new tack – passing the mic, leading to what has become the most collaborative record in the group’s expansive discography.

King Gizzard will be undertaking a massive U.S. tour this coming fall, which includes 3 hour marathon sets in New York, Chicago, Austin, and QuincyWA, 3 headlining sets at Red Rocks Amphitheatre, and a performance at The Forum in Los Angeles. Tickets to all dates are available here.

PRE-ORDER FLIGHT b741

WATCH THE VIDEO FOR “LE RISQUE” HERE

KING GIZZARD & THE LIZARD WIZARD TOUR DATES
Thu. Aug. 15- Washington, DC @ The Anthem % [SOLD OUT]
Fri. Aug. 16- Forest Hills, NY @ Forest Hills Stadium * %
Sat. Aug. 17 – Forest Hills, NY @ Forest Hills Stadium * % [SOLD OUT]
Mon. Aug. 19 – Boston, MA @ The Stage at Suffolk Downs %
Tue. Aug. 20 – Portland, ME @ Thompson’s Point % [SOLD OUT]
Wed. Aug. 21 – Toronto, ON @ Budweiser Stage &
Fri. Aug. 23 – Detroit, MI @ Aretha Franklin Amphitheatre ^ &
Sat. Aug. 24 – Cleveland, OH @ Jacobs Pavilion & [SOLD OUT]
Sun. Aug. 25 – Newport, KY @ MegaCorp Pavilion Outdoor &
Tue. Aug. 27 – Philadelphia, PA @ The Dell Music Center & [SOLD OUT]
Wed. Aug. 28 – Richmond, VA @ Brown’s Island &
Fri. Aug. 30 – Asheville, NC @ ExploreAsheville.com Arena & [SOLD OUT]
Sat. Aug. 31 – Nashville, TN @ Ascend Amphitheater &
Sun. Sept. 1 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island * & [SOLD OUT]
Tue. Sept. 3 – Minneapolis, MN @ The Armory &
Wed. Sept. 4 – Milwaukee, WI @ Miller High Life Theatre &
Thu. Sept. 5 – St. Louis, MO @ The Factory & [SOLD OUT]
Fri. Sept. 6 – Omaha, NE @ The Astro Amphitheater &
Sun. Sept. 8 – Morrison, CO @ Red Rocks Amphitheatre & [SOLD OUT]
Mon. Sept. 9 – Morrison, CO @ Red Rocks Amphitheatre [EARLY SHOW] &
Mon. Sept. 9 – Morrison, CO @ Red Rocks Amphitheatre [LATE SHOW] &
Wed. Sept. 11 – Troutdale, OR @ Edgefield Amphitheater & [SOLD OUT]
Thu. Sept. 12 – Vancouver, BC @ Pacific Coliseum &
Sat. Sept. 14 – Quincy, WA @ The Gorge Amphitheatre * %
Fri. Nov. 1 – Inglewood, CA @ The Forum @
Sat. Nov. 2 – San Diego, CA @ The Rady Shell at Jacobs Park ^ @
Sun. Nov. 3 – Paso Robles, CA @ Vina Robles Amphitheatre @ [SOLD OUT]
Mon. Nov. 4 – Stanford, CA @ Frost Amphitheater at Stanford @
Fri. Nov. 8 – Las Vegas, NV @ Bakkt Theater at Planet Hollywood @
Sat. Nov. 9 – Phoenix, AZ @ Arizona Financial Theatre #
Sun. Nov. 10 – Albuquerque, NM @ Revel Entertainment #
Tue. Nov. 12 – Oklahoma City, OK @ The Criterion #
Wed. Nov. 13 – Fayetteville, AR @ JJ’s Live # [SOLD OUT]
Fri. Nov. 15 – Austin, TX @ Germania Insurance Amphitheater *#
Sat. Nov. 16 – Houston, TX @ White Oak Music Hall #
Sun. Nov. 17 – New Orleans, LA @ Mardi Gras World #
Tue. Nov. 19 – Atlanta, GA @ Fox Theatre Atlanta # [SOLD OUT]
Wed. Nov. 20 – St. Augustine, FL @ St. Augustine Amphitheatre #
Thu. Nov. 21 – Miami, FL @ Factory Town #
Sun. May 18 – Tue. May 20, 2025 – Lisbon, PT @ Coliseu do Recreios
Fri. May 23 – Sun. May 25, 2025 – Barcelona, ES @ Poble Espanyol
Thu. May 29 – Sat. May 31, 2025 – Vilnius, LT @ Lukiškės Prison 2.0
Wed. June 4 – Fri. June 6, 2025 – Athens, GR @ Lycabettus Theatre City of Athens
Sun. June 8 – Tue. June 10, 2025 – Plovdiv, BG @ Ancient Theatre

* 3-HOUR MARATHON SET
^ ACOUSTIC SET
% w/ GEESE, DJ Crenshaw
& w/ GEESE
@ w/ KING STINGRAY, DJ Crenshaw
# w/ KING STINGRAY

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Slowdive announces fall U.S. tour.

Photo Credit: Martin Mittler

Slowdive announce a fall North American tour in support of everything is alive, their “hypnotically gorgeous” (Vulture) album released last year via Dead Oceans. Following an appearance at Austin’s Levitation Festival, they’ll return to New YorkPhiladelphia, and Washington, DC, plus visit cities throughout the Southeast where the band hasn’t played in many years. On their last US runs, Slowdive routinely sold out shows, filling rooms with longtime listeners and younger fans alike.  As the Chicago Tribune praised, “experimental and shimmery, [everything is alive] packs a lush and enigmatic punch. Don’t take their latest releases and live shows for granted.” Tickets for all shows will be on sale this Friday at 10am local time and a full list of dates can be found below.

Slowdive Tour Dates
(New Dates in Bold)
Sat. Nov. 2 – Mexico City, MX @ Hipnosis Festival
Sun. Nov. 3 – Austin, TX @ The Far Out Lounge (Levitation Festival)
Wed. Nov. 6 – Queretaro, MX @ Cerveceria Hercules
Fri. Nov. 8 – Guadalajara, MX @ C4 Concert House
Sun. Nov. 10 – St. Augustine, FL @ St Augustine Amphitheatre
Mon. Nov. 11 – Charleston, SC @ The Refinery
Tue. Nov. 12 – Raleigh, NC @ The Ritz
Thu. Nov. 14 – Richmond, VA @ The National
Fri. Nov. 15 – Philadelphia, PA @ Franklin Music Hall
Sun. Nov. 17 – Washington, DC @ The Anthem
Mon. Nov. 18 -Brooklyn, NY @  Brooklyn Paramount
Thu. Nov 21 – Pittsburgh, PA @  Stage AE
Fri. Nov. 22 – Columbus, OH @ KEMBA Live! Indoor Stage
Sat. Nov. 23 – Detroit, MI @  Royal Oak Music Theatre

Purchase everything is alive
Watch “alife” video
Watch “kisses” Video
Watch “skin in the game” Visualizer
Watch “the slab” Video

Keep your mind open.

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[Thanks to Jaycee at Pitch Perfect PR.]

WSND DJ set list: Throwback Thursday – August 01, 2024

Thanks to all who listened to the latest edition of Throwback Thursday on WSND. Here’s the set list!

  1. The Staples Jr. Singers – Get on Board (1975)
  2. Bee Gees – Night Fever (1977)
  3. Freddie King – Things I Used to Do (live) (1975) (request)
  4. David Bowie – Life on Mars? (1973)
  5. Seals & Crofts – Summer Breeze (1972)
  6. M – Pop Muzik (1979)
  7. Black Sabbath – Planet Caravan (1970)
  8. Tavares – Heaven Must Be Missing an Angel (1976)
  9. Blue Cheer – I’m the Light (1971)
  10. Foreigner – Double Vision (1978)
  11. Madness – Night Boat to Cairo (1979)
  12. Stray Dog – Chevrolet (1973)
  13. Duran Duran – Hungry Like the Wolf (1982)
  14. Billy Idol – Eyes Without a Face (1983)
  15. Lonnie Mack – Double Whammy (1985) (request)
  16. The Jesus and Mary Chain – Taste of Cindy (1985)
  17. Thomas Dolby – Hyperactive! (1984) (request)
  18. Bow Wow Wow – Do You Wanna Hold Me (1983)
  19. Judas Priest – Electric Eye (1982) (request)
  20. Queen – Radio Ga Ga (1984)
  21. Modern English – I Melt with You (1982) (request)
  22. The Smiths – This Charming Man (1983)
  23. MC 900 Foot Jesus – Real Black Angel (1989)
  24. Earth, Wind and Fire – Let’s Groove (1981)
  25. Pixies – Here Comes Your Man (1989) (request)
  26. Boys Club – I Remember Holding You (1988)
  27. Nine Inch Nails – I’m Looking Forward to Joining You, Finally (1999)
  28. Blur – Girls and Boys (1994)
  29. Rory Gallagher – Bullfrog Blues (live) (1990) (request)
  30. Living Colour – Pride (1990)
  31. Live – I Alone (1994) (request)
  32. Shonen Knife – Quavers (1994)
  33. Nirvana – Sliver (1991)
  34. Beck – Loser (1994)
  35. Crystal Waters – 100% Pure Love (1994) (request)
  36. Madonna with Massive Attack – I Want You (1995)
  37. Oingo Boingo – Long Breakdown (1990)
  38. Junior Brown – Highway Patrol (1993)
  39. Radiohead – Karma Police (1997)
  40. Soledad Brothers – Loup Garou (2006)
  41. Magic Slim and The Teardrops – Gimme Back My Wig (2008) (request)
  42. Nicole Willis and The Soul Investigators – If This Ain’t Love (Don’t Know What Is) (2008)
  43. Goldfrapp – Strict Machine (2003) (request)
  44. Ladytron – Flicking Your Switch (2002)
  45. Ram Dass and Kriece – Desire (2008)
  46. Franz Ferdinand – Take Me Out (2004)
  47. Bad Religion – Who We Are (2003)
  48. Kaiser Chiefs – Ruby (2007)
  49. The Donnas – All Messed Up (2002)
  50. The White Stripes – Seven Nation Army (2003)
  51. Black-Eyed Snakes – Chicken Bone George (2001)
  52. The Bravery – An Honest Mistake (2004)
  53. Rasoul – Git Down Wit Yo Bad Self (2001)
  54. Kelis – Milkshake (2003)
  55. The Dirtbombs – Correspondence (2005)
  56. Leslie West with Slash – Mudflap Mama (2011) (request)
  57. Ron Gallo – Put the Kids to Bed (2017)
  58. Black Midi – bmbmbm (2019)
  59. Pet Shop Boys with Example – Thursday (2013) (request)
  60. Tycho – A Walk (2014)
  61. Sisters of Your Sunshine Vapor – Major Medicine (2015)
  62. Pelada – Ajetreo (2019)
  63. Shopping – The Hype (2018)
  64. Thee Oh Sees – Enemy Destruct (live) (2012)
  65. Foals – Inhaler (2013)
  66. Failure – Distorted Fields (2018)
  67. Diagonal – Jump Back (2018)
  68. Rickshaw Billie’s Burger Patrol – Born to Lose (2017)
  69. Warm Drag – Cave Crawl (2018)

I’m back on air August 08, 2024! Don’t miss it!

Keep your mind open.

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Desert Daze releases 2024 lineup.

As usual, Desert Daze has a killer lineup this year.

Jack White, Fleet Foxes, and The Mars Volta are sure to have packed crowds, but don’t miss Sleep, Thundercat, The Kills, All Them Witches, Temples, Frankie and The Witch Fingers, or Psymon Spine.

There are plenty of great bands on this list, and plenty of cool things to do when you’re not rocking out in the desert. Yoga classes! Messages from David Lynch! Art installations!

Passes are on sale now, and the first pricing tier is already sold out. Don’t wait.

Keep your mind open.

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Live: Jon Spencer and The Sueves – Stockroom East – South Bend, IN – July 11, 2024

I was stunned to discover that blues-punk garage rock and roller Jon Spencer was playing a gig a mere forty-minute drive from my house at South Bend, Indiana’s Stockroom East. It’s a small venue made for intimate shows, and I’d hadn’t been there before July 11, 2024.

My first thought upon entering was, “Spencer’s going to flatten this place.” I hadn’t seen Mr. Spencer perform in many years, last catching him with his fellow members of The Jon Spencer Blues Explosion in Bloomington, Indiana on their Plastic Fang tour in 2002. They blew the walls off the place then, and I wondered if most of the audience in attendance knew what they were about to hear and feel.

First up were Chicago post-punks The Sueves, who put on a fun set of power trio crushers. A good number of their friends and family members made the drive from Chicago to see them, and the energy among them was great.

The Sueves!

A pleasant surprise with Spencer’s set is that his current rhythm section consists of The Bobby LeesKendall Wind on drums and Macky Bowman on bass. In case you missed it, The Bobby Lees’ Bellevue album was among my top ten albums of 2022.

Sure enough, the trio of Spencer, Bowman, and Wind came out and proceeded to sonically punch everyone in the face from the first note.

Spencer and crew played a wild set, barely taking time for anyone (let alone them) to catch a breath. The set spanned tracks from the JSBX, Pussy Galore, The Hitmakers, and more. They started with “Skunk” from Now I Got Worry and it was off to the races.

“Bellbottoms” was a big hit with the crowd, and so was every damn song they played, really. The crowd was at first stunned by the magnitude of sound they put out and soon absorbing it as fast as Spencer and his bandmates could dish it.

There was no encore. They didn’t need one. They left us all sweaty and wanting more.

Many thanks to Mr. Spencer for signing my copy of Meat and Bone after the show!

Keep your mind open.

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WSND DJ set list: Nocturne July 28, 2024

Thanks to all who listened to my latest Nocturne show on WSND. It was a fun show with some heavy stuff. Here’s the set list:

  1. Frayle – All the Things I Was
  2. King Gizzard and the Lizard Wizard – A New World
  3. King Gizzard and the Lizard Wizard – Altered Beast I
  4. John Mayall and The Bluesbreakers – A Hard Road (request)
  5. Halloween radio spot
  6. The Death Wheelers – Triple D (Dead, Drunk and Depraved)
  7. Psycholona – Resin
  8. Comacozer – Nystagmus
  9. Amyl and The Sniffers – Some Mutts (Can’t Be Muzzled)
  10. Duran Duran – The Reflex
  11. Shonen Knife – Magic Joe
  12. Bebel Gilberto – Tanto Tempo (Peter Kruder remix)
  13. LCD Soundsystem – Jump into the Fire (live)
  14. Bonde Do Role – Solta O Frango (Ladytron remix)
  15. Radio ad for Spirit’s Clear album
  16. Spirit – Dark Eyed Woman
  17. The Black Angels – No Satisfaction
  18. The Circle – When the Levee Breaks (live) (request)
  19. Jack Palance – Si Può Fare…Amigo
  20. Hall and Oates – Rich Girl (request)
  21. Frankie and The Witch Fingers – Mother’s Mirror
  22. Peter Gabriel – I Go Swimming (live) (request)
  23. The Mummy radio ad
  24. Holy Wave – Wet & Wild
  25. New York Dolls – Trash
  26. Elephant Stone – Cast the First Stone

I’m back on air August 01, 2024 for Throwback Thursday! Don’t miss it!

Keep your mind open.

[Don’t forget to subscribe!]

WSND DJ set list: Deep Dive of Pink Floyd

Thanks to all who tuned into for three hours of prog-pysch in my Deep Dive of Pink Floyd on WSND. Here’s the set list!

  1. Pink Floyd – Another Brick in the Wall (Pt. 2)
  2. The Searchers – Sweets for My Sweet
  3. Pink Ander – I Got a Woman ‘way Across Town
  4. Floyd Council – Runaway Man Blues
  5. Pink Floyd – Arnold Layne
  6. UFO Club – Chapel in My Mind
  7. David Bowie – See Emily Play
  8. Pink Floyd – Flaming
  9. Pink Floyd – Astronomy Domine
  10. The Well – Lucifer Sam
  11. Jokers Wild – Don’t Ask Me What I Say
  12. Pink Floyd – It Would Be So Nice
  13. Pink Floyd – Careful with That Axe, Eugene (live)
  14. Pink Floyd – Jugband Blues
  15. Pink Floyd – Let There Be More Light
  16. Pink Floyd – See-Saw
  17. Pink Floyd – Point Me at the Sky (live)
  18. Pink Floyd – The Narrow Way Part III
  19. Pink Floyd – The Committee No. 1
  20. Pink Floyd – Cymbaline
  21. Pink Floyd – Heart Beat, Pig Meat
  22. Pink Floyd – Fat Old Sun
  23. Pink Floyd – Fearless (request)
  24. Pink Floyd – Free Four
  25. The Alan Parsons Project – Eye in the Sky
  26. Pink Floyd – Brain Damage
  27. Pink Floyd – Any Colour You Like
  28. The Flaming Lips and Stardeath and White Dwarfs – Speak to Me / Breathe
  29. Pink Floyd – Wish You Were Here
  30. Primus – Have a Cigar (request)
  31. Pink Floyd – Pigs on the Wing (Part 1)
  32. Pink Floyd – Pigs on the Wing (Part 2)
  33. Bryan Adams – Young Lust (live)
  34. Pink Floyd – Learning to Fly

Come back soon for another Deep Dive!

Keep your mind open.

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Rewind Review: The Jon Spencer Blues Explosion – Meat and Bone (2012)

Meat and Bone was the first album in eight years by The Jon Spencer Blues Explosion when it was released in 2017. The trio (Jon Spencer – guitar and lead vocals, Judah Bauer – guitar, Russell Simins – drums) had worked on various side projects here and there and thankfully returned for another wild ride.

Opener “Black Mold” drops you right back into that solid grove the JSBX can only seem to pull off – chaotic yet tight at the same time. You can tell that they felt like they wanted to make up for “lost” time and unleash plenty of power in just three minutes or so.

“Are you ready for your new career?” Spencer asks at the beginning of “Bag of Bones,” prompting us to wonder if we need to tip over our desks and cubicles and strut around like the rock stars we are instead of the tired, locked-in-the-past worker bees we’ve become. “Boot Cut” has a great, gritty grind all the way through it.

“Get Your Pants Off” is a wild, wicked track about wanton women doing naughty things. The bass tone on “Ice Cream Killer” is as cool as its namesake. “Stranger Baby” has Spencer and his mates screaming the chorus and growling the verses. “Bottle Baby” has some of Simins’ wildest drumming. He seems to switch tempos every thirty seconds and yet he’s in the groove all the time.

“Danger” is a vicious rocker, and “Black Thoughts” has so much guitar fire in it that I’m not sure if Spencer or Bauer is putting out the most volume. “Unclear” is a fast, fuzzy cut, and “Bear Trap” snaps hard and has a heavy, swaggering menace to it. Spencer’s vocals are often distorted almost to the point of becoming just weird sounds, which is often the point.

I love that the album ends with an instrumental, “Zimgar,” showcasing the band’s wild and sometimes weird sounds. The JSBX returned from an eight-year hiatus and showed they hadn’t lost a thing. It’s almost like they went into cryogenic hibernation, shook off the frost, and walked into the studio and proceeded to melt everything around them.

As they always did.

Keep your mind open.

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Rewind Review: The Limiñanas – Electrified (2022)

I first learned of the French psych-rock giants The Limiñanas when they teamed up with Anton Newcombe of The Brian Jonestown Massacre to form L’Épée and put out an outstanding record, Diabolique, in 2019. I had no idea that the band had been around since at least 2010. I’d been looking for some of their music for a while in physical form, and ended up finding their two-CD collection, Electrified, in a record store in Edinburg, Scotland.

Starting with “Migas 2000,” Lionel Limiñana‘s fuzzy guitar riffs grab your attention right away and have you dancing like you’re an extra on Shindig. Marie Limińana‘s drums on “I’m Dead” pound out a hip-shaking beat you can’t ignore and (former Les Bellas bandmate) Nadége Figueroa‘s playful vocals about death are just delightful. “Je Ne Suis Pas Très Drogue” (“I Am Not Very into Drugs / Very High”) is so trippy that you think they’re probably lying. Lionel’s guitar sounds like a buzzsaw on “Down Underground,” and Mu‘s guest vocals on “Je Suis une Go-Go Girl” hypnotize you straight away.

Lionel sings lead on “La Fille de la Ligne 15” (“The Woman on Line 15”), in which he laments about seeing her each day and wondering who she is and if he has enough bravery to finally speak with her. The looping synths on “Je M’en Vais” (“I Am Leaving”) combine with a bouzouki to transport your brain out of your head.

“Wind is blowing, black cloud approaching. I remember nothing when I think of you,” Figueroa sings on the sultry and slightly snarky “Salvation.” The band poke fun at themselves and one of their biggest genre influences on “Votre Coté Yéyé M’emmerde” (“Your Yéyé Annoys Me”). Marie’s vocals on “Cold Was the Ground” are breathy, sexy, and, of course, sad as she sings about missing her lover as one of them is on the other side of the veil. Lionel’s bass groove on “My Black Sabbath” is super-slick. I love that they have a song (and instrumental, no less) called “Carnival of Souls,” and that it’s full of weird organ riffs by Pascal Comelade – which you know makes perfect sense if you’re a fan of the film of the same name. The slow, quiet groove of “El Beach” will have you playing it every time you come back from a late night swim. “Prisunic” takes us down to the “Dime Store” and encourages us to hang out with all the weirdos there. “Dahlia Rouge” starts off with a low motorcycle rumble and then bounces into a playful yé-yé tune.

The last three tracks on disc one (Yes, all of the above-mentioned songs are just on one CD) are all team-ups. The first, “Garden of Love,” features none other than Joy Division and New Order bassist Peter Hook, whose trademark crisp bass lines are all over the track. “Istanbul Is Sleepy” has The Brian Jonestown Massacre‘s Anton Newcombe on lead vocals and guitar for a powerful psych-track with a great beat from Marie. Mr. Hook returns on the last track of Disc One – “The Gift.” It’s a lovely track with slight goth and shoegaze touches.

The team-ups continue through most of Disc Two, starting with French actress, model, and signer Emmanuelle Seigner (who would later go on to form L’Épée with them and Newcombe) on the groovy and slightly gritty “Shadow People.” “Dimanche” (“Sunday”) with French actor and singer Bertrand Belin is hypnotizing and somewhat sinister. Speaking of French singers and musicians, French 1980s synthpop star Étienne Daho joins them on “Blood Circle,” singing in English about a tale of what appears to be murder or a tragic accident. Spanish siren / vixen Nuria contributes sexy vocals to “Calentita” (“Warm”), which, as far as I can tell, is about getting high and seeing funky phantoms.

French DJ Laurent Garnier adds house beats to Mr. and Mrs. Limiñana’s spooky pych jams to great effect on “Saul.” “USA Motorbike” (with film composer David Menke) is a great psych-instrumental. I’d take a whole record of stuff like that. Areski Belkacem has been making music and comedy since at least the late 1960s, and here he is co-creating trippy psych-jams on “La Musique.”

“Les Hommes et les Ombres” (“The Men and the Shadows”) is a cool Ennio Morricone-influenced instrumental with neat guitar work, and the following instrumental, “Domino,” (with Golden Bug) throbs with synth-bass and industrial hisses for a wild contrast between the two tracks. A third instrumental track, “Pulsing,” reunites The Limiñanas with David Menke for a growling, snarling, guitar-driven instrumental that has fuzz chords mingling with weird synths and sci-fi sounds.

The last seven tracks are all from the first group Mr. and Mrs. Limiñana were in – Les Bellas – a psych-rock group they had along with guitarist Giom Picard and vocalist / trumpeter Figuerola that was active from about 2003 to 2007. The tracks are a great addition here. “Hey I’m Going Down” sounds like it could’ve been a lost Dum Dum Girls track with it’s fierce beats and 60s garage rock guitars. “She’s on My Track” is a perfect slice of 60s girl group vocals and wall of sound fuzz. “A Dream That Sleeps” mixes rock and surf guitar with heavy organ riffs and Figuerola’s trumpet taking on a great solo.

The title track of this collection comes from a Les Bellas song, and it has a snappy post-punk edge to it that punches hard. Marie Limiñana’s beats on “You Got My Soul” roll back and forth between subtle and smashing. “Drown” mixes sexy vocals with psych-guitar riffs, Spanish trumpet blares, and almost Styx-like synths. The collection ends with the title track from Les Bellas’ lone album, “Belladellic,” a playful, fuzzy yé-yé track that reminds me of a cute kitten playing with you one moment and shredding your hand the next,

It’s a fun collection of rock that will instantly make you feel cooler and make people ask, “Where did you find this?” when you play it.

Keep your mind open.

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