Live: Windhand – November 07, 2018 – Subterranean – Chicago, IL

A place called “Subterranean” seems like a perfect fit to see doom metal rockers Windhand.  A lot of their songs cover subjects like graveyards, tombs, and ancient things best left buried.  They played to a happy crowd of metal heads, goths, and music geeks like yours truly in the small club.  Unfortunately for me, their opening band, Satan’s Satyrs, were wrapping up their set about the time I was walking up to the door.  Yes, I could hear them from outside and even across a busy Chicago street.

Windhand were just as loud, if not louder.  I hadn’t seen them since I caught most of their set at Levitation Austin earlier this year, and that was an open-air stage.  This would be my first time seeing them in an enclosed space.  I’m glad I brought my earplugs.

Emerging to a recording of spooky Halloween / haunted house noises, they opened with, what else, “Old Evil” and immediately unleashed thunder.

Lead singer Dorthia Cottrell was fully warmed up by the time they reached “First to Die,” and following it with “Forest Clouds” and “Grey Garden” had the entire crowd head-banging in unison.

One thing I noticed live that I now can’t believe I missed when listening to their new record, Eternal Return, was how Garrett Morris‘ guitar work often brings in distortion and effects with shoegaze influences.  It’s no secret that I love shoegaze music, so this is probably one of the many reasons I like Windhand so much.

Everyone in the crowd was ready for the Grim Reaper to show up by the time Windhand got to “Red Cloud” and “Cossack.”  It was a heavy, powerful performance that I needed after a work week that had me dealing with a staggering amount of paperwork until my eyes were sore.

Another breath of fresh air at this show was something you don’t see much of anymore – affordable merchandise.  $20 T-shirts, $10 CD’s, cheap stickers, reasonably priced hoodies, and more were available at Windhand and Satan’s Satyrs’ booths.

Catch them before they leave for a bunch of European dates.  Heck, go to Europe and see them (where I’m sure they’ll sell out most, if not all, of their shows).  Let their power overwhelm you.

Keep your mind open.

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Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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